Donna Tartt - The Goldfinch

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The Goldfinch: краткое содержание, описание и аннотация

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A young boy in New York City, Theo Decker, miraculously survives an accident that takes the life of his mother. Alone and determined to avoid being taken in by the city as an orphan, Theo scrambles between nights in friends’ apartments and on the city streets. He becomes entranced by the one thing that reminds him of his mother, a small, mysteriously captivating painting that soon draws Theo into the art underworld.

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It was raining. Pedestrians huddled and scurrying. Rain pelting hard at the window, rain beading on the plastic garbage bags at the curb. There at the desk, in my musty armchair, I tried to anchor myself or at least take some kind of comfort in the faded silks and dimness of the shop, its bittersweet gloom like rainy dark classrooms of childhood, but the dopamine slam had dropped me hard and left me with the pre-tremblings of something that felt very like death—a sadness you felt in your stomach first, beating on the inside of the forehead, all the darkness I’d shut out roaring back in.

Tunnel vision. All those years I’d drifted along too glassy and insulated for any kind of reality to push through: a delirium which had spun me along on its slow, relaxed wave since childhood, high and lying on the shag carpet in Vegas laughing at the ceiling fan, only I wasn’t laughing any more, Rip van Winkle wincing and holding his head on the ground about a hundred years too late.

What way was there to make it okay? None. In a way Boris had done me a favor by taking the thing—at least, I knew that was how most people would see it; I was off the hook; no one could blame me; the greater part of my problems had been solved at a stroke but while I knew that any sane person would be relieved to have the painting off their hands, yet I’d never felt quite so scorched with despair, self-hatred, shame.

Warm weary shop. I could not stay still; I stood up and sat down, walked to the window and back again. Everything was sodden with horror. A bisque Pulcinella eyed me with spite. Even the furniture looked sickly and disproportionate. How could I have believed myself a better person, a wiser person, a more elevated and valuable and worthy-of-living person on the basis of my secret uptown? Yet I had. The painting had made me feel less mortal, less ordinary. It was support and vindication; it was sustenance and sum. It was the keystone that had held the whole cathedral up. And it was awful to learn, by having it so suddenly vanish from under me, that all my adult life I’d been privately sustained by that great, hidden, savage joy: the conviction that my whole life was balanced atop a secret that might at any moment blow it apart.

xi.

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WHEN HOBIE GOT HOME, around two, he walked in off the street with a jingle of bells like a customer.

“Well, that was certainly a surprise last night.” He was pink-cheeked from the rain, shrugging off his raincoat and shaking the water off; he was dressed for the auction house, Windsor-knotted tie and one of the beautiful old suits. “Boris!” He’d done well at his auction, I could tell by his mood; though he tended not to go in with strong bids he knew what he wanted and every so often in a slow session, when no one was up against him, he made off with a pile of beauties. “I gather you two made quite a night of it?”

“Ah.” I was hunched in a corner, sipping tea; my headache was ferocious.

“Funny to meet him after hearing so much about him. Like meeting a character in a book. I’d always pictured him as the Artful Dodger in Oliver —oh you know—the little boy, the urchin, what’s the actor’s name. Jack something. Ragged coat. Smear of dirt along the cheek.”

“Believe me, he was dirty enough back then.”

“Well you know, Dickens doesn’t tell us what happened to the Dodger. Grew up to be a respectable businessman, who knows? And wasn’t Popper out of his mind? I’ve never seen an animal so happy.

“Oh and yes—” half-turning, busy with his coat; he hadn’t noticed me go still at Popper’s name—“before I forget, Kitsey called.”

I didn’t answer; I couldn’t. I hadn’t thought of Popper even once.

“Late-ish—ten. Told her you’d run into Boris, you’d come by, you’d gone out, hope that was all right.”

“Sure,” I said, after an effortful pause, struggling to collect my thoughts which were galloping in several very bad directions at once.

What must I remind you.” Hobie put his finger to his lips. “I was given a charge. Let me think.

“I can’t remember,” he said after a small start, shaking his head. “You’ll have to phone her. Dinner tonight, I know, at someone’s house. Dinner at eight! That I remember. But I can’t remember where.”

“The Longstreets,” I said, my heart plunging.

“That sounds right. Anyhow, Boris! Great fun—great charmer—how long’s he in town for? How long’s he here for?” he repeated amiably when I didn’t answer—he couldn’t see my face, staring out horrified into the street. “We should have him over for dinner, don’t you think? Why don’t you ask him to give us a couple of nights when he’s free? That is, if you like,” he said, when I didn’t reply. “Up to you. Let me know.”

xii.

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ABOUT TWO HOURS LATER—exhausted, eyes streaming with pain from my headache—I was still frantically wondering how to get Popper back while simultaneously inventing, and rejecting, explanations for his absence. I left him tied in front of a store? Someone had snatched him? An obvious lie: quite apart from the fact that it was pouring rain, Popper was so old and cranky on the leash I could hardly drag him down to the fire hydrant. Groomer? Popper’s groomer, a needy-seeming old lady named Cecelia who worked out of her apartment, always had him back by three. Vet? Quite apart from the fact that Popper wasn’t sick (and why wouldn’t I have mentioned it if he was?) Popper went to the same vet that Hobie had known since the days of Welty and Chessie. Dr. McDermott’s office was right down the street. Why would I have taken him anywhere else?

I groaned, got up, walked to the window. Again and again I ran against the same dead end, Hobie walking in befuddled, as he was bound to do in an hour or two, looking around the store: “Where’s Popper? Have you seen him?” And that was it: infinite loop; no alt-tab out. You could force close, shut down the computer, start all over and run it again, and the game would still lock up and freeze at the same place. “Where’s Popper?” No cheat code. Game over. There was no way past that moment.

The ragged sheets of rain had slowed to a drizzle, shining sidewalks and water dripping from the awnings, and everyone on the street seemed to have seized the moment to throw on a raincoat and dash out to the corner with the dog: dogs everywhere I looked, galumphing sheepdog, black standard poodle, terrier mutts, retriever mutts, an elderly French bulldog and a self-satisfied pair of dachshunds with their chins in the air, prissing in tandem across the street. In agitation I went back to my chair, sat down, picked up the Christie’s house sale catalogue and began to leaf through it in a rattled way: horrible modernist watercolors, two thousand dollars for an ugly Victorian bronze of two buffalos fighting, absurd.

What was I going to tell Hobie? Popper was old and deaf, and sometimes he fell asleep in out-of-the-way places where he didn’t hear right away when we called, but soon enough it would be time for his dinner and I would hear Hobie walking around upstairs, looking for him behind the sofa and in Pippa’s bedroom and all his usual places. “Popsky? Here, boy! Dinnertime!” Could I feign ignorance? Pretend to search the house too? scratch my head in puzzlement? Mysterious disappearance? Bermuda Triangle? I’d returned, with sinking heart, to the groomer idea when the shop bell jingled.

“I started to keep him.”

Popper—damp, but otherwise looking none the worse for his adventure—stiffened his legs rather formally as Boris set him down on the floor and then paddled over to me, holding his head up so that I might scratch him under the chin.

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