Donna Tartt - The Goldfinch

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The Goldfinch: краткое содержание, описание и аннотация

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A young boy in New York City, Theo Decker, miraculously survives an accident that takes the life of his mother. Alone and determined to avoid being taken in by the city as an orphan, Theo scrambles between nights in friends’ apartments and on the city streets. He becomes entranced by the one thing that reminds him of his mother, a small, mysteriously captivating painting that soon draws Theo into the art underworld.

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“He did not miss you one bit,” said Boris. “We had a very nice day together.”

“What’d you do?” I said, after a long silence, because I couldn’t think of anything else to say.

“Sleeped, mostly. Gyuri dropped us off—” he scrubbed his darkened eyes, and yawned—“and we had a very nice nap together, the two of us. You know—how he used to curl up? Like a fur hat on my head?” Popper had never liked to sleep with his chin on my head like that—only with Boris. “Then—we woke up, and I had a shower and I took him for a walk—not far, he did not want to go far—and I made some phone calls and we ate a bacon sandwich and drove back in. Look, I am sorry!” he said impulsively when I didn’t answer, running his hand through his rumpled hair. “Really. And I am going to make it right again, and good, I will.”

The silence between us was crushing.

“Did you have fun last night anyway? I had fun. Big night out! Not feeling so hot this morning, though. Please say something,” he blurted when I didn’t reply. “I have been feeling very very bad about this all day.”

Popper had snuffled across the room to his water dish. Peacefully, he began to drink. For a long time there was no sound except his monotonous lapping and slurping.

“Really, Theo—” hand to heart—“I feel terrible. My feelings—my shame—I have no words for,” he said, more gravely, when still I did not answer. “And yes, I’ll admit it, part of me asks myself, ‘why did you wreck everything, Boris, why did you open your big mouth.’ But how could I lie and sneak? You’ll give me that, at least?” he said, rubbing his hands, agitatedly. “I am not cowardly. I told you. I admitted it. I didn’t want you to worry, not knowing what was going on. And I am going to make it up to you, somehow, I promise.”

“Why—” Hobie was busy downstairs with the vacuum but I lowered my voice all the same, the same angry whisper when Xandra was downstairs and we didn’t want her to hear us quarreling—“why—”

“Why what?”

“Why the hell did you take it?”

Boris blinked, a bit self-righteously. “Because you have Jewish Mafiya coming to your house, is why!”

“No, that’s not why.”

Boris sighed. “Well, is partly why—a little. Was it safe at your house? No! And not at school either. Got my old school book, wrapped it in newspaper and taped it same fatness—”

“I asked why did you take it.”

“What can I say. I am thief.”

Popper was still noisily slurping up the water. With exasperation I wondered if Boris had thought to put a bowl down for him in their so-nice day out.

“And—” lightly he shrugged—“I wanted it. Yes. Who would not?”

“Wanted it why? For money?” I said, when he didn’t answer.

Boris made a face. “Of course not. Can’t sell something like that. Although—must admit—one time I was in trouble, four-five years ago, I almost sold it outright, low low price, giveaway almost, just to be rid of it. Glad I did not. I was in a jam and I needed cash. But—” sniffing hard, wiping his nose—“trying to sell piece like that is the quickest way to get caught. You know that yourself. As negotiable instrument—different story! They hold it as collateral—they front you the goods. You sell the goods, whatever, return with the capital, give them their cut, picture is returned to you, game over. Understand?”

I said nothing, began to leaf through the Christie’s catalogue again, which was still lying open on my desk.

“You know what they say.” His voice both sad and cajoling. “ ‘Chance makes the thief.’ Who knows that better than you? I went in your locker looking for lunch money and I thought: what? Hello? What’s this? It was easy to slip it out and hide it. And then I took my old workbook to Kotku’s shop class, same size, same thickness—same tape and everything! Kotku helped me do it. I didn’t tell her why I was doing it though. You couldn’t really tell Kotku things like that.”

“I still can’t believe you stole it.”

“Look. Am not going to make excuses. I took it. But—” he smiled winningly—“am I dishonest? Did I lie about it?”

“Yes,” I said, after a disbelieving pause. “Yes, you did lie about it.”

“You never asked me straight out! If you did, I would have told you!”

“Boris, that’s bullshit. You lied.”

“Well, am not lying now,” said Boris, looking around resignedly. “I thought you would have found out by now! Years ago! I thought that you knew it was me!”

I wandered away, to the stairs, trailed by Popchik; Hobie had shut the vacuum cleaner off, leaving a glaring silence, and I didn’t want him to hear us.

“I am not too clear—” Boris blew his nose sloppily, inspected the contents of the Kleenex, winced—“but am fairly sure it is in Europe somewhere.” He wadded the Kleenex and stuffed it in his pocket. “Genoa, outside chance. But my best guess is Belgium or Germany. Holland, maybe. They will be able to negotiate with it better because people are more impressed with it over there.”

“That doesn’t really narrow it down a lot.”

“Well, listen! Be glad it is not in South America! Because then, I guarantee, no chance you would see it again.”

“I thought you said it was gone.”

“I am not saying anything except I think I may be able to learn where it is. May. That is very different from knowing how to get it back. I have not dealt with these people before at all.”

“What people?”

Boris, uneasily, remained silent, casting his eyes about on the floor: iron bulldog figurines, stacked books, many little carpets.

“He doesn’t pee on the antiquities?” he inquired, nodding at Popchik. “All this nice furniture?”

“Nope.”

“He used to go all the time in your house. Your whole carpet downstairs smelled like pee. I think maybe because Xandra was not so good about taking him out before we got there.”

“What people?”

“Huh?”

“What people have you not dealt with.”

“It’s complicated. I will explain to you if you want,” he added hastily, “only I think we are both tired and now is not the time. But I am going to make a few calls and tell you what I find, right? And when I do, I will come back and tell you, promise. By the way—” tapping his upper lip with his finger.

“What?” I said, startled.

“Spot there. Under your nose.”

“I cut myself shaving.”

“Oh.” Standing there, he looked uncertain, as if he were on the verge of rushing in with some much more heated apology or outburst, but the silence that hung between us had a decidedly conclusive air, and he shoved his hands in his pockets. “Well.”

“Well.”

“See you later, then.”

“Sure.” But when he walked out the door, and I stood at the window and watched him duck the drips from the awning and saunter away—his gait loosening and lightening as soon as he thought he was out of my view—I felt there was a pretty good chance it was the last I’d see of him.

xiii.

картинка 151

GIVEN HOW I FELT, which was near death basically, suffering from an ugly migrainous headache and engulfed with such misery I could barely see, there was little point keeping the shop open. So though the sun had come out and people were appearing on the street, I turned around the “Closed” sign and—with Popper trundling anxiously behind me—I dragged myself upstairs, half-sick with the pain hammering behind my eyes, to pass out for a few hours before dinner.

Kitsey and I were to meet at her mother’s apartment at 7:45 before heading over to the Longstreets’, but I arrived a little early—partly because I wanted to see her on her own for a few minutes before we went to dinner; partly because I had something for Mrs. Barbour—a rare-ish exhibition catalogue I’d found for her in one of Hobie’s estate lots, Printmaking in the Age of Rembrandt.

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