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Олдос Хаксли: Limbo

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Олдос Хаксли Limbo

Limbo: краткое содержание, описание и аннотация

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Huxley’s first collection of short stories contains seven visionary and satirical tales, which introduces themes that will go on to form the basis of his entire works. The events and the protagonists of these stories, with their personalities falling between the explicit and the elusive, are also rich in parallels and points in common with the life of their author. In The Death of Lully a woman is struck by breast cancer, the disease that killed the young author’s mother to whom he was very close; and suicide as that of his brother, recurs in Eupompus Gave Splendour To Art By Numbers. Among all, however, Farcical History Of Richard Greenow takes the form of an autobiography, from the setting to the events described, there are many points of contact between the protagonist and that of the author: like a new Dr Jekyll’s alter ego protagonist (and the same Huxley) will face his personal Mr. Hyde, in the staging of the struggle between two different and irreconcilable ways of thinking about literature and civic engagement.

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VIII

The months passed by. The longer the war lasted, the longer it seemed likely to last. Dick supported life somehow. Then came the menace of conscription. The Weekly International organized a great anti–conscription campaign, in which Hyman and Dick were the leading spirits. Dick was almost happy. This kind of active work was new to him and he enjoyed it, finding it exciting and at the same time sedative. For a self–absorbed and brooding mind, pain itself is an anodyne. He enjoyed his incessant journeys, his speechmaking to queer audiences in obscure halls and chapels; he liked talking with earnest members of impossible Christian sects, pacifists who took not the faintest interest in the welfare of humanity at large, but were wholly absorbed in the salvation of their own souls and in keeping their consciences clear from the faintest trace of blood–guiltiness. He enjoyed the sense of power which came to him, when he roused the passion of the crowd to enthusiastic assent, or breasted the storm of antagonism. He enjoyed everything—even getting a bloody nose from a patriot hired and intoxicated by a great evening paper to break up one of his meetings. It all seemed tremendously exciting and important at the time. And yet when, in quiet moments, he came to look back on his days of activity, they seemed utterly empty and futile. What was left of them? Nothing, nothing at all. The momentary intoxication had died away, the stirred ant’s–nest had gone back to normal life. Futility of action! There was nothing permanent, or decent, or worth while, except thought. And of that he was almost incapable now. His mind, when it was not occupied by the immediate and actual, turned inward morbidly upon itself. He looked at the manuscript of his book and wondered whether he would ever be able to go on with it. It seemed doubtful. Was he, then, condemned to pass the rest of his existence enslaved to the beastliness and futility of mere quotidian action? And even in action his powers were limited; if he exerted himself too much—and the limits of fatigue were soon reached—Pearl Bellairs, watching perpetually like a hungry tigress for her opportunity, leapt upon him and took possession of his conscious faculties. And then, it might be for a matter of hours or of days, he was lost, blotted off the register of living souls, while she performed, with intense and hideous industry, her self–appointed task. More than once his anti–conscription campaigns had been cut short and he himself had suddenly disappeared from public life, to return with the vaguest stories of illness or private affairs—stories that made his friends shake their heads and wonder which it was among the noble army of vices that poor Dick Greenow was so mysteriously addicted to. Some said drink, some said women, some said opium, and some hinted at things infinitely darker and more horrid. Hyman asked him point–blank what it was, one morning when he had returned to the office after three days’ unaccountable absence.

Dick blushed painfully. “It isn’t anything you think,” he said.

“What is it, then?” Hyman insisted.

“I can’t tell you,” Dick replied desperately and in torture, “but I swear it’s nothing discreditable. I beg you won’t ask me any more.”

Hyman had to pretend to be satisfied with that.

IX

A tactical move in the anti–conscription campaign was the foundation of a club, a place where people with pacific or generally advanced ideas could congregate.

“A club like this would soon be the intellectual centre of London,” said Hyman, ever sanguine.

Dick shrugged his shoulders. He had a wide experience of pacifists.

“If you bring people together,” Hyman went on, “they encourage one another to be bold—strengthen one another’s faith.”

“Yes,” said Dick dyspeptically. “When they’re in a herd, they can believe that they’re much more numerous and important than they really are.”

“But, man, they are numerous, they are important!” Hyman shouted and gesticulated.

Dick allowed himself to be persuaded into an optimism which he knew to be ill–founded. The consolations of religion do not console the less efficaciously for being illusory.

It was a long time before they could think of a suitable name for their club. Dick suggested that it should be called the Sclopis Club. “Such a lovely name,” he explained. “Sclopis—Sclopis; it tastes precious in the mouth.” But the rest of the committee would not hear of it; they wanted a name that meant something. One lady suggested that it should be called the Everyman Club; Dick objected with passion. “It makes one shudder,” he said. The lady thought it was a beautiful and uplifting name, but as Mr. Greenow was so strongly opposed, she wouldn’t press the claims of Everyman. Hyman wanted to call it the Pacifist Club, but that was judged too provocative. Finally, they agreed to call it the Novembrist Club, because it was November and they could think of no better title.

The inaugural dinner of the Novembrist Club was held at Piccolomini’s Restaurant. Piccolomini is in, but not exactly of, Soho, for it is a cross between a Soho restaurant and a Corner House, a hybrid which combines the worst qualities of both parents—the dirt and inefficiency of Soho, the size and vulgarity of Lyons. There is a large upper chamber reserved for agapes. Here, one wet and dismal winter’s evening, the Novembrists assembled.

Dick arrived early, and from his place near the door he watched his fellow–members come in. He didn’t much like the look of them. “Middle class” was what he found himself thinking; and he had to admit, when his conscience reproached him for it, that he did not like the middle classes, the lower middle classes, the lower classes. He was, there was no denying it, a bloodsucker at heart—cultured and intelligent, perhaps, but a bloodsucker none the less.

The meal began. Everything about it was profoundly suspect. The spoons were made of some pale pinchbeck metal, very light and flimsy; one expected them to melt in the soup, or one would have done, if the soup had been even tepid. The food was thick and greasy. Dick wondered what it really looked like under the concealing sauces. The wine left an indescribable taste that lingered on the palate, like the savour of brass or of charcoal fumes.

From childhood upwards Dick had suffered from the intensity of his visceral reactions to emotion. Fear and shyness were apt to make him feel very sick, and disgust produced in him a sensation of intolerable queasiness. Disgust had seized upon his mind to–night. He grew paler with the arrival of every dish, and the wine, instead of cheering him, made him feel much worse. His neighbours to right and left ate with revolting heartiness. On one side sat Miss Gibbs, garishly dressed in ill–assorted colours that might be called futuristic; on the other was Mr. Something in pince–nez, rather ambrosial about the hair. Mr. Something was a poet, or so the man who introduced them had said. Miss Gibbs was just an ordinary member of the Intelligentsia, like the rest of us.

The Lower Classes, the Lower Classes …

“Are you interested in the Modern Theatre?” asked Mr. Something in his mellow voice. Too mellow—oh, much too mellow!

“Passably,” said Dick.

“So am I,” said Mr. Thingummy. “I am a vice–president of the Craftsmen’s League of Joy, which perhaps you may have heard of.”

Dick shook his head; this was going to be terrible.

“The objects of the Craftsmen’s League of Joy,” Mr. Thingummy continued, “or rather, one of the objects—for it has many—is to establish Little Theatres in every town and village in England, where simple, uplifting, beautiful plays might be acted. The people have no joy.”

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