Salman Rushdie - The Satanic Verses

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No book in modern times has matched the uproar sparked by Salman Rushdie's The Satanic Verses, which earned its author a death sentence. Furor aside, it is a marvelously erudite study of good and evil, a feast of language served up by a writer at the height of his powers, and a rollicking comic fable. The book begins with two Indians, Gibreel Farishta ("for fifteen years the biggest star in the history of the Indian movies") and Saladin Chamcha, a Bombay expatriate returning from his first visit to his homeland in 15 years, plummeting from the sky after the explosion of their jetliner, and proceeds through a series of metamorphoses, dreams and revelations. Rushdie's powers of invention are astonishing in this Whitbread Prize winner.
From Publishers Weekly Banned in India before publication, this immense novel by Booker Prize-winner Rushdie ( Midnight's Children ) pits Good against Evil in a whimsical and fantastic tale. Two actors from India, "prancing" Gibreel Farishta and "buttony, pursed" Saladin Chamcha, are flying across the English Channel when the first of many implausible events occurs: the jet explodes. As the two men plummet to the earth, "like titbits of tobacco from a broken old cigar," they argue, sing and are transformed. When they are found on an English beach, the only survivors of the blast, Gibreel has sprouted a halo while Saladin has developed hooves, hairy legs and the beginnings of what seem like horns. What follows is a series of allegorical tales that challenges assumptions about both human and divine nature. Rushdie's fanciful language is as concentrated and overwhelming as a paisley pattern. Angels are demonic and demons are angelic as we are propelled through one illuminating episode after another. The narrative is somewhat burdened by self-consciousness that borders on preciosity, but for Rushdie fans this is a splendid feast.
Review "A glittering novelist – one with startling imagination and intellectual resources, a master of perpetual storytelling." – V.S. Pritchett, "Abundant in enchanting narratives and amazingly peopled,
is both a philosophy and an Arabian nights entertainment. What wit, what real warmth in Rushdie’s thousand-eyed perceptions of the inferno within us and the vainglory of our aspirations! His ambitions are huge, and his creativity triumphantly matches them...A staggering achievement, brilliantly enjoyable." – Nadine Gordimer
"A masterpiece." – Bill Bruford,
"Swift's Gulliver's Travels, Voltaire's Candide, Sterne's Tristam Shandy.... Salman Rushdie, it seems to me, is very much a latter day member of their company." – "Further evidence of Rushdie’s stature as one of the most original, imaginative, perplexing, and important writers of our time." – "A novel of metamorphoses, hauntings, hallucinations, revelations, advertising jingles jokes… Rushdie has the power of description, and we succumb." – Victoria Glendinning, "An exhilarating… populous, loquacious, sometimes hilarious, extraordinary contemporary novel… a roller coaster ride over a vast majority of the imagination" – Angela Carter, "A truly original novel…sustained at headlong pace by the author whose powers of invention and construction, command of every variety of English and Anglo-Indian idiom, sense of desperate comedy, and within of intellectual reference have been well-exercised before, but neber on such a scale." – Hyam Maccoby,

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‘Look,’ Allie Cone was saying, ‘Gibreel, goddamn it, never mind the fight. Listen: I love you.’

There were only the two of them in the apartment now. ‘I have to go,’ Gibreel said, quietly. She hung upon his arm. ‘Truly, I don't think you're really well.’ He stood upon his dignity. ‘Having commanded my exit, you no longer have jurisdiction re my health.’ He made his escape. Alleluia, trying to follow him, was afflicted by such piercing pains in both feet that, having no option, she fell weeping to the floor: like an actress in a masala movie; or Rekha Merchant on the day Gibreel walked out on her for the last time. Like, anyhow, a character in a story of a kind in which she could never have imagined she belonged.

*

The meteorological turbulence engendered by God's anger with his servant had given way to a clear, balmy night presided over by a fat and creamy moon. Only the fallen trees remained to bear witness to the might of the now-departed Being. Gibreel, trilby jammed down on his head, money-belt firmly around his waist, hands deep in gabardine – the right hand feeling, in there, the shape of a paperback book – was giving silent thanks for his escape. Certain now of his archangelic status, he banished from his thoughts all remorse for his time of doubting, replacing it with a new resolve: to bring this metropolis of the ungodly, this latter-day ‘Ad or Thamoud, back to the knowledge of God, to shower upon it the blessings of the Recitation, the sacred Word. He felt his old self drop from him, and dismissed it with a shrug, but chose to retain, for the time being, his human scale. This was not the time to grow until he filled the sky from horizon to horizon – though that, too, would surely come before long.

The city's streets coiled around him, writhing like serpents. London had grown unstable once again, revealing its true, capricious, tormented nature, its anguish of a city that had lost its sense of itself and wallowed, accordingly, in the impotence of its selfish, angry present of masks and parodies, stifled and twisted by the insupportable, unrejected burden of its past, staring into the bleakness of its impoverished future. He wandered its streets through that night, and the next day, and the next night, and on until the light and dark ceased to matter. He no longer seemed to need food or rest, but only to move constantly through that tortured metropolis whose fabric was now utterly transformed, the houses in the rich quarters being built of solidified fear, the government buildings partly of vainglory and partly of scorn, and the residences of the poor of confusion and material dreams. When you looked through an angel's eyes you saw essences instead of surfaces, you saw the decay of the soul blistering and bubbling on the skins of people in the street, you saw the generosity of certain spirits resting on their shoulders in the form of birds. As he roamed the metamorphosed city he saw bat-winged imps sitting on the corners of buildings made of deceits and glimpsed goblins oozing wormily through the broken tilework of public urinals for men. As once the thirteenth-century German monk Richalmus would shut his eyes and instantly see clouds of minuscule demons surrounding every man and woman on earth, dancing like dust-specks in the sunlight, so now Gibreel with open eyes and by the light of the moon as well as the sun detected everywhere the presence of his adversary, his – to give the old word back its original meaning – shaitan .

Long before the Flood, he remembered – now that he had reassumed the role of archangel, the full range of archangelic memory and wisdom was apparently being restored to him, little by little – a number of angels (the names Semjaza and Azazel came first to mind) had been flung out of Heaven because they had been lusting after the daughters of men , who in due course gave birth to an evil race of giants. He began to understand the degree of the danger from which he had been saved when he departed from the vicinity of Alleluia Cone. O most false of creatures! O princess of the powers of the air! – When the Prophet, on whose name be peace, had first received the wahi, the Revelation, had he not feared for his sanity? – And who had offered him the reassuring certainty he needed? – Why, Khadija, his wife. She it was who convinced him that he was not some raving crazy but the Messenger of God. – Whereas what had Alleluia done for him? You're not yourself, I don't think you're really well . – O bringer of tribulation, creatrix of strife, of soreness of the heart! Siren, temptress, fiend in human form! That snowlike body with its pale, pale hair: how she had used it to fog his soul, and how hard he had found it, in the weakness of his flesh, to resist... enmeshed by her in the web of a love so complex as to be beyond comprehension, he had come to the very edge of the ultimate Fall. How beneficent, then, the Over-Entity had been to him! – He saw now that the choice was simple: the infernal love of the daughters of men, or the celestial adoration of God. He had found it possible to choose the latter; in the nick of time.

He drew out of the right-hand pocket of his overcoat the book that had been there ever since his departure from Rosa's house a millennium ago: the book of the city he had come to save, Proper London, capital of Vilayet, laid out for his benefit in exhaustive detail, the whole bang shoot. He would redeem this city: Geographers’ London, all the way from A to Z.

*

On a street corner in a part of town once known for its population of artists, radicals and men in search of prostitutes, and now given over to advertising personnel and minor film producers, the Archangel Gibreel chanced to see a lost soul. It was young, male, tall, and of extreme beauty, with a strikingly aquiline nose and longish black hair oiled down and parted in the centre; its teeth were made of gold. The lost soul stood at the very edge of the pavement, its back to the road, leaning forwards at a slight angle and clutching, in its right hand, something it evidently held very dear. Its behaviour was striking: first it would stare fiercely at the thing it held in its hand, and then look around, whipping its head from right to left, scrutinizing with blazing concentration the faces of the passers-by. Reluctant to approach too quickly, Gibreel on a first pass saw that the object the lost soul was clutching was a small passport-sized photograph. On his second pass he went right up to the stranger and offered his help. The other eyed him suspiciously, then thrust the photograph under his nose. ‘This man,’ he said, jabbing at the picture with a long index finger. ‘Do you know this man?’

When Gibreel saw, staring out of the photograph, a young man of extreme beauty, with a strikingly aquiline nose and longish black hair, oiled, with a central parting, he knew that his instincts had been correct, that here, standing on a busy street corner watching the crowd in case he saw himself going by, was a Soul in search of its mislaid body, a spectre in desperate need of its lost physical casing – for it is known to archangels that the soul or ka cannot exist (once the golden cord of light linking it to the body is severed) for more than a night and a day. ‘I can help you,’ he promised, and the young soul looked at him in wild disbelief. Gibreel leaned forward, grasped the ka's face between his hands, and kissed it firmly upon the mouth, for the spirit that is kissed by an archangel regains, at once, its lost sense of direction, and is set upon the true and righteous path. – The lost soul, however, had a most surprising reaction to being favoured by an archangelic kiss. ‘Sod you,’ it shouted, ‘I may be desperate, mate, but I'm not that desperate,’ – after which, manifesting a solidity most unusual in a disembodied spirit, it struck the Archangel of the Lord a resounding blow upon the nose with the very fist in which its image was clasped; – with disorienting, and bloody, results.

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