Salman Rushdie - The Satanic Verses

After Chamcha had been taken away, Gibreel Farishta often wondered about his own behaviour. In that dreamlike moment when he had been trapped by the eyes of the old Englishwoman it had seemed to him that his will was no longer his own to command, that somebody else's needs were in charge. Owing to the bewildering nature of recent events, and also to his determination to stay awake as much as possible, it was a few days before he connected what was going on to the world behind his eyelids, and only then did he understand that he had to get away, because the universe of his nightmares had begun to leak into his waking life, and if he was not careful he would never manage to begin again, to be reborn with her, through her, Alleluia, who had seen the roof of the world.

He was shocked to realize that he had made no attempt to contact Allie at all; or to help Chamcha in his time of need. Nor had he been at all perturbed by the appearance on Saladin's head of a pair of fine new horns, a thing that should surely have occasioned some concern. He had been in some sort of trance, and when he asked the old dame what she thought of it all she smiled weirdly and told him that there was nothing new under the sun, she had seen things, the apparitions of men with horned helmets, in an ancient land like England there was no room for new stories, every blade of turf had already been walked over a hundred thousand times. For long periods of the day her talk became rambling and confused, but at other times she insisted on cooking him huge heavy meals, shepherd's pies, rhubarb crumble with thick custard, thick-gravied hotpots, all manner of weighty soups. And at all times she wore an air of inexplicable contentment, as if his presence had satisfied her in some deep, unlooked-for way. He went shopping in the village with her; people stared; she ignored them, waving her imperious stick. The days passed. Gibreel did not leave.

‘Blasted English mame,’ he told himself. ‘Some type of extinct species. What the hell am I doing here?’ But stayed, held by unseen chains. While she, at every opportunity, sang an old song, in Spanish, he couldn't understand a word. Some sorcery there? Some ancient Morgan Le Fay singing a young Merlin into her crystal cave? Gibreel headed for the door; Rosa piped up; he stopped in his tracks. ‘Why not, after all,’ he shrugged. ‘The old woman needs company. Faded grandeur, I swear! Look what she's come to here. Anyhow, I need the rest. Gather my forces. Just a coupla days.’

In the evenings they would sit in that drawing-room stuffed with silver ornaments, including on the wall a certain silver-hafted knife, beneath the plaster bust of Henry Diamond that stared down from the top of the corner cabinet, and when the grandfather clock struck six he would pour two glasses of sherry and she would begin to talk, but not before she said, as predictably as clockwork, Grandfather is always four minutes late, for good manners, he doesn't like to be too punctual . Then she began without bothering with onceuponatime, and whether it was all true or all false he could see the fierce energy that was going into the telling, the last desperate reserves of her will that she was putting into her story, the only bright time I can remember , she told him, so that he perceived that this memory-jumbled rag-bag of material was in fact the very heart of her, her self-portrait, the way she looked in the mirror when nobody else was in the room, and that the silver land of the past was her preferred abode, not this dilapidated house in which she was constantly bumping into things, – knocking over coffee-tables, – bruising herself on doorknobs – bursting into tears, and crying out: Everything shrinks .

When she sailed to Argentina in 1935 as the bride of the Anglo-Argentine Don Enrique of Los Alamos, he pointed to the ocean and said, that's the pampa. You can't tell how big it is by looking at it. You have to travel through it, the unchangingness, day after day. In some parts the wind is strong as a fist, but it's completely silent, it'll knock you flat but you'll never hear a thing. No trees is why: not an ombú, not a poplar, nada. And you have to watch out for ombú leaves, by the way. Deadly poison. The wind won't kill you but the leaf-juice can. She clapped her hands like a child: Honestly, Henry, silent winds, poisonous leaves. You make it sound like a fairy-story. Henry, fairhaired, soft-bodied, wide-eyed and ponderous, looked appalled. Oh, no , he said. It's not so bad as that .

She arrived in that immensity, beneath that infinite blue vault of sky, because Henry popped the question and she gave the only answer that a forty-year-old spinster could. But when she arrived she asked herself a bigger question: of what was she capable in all that space? What did she have the courage for, how could she expand ? To be good or bad, she told herself: but to be new . Our neighbour Doctor Jorge Babington, she told Gibreel, never liked me, you know, he would tell me tales of the British in South America, always such gay blades, he said contemptuously, spies and brigands and looters. Are you such exotics in your cold England ? he asked her, and answered his own question, senora, I don't think so. Crammed into that coffin of an island, you must find wider horizons to express these secret selves .

Rosa Diamond's secret was a capacity for love so great that it soon became plain that her poor prosaic Henry would never fulfil it, because whatever romance there was in that jellied frame was reserved for birds. Marsh hawks, screamers, snipe. In a small rowing boat on the local lagunas he spent his happiest days amid the bulrushes with his field-glasses to his eyes. Once on the train to Buenos Aires he embarrassed Rosa by demonstrating his favourite bird-calls in the dining-car, cupping his hands around his mouth: sleepyhead bird, vanduria ibis, trupial. Why can't you love me this way, she wanted to ask. But never did, because for Henry she was a good sort, and passion was an eccentricity of other races. She became the generalissimo of the homestead, and tried to stifle her wicked longings. At night she took to walking out into the pampa and lying on her back to look at the galaxy above, and sometimes, under the influence of that bright flow of beauty, she would begin to tremble all over, to shudder with a deep delight, and to hum an unknown tune, and this star-music was as close as she came to joy.

Gibreel Farishta: felt her stories winding round him like a web, holding him in that lost world where fifty sat down to dinner every day, what men they were, our gauchos, nothing servile there, very fierce and proud, very. Pure carnivores; you can see it in the pictures . During the long nights of their insomnia she told him about the heat-haze that would come over the pampa so that the few trees stood out like islands and a rider looked like a mythological being, galloping across the surface of the ocean. It was like the ghost of the sea . She told him campfire stories, for example about the atheist gaucho who disproved Paradise, when his mother died, by calling upon her spirit to return, every night for seven nights. On the eighth night he announced that she had obviously not heard him, or she would certainly have come to console her beloved son; therefore, death must be the end. She snared him in descriptions of the days when the Peron people came in their white suits and slicked down hair and the peons chased them off, she told him how the railroads were built by the Anglos to service their estancias, and the dams, too, the story, for example, of her friend Claudette, ‘a real heartbreaker, my dear, married an engineer chap name of Granger, disappointed half the Hurlingham. Off they went to some dam he was building, and next thing they heard, the rebels were coming to blow it up. Granger went with the men to guard the dam, leaving Claudette alone with the maid, and wouldn't you know, a few hours later, the maid came running, senora, ees one hombre at the door, ees as beeg as a house. What else? A rebel captain. – ‘And your spouse, madame?’ – ‘Waiting for you at the dam, as he should be.’ – ‘Then since he has not seen fit to protect you, the revolution will.’ And he left guards outside the house, my dear, quite a thing. But in the fighting both men were killed, husband and captain and Claudette insisted on a joint funeral, watched the two coffins going side by side into the ground, mourned for them both. After that we knew she was a dangerous lot, trop fatale , eh? What? Trop jolly fatale .’ In the tall story of the beautiful Claudette, Gibreel heard the music of Rosa's own longings. At such moments he would catch sight of her looking at him from the corners of her eyes, and he would feel a tugging in the region of his navel, as if something were trying to come out. Then she looked away, and the sensation faded. Perhaps it was only a side-effect of stress.