Joseph Heller - Closing Time

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In Joseph Heller's two best novels, Catch 22 and Something Happened, the narrative circles obsessively around a repressed memory that it is the stories' business finally to confront. We feel the tremors of its eventual eruption in each book even as the narrator frantically distracts us with slapstick improvisation. In his newest novel, Closing Time, Heller brings back the (anti-) hero of Catch 22, John Yossarian, and once again something horrific is building beneath his life and those of his generation and their century as they all draw to a close.
But this time it is not a brute fact lodged in memory, the something that draws its power simply from having happened. It is instead something that is going to happen-we're going to die-and it draws its power from-well-how we feel about that. The problem is that we may not all feel the same way about our approaching death, as we cannot fail to do about Howie Snowden bleeding to death on the floor of the bomber in Catch 22. We cannot really imagine our death. On the other hand, try as we might, we cannot help imagining Snowden. It comes down to a question of authority, the authority of an author's claim on our imagination. There is less of it in Closing Time.
It reaches for such authority by reading into the passing of the World War II generation a paranoid apocalypse in the manner of Thomas Pynchon and Don DeLillo. Yossarian's life goes into and out of a kind of virtual reality involving a Dantesque underworld entered through the false back of a basement tool locker in the New York Port Authority Bus Terminal. Beneath this underworld runs an underground railroad meant to provide indefinite protection for the elite of the military/industrial/political complex chosen by triage to survive the coming nuclear holocaust. As catalyst for that holocaust we are given a mentally challenged president known to us only by his affectionate nickname, the Little Prick, who is enthralled by the video games that fill a room just off the Oval Office, especially the game called Triage which enables him eventually to trip the wire on the conclusive Big Bang.
Heller's underworld has some fetching attributes. It is managed by George C. Tilyou, the Coney Island entrepreneur who ran the Steeplechase amusement park before World War 1. Tilyou died before any of the novel's protagonists was born, but the remembered stories about him and his slowly sinking house with the family name on the front step qualify him as a jolly major domo of hell, a man whose love for his fellows sincerely expressed itself in fleecing them. Now, below the sub-sub-basement of the bus terminal, he rejoices in having taken it with him, for his house and eventually his whole amusement park sank down around him. Rockefeller and Morgan come by and panhandle miserably for his wealth, having learned too late that their more conventional philanthropy could not sanctify their plunder or secure their grasp on it.
Other aspects of Heller's grand scheme are less successful. Two characters from Catch 22, Milo Minderbinder and ex-Pfc. Wintergreen, are strawmen representatives of the military-industrial complex, peddling a nonexistent clone of the Stealth bomber to a succession of big-brass boobies with names like Colonel Pickering and Major Bowes. Much of this is the sort of thing that killed vaudeville and is now killing "Saturday Night Live."
Against these gathering forces of death, Yossarian asserts his allegiance to life in a way that is by now a reflex of the Norman Mailer generation: he has an affair with and impregnates a younger woman, a nurse whom he meets in a hospitalization of doubtful purpose at the opening of the novel. Thank heavens, I thought as I read, that I belong to the only sex capable of such late and surprising assertions. But, as the euphoria ebbed, I had to admit that Yossarian's amatory exertions were more than faintly repulsive.
So the novel is disappointing where it hurts the most, in its central organizing idea. Why, after all, does Yossarian's generation get to take the whole world down with it? Well, it doesn't, really, and yet the veterans of World War II do have a special claim on us as they pass from our sight. This claim is more convincingly urged by the long first-person narratives of two characters who, we learn, moved invisibly on the periphery of events in Catch-22.
Lew Rabinowitz and Sammy Singer are non-neurotics whose stories reveal their limitations and, at the same time, allow us to see around and beyond them. This is harder to do with normal people, and Heller brings it off beautifully. Rabinowitz is an aggressive giant, the son of a Coney Island junk dealer, an instinctively successful businessman who lacked the patience for the college education offered him by the G.I. Bill, and who never comprehended as we do his own delicacy of feeling. Singer, a writer of promotional and ad copy for Times, is, by his own account, a bit of a pedant given to correcting Rabinowitz's grammar. Heller sometimes allows Singer's prose style to stiffen in a way that is entirely in character and that gives an unexpected dignity and pathos to passages like those that describe his wife's last illness.
Rabinowitz and Singer basically get more respect from their author than Yossarian and the characters who figure in his story. The two new characters tell us stories embued with an unforced humor and with the sort of gravity that attends good people as they come to terms with their mortality. And this goes for their wives as well, for both men make good and entirely credible marriages that last a lifetime. Yossarian should have been so lucky.

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"But ours work," Noodles told him with pride. "Or they wouldn't be on our map. He had this whole model built to make sure it's as good as the one in the game. If there's one word he lives by, it's be prepared."

"fThat's two words, isn't it?" corrected Yossarian.

"I used to think that way too," said Noodles, "but now I see it his way. I'm getting better at golf also."

"Is that why those country clubs are there?"

"He's putting them into the video game so they'll both match. See up there in Vermont?" Yossarian saw a Ben amp; Jerry Federal Ice Cream Depository. "He found that one in the video game only a little while ago, and now he wants one too. We'll also have Haagen-Dazs. We may be underneath a long time when it ever comes to that, and he wants to be sure of his ice cream and his golf. This is confidential, but we already have a nine-hole course finished underneath Burning Tree, and it's identical to the one up here. He's down there now, practicing the course so he'll have an advantage over others when the time comes."

"Who would those others be?" asked Yossarian.

"Those of us who've been chosen to survive," answered Noodles, "and to keep the country running underground when there's not much left above."

"I see. When would that be?"

"When he unlocks the box and presses the button. You see that second unit beside the game? That's the Football."

"What football?"

"Newspapermen like to call it the Football. It's the unit that will launch all our planes and defensive-offensive weapons as soon as there's word of the big attack or we decide to launch our own war. That will have to happen, sooner or later."

"I know that. What happens then?"

"We go down below, the little prick and I, until the embers cool and the radiation blows away. Along with the rest who've been picked to survive."

"Who does the picking?"

"The National Bipartisan Triage Committee. They've picked themselves, of course, and their best friends."

"Who's on it?"

"Nobody's sure."

"What happens to me and my best friends?"

"You're all disposable, of course."

"That sounds fair," said Yossarian.

"It's a pity we don't have time for a game now," said Noodles. "It's something to watch when we're fighting each other for purified water. Would you like to begin one?"

"I'm meeting a lady friend in the aeronautical museum of the Smithsonian."

"'And I have a history lesson to give when he gets back from his golf. That part isn't easy."

"Do you learn a lot?" Yossarian teased.

"We both learn a lot," said Noodles, offended. "Well, Yossarian, it will soon be Thanksgiving, and we ought to talk turkey. How much will you want?"

"For what?"

"For getting me that speaking engagement. You're in for a piece, naturally. Name your price."

"Noodles," said Yossarian in censure, "I couldn't take anything. That would be a kickback. I don't want a penny."

"That sounds fair," said Noodles, and grinned. "You see what a bigger shit I am? That's one more I owe you."

"There's that one I do want," Yossarian remembered later he had requested earnestly. "I want the chaplain set free."

And at that point Noodles had turned grave. "I've tried. There are complications. They don't know what to do with him and are sorry now they ever found him. If they could dispose of him safely as radioactive waste, I think they would do it."

After the tritium, they had to see what came out of the chaplain next. Plutonium would be dreadful. And worse, lithium, that medication of choice he'd been receiving for his depression, bonded with heavy water into the lithium deuteride of the hydrogen bomb, and that could be a catastrophe.

26 Yossarian

Noodles Cook had his history lesson to prepare and Yossarian had his date at the museum. Yossarian was remembering Noodles a week later when he drew near PABT and heard the tiny steam whistles of the nearby vendors of hot peanuts. These brought back to mind the tuneful phrases of the "Forest Murmurs" in Siegfried, and the struggle for that magic ring of stolen gold that supposedly conferred world power on anyone who owned it-and brought doleful misery and ruin to all those who did. As he pushed through the doors to enter the bus terminal, he envisioned that Germanic hero, who was only Icelandic, at the lair of the dormant dragon that was lying there minding its own business. "Let me sleep," was the growling thanks to wretched king-god Wotan, who, in mournful, frustrated hopes of getting back that ring in gratitude, had come sneaking up to warn him of the fearless hero approaching.

Young Siegfried had his dragon to face, and Yossarian had those savage dogs below at the entrance to that mysterious underworld of basements that McBride now had license to inspect.

Yossarian, looking back, could recall no intimations then of what he came to know later in the hospital when contemplating his Rhine Journey as narrative jest, that he would start seeing double that same day and end in the hospital with his predicament with Melissa and his half-million dollars, and with the sale of a shoe.

With Germany unified and bristling with neo-Nazi violence again, he thought The New Yorker might jump at this mordant spoof of a Rhine Journey by a contemporary American middle-class Assyrian Siegfried of ambiguous Semitic extraction, surely a contradiction. But, inevitably, distracting visitors and doctors soon depleted him of time and that optimistic verve essential for the renewal and consummation of serious literary ambition.

Yossarian was forced to admire the veteran poise with which Melissa and even Angela could turn nondescript in the presence of his children or Frances and Patrick Beach, blending innocuously into the background or slipping noiselessly from the room. And then popping up out of nowhere entirely by coincidence, even old Sam Singer the tail gunner was there too, as a visitor to his big-boned friend with cancer, and their curious, fey friend from California, with the plump face and pinched eyes, who came seeking Yossarian out for his access to Milo. There was even a phantasmagorical brush with a gruesome war casualty in plaster and bandages called the Soldier in White, in mystical flashback to another warped delusion.

Siegfried, he contrived in analogy, had gone zipping off on foot to awaken Brunnhilde with a kiss after lifting the ring the slain dragon had earned by working like a giant to build eternal Valhalla for the immortal gods, who already knew it was twilight time or them too.

Whereas Yossarian went by taxi and had more than a kiss in mind for Melissa when he came upon her practically alone in the semidarkness of the cinema in the museum with the continuously running film of the record of aviation. But so swiftly was he swept up by the flickering ancient movies of the first aviators that he forgot entirely to interfere with her. The Lindbergh airplane on view was more astonishing to him than any space capsule. Melissa was reverent too. The Lindbergh kid of twenty-four had flown by perisrope, his view in front obstructed by an auxiliary fuel tank.

At night after dinner he felt dead from his trip and already too well acquainted with their agendas of eros to be avid for sex. If she was offended, she gave no sign. To his mild disbelief, she was asleep before he was.

Meditating in solitude on his back, he made spontaneously the gratifying decision to surprise her with a fifth of the half-million-dollar gold hoard he had picked up that day, absorbing taxes himself. He thought a gift of a hundred thousand dollars to be conserved for the future by a hardworking woman with a net worth of less than six thousand might affect her as favorably as the replacement of the two silver fillings, the eight dozen roses in a two-day period, and the silken, frilly upper-body lingerie from Saks Fifth Avenue, Victoria's Secret, and Frederick's of Hollywood. To someone like her, a windfall of a hundred thousand dollars might seem a lot.

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