Joseph Heller - Closing Time

Здесь есть возможность читать онлайн «Joseph Heller - Closing Time» весь текст электронной книги совершенно бесплатно (целиком полную версию без сокращений). В некоторых случаях можно слушать аудио, скачать через торрент в формате fb2 и присутствует краткое содержание. Жанр: Современная проза, на английском языке. Описание произведения, (предисловие) а так же отзывы посетителей доступны на портале библиотеки ЛибКат.

Closing Time: краткое содержание, описание и аннотация

Предлагаем к чтению аннотацию, описание, краткое содержание или предисловие (зависит от того, что написал сам автор книги «Closing Time»). Если вы не нашли необходимую информацию о книге — напишите в комментариях, мы постараемся отыскать её.

In Joseph Heller's two best novels, Catch 22 and Something Happened, the narrative circles obsessively around a repressed memory that it is the stories' business finally to confront. We feel the tremors of its eventual eruption in each book even as the narrator frantically distracts us with slapstick improvisation. In his newest novel, Closing Time, Heller brings back the (anti-) hero of Catch 22, John Yossarian, and once again something horrific is building beneath his life and those of his generation and their century as they all draw to a close.
But this time it is not a brute fact lodged in memory, the something that draws its power simply from having happened. It is instead something that is going to happen-we're going to die-and it draws its power from-well-how we feel about that. The problem is that we may not all feel the same way about our approaching death, as we cannot fail to do about Howie Snowden bleeding to death on the floor of the bomber in Catch 22. We cannot really imagine our death. On the other hand, try as we might, we cannot help imagining Snowden. It comes down to a question of authority, the authority of an author's claim on our imagination. There is less of it in Closing Time.
It reaches for such authority by reading into the passing of the World War II generation a paranoid apocalypse in the manner of Thomas Pynchon and Don DeLillo. Yossarian's life goes into and out of a kind of virtual reality involving a Dantesque underworld entered through the false back of a basement tool locker in the New York Port Authority Bus Terminal. Beneath this underworld runs an underground railroad meant to provide indefinite protection for the elite of the military/industrial/political complex chosen by triage to survive the coming nuclear holocaust. As catalyst for that holocaust we are given a mentally challenged president known to us only by his affectionate nickname, the Little Prick, who is enthralled by the video games that fill a room just off the Oval Office, especially the game called Triage which enables him eventually to trip the wire on the conclusive Big Bang.
Heller's underworld has some fetching attributes. It is managed by George C. Tilyou, the Coney Island entrepreneur who ran the Steeplechase amusement park before World War 1. Tilyou died before any of the novel's protagonists was born, but the remembered stories about him and his slowly sinking house with the family name on the front step qualify him as a jolly major domo of hell, a man whose love for his fellows sincerely expressed itself in fleecing them. Now, below the sub-sub-basement of the bus terminal, he rejoices in having taken it with him, for his house and eventually his whole amusement park sank down around him. Rockefeller and Morgan come by and panhandle miserably for his wealth, having learned too late that their more conventional philanthropy could not sanctify their plunder or secure their grasp on it.
Other aspects of Heller's grand scheme are less successful. Two characters from Catch 22, Milo Minderbinder and ex-Pfc. Wintergreen, are strawmen representatives of the military-industrial complex, peddling a nonexistent clone of the Stealth bomber to a succession of big-brass boobies with names like Colonel Pickering and Major Bowes. Much of this is the sort of thing that killed vaudeville and is now killing "Saturday Night Live."
Against these gathering forces of death, Yossarian asserts his allegiance to life in a way that is by now a reflex of the Norman Mailer generation: he has an affair with and impregnates a younger woman, a nurse whom he meets in a hospitalization of doubtful purpose at the opening of the novel. Thank heavens, I thought as I read, that I belong to the only sex capable of such late and surprising assertions. But, as the euphoria ebbed, I had to admit that Yossarian's amatory exertions were more than faintly repulsive.
So the novel is disappointing where it hurts the most, in its central organizing idea. Why, after all, does Yossarian's generation get to take the whole world down with it? Well, it doesn't, really, and yet the veterans of World War II do have a special claim on us as they pass from our sight. This claim is more convincingly urged by the long first-person narratives of two characters who, we learn, moved invisibly on the periphery of events in Catch-22.
Lew Rabinowitz and Sammy Singer are non-neurotics whose stories reveal their limitations and, at the same time, allow us to see around and beyond them. This is harder to do with normal people, and Heller brings it off beautifully. Rabinowitz is an aggressive giant, the son of a Coney Island junk dealer, an instinctively successful businessman who lacked the patience for the college education offered him by the G.I. Bill, and who never comprehended as we do his own delicacy of feeling. Singer, a writer of promotional and ad copy for Times, is, by his own account, a bit of a pedant given to correcting Rabinowitz's grammar. Heller sometimes allows Singer's prose style to stiffen in a way that is entirely in character and that gives an unexpected dignity and pathos to passages like those that describe his wife's last illness.
Rabinowitz and Singer basically get more respect from their author than Yossarian and the characters who figure in his story. The two new characters tell us stories embued with an unforced humor and with the sort of gravity that attends good people as they come to terms with their mortality. And this goes for their wives as well, for both men make good and entirely credible marriages that last a lifetime. Yossarian should have been so lucky.

Closing Time — читать онлайн бесплатно полную книгу (весь текст) целиком

Ниже представлен текст книги, разбитый по страницам. Система сохранения места последней прочитанной страницы, позволяет с удобством читать онлайн бесплатно книгу «Closing Time», без необходимости каждый раз заново искать на чём Вы остановились. Поставьте закладку, и сможете в любой момент перейти на страницу, на которой закончили чтение.

Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

"I heard that one last night, in my room in Kenosha."

"I know."

"And I learned something new that might help the chaplain. His wife thinks he's already had one miracle."

"That's already old, John," belittled Gaffney. "Everything in Kenosha is bugged. But here is something that might be good. To Milo, you might suggest a shoe."

"What kind of shoe?"

"A military shoe. Perhaps an official U. S. Government shoe. He was too late for cigarettes. But the military will always need shoes. For ladies too. And perhaps brassieres. Please give my best to your fiancée."

"What fiancée?" Yossarian shot back.

"Miss MacIntosh?" Gaffney arched his black eyebrows almost into marks of punctuation.

"Miss MacIntosh is not my fiancée," Yossarian remonstrated. "She's only my nurse."

Gaffney tossed his head in a gesture of laughter. "You have no nurse, Yo-Yo," he insisted almost prankishly. "You've told me that a dozen times. Should I check back and count?"

"Gaffney, go north with your Irish linen or south with your blazer and flannel pants. And take those shadows with you."

"In time. You like the German composers, don't you?"

"Who else is there?" answered Yossarian. "Unless you want to count Italian opera."

"Chopin?"

"You'll find him in Schubert," said Yossarian. "And both in Beethoven."

"Not entirely. And how about the Germans themselves?" asked Gaffney.

"They don't much like each other, do they?" replied Yossarian. "I can't think of another people with such vengeful animosities toward each other."

"Except our own?" suggested Gaffney.

"Gaffney, you know too much."

"I've always been interested in learning things." Gaffney confessed this with an air of restraint. "It's proved useful in my work. Tell me, John," he continued, and fixed his eyes on Yossarian significantly. "Have you ever heard of a German composer named Adrian Leverkühn?"

Yossarian looked back at Gatfney with tense consternation. "Yes, I have, Jerry," he answered, searching the bland, impenetrable dark countenance before him for some glimmer of clarification. "I've heard of Adrian Leverkühn. He did an oratorio called Apocalypse."

"I know him for a cantata, The Lamentations of Faust."

"I didn't think that one had ever been performed."

"Oh, yes. It has that very touching children's chorus, and that hellish section in glissandos of adult voices laughing ferociously. The laughter and sad chorus always remind me of photos of Nazi soldiers during the war, your war, herding to death those Jewish children in the ghettos."

"That's the Apocalypse, Jerry."

"Are you sure?"

"I'm positive."

"I'll have to check. And don't forget your shoe."

"What shoe?"

25 Washington

"A fucking shoe?" Wintergreen ridiculed Yossarian on the next leg of his Rhine Journey. "What's so great about a fucking shoe?"

"It's only a fucking thought," said Yossarian, in one of the hotel suites constituting the Washington offices of M amp; M E amp; A. For himself with Melissa he had favored a newer hotel of comparable prestige and livelier clientele that boasted, he recalled with a kind of blissful vanity as he lay in the hospital with his condition stable and the danger of brain damage and paralysis past, a more various choice of superior-grade XXX-rated films in all the languages of UN member nations. "You've been saying you wanted a consumer product."

"But a shoe? By now there must be fifty fucking shoe companies turning out shoes for fucking feet for fucks like us."

"But none with an exclusive franchise for an official U. S. Government shoe."

"Men's shoes or women's shoes?" pondered Milo.

"Both, now that women get killed in combat too." Yossarian was sorry he had started. "Forget it. There's much about business I don't understand. I still can't see how you guys bought eggs for seven cents apiece, sold them for five cents, and made a profit."

"We still do," bragged Wintergreen.

"Eggs spoil," Milo ruminated pitifully. "And break. I'd rather have a shoe. Eugene, look it up."

"I'd rather have the plane," Wintergreen grumbled.

"But after the plane? Suppose there's no more danger of war?"

"I'll look it up."

"I'm not happy with the plane," said Yossarian.

"Are you thinking of leaving us again?" Wintergreen jeered. "You've been objecting for years."

Yossarian was stung by the gibe but ignored it. "Your Shhhhh! could destroy the world, couldn't: it?"

"You've been peeking," answered Wintergreen.

"And it can't," said Milo, with heartache. "We conceded that much at the meeting."

"But maybe Strangelove's can?" Wintergreen needled.

"And that's why," said Milo, "we want the meeting with Noodles Cook."

Yossarian again was shaking his head. "And I'm not happy with the atom bomb. I don't like it anymore."

"Who would you like to see get the contract?" Wintergreen argued. "Fucking Strangelove?"

"And we don't have the bomb." conciliated Milo. "We only have plans for a plane that will deliver it."

"And our plane won't work."

"We'll guarantee that, Yossarian. Even in writing. Our planes won't fly, our missiles won't fire. If they take off, they'll crash; if they fire, they'll miss. We never fail. It's the company motto."

"You can find it on our fucking letterhead," Wintergreen added, and continued deliberately with a sneer. "But let me ask you this, Mr. Yo-Yo. What country would you rather see be strongest if not us? That's the fucking catch, isn't it?"

"That's the catch, all right," Yossarian had to agree.

"And if we don't sell our fucking war products to everyone who wants to buy, our friendly fucking allies and competitors will. There's nothing you can do about it. Time's run out for your fucking ideals. Tell me, if you're so smart, what the fuck would you do if you were running the country?"

"I wouldn't know what to do either," Yossarian admitted, and was enraged with himself for being bested in argument. It never used to happen that way. "But I know I'd want my conscience to be clear."

"Our conscience is clear," responded both.

"I don't want the guilt."

"That's horseshit, Yossarian."

"And I wouldn't: be responsible."

"And that's more horseshit," countered Wintergreen. "There's nothing you can do about it, and you will be responsible. If the world's going to blow up anyway, what the fuck difference does it make who does it?"

"At least my hands will be clean."

Wintergreen laughed coarsely. "They'll be blown off at the wrists, your fucking clean hands. No one will even know they're yours. You won't even be found."

"Go fuck yourself, Wintergreen!" Yossarian answered irately, with raised voice. "Go straight to hell, with your clear conscience!" He turned away, sulking. "I wish you were dead already, so I could finally in this lifetime get at least a little bit of pleasure out of you."

"Yossarian, Yossarian," chided Milo. "Be reasonable. One thing you do know about me-I never lie."

"Unless he has to," appended Wintergreen.

"I think he knows that, Eugene. I'm as moral as the next man. Right, Eugene?"

"Absolutely, Mr. Minderbinder."

" Milo, have you ever," asked Yossarian, "in your life done anything dishonest?"

"Oh, no," Milo responded like a shot. "That would be dishonest. And there's never been need to."

"And that's why," said Wintergreen, "we want this secret meeting with Noodles Cook, to get him to speak secretly to the President. We want everything out in the open."

"Yossarian," said Milo, "aren't you safer with us? Our planes can't work. We have the technology. Please call Noodles Cook."

"Set up the meeting and stop fucking around. And we want to be there."

"You don't trust me?"

"You say you don't fucking understand business."

Читать дальше
Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

Похожие книги на «Closing Time»

Представляем Вашему вниманию похожие книги на «Closing Time» списком для выбора. Мы отобрали схожую по названию и смыслу литературу в надежде предоставить читателям больше вариантов отыскать новые, интересные, ещё непрочитанные произведения.


Отзывы о книге «Closing Time»

Обсуждение, отзывы о книге «Closing Time» и просто собственные мнения читателей. Оставьте ваши комментарии, напишите, что Вы думаете о произведении, его смысле или главных героях. Укажите что конкретно понравилось, а что нет, и почему Вы так считаете.

x