Joseph Heller - Closing Time

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In Joseph Heller's two best novels, Catch 22 and Something Happened, the narrative circles obsessively around a repressed memory that it is the stories' business finally to confront. We feel the tremors of its eventual eruption in each book even as the narrator frantically distracts us with slapstick improvisation. In his newest novel, Closing Time, Heller brings back the (anti-) hero of Catch 22, John Yossarian, and once again something horrific is building beneath his life and those of his generation and their century as they all draw to a close.
But this time it is not a brute fact lodged in memory, the something that draws its power simply from having happened. It is instead something that is going to happen-we're going to die-and it draws its power from-well-how we feel about that. The problem is that we may not all feel the same way about our approaching death, as we cannot fail to do about Howie Snowden bleeding to death on the floor of the bomber in Catch 22. We cannot really imagine our death. On the other hand, try as we might, we cannot help imagining Snowden. It comes down to a question of authority, the authority of an author's claim on our imagination. There is less of it in Closing Time.
It reaches for such authority by reading into the passing of the World War II generation a paranoid apocalypse in the manner of Thomas Pynchon and Don DeLillo. Yossarian's life goes into and out of a kind of virtual reality involving a Dantesque underworld entered through the false back of a basement tool locker in the New York Port Authority Bus Terminal. Beneath this underworld runs an underground railroad meant to provide indefinite protection for the elite of the military/industrial/political complex chosen by triage to survive the coming nuclear holocaust. As catalyst for that holocaust we are given a mentally challenged president known to us only by his affectionate nickname, the Little Prick, who is enthralled by the video games that fill a room just off the Oval Office, especially the game called Triage which enables him eventually to trip the wire on the conclusive Big Bang.
Heller's underworld has some fetching attributes. It is managed by George C. Tilyou, the Coney Island entrepreneur who ran the Steeplechase amusement park before World War 1. Tilyou died before any of the novel's protagonists was born, but the remembered stories about him and his slowly sinking house with the family name on the front step qualify him as a jolly major domo of hell, a man whose love for his fellows sincerely expressed itself in fleecing them. Now, below the sub-sub-basement of the bus terminal, he rejoices in having taken it with him, for his house and eventually his whole amusement park sank down around him. Rockefeller and Morgan come by and panhandle miserably for his wealth, having learned too late that their more conventional philanthropy could not sanctify their plunder or secure their grasp on it.
Other aspects of Heller's grand scheme are less successful. Two characters from Catch 22, Milo Minderbinder and ex-Pfc. Wintergreen, are strawmen representatives of the military-industrial complex, peddling a nonexistent clone of the Stealth bomber to a succession of big-brass boobies with names like Colonel Pickering and Major Bowes. Much of this is the sort of thing that killed vaudeville and is now killing "Saturday Night Live."
Against these gathering forces of death, Yossarian asserts his allegiance to life in a way that is by now a reflex of the Norman Mailer generation: he has an affair with and impregnates a younger woman, a nurse whom he meets in a hospitalization of doubtful purpose at the opening of the novel. Thank heavens, I thought as I read, that I belong to the only sex capable of such late and surprising assertions. But, as the euphoria ebbed, I had to admit that Yossarian's amatory exertions were more than faintly repulsive.
So the novel is disappointing where it hurts the most, in its central organizing idea. Why, after all, does Yossarian's generation get to take the whole world down with it? Well, it doesn't, really, and yet the veterans of World War II do have a special claim on us as they pass from our sight. This claim is more convincingly urged by the long first-person narratives of two characters who, we learn, moved invisibly on the periphery of events in Catch-22.
Lew Rabinowitz and Sammy Singer are non-neurotics whose stories reveal their limitations and, at the same time, allow us to see around and beyond them. This is harder to do with normal people, and Heller brings it off beautifully. Rabinowitz is an aggressive giant, the son of a Coney Island junk dealer, an instinctively successful businessman who lacked the patience for the college education offered him by the G.I. Bill, and who never comprehended as we do his own delicacy of feeling. Singer, a writer of promotional and ad copy for Times, is, by his own account, a bit of a pedant given to correcting Rabinowitz's grammar. Heller sometimes allows Singer's prose style to stiffen in a way that is entirely in character and that gives an unexpected dignity and pathos to passages like those that describe his wife's last illness.
Rabinowitz and Singer basically get more respect from their author than Yossarian and the characters who figure in his story. The two new characters tell us stories embued with an unforced humor and with the sort of gravity that attends good people as they come to terms with their mortality. And this goes for their wives as well, for both men make good and entirely credible marriages that last a lifetime. Yossarian should have been so lucky.

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I don't spend much time keeping track of the world and can't see that it would change anything if I did. I mind my own business. What's important I hear about. What I learned I remembered, and it turned out to be true. It didn't mean a thing, me being in the army, it didn't count at all. It would have happened the same way without me-the ashes, the smoke, the dead, the outcome. I had nothing to do with Hitler and nothing to do with the state of Israel. I don't want the blame and I don't want the credit. The only place I've counted is at home, with Claire and the kids. Somewhere for whoever wants them later on, maybe the grandchildren, I've put away my Bronze Star, my combat infantryman's badge, my unit citation, the sergeant's stripes I had when I got out of the army, and the shoulder patch with the red number I of the First Division, the Big Red 1, which went through hell before I joined them and went through more hell after I was gone. We've got four grandchildren now. I love everyone in my family and feel I would demolish, maybe really kill, anyone who threatened to hurt any one of them.

"You would break his back?" Sammy said this with a smile the last time he visited.

"I will break his back." I smiled too. "Even now."

Even now.

When it starts popping up again in one spot, the radiation sharpshooters at the hospital can take aim and burn away what they like to call another new growth and I know is another tumor. If it pops up again in what they call the diaphragm and I call the belly, I am nauseous before and nauseous afterward, with that nausea I can't stand the thought of that I really think might finally put me away someday if I have to keep living with it. Unless I'm with Sammy, and then I am "nauseated," because he likes to play at what he calls a pedagogue and I call a smartass.

"Lew, tell me," he asked. He laughed softly. "How many backs have you broken in your lifetime?"

"Counting that guy on the car who grabbed that purse?"

"That wasn't a fight, Lew. And you didn't break his back. How many?"

I thought a minute. "None. I never had to. Saying I would was always enough."

"How many fights have you had?"

"In my life?" I thought hard again. "Only one, Sammy," I remembered, and this time I laughed. "With you. Remember that time you tried to teach me how to box?"

BOOK EIGHT

22 Rhine Journey: Melissa

Like the hero Siegfried in Gotterddmmerung, he supposed, Yossarian himself began what he was later to look back on as his own Rhine Journey with a rapid clutch of daylight lovemaking: Siegfried at dawn in his mountain aerie, Yossarian around noon in his M amp; M office in Rockefeller Center. But he ended his pleasurably in the hospital four weeks later with another clean bill of health after his aura and hallucinatory TIA attack, and with five hundred thousand dollars and the sale of a shoe.

Siegfried had Brünnhilde, now mortal, and the rocky haunt they shared.

Yossarian had his nurse, Melissa MacIntosh, most human also, and a desktop, the carpeted floor, the leather armchair, and the broader windowsill of olden times in his office in the newly renamed M amp; M Building, formerly the old Time-Life Building, with a pane of glass looking down on the rink of ice on which Sammy and Glenda had gone skating more times than Sammy could remember now, and who subsequently had become man and wife, until death did them part.

Yossarian, nodding as he groped, did indeed agree that the door to the office was not locked, when he knew that it was, and that somebody might indeed walk in on them while they were thus lustfully teamed, when he knew that no one would or could. He was titillated by her apprehension; her tremors, doubts, and indecisions electrified him fiendishly with mounting passion and affection. Melissa was flustered in her ladylike terror of being come upon uncovered in those disarraying exertions of vigorous sexual informalities and, blushing, wished him, for a change, to finish fast; but she laughed when he did and disclosed the ruse as she was checking his baggage for his medicines and preparing to ride with him to the airport before his flight to Kenosha at the start of his journey. Along with basic toilet articles, he wanted Valium for insomnia, Tylenol or Advil for back pain, Maalox for his hiatus hernia. Much to his wonder, there were direct jumbo-jet flights now to Kenosha, Wisconsin.

The phone rang as he zipped closed his carry-on bag.

"Gaffney, what do you want?"

"Aren't you going to congratulate me?" Gaffney spoke merrily, ignoring Yossarian's evident tone of rancor.

"Have you been listening in again?" asked Yossarian, looking furtively at Melissa.

"To what?" asked Gaffney.

"Why'd you call?"

"You just won't give me credit, will you, John?"

"For what? I got a bill from you finally. You didn't charge much."

"I haven't done much. Besides, I'm grateful for your music. You don't know happy I am to play back the tapes we record. I love the Bruckner symphonies at this darkening time of year, and the Boris Godunov."

"Would you like the Ring?"

"Mainly the Siegfried. I don't hear that one often."

"I'll let you know when I schedule the Siegfried," said Yossarian, acidly.

"Yo-Yo, I'll be so obliged. But that's not what I'm talking about."

"Mr. Gaffney," said Yossarian, and paused to allow his point to sink in. "What are you talking about?"

"We're back to Mr. Gaffney, are we, John?"

"We never passed John, Jerry. What do you want?"

"Praise," answered Gaffney. "Everybody likes to be appreciated when he's done something well. Even Señor Gaffney."

"Praise for what, Señor Gaffney?"

Gaffney laughed. Melissa, reposing upon the arm of the leather sofa, was rasping away at her fingernails with an emery board. Yossarian gave her a menacing scowl.

"For my gifts," Gaffney was saying. "I predicted you'd be going to Wisconsin to see Mrs. Tappman. Didn't I say you'd be changing in Chicago, for your trip to Washington to Milo and Wintergreen? You didn't ask me how I knew."

"Am I going to Washington?" Yossarian was amazed.

"You'll be getting Milo 's fax. M2 will phone to the airport to remind you. There, that's the fax coming in now, isn't it? I'm on target again."

"You have been listening, haven't you, you bastard?'

"To what?"

"And maybe watching too. And why would M2 be phoning me when he's right down the hall?"

"He's back at the PABT building with your son Michael, trying to decide if he's willing to be married there."

"To the Maxon girl?"

"He'll have to say yes. I have another good joke that might amuse you, John."

"I'll miss my plane."

"You've plenty of time. There'll be a delay in departure of almost one hour."

Yossarian burst out with a laugh. "Gaffney, you're finally mistaken," he crowed. "I had my secretary call. It's leaving on schedule."

Gaffney laughed too. "Yo-Yo, you have no secretary, and the airline was lying. It will be late taking off by fifty-five minutes. It was your nurse you had call."

"I have no nurse."

"That warms my heart. Please tell Miss MacIntosh the kidney is working again. She will be happy to hear that."

"What kidney?"

"Oh, Yossarian, shame. You don't always listen when she telephones. The kidney of the Belgian patient. And as long as you're going to Washington, why don't you invite Melissa-"

"Melissa, Mr. Gaffney?"

"Miss MacIntosh, Mr. Yossarian. But why don't you invite her to join you there? I bet she'll say she'd really love to go. She's probably never been. She can go to the National Gallery when you're busy with Milo and Noodles Cook, and to the National Air and Space Museum of the Smithsonian Institution."

Yossarian covered the telephone. "Melissa, I'm going to stop in Washington on the way back. How about taking time off to meet me there?"

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