Joseph Heller - Closing Time

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Closing Time: краткое содержание, описание и аннотация

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In Joseph Heller's two best novels, Catch 22 and Something Happened, the narrative circles obsessively around a repressed memory that it is the stories' business finally to confront. We feel the tremors of its eventual eruption in each book even as the narrator frantically distracts us with slapstick improvisation. In his newest novel, Closing Time, Heller brings back the (anti-) hero of Catch 22, John Yossarian, and once again something horrific is building beneath his life and those of his generation and their century as they all draw to a close.
But this time it is not a brute fact lodged in memory, the something that draws its power simply from having happened. It is instead something that is going to happen-we're going to die-and it draws its power from-well-how we feel about that. The problem is that we may not all feel the same way about our approaching death, as we cannot fail to do about Howie Snowden bleeding to death on the floor of the bomber in Catch 22. We cannot really imagine our death. On the other hand, try as we might, we cannot help imagining Snowden. It comes down to a question of authority, the authority of an author's claim on our imagination. There is less of it in Closing Time.
It reaches for such authority by reading into the passing of the World War II generation a paranoid apocalypse in the manner of Thomas Pynchon and Don DeLillo. Yossarian's life goes into and out of a kind of virtual reality involving a Dantesque underworld entered through the false back of a basement tool locker in the New York Port Authority Bus Terminal. Beneath this underworld runs an underground railroad meant to provide indefinite protection for the elite of the military/industrial/political complex chosen by triage to survive the coming nuclear holocaust. As catalyst for that holocaust we are given a mentally challenged president known to us only by his affectionate nickname, the Little Prick, who is enthralled by the video games that fill a room just off the Oval Office, especially the game called Triage which enables him eventually to trip the wire on the conclusive Big Bang.
Heller's underworld has some fetching attributes. It is managed by George C. Tilyou, the Coney Island entrepreneur who ran the Steeplechase amusement park before World War 1. Tilyou died before any of the novel's protagonists was born, but the remembered stories about him and his slowly sinking house with the family name on the front step qualify him as a jolly major domo of hell, a man whose love for his fellows sincerely expressed itself in fleecing them. Now, below the sub-sub-basement of the bus terminal, he rejoices in having taken it with him, for his house and eventually his whole amusement park sank down around him. Rockefeller and Morgan come by and panhandle miserably for his wealth, having learned too late that their more conventional philanthropy could not sanctify their plunder or secure their grasp on it.
Other aspects of Heller's grand scheme are less successful. Two characters from Catch 22, Milo Minderbinder and ex-Pfc. Wintergreen, are strawmen representatives of the military-industrial complex, peddling a nonexistent clone of the Stealth bomber to a succession of big-brass boobies with names like Colonel Pickering and Major Bowes. Much of this is the sort of thing that killed vaudeville and is now killing "Saturday Night Live."
Against these gathering forces of death, Yossarian asserts his allegiance to life in a way that is by now a reflex of the Norman Mailer generation: he has an affair with and impregnates a younger woman, a nurse whom he meets in a hospitalization of doubtful purpose at the opening of the novel. Thank heavens, I thought as I read, that I belong to the only sex capable of such late and surprising assertions. But, as the euphoria ebbed, I had to admit that Yossarian's amatory exertions were more than faintly repulsive.
So the novel is disappointing where it hurts the most, in its central organizing idea. Why, after all, does Yossarian's generation get to take the whole world down with it? Well, it doesn't, really, and yet the veterans of World War II do have a special claim on us as they pass from our sight. This claim is more convincingly urged by the long first-person narratives of two characters who, we learn, moved invisibly on the periphery of events in Catch-22.
Lew Rabinowitz and Sammy Singer are non-neurotics whose stories reveal their limitations and, at the same time, allow us to see around and beyond them. This is harder to do with normal people, and Heller brings it off beautifully. Rabinowitz is an aggressive giant, the son of a Coney Island junk dealer, an instinctively successful businessman who lacked the patience for the college education offered him by the G.I. Bill, and who never comprehended as we do his own delicacy of feeling. Singer, a writer of promotional and ad copy for Times, is, by his own account, a bit of a pedant given to correcting Rabinowitz's grammar. Heller sometimes allows Singer's prose style to stiffen in a way that is entirely in character and that gives an unexpected dignity and pathos to passages like those that describe his wife's last illness.
Rabinowitz and Singer basically get more respect from their author than Yossarian and the characters who figure in his story. The two new characters tell us stories embued with an unforced humor and with the sort of gravity that attends good people as they come to terms with their mortality. And this goes for their wives as well, for both men make good and entirely credible marriages that last a lifetime. Yossarian should have been so lucky.

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"Go to Las Vegas and play with some hookers awhile."

Claire even approves of that one. I'm still crazy about her. Her breasts are still big and look as good as new since she had them prettied up again. Or he could go to Bermuda or the Caribbean and find a nice secretary on vacation to treat like a princess. Or to Boca Raton for a nifty middle-aged widow or divorced woman past fifty who really wants to remarry.

"Sammy, you really ought to think about getting married again. You're not the kind who can live alone."

"I used to."

"Now you're too old," Claire tells him. "You really can't cook a thing, can you?"

We forget that Sammy is still shy with women until the ice is broken and doesn't know how to pick up a girl. I tell him I'll go with him when I'm better and help him find some we like.

"I'll come too," says Claire, who's always ready to go off anywhere. "I can sound them out and spot the cuckoos."

"Sammy," I press him, "get up off your ass and take a trip around the world. We ain't kids anymore, you and me, and the time might be short to start doing things we always thought we wanted to. Don't you want to go to Australia again and see that friend of yours there?"

Sammy got to go everywhere when he was moved into the international division of that Time Incorporated job he used to have and still knows people in different places.

I'm even thinking myself I might be willing to take a trip around the world once I get my weight back this time, because Claire would like that. Lately, I enjoy seeing all of them get the things they want.

Maybe it's my age too, along with the Hodgkin's, but I feel better knowing they'll all be left okay when I'm gone. At least for a start. Now that Michael is a CPA in a place he likes, they all seem set. Claire still has her face and her figure, thanks to the trips to the health farms and the secret nips and tucks she sneaks away for every now and then. Along with all else, I've got a good piece of beach property in Saint Maarten just right for development that's in her name too, and another piece in California she doesn't know about yet, even though that's in her name also. I've got more than one safe-deposit box, with things inside she's not been taught to handle yet. I wish she were better at arithmetic, but Michael's there now to help her with that part, and Andy in Arizona has got some business sense too. Michael seems to know his stuff, along with a number of things he learned from me I know they didn't teach him in accounting school. I trust my lawyer and my other people as long as I'm around to make sure they know what I want and see they do it right away, but after that I wouldn't bet. They get lazy. Emil Adler has gotten lazy with age too and is quick to pass you on to another kind of specialist. The kids have all given him up for new doctors of their own. I'm training Claire to be tougher with lawyers than I am, to be independent.

"Bring in anyone else you want to anytime you like. You can handle it all for me from now on. Don't let them brush you off for a second. We don't owe them anything. They're sure to ask for it anytime we do."

None in my family gamble, not even on the stock market. And only Andy has a taste for extravagant things, but he married well, a nice-looking girl with good personality, and seems to be solidlv settled in partnership with his father-in-law in a couple of lively automobile dealerships in Tempe and Scottsdale in Arizona. But he'll never be able to afford a divorce, which might be good, and she will. I own a piece of his share, but that's already been made over to him. Susan has children nearby and is married to a well-mannered carpenter I helped put into building houses, and so far that seems to be working out okay too. Linda is set for life in a teaching job that gives her long vacations and a good pension. She knows how to attract men and maybe she'll marry again. I sometimes wish that Michael was more like me, bolder, had more force of character, asserted himself more loudly and more often, but that could be my doing, and Claire thinks that maybe it is.

"Lew, what else?" she says, when I ask. "You're not an easy act to follow."

"I wouldn't be happy if I thought I was."

Claire won't cooperate when I want to talk about my estate plans and refuses to listen for long.

"Sooner or later-" I tell her.

"Make it later. Change the subject."

"I don't enjoy it either. Okay, I'll change the subject. Eight percent interest on a hundred-thousand-dollar investment will bring you how much a year?"

"Not enough for the new house I want to buy! Lew, for God sakes, will you stop? Have a drink instead. I'll fix it."

She's got more confidence in Teemer now than I have and than he seems to have in himself. Dennis Teemer has moved into the nut ward of his hospital, he tells me, for treatment, although he keeps the same office hours and hospital practice. That sounds crazy to me. So maybe he does know what he's doing, as Sammy says in a wisecrack. When Emil can't help me in the hospital up here, I start going back into the city to Teemer, to be MOPPed up again with those injections that give me that nausea I hate, at least one time a week, at best. MOPP is the name of the mixture in the chemotherapy they give me now, and Teemer lets me think the "mopped up" joke I made is original with me and that he's still never heard it from anyone else.

By now I hate going back to him. I'm in dread and I'm weary. I have to, Emil tells me, and I know that too. By now I think I hate Teemer also. But not enough to break his back. He's become the disease. There's always gloom in his waiting room. When Claire doesn't bring me, I go down and back in the black or pearl-gray limousine from the car service with the same driver, this guy Frank, from Venice, and going in is a drag too. From Teemer's office, to get back uptown to go home or the hospital, you have to ride past that funeral parlor near the corner, and I don't like that part either. There's almost always at least one attendant waiting outside, looking too tidy to be normal, and usually a guy with a knapsack and a walking stick, who must work there, he looks like a hiker, and they eye each car that slows down for the intersection. They eye me too.

By now I'm scared of going back inside Teemer's hospital, but I'll never let it show. With Sammy's Glenda gone and Winkler and his wife living in California, Claire has to stay in a hotel, alone or with one of the girls, and that's not much fun for her. It's the nausea that's going to put me away. I remember what it feels like, and that makes me nauseous too. I'm tired a lot, tired from age, I guess, and tired from the ailment, and by now, I think, I really am sick of amp; it! I worry about that time coming up when I go into the hospital and can't make it out on my own feet.

No one has to tell me I've lived longer than any of us thought I would. And nobody does. If anyone tried to, I think I would jump right up like the Lew Rabinowitz from Coney Island of old and really break a back. Teemer thinks I'm setting some kind of record. I tell him he is. The last time I was in to see him he had a bone man look at a CAT scan of my leg that turned out to be all right. They're starting to think it could have come from a virus. That's okay with me. It makes no difference to Teemer, who would have to deal with it the same way, but it cheers me to know I might not be passing it along as something hereditary. My kids get symptoms when I do. I can tell by their faces when they talk to me. They look nauseous. And they think of running right off to a doctor every time they feel queasy or wake up with a stiff neck. I'm not the unluckiest person who ever lived, but I don't think that makes any difference now.

I'm not young anymore. I have to remember that. I keep forgetting, because between spells I feel as good as ever and can find more ways to have fun than most people I know. But when Marty Kapp died on a golf course in New Jersey and then Stanley Levy did from a heart attack too, and David Goodman almost did at only thirty-eight, and Betty Abrams died of cancer in Los Angeles and Lila Gross from cancer here, and Mario Puzo had a triple bypass and Casey Lee too, and Joey Heller got that paralysis from that crazy Guillain-Barre syndrome no one ever heard of and has to consider now how much his weakened muscles will weaken as he gets older, I had to start getting used to the idea that time was closing in on Lew Rabinowitz too, that I had reached the age where even healthy people got sick and died, and I was not going to live forever either. I picked up a taste for French wines along with my appetite for cheeses on our Caribbean vacations in Martinique and Guadeloupe, and Claire hasn't noticed that I've begun opening all our better ones. I'm emptying my wine cellar. It's harder for me to score a lot of money now than it used to be, and maybe that's another sign I've gotten older. Each time we go someplace now we both take more bottles of different medicines with us. It was easy to see that things like my personal plumbing were going to just stop working right and that sooner or later the serious ailments were going to start piling in. I already had one of mine.

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