J. Ballard - High Rise

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High Rise: краткое содержание, описание и аннотация

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J.G. Ballard's 1975 novel "High Rise" contains all of the qualities we have come to expect from this author: alarming psychological insights, a study of the profoundly disturbing connections between technology and the human condition, and an intriguing plot masterfully executed. Ballard, who wrote the tremendously troubling "Crash," really knows how to dig deep into our troubling times in order to expose our tentative grasp of modernity. Some compare this book to William Golding's "Lord of the Flies," and there are definite characteristics the two novels share. I would argue, however, that "High Rise" is more eloquent and more relevant than Golding's book. Unfortunately, this Ballard novel is out of print. Try and locate a copy at your local library because the payoff is well worth the effort.
"High Rise" centers around four major characters: Dr. Robert Laing, an instructor at a local medical school, Richard Wilder, a television documentary producer, Anthony Royal, an architect, and the high rise building all three live in with 2,000 other people. Throughout the story, Ballard switches back and forth between these three people, recording their thoughts and actions as they live their lives in the new high-rise apartment building. Ballard made sure to pick three separate people living on different floors of the forty floor building: Laing lives on the twenty fifth floor, Wilder lives on the second floor, and Royal lives in a penthouse on the fortieth floor (befitting his status as the designer of the building). Where you live in this structure will soon take on an importance beyond life itself.
At the beginning of the story, most of the people living in the building get along quite well. There are the usual nitpicky problems one would expect when 2,000 people are jammed together, but overall people move freely from the top to the bottom floors. A person living on the bottom floors can easily go to the observation deck on the top of the building to enjoy the view, or shop at the two banks of stores on the tenth and thirty-fifth floors. Children swim and play in the pools and playgrounds throughout the high rise without any interference. Despite the fact that well to do people live in the building, with celebrities and executives on the top floors, middle-class people on the middle floors, and airline pilots and the like on the bottom ten floors, everyone gets along reasonably well-at first.
Then things change. The gossip level increases among the residents, and parties held on different floors start to exclude people from other areas. In quick succession, objects start to land on balconies, dropped by residents on higher levels. Equipment failures, such as electrical outages, lead to mild assaults between residents. Cars parked close to the building are vandalized, and a jeweler living on the fortieth floor does a swan dive out of the window. Every incident leads to further acts of violence and increasing chaos in the lives of those in the building. People begin to take a greater interest in what's going on where they live than in outside activities and jobs. As the violence escalates, elevators and lobbies on each floor turn into armed camps as the residents attempt to block any encroachments on their territory. What starts out as a book about living in a technological marvel quickly morphs into a study of how technology can cause human beings to regress back into primitivism. Moreover, Ballard tries to draw a correlation between the technology of the building and this descent into a Stone Age mentality. He shows in detail how the residents of the apartments sink back into the morass, passing through a classical Marxist structure of bourgeoisie-proletariat, moving on to a clan/tribal system, to a system of stark individuality. In short, Ballard tries to equate our striving towards individuality through technology with how we started out in our evolution as hunter-gatherers, as individuals seeking individual gains. The promise that technology will liberate the individual is not the highest form of evolution, argues Ballard, but is actually a return to the lowest forms of human expression.
Within a few pages of the story, I thought this might turn out to be very similar to a Bentley Little book. Little, nominally a horror writer but often a social satirist, often takes a situation like this and shows how people collapse under the pressures of modern life. My belief was not born out, however, not because Ballard doesn't take certain situations over the top but because he imbues his work with a significant philosophical subtext that Little would never write about. Bentley Little is all about focusing on the over the top, outrageous incidents of humanity's decline, whereas Ballard is more interested in serving as a preacher on anti-humanistic technology, thundering out a jeremiad concerning where we might go if we do not take the time to think very carefully about the society we wish to create.
"High Rise" is a dark, forbidding tale of woe that is sure to get a reaction from anyone who reads it. There seem to be few out there who can deliver such devastating blows to our love of technology as Ballard does in his works. This author is often referred to as a science fiction writer, but "High Rise" works just as well on a horror level. So does "Crash," when I think about it, although the cold, detached prose of that book is not present in "High Rise." Whatever genre Ballard falls into, this book delivers on every level.

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Somewhere on the roof, a dog whimpered. Far below, from the mouth of an apartment twenty storeys down the cliff face, there was a brief isolated scream-whether of pain, lust or rage no longer mattered. Royal waited, his heart starting to race. A moment later there was a second scream, a meaningless wail. These cries were the expressions of totally abstracted emotions, detached from the context of events around them.

Royal waited, expecting one of his retinue to enter and inform him of the probable reasons for these disturbances. Apart from the women in the next apartment, several of the younger male residents-a gallery owner from the 39th floor, and a successful hairdresser from the 38th-usually lounged about in the corridor among the garbage-sacks, leaning on their spears and keeping an eye on the staircase barricades.

Picking up his chromium cane, Royal left the dining-room, a single candle in its silver stick lighting his way. As he stumbled over the black plastic bags he wondered why they had never heaved them over the side. Presumably they held this rubbish to themselves less from fear of attracting the attention of the outside world than from a need to cling to their own, surround themselves with the mucilage of unfinished meals, bloody bandage scraps, broken bottles that once held the wine that made them drunk, all faintly visible through the semi-opaque plastic.

His apartment was empty, the high-ceilinged rooms deserted. Cautiously, Royal stepped into the corridor. The guard-post by the barricades was unmanned, and no lights gleamed through the doorway of the adjacent apartment where the women lived. Surprised by the absence of light from the usually busy kitchen, Royal walked through the darkened hallway. He kicked aside a child's toy and raised the candlestick above his head, trying to pick out any sleeping human figures in the surrounding rooms.

Open suitcases lay on the mattresses that covered the floor of the master-bedroom. Royal stood in the doorway, a medley of scents crowding around him in the darkness, brilliant wakes left behind them by these fleeing women. Hesitating for a moment, he reached into the room and switched on the light.

The instant electric glow, so unfamiliar after the wavering candlelight and twitching torch-beams, shone down on the six mattresses in the room. Half-packed suitcases lay on top of each other, as if the women had left at a moment's notice, or at some prearranged signal. Most of their clothes had been left behind, and he recognized the trouser-suit which Mrs Wilder had worn to serve his dinner. The racks of Anne's dresses and suits hung in the wardrobes like a store display.

The even light, as dead as a time exposure in a police photograph recording a crime, lay across these torn mattresses and discarded clothes, the wine-stains on the walls and the forgotten cosmetics on the floor at his feet.

As Royal stared down at them, he could hear a faint hooting noise from the darkened corridor, moving away from him as if emitted by these escaping women. This series of whoops and nasal grunts he had been listening to for days, trying without success to repress them from his mind. Switching off the light, he seized his cane firmly in both hands and left the apartment.

Standing outside the door, he listened to the distant sounds, almost an electronic parody of a child's crying. They moved through the apartments at the far end of the floor, metallic and remote, the sounds of the beasts of his private zoo.

15. The Evening's Entertainment

The evening deepened, and the apartment building withdrew into the darkness. As usual at this hour, the high-rise was silent, as if everyone in the huge building was passing through a border zone. On the roof the dogs whimpered to themselves. Royal blew out the candles in the dining-room and made his way up the steps to the penthouse. Reflecting the distant lights of the neighbouring high-rises, the chromium shafts of the callisthenics machine seemed to move up and down like columns of mercury, a complex device recording the shifting psychological levels of the residents below. As Royal stepped on to the roof the darkness was lit by the white forms of hundreds of birds. Their wings flared in the dark air as they struggled to find a perch on the crowded elevator heads and balustrades.

Royal waited until they surrounded him, steering their beaks away from his legs with his stick. He felt himself becoming calm again. If the women and the other members of his dwindling entourage had decided to leave him, so much the better. Here in the darkness among the birds, listening to them swoop and cry, the dogs whimpering in the children's sculpture-garden, he felt most at home. He was convinced more than ever that the birds were attracted here by his own presence.

Royal scattered the birds out of his way and pushed back the gates of the sculpture-garden. As they recognized him, the dogs began to whine and strain, pulling against their leads. These retrievers, poodles and dachshunds were all that remained of the hundred or so animals who had once lived in the upper floors of the high-rise. They were kept here as a strategic food reserve, but Royal had seen to it that few of them had been eaten. The dogs formed his personal hunting pack, to be kept until the final confrontation when he would lead them down into the building, and throw open the windows of the barricaded apartments to admit the birds.

The dogs pulled at his legs, their leads entangled around the play-sculptures. Even Royal's favourite, the white alsatian, was restless and on edge. Royal tried to settle it, running his hands over the luminous but still bloodstained coat. The dog butted him nervously, knocking him back across the empty food-pails.

As Royal regained his balance, he heard the sound of voices surging up the central stairway a hundred feet behind him. Lights approached through the darkness, a procession of electric torches held at shoulder height. The beams of light cut through the night air, scattering the birds into the sky. A portable casette player boomed out its music over the clicking of dumb-bells. As Royal paused behind an elevator head, a group of his top-floor neighbours erupted on to the roof. Led by Pangbourne, they spread in a loose circle across the observation deck, ready to celebrate a recent triumph. Without Royal's approval or foreknowledge, a raid had taken place on the floors below.

The gynaecologist was in high excitement, waving the last stragglers up the staircase like a demented courier. From his mouth came a series of peculiar whoops and cries, barely articulated grunts that sounded like some Neanderthal mating call but, in fact, were Pangbourne's rendering of the recorded birth-cries analysed by his computer. These eerie and unsettling noises Royal had been forced to listen to for weeks as members of his entourage took up the refrain. A few days earlier he had finally banned the making of these noises altogether-sitting in the penthouse and trying to think about the birds, it unnerved him to hear the women in the kitchen next door emitting these clicks and grunts. However, Pangbourne held regular sessions in his own quarters at the opposite end of the roof, where he would play through his library of recorded birth-cries for the benefit of the women crouching in a hushed circle on the floor around him. Together they mimicked these weird noises, an oral emblem of Pang-bourne's growing authority.

Now they had left Royal, and were giving full vent to everything they had learned, hooting and growling like a troupe of demented mothers-to-be invoking their infants' birth-traumas.

Waiting for the right moment to make his entrance, Royal heeled the alsatian behind a tattered awning that leaned against the elevator head. For once he was glad that he was wearing his tuxedo-the white safari-jacket would have stood out like a flame.

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