J. Ballard - High Rise

Здесь есть возможность читать онлайн «J. Ballard - High Rise» весь текст электронной книги совершенно бесплатно (целиком полную версию без сокращений). В некоторых случаях можно слушать аудио, скачать через торрент в формате fb2 и присутствует краткое содержание. Жанр: Современная проза, на английском языке. Описание произведения, (предисловие) а так же отзывы посетителей доступны на портале библиотеки ЛибКат.

High Rise: краткое содержание, описание и аннотация

Предлагаем к чтению аннотацию, описание, краткое содержание или предисловие (зависит от того, что написал сам автор книги «High Rise»). Если вы не нашли необходимую информацию о книге — напишите в комментариях, мы постараемся отыскать её.

J.G. Ballard's 1975 novel "High Rise" contains all of the qualities we have come to expect from this author: alarming psychological insights, a study of the profoundly disturbing connections between technology and the human condition, and an intriguing plot masterfully executed. Ballard, who wrote the tremendously troubling "Crash," really knows how to dig deep into our troubling times in order to expose our tentative grasp of modernity. Some compare this book to William Golding's "Lord of the Flies," and there are definite characteristics the two novels share. I would argue, however, that "High Rise" is more eloquent and more relevant than Golding's book. Unfortunately, this Ballard novel is out of print. Try and locate a copy at your local library because the payoff is well worth the effort.
"High Rise" centers around four major characters: Dr. Robert Laing, an instructor at a local medical school, Richard Wilder, a television documentary producer, Anthony Royal, an architect, and the high rise building all three live in with 2,000 other people. Throughout the story, Ballard switches back and forth between these three people, recording their thoughts and actions as they live their lives in the new high-rise apartment building. Ballard made sure to pick three separate people living on different floors of the forty floor building: Laing lives on the twenty fifth floor, Wilder lives on the second floor, and Royal lives in a penthouse on the fortieth floor (befitting his status as the designer of the building). Where you live in this structure will soon take on an importance beyond life itself.
At the beginning of the story, most of the people living in the building get along quite well. There are the usual nitpicky problems one would expect when 2,000 people are jammed together, but overall people move freely from the top to the bottom floors. A person living on the bottom floors can easily go to the observation deck on the top of the building to enjoy the view, or shop at the two banks of stores on the tenth and thirty-fifth floors. Children swim and play in the pools and playgrounds throughout the high rise without any interference. Despite the fact that well to do people live in the building, with celebrities and executives on the top floors, middle-class people on the middle floors, and airline pilots and the like on the bottom ten floors, everyone gets along reasonably well-at first.
Then things change. The gossip level increases among the residents, and parties held on different floors start to exclude people from other areas. In quick succession, objects start to land on balconies, dropped by residents on higher levels. Equipment failures, such as electrical outages, lead to mild assaults between residents. Cars parked close to the building are vandalized, and a jeweler living on the fortieth floor does a swan dive out of the window. Every incident leads to further acts of violence and increasing chaos in the lives of those in the building. People begin to take a greater interest in what's going on where they live than in outside activities and jobs. As the violence escalates, elevators and lobbies on each floor turn into armed camps as the residents attempt to block any encroachments on their territory. What starts out as a book about living in a technological marvel quickly morphs into a study of how technology can cause human beings to regress back into primitivism. Moreover, Ballard tries to draw a correlation between the technology of the building and this descent into a Stone Age mentality. He shows in detail how the residents of the apartments sink back into the morass, passing through a classical Marxist structure of bourgeoisie-proletariat, moving on to a clan/tribal system, to a system of stark individuality. In short, Ballard tries to equate our striving towards individuality through technology with how we started out in our evolution as hunter-gatherers, as individuals seeking individual gains. The promise that technology will liberate the individual is not the highest form of evolution, argues Ballard, but is actually a return to the lowest forms of human expression.
Within a few pages of the story, I thought this might turn out to be very similar to a Bentley Little book. Little, nominally a horror writer but often a social satirist, often takes a situation like this and shows how people collapse under the pressures of modern life. My belief was not born out, however, not because Ballard doesn't take certain situations over the top but because he imbues his work with a significant philosophical subtext that Little would never write about. Bentley Little is all about focusing on the over the top, outrageous incidents of humanity's decline, whereas Ballard is more interested in serving as a preacher on anti-humanistic technology, thundering out a jeremiad concerning where we might go if we do not take the time to think very carefully about the society we wish to create.
"High Rise" is a dark, forbidding tale of woe that is sure to get a reaction from anyone who reads it. There seem to be few out there who can deliver such devastating blows to our love of technology as Ballard does in his works. This author is often referred to as a science fiction writer, but "High Rise" works just as well on a horror level. So does "Crash," when I think about it, although the cold, detached prose of that book is not present in "High Rise." Whatever genre Ballard falls into, this book delivers on every level.

High Rise — читать онлайн бесплатно полную книгу (весь текст) целиком

Ниже представлен текст книги, разбитый по страницам. Система сохранения места последней прочитанной страницы, позволяет с удобством читать онлайн бесплатно книгу «High Rise», без необходимости каждый раз заново искать на чём Вы остановились. Поставьте закладку, и сможете в любой момент перейти на страницу, на которой закончили чтение.

Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

Wilder tried to move away from her, but the lewd, wheedling tone and the pressure of her fingers on his nipples unsettled him. Their unexpected sexual expertise excited a hidden strain in his character. Hillman, the dress shirt around his head like a bloody turban, was looking up passively at them, his face drained of all colour. With his visual disturbances, Wilder reflected, the empty apartment would seem to be filled with embracing replicas of himself and Mrs Hillman. He pretended to accost her, out of curiosity running his hands over her buttocks, as small as apples, to see how the injured man would react. But Hillman gave no flicker of recognition. Wilder stopped stroking Mrs Hillman when he saw that she was openly responding to him. It was on other levels that he wanted their relationship to develop.

"Dicky, I know why you came to rescue me…" Mrs Hillman followed him around the barricade, still holding Wilder's arm. "Will you punish them?"

This was another of their games. "Rescue" she visualized primarily in terms of making "them"-that is, all the residents in the high-rise below the i7th floor-eat humble pie and prostrate themselves in an endless line outside her front door.

"I'll punish them," Wilder reassured her. "All right?"

They were leaning against the barricade, Mrs Hillman's sharp-chinned face against his chest. No more ill-suited couple, Wilder decided, could have been cast to play mock-mother and mock-son. Nodding eagerly at the prospect of revenge, Mrs Hillman reached into the barricade and pulled at a black metal pipe. As it emerged, Wilder saw that it was the barrel of a shotgun.

Surprised, Wilder took the weapon from her hands. She was smiling encouragingly, as if expecting Wilder to go out into the corridor at that very moment and shoot someone dead. He broke the breech. Two live shells were in place under the hammers.

Wilder moved the weapon out of Mrs Hillman's reach. He realized that this was probably only one of hundreds of similar firearms in the high-rise-sporting rifles, military service souvenirs, handbag pistols. But no one had fired a single shot, despite the epidemic of violence. Wilder knew perfectly well why. He himself would never bring himself to fire this shotgun, even at the point of death. There was an unspoken agreement among the residents of the high-rise that their confrontation would be resolved by physical means alone.

He jammed the shotgun back into the barricade and pushed Mrs Hillman in the chest. "Go away, rescue yourself…"

As she protested, half-playfully, half in earnest, he began to throw the dog-biscuits at her, scattering them around the bare floor. Wilder enjoyed abusing her. Deriding her in front of her supine husband, he withheld the food from her until she broke down and retreated to the kitchen. The evening progressed happily. Wilder became more and more oafish as the darkness settled over the high-rise, deliberately coarsening himself like a delinquent youth fooling about with a besotted headmistress.

Until two o'clock that morning, during a night intermittently disrupted by outbreaks of violence, Wilder remained within the Hillmans' apartment on the 17th floor. The marked decline in the number of incidents disturbed Wilder-for his ascent of the building he relied on being able to offer himself as an aggressive street-fighter to one or another of the warring groups. However, the open tribal conflicts of the previous week had now clearly ceased. With the breakdown of the clan structure, the formal boundary and armistice lines had dissolved, giving way to a series of small enclaves, a cluster of three or four isolated apartments. These were far more difficult to penetrate and exploit.

Sitting in the darkness on the floor of the sitting-room with Mrs Hillman, their backs to opposite walls, they listened to the muted noises around them. The residents of the high-rise were like creatures in a darkened zoo lying together in surly quiet, now and then tearing at each other in brief acts of ferocious violence.

The Hillmans' immediate neighbours, an insurance broker and his wife, two account executives and a pharmacologist, were listless and unorganized. Wilder had visited them several times, but found that appeals to self-advantage no longer roused them. In fact, only the most blatant expressions of irrational hostility could galvanize their glazed minds. Wilder's feigned and unfeigned rages, his fantasies of revenge roused them briefly from their state of torpor.

This regrouping around more radical and aggressive leaders was taking place all over the high-rise. In the hours after midnight torches flared behind the barricades in the lobbies and corridors, where enclaves of five or six residents squatted among the plastic garbage sacks, inciting each other like wedding guests making themselves drunk in the knowledge that they too will soon be copulating freely among the sweetmeats.

At two o'clock Wilder left the Hillmans' apartment and set about stirring up his neighbours. The men crouched together, clubs and spears in hand, hip-flasks of whisky pooled at their feet. The torch-beams illuminated the garbage-sacks piled high around them, a visible museum of their leavings. Wilder sat in the centre of the group, outlining his plans for another foraging expedition to the floors above. Although they had eaten little for days, his neighbours were reluctant to take part, fearful of the power of the residents above them. Skilfully, Wilder played on their fantasies. Once again, as his imaginary scapegoat, he selected the psychiatrist Adrian Talbot, whom he now accused of molesting a child in a swimming-pool changing cubicle. The untruth of the accusation, which they all well knew, only served to reinforce it. However, before they would move they insisted that Wilder invent an even more lurid crime, as if the imaginary nature of Talbot's sexual offences held the essence of their appeal. By the logic of the high-rise those most innocent of any offence became the most guilty.

Shortly before dawn Wilder found himself in an empty apartment on the 26th floor. Once occupied by a woman and her small son, the apartment had recently been abandoned, and no attempt had been made to padlock the door from the outside. Tired after the night's rampage, Wilder wasted no time in breaking down the door. He had side-stepped his raiding party, leaving them to break up Talbot's apartment for the tenth time. During these last minutes of darkness he would settle himself into an empty apartment, and sleep through the long hours of daylight in time to resume his ascent of the high-rise at dusk.

Wilder moved around the three rooms, satisfying himself that no one was hiding in the kitchen or bathroom. He wandered about in the darkness, kicking open the cupboards and knocking any books or ornaments to the floor. Before leaving, the owner had made a half-hearted attempt to tidy the apartment, packing away the child's toys in a bedroom wardrobe. The sight of the freshly swept floors and neatly furled curtains unsettled Wilder. He pulled the drawers on to the floor, heaved the mattresses off the beds, and urinated into the bath. His burly figure, trousers open to expose his heavy genitalia, glared at him from the mirrors in the bedroom. He was about to break the glass, but the sight of his penis calmed him, a white club hanging in the darkness. He would have liked to dress it in some way, perhaps with a hair-ribbon tied in a floral bow.

Now that he was alone Wilder felt confident of his progress. His hunger was overlaid by his feelings of triumph at having climbed more than half-way up the high-rise. From the windows the ground below was barely visible, part of a world he had left behind. Somewhere above him, Anthony Royal was strutting about with his white alsatian, unaware that he would soon be in for a surprise.

At dawn the owner of the apartment reappeared, and blundered into the kitchen where Wilder was resting. By now he had relaxed and was sitting comfortably on the floor with his back against the cooker, the remains of a meal scattered around him. He had found the few cans of food, along with two bottles of red wine, in their invariable hiding place, under the floorboards in the bedroom wardrobe. As he broke open the cans he played with a battery-powered tape-recorder which had been mixed up with the child's toys. He recorded his grunts and belches, playing them back to himself. Wilder was amused by the deft way in which he edited the tape, overlaying one set of belches with a second and third, a skill that now resided entirely in his scarred fingers with their cracked and blackened nails.

Читать дальше
Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

Похожие книги на «High Rise»

Представляем Вашему вниманию похожие книги на «High Rise» списком для выбора. Мы отобрали схожую по названию и смыслу литературу в надежде предоставить читателям больше вариантов отыскать новые, интересные, ещё непрочитанные произведения.


Отзывы о книге «High Rise»

Обсуждение, отзывы о книге «High Rise» и просто собственные мнения читателей. Оставьте ваши комментарии, напишите, что Вы думаете о произведении, его смысле или главных героях. Укажите что конкретно понравилось, а что нет, и почему Вы так считаете.

x