J. Ballard - High Rise

Здесь есть возможность читать онлайн «J. Ballard - High Rise» весь текст электронной книги совершенно бесплатно (целиком полную версию без сокращений). В некоторых случаях можно слушать аудио, скачать через торрент в формате fb2 и присутствует краткое содержание. Жанр: Современная проза, на английском языке. Описание произведения, (предисловие) а так же отзывы посетителей доступны на портале библиотеки ЛибКат.

High Rise: краткое содержание, описание и аннотация

Предлагаем к чтению аннотацию, описание, краткое содержание или предисловие (зависит от того, что написал сам автор книги «High Rise»). Если вы не нашли необходимую информацию о книге — напишите в комментариях, мы постараемся отыскать её.

J.G. Ballard's 1975 novel "High Rise" contains all of the qualities we have come to expect from this author: alarming psychological insights, a study of the profoundly disturbing connections between technology and the human condition, and an intriguing plot masterfully executed. Ballard, who wrote the tremendously troubling "Crash," really knows how to dig deep into our troubling times in order to expose our tentative grasp of modernity. Some compare this book to William Golding's "Lord of the Flies," and there are definite characteristics the two novels share. I would argue, however, that "High Rise" is more eloquent and more relevant than Golding's book. Unfortunately, this Ballard novel is out of print. Try and locate a copy at your local library because the payoff is well worth the effort.
"High Rise" centers around four major characters: Dr. Robert Laing, an instructor at a local medical school, Richard Wilder, a television documentary producer, Anthony Royal, an architect, and the high rise building all three live in with 2,000 other people. Throughout the story, Ballard switches back and forth between these three people, recording their thoughts and actions as they live their lives in the new high-rise apartment building. Ballard made sure to pick three separate people living on different floors of the forty floor building: Laing lives on the twenty fifth floor, Wilder lives on the second floor, and Royal lives in a penthouse on the fortieth floor (befitting his status as the designer of the building). Where you live in this structure will soon take on an importance beyond life itself.
At the beginning of the story, most of the people living in the building get along quite well. There are the usual nitpicky problems one would expect when 2,000 people are jammed together, but overall people move freely from the top to the bottom floors. A person living on the bottom floors can easily go to the observation deck on the top of the building to enjoy the view, or shop at the two banks of stores on the tenth and thirty-fifth floors. Children swim and play in the pools and playgrounds throughout the high rise without any interference. Despite the fact that well to do people live in the building, with celebrities and executives on the top floors, middle-class people on the middle floors, and airline pilots and the like on the bottom ten floors, everyone gets along reasonably well-at first.
Then things change. The gossip level increases among the residents, and parties held on different floors start to exclude people from other areas. In quick succession, objects start to land on balconies, dropped by residents on higher levels. Equipment failures, such as electrical outages, lead to mild assaults between residents. Cars parked close to the building are vandalized, and a jeweler living on the fortieth floor does a swan dive out of the window. Every incident leads to further acts of violence and increasing chaos in the lives of those in the building. People begin to take a greater interest in what's going on where they live than in outside activities and jobs. As the violence escalates, elevators and lobbies on each floor turn into armed camps as the residents attempt to block any encroachments on their territory. What starts out as a book about living in a technological marvel quickly morphs into a study of how technology can cause human beings to regress back into primitivism. Moreover, Ballard tries to draw a correlation between the technology of the building and this descent into a Stone Age mentality. He shows in detail how the residents of the apartments sink back into the morass, passing through a classical Marxist structure of bourgeoisie-proletariat, moving on to a clan/tribal system, to a system of stark individuality. In short, Ballard tries to equate our striving towards individuality through technology with how we started out in our evolution as hunter-gatherers, as individuals seeking individual gains. The promise that technology will liberate the individual is not the highest form of evolution, argues Ballard, but is actually a return to the lowest forms of human expression.
Within a few pages of the story, I thought this might turn out to be very similar to a Bentley Little book. Little, nominally a horror writer but often a social satirist, often takes a situation like this and shows how people collapse under the pressures of modern life. My belief was not born out, however, not because Ballard doesn't take certain situations over the top but because he imbues his work with a significant philosophical subtext that Little would never write about. Bentley Little is all about focusing on the over the top, outrageous incidents of humanity's decline, whereas Ballard is more interested in serving as a preacher on anti-humanistic technology, thundering out a jeremiad concerning where we might go if we do not take the time to think very carefully about the society we wish to create.
"High Rise" is a dark, forbidding tale of woe that is sure to get a reaction from anyone who reads it. There seem to be few out there who can deliver such devastating blows to our love of technology as Ballard does in his works. This author is often referred to as a science fiction writer, but "High Rise" works just as well on a horror level. So does "Crash," when I think about it, although the cold, detached prose of that book is not present in "High Rise." Whatever genre Ballard falls into, this book delivers on every level.

High Rise — читать онлайн бесплатно полную книгу (весь текст) целиком

Ниже представлен текст книги, разбитый по страницам. Система сохранения места последней прочитанной страницы, позволяет с удобством читать онлайн бесплатно книгу «High Rise», без необходимости каждый раз заново искать на чём Вы остановились. Поставьте закладку, и сможете в любой момент перейти на страницу, на которой закончили чтение.

Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

The bottles of claret had made him pleasantly drowsy. Smearing the red wine across his broad chest, he gazed up amiably at the startled woman who stumbled into the kitchen and tripped across his legs.

As she stared down at him, one hand nervously to her throat, Wilder remembered that she had once been called Charlotte Melville. The name had now detached itself from her, like an athlete's tie-on numeral blown away in a gust of wind. He knew that he had often been in this apartment, and this explained the vague familiarity of the child's toys and the furniture, although the chairs and sofa had been rearranged to conceal various hiding places.

"Wilder…?" As if uncertain about the name, Charlotte Melville pronounced it softly. She had been sheltering during the night with her son in the apartment of the statistician three floors above with whom she had become friendly. At the first light, when everything had settled down, she had come back intending to collect the last of her food reserves before abandoning the apartment for good. Swiftly composing herself, she looked down critically at the burly man with the exposed loins lying like a savage among her wine bottles, his chest painted with red stripes. She felt no sense of loss or outrage, but a fatalistic acceptance of the damage he had casually inflicted on her apartment, like the strong odour of his urine in the bathroom.

He appeared to be half asleep, and she stepped slowly towards the door. Wilder reached out with one hand and held her ankle. He smiled up at her blearily. Climbing to his feet, he circled around her, the tape-recorder raised in one hand as if about to hit her with it. Instead he switched it on and off, playing for her his selection of belches and grunts, obviously pleased with this demonstration of his unexpected expertise. He steered her slowly around the apartment as she backed from one room to the next, listening to his edited mutterings.

The first time he struck her, cuffing her to the bedroom floor, he tried to record her gasp, but the reel had jammed. He freed it carefully, bent down and slapped her again, only stopping when he had recorded her now deliberate cries to his satisfaction. He enjoyed terrorizing her, taping down her exaggerated but nonetheless frightened gasps. During their clumsy sexual act on the mattress in the child's bedroom he left the tape-recorder switched on beside them on the floor and played back the sounds of this brief rape, editing together the noise of her tearing clothes and panting anger.

Later, bored with the woman and these games with the tape-recorder, he hurled the machine into the corner. The sound of himself speaking, however coarsely, introduced a discordant element. He resented speaking to Charlotte or to anyone else, as if words introduced the wrong set of meanings into everything.

After she dressed they had breakfast together on the balcony, sitting at the table with an incongruous old-world formality. Charlotte ate the scraps of canned meat she found on the kitchen floor. Wilder finished the last of the claret, re-marking the red stripes across his chest. The rising sunlight warmed his exposed loins, and he felt like a contented husband sitting with his wife in a villa high on a mountainside. Naively, he wanted to explain to Charlotte his ascent of the apartment building, and shyly pointed to the roof. But she failed to get the point. She fastened her torn clothes around her strong body. Although her mouth and throat were bruised, she seemed unconcerned, watching Wilder with a passive expression.

From the balcony Wilder could see the roof of the high-rise, little more than a dozen floors above him. The intoxication of living at this height was as palpable as anything produced by the wine bottle in his hand. Already he could see the line of huge birds perched on the balustrades, no doubt waiting for him to arrive and take command.

Below, on the 20th floor, a man was cooking over a fire on his balcony, breaking up a coffee table and feeding the legs to the clutch of smouldering sticks on which a soup can was balanced.

A police car approached the perimeter entrance. A few residents were leaving for work at this early hour, neatly dressed in suits and raincoats, briefcases in hand. The abandoned cars in the access roads prevented the police from reaching the main entrance to the building, and the officers stepped out and spoke to the passing residents. Usually none of them would have replied to an outsider, but now they gathered in a group around the two policemen. Wilder wondered if they were going to give the game away, but although he could not hear them, he was certain that he knew what they were saying. Clearly they were pacifying the policemen, reassuring them that everything was in order, despite the garbage and broken bottles scattered around the building.

Deciding to test the defences of the apartment before he went to sleep, Wilder stepped into the corridor. He stood outside the doorway, as the stale air moved past him to the open balcony. He relished the rich smells of the high-rise. Like their garbage, the excrement of the residents higher up the building had a markedly different odour.

Returning to the balcony, he watched the police drive away in their car. Of the twenty or so residents who still left for work each morning, three had turned back, evidently unsettled by the task of convincing the police that all was well. Without looking up, they scurried back to the entrance lobby.

Wilder knew that they would never leave again. The separation of the high-rise from the world around it was now almost complete, and would probably coincide with his own arrival at the summit. Soothed by this image, he sat down on the floor and leaned against Charlotte Melville's shoulder, falling asleep as she stroked the wine-coloured stripes on his chest and shoulders.

14. Final Triumph

At dusk, after he had strengthened the guard, Anthony Royal ordered the candles lit on the dining-room table. Hands in the pockets of his dinner-jacket, he stood at the windows of the penthouse apartment on the 40th floor and looked down across the concrete plazas of the development project. All the tenants who had earlier left for their offices had now parked their cars and entered the building. With their safe arrival, Royal felt for the first time that he could relax, like a captain eager to set sail seeing the last of his crew return from shore-leave in a foreign port. The evening had begun.

Royal sat down in the high-backed oak chair at the head of the dining-table. The candlelight flickered over the silver cutlery and gold plate, reflected in the silk facings of his dinner-jacket. As usual he smiled at the theatricality of this contrived setting, like a badly rehearsed and under-financed television commercial for a high-life product. It had started three weeks earlier when he and Pangbourne had decided to dress for dinner each evening. Royal had ordered the women to extend the dining-room table to its furthest length, so that he could sit with his back to the high windows and the illuminated decks of the nearby buildings. Responding to Royal, the women had brought candles and silverware from secret caches, and served an elaborately prepared meal. Their shadows swayed across the ceiling as if they were moving around the dining chamber of a feudal chief. Sitting in his chair at the far end of the long table, Pangbourne had been suitably impressed.

Of course, as the gynaecologist well knew, the charade was meaningless. A single step beyond the circle of candlelight the garbage-sacks were piled six-deep against the walls. Outside, the corridors and staircases were filled with broken furniture and barricades built from washing-machines and freezer cabinets. The elevator shafts were the new garbage chutes. Not one of the twenty elevators in the apartment building now functioned, and the shafts were piled deep with kitchen refuse and dead dogs. A fading semblance of civilized order still survived in the top three floors, the last tribal unit in the high-rise. However, the one error that Royal and Pangbourne had made was to assume that there would always be some kind of social organization below them which they could exploit and master. They were now moving into a realm of no social organization at all. The clans had broken down into small groups of killers, solitary hunters who built man-traps in empty apartments or preyed on the unwary in deserted elevator lobbies.

Читать дальше
Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

Похожие книги на «High Rise»

Представляем Вашему вниманию похожие книги на «High Rise» списком для выбора. Мы отобрали схожую по названию и смыслу литературу в надежде предоставить читателям больше вариантов отыскать новые, интересные, ещё непрочитанные произведения.


Отзывы о книге «High Rise»

Обсуждение, отзывы о книге «High Rise» и просто собственные мнения читателей. Оставьте ваши комментарии, напишите, что Вы думаете о произведении, его смысле или главных героях. Укажите что конкретно понравилось, а что нет, и почему Вы так считаете.

x