J. Ballard - High Rise

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High Rise: краткое содержание, описание и аннотация

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J.G. Ballard's 1975 novel "High Rise" contains all of the qualities we have come to expect from this author: alarming psychological insights, a study of the profoundly disturbing connections between technology and the human condition, and an intriguing plot masterfully executed. Ballard, who wrote the tremendously troubling "Crash," really knows how to dig deep into our troubling times in order to expose our tentative grasp of modernity. Some compare this book to William Golding's "Lord of the Flies," and there are definite characteristics the two novels share. I would argue, however, that "High Rise" is more eloquent and more relevant than Golding's book. Unfortunately, this Ballard novel is out of print. Try and locate a copy at your local library because the payoff is well worth the effort.
"High Rise" centers around four major characters: Dr. Robert Laing, an instructor at a local medical school, Richard Wilder, a television documentary producer, Anthony Royal, an architect, and the high rise building all three live in with 2,000 other people. Throughout the story, Ballard switches back and forth between these three people, recording their thoughts and actions as they live their lives in the new high-rise apartment building. Ballard made sure to pick three separate people living on different floors of the forty floor building: Laing lives on the twenty fifth floor, Wilder lives on the second floor, and Royal lives in a penthouse on the fortieth floor (befitting his status as the designer of the building). Where you live in this structure will soon take on an importance beyond life itself.
At the beginning of the story, most of the people living in the building get along quite well. There are the usual nitpicky problems one would expect when 2,000 people are jammed together, but overall people move freely from the top to the bottom floors. A person living on the bottom floors can easily go to the observation deck on the top of the building to enjoy the view, or shop at the two banks of stores on the tenth and thirty-fifth floors. Children swim and play in the pools and playgrounds throughout the high rise without any interference. Despite the fact that well to do people live in the building, with celebrities and executives on the top floors, middle-class people on the middle floors, and airline pilots and the like on the bottom ten floors, everyone gets along reasonably well-at first.
Then things change. The gossip level increases among the residents, and parties held on different floors start to exclude people from other areas. In quick succession, objects start to land on balconies, dropped by residents on higher levels. Equipment failures, such as electrical outages, lead to mild assaults between residents. Cars parked close to the building are vandalized, and a jeweler living on the fortieth floor does a swan dive out of the window. Every incident leads to further acts of violence and increasing chaos in the lives of those in the building. People begin to take a greater interest in what's going on where they live than in outside activities and jobs. As the violence escalates, elevators and lobbies on each floor turn into armed camps as the residents attempt to block any encroachments on their territory. What starts out as a book about living in a technological marvel quickly morphs into a study of how technology can cause human beings to regress back into primitivism. Moreover, Ballard tries to draw a correlation between the technology of the building and this descent into a Stone Age mentality. He shows in detail how the residents of the apartments sink back into the morass, passing through a classical Marxist structure of bourgeoisie-proletariat, moving on to a clan/tribal system, to a system of stark individuality. In short, Ballard tries to equate our striving towards individuality through technology with how we started out in our evolution as hunter-gatherers, as individuals seeking individual gains. The promise that technology will liberate the individual is not the highest form of evolution, argues Ballard, but is actually a return to the lowest forms of human expression.
Within a few pages of the story, I thought this might turn out to be very similar to a Bentley Little book. Little, nominally a horror writer but often a social satirist, often takes a situation like this and shows how people collapse under the pressures of modern life. My belief was not born out, however, not because Ballard doesn't take certain situations over the top but because he imbues his work with a significant philosophical subtext that Little would never write about. Bentley Little is all about focusing on the over the top, outrageous incidents of humanity's decline, whereas Ballard is more interested in serving as a preacher on anti-humanistic technology, thundering out a jeremiad concerning where we might go if we do not take the time to think very carefully about the society we wish to create.
"High Rise" is a dark, forbidding tale of woe that is sure to get a reaction from anyone who reads it. There seem to be few out there who can deliver such devastating blows to our love of technology as Ballard does in his works. This author is often referred to as a science fiction writer, but "High Rise" works just as well on a horror level. So does "Crash," when I think about it, although the cold, detached prose of that book is not present in "High Rise." Whatever genre Ballard falls into, this book delivers on every level.

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Two "guests' had been picked up, a cost-accountant from the 32nd floor with a bandaged head, and a myopic meteorologist from the 27th. The woman carrying the cassette player, he noted calmly, was his wife Anne. Sloppily dressed, her hair in a mess, she lolled against Pang-bourne's shoulder and then wandered about in the circle of torch-light like a moody trollop, brandishing the cassette player at the two prisoners.

"Ladies… please, now. There's more to come." Pang-bourne calmed the women, his slim fingers like brittle sticks in the confused light. The portable bar was lifted upright. A table and two chairs were set beside it, and the guests uneasily took their seats. The cost-accountant was trying to straighten the unravelling bandage around his head, as if frightened that he might be called upon to play blind man's buff. The meteorologist squinted shortsightedly into the torchlight, hoping to recognize someone among those takingpart in this revel. Royal knew everyone present, his neighbours of the past year, and could almost believe that he was attending one of the many cocktail parties held on the roof that summer. At the same time he felt that he was watching the opening act of a stylized opera or ballet, in which a restaurant is reduced to a single table and the doomed hero is taunted by a chorus of waiters, before being despatched to his death.

The hosts at this party had been drinking long before their two guests arrived. The jeweller's widow in the long fur coat, Anne with her cassette player, Jane Sheridan waving a cocktail shaker, all were lurching about as if to some deranged music only Royal was unable to hear.

Pangbourne called for quiet again. "Now-keep our guests amused. They're looking bored. What are we playing tonight?"

A medley of suggestions was shouted out.

"Gang Plank!"

"Flying School, doctor!"

"Moon Walk!"

Pangbourne turned to his guests. "I rather like Flying School… Did you know we've been running a flying school here? No-?"

"We've decided to offer you some free lessons," Anne Royal told them.

"One free lesson," Pangbourne corrected. Everyone sniggered at this. "But that's all you'll need. Isn't it, Anne?"

"It's a remarkably effective course."

"Solo first time, in fact."

Already, led by the jeweller's widow, they were dragging the injured accountant towards the balustrade, everyone tripping over the bloodstained bandage unwrapping around his head. A pair of tattered papier-mâché wings, part of a child's angel costume, were fastened to the victim's back. The grunting and hooting began again.

Dragging the reluctant alsatian after him, Royal stepped into view. Involved in their imminent execution, no one noticed him. As casually as he could muster, he called out, "Pangbourne…! Dr Pangbourne…!"

The noise slackened. Torch-beams flicked through the darkness, whipping across Royal's silk-lapelled dinner-jacket, fixing on the white alsatian trying to escape between his feet.

"Flying School! Flying School!" The sullen chant was taken up. Looking down at this unruly gang, Royal could almost believe that he was surrounded by a crowd of semi-literate children. The zoo had rebelled against its keeper.

Hearing Royal's voice, the gynaecologist turned from his prisoner, whose bandage he had expertly refastened. Wiping his hands, he strolled across the roof, almost mimicking Royal's casual saunter. But his eyes were examining Royal's face with a wholly professional curiosity, as if he had already decided that its expression of firm determination could be readjusted by cutting a minimum number of nerves and muscles.

The chant rose into the air. The torch-beams beat rhythmically across the darkness, striking Royal's face. He waited patiently for the clamour to subside. As Anne broke away from the crowd and ran forward he raised the chromium cane, ready to strike her. She stopped in front of him, smirking as she fluffed up her long skirt in a provocative gesture. Suddenly she turned the cassette player to full volume and thrust it into his face. A gabble of birth-cries filled the air.

"Royal…" the jeweller's widow shouted warningly. "Here's Wilder!"

Startled by the name, Royal flinched back, thrashing at the darkness with the chromium cane. The torch-beams swerved around him, the shadows of the overturned chairs swinging across the concrete roof. Expecting Wilder to lunge at him from behind, he stumbled across the awning and entangled himself in the dog's lead.

He heard laughter behind him. Controlling himself with an effort, he turned to face Pangbourne again. But the gynaecologist was walking away, looking back at him without hostility. He waved to Royal with a quick movement of his hand, as if flicking a dart at him, dismissing him for ever. The torches swung away from Royal, and everyone returned to the more serious business of tormenting the two guests.

Royal watched from the darkness as they argued over the prisoners. The confrontation with Pangbourne was over-or, more exactly, had never taken place. A simple ruse had unnnerved him, leaving him with the uncertainty of whether or not he really feared Wilder. He had been humiliated, but in a sense this was only just. The gynaecologist was the man for their hour. No zoo would survive for long with Pangbourne as its keeper, but he would provide a node of violence and cruelty that would keep alive in others the will to survive.

Let the psychotics take over. They alone understood what was happening. Holding to the alsatian, Royal let the dog drag him away towards the safety of the darkness near the sculpture-garden. The white forms of the birds were massed together on every ledge and parapet. Royal listened to the whimpering dogs. He had no means now of feeding them. The glass doors of the penthouse reflected the swerving birds, like the casements of a secret pavilion. He would close down his apartment, block the staircase and retreat to the penthouse, perhaps taking Mrs Wilder with him as his servant. Here he would preside over the high-rise, taking up his last tenancy in the sky.

He unlocked the gate of the sculpture-garden and moved through the darkness among the statues, releasing the dogs. One by one they scrambled away, until only Royal and the birds were left.

16. A Happy Arrangement

An uncertain scene, Robert Laing decided. He could no longer trust his senses. A curious light, grey and humid but at the same time marbled by a faint interior luminosity, hung over the apartment. As he stood among the garbage-sacks in the kitchen, trying to coax a few drops of water from the tap, he peered over his shoulder at the dull fog that stretched like a curtain across the sitting-room, almost an extension of his own mind. Not for the first time he was unsure what time of day it was. How long had he been up? Laing vaguely remembered sleeping on the tartan rug that lay on the kitchen floor, his head pillowed on a garbage-sack between the table legs. He had been wandering about the bedroom where his sister Alice lay asleep, but whether he had woken five minutes ago or the previous day Laing had no means of telling.

He shook his watch, picking at the fractured dial with a grimy finger-nail. The watch had stopped during a scuffle in the 25th floor lobby several days earlier. Although he had forgotten the exact moment, the hands of this broken watch contained the one point of finite time left to him, like a fossil cast on to a beach, crystallizing -for ever a brief sequence of events within a vanished ocean. However, it barely mattered now what time it was-anything rather than night, when it was too terrifying to do more than shelter in the apartment, crouching behind his dilapidated barricade.

Laing turned the cold water tap on and off, listening to the faintly changing tone. At rare intervals, perhaps for a single minute during the day, a green, algae-stained liquid flowed from the tap. These small columns of water, moving up and down the huge system of pipes that ran throughout the building, announced their arrivals and departures with faint changes of note. Listening to this remote and complex music had sharpened Laing's ears, a sensitivity that extended to almost any kind of sound within the building. By contrast his sight, dulled by being used chiefly at night, presented him with an increasingly opaque world.

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