J. Ballard - High Rise

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High Rise: краткое содержание, описание и аннотация

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J.G. Ballard's 1975 novel "High Rise" contains all of the qualities we have come to expect from this author: alarming psychological insights, a study of the profoundly disturbing connections between technology and the human condition, and an intriguing plot masterfully executed. Ballard, who wrote the tremendously troubling "Crash," really knows how to dig deep into our troubling times in order to expose our tentative grasp of modernity. Some compare this book to William Golding's "Lord of the Flies," and there are definite characteristics the two novels share. I would argue, however, that "High Rise" is more eloquent and more relevant than Golding's book. Unfortunately, this Ballard novel is out of print. Try and locate a copy at your local library because the payoff is well worth the effort.
"High Rise" centers around four major characters: Dr. Robert Laing, an instructor at a local medical school, Richard Wilder, a television documentary producer, Anthony Royal, an architect, and the high rise building all three live in with 2,000 other people. Throughout the story, Ballard switches back and forth between these three people, recording their thoughts and actions as they live their lives in the new high-rise apartment building. Ballard made sure to pick three separate people living on different floors of the forty floor building: Laing lives on the twenty fifth floor, Wilder lives on the second floor, and Royal lives in a penthouse on the fortieth floor (befitting his status as the designer of the building). Where you live in this structure will soon take on an importance beyond life itself.
At the beginning of the story, most of the people living in the building get along quite well. There are the usual nitpicky problems one would expect when 2,000 people are jammed together, but overall people move freely from the top to the bottom floors. A person living on the bottom floors can easily go to the observation deck on the top of the building to enjoy the view, or shop at the two banks of stores on the tenth and thirty-fifth floors. Children swim and play in the pools and playgrounds throughout the high rise without any interference. Despite the fact that well to do people live in the building, with celebrities and executives on the top floors, middle-class people on the middle floors, and airline pilots and the like on the bottom ten floors, everyone gets along reasonably well-at first.
Then things change. The gossip level increases among the residents, and parties held on different floors start to exclude people from other areas. In quick succession, objects start to land on balconies, dropped by residents on higher levels. Equipment failures, such as electrical outages, lead to mild assaults between residents. Cars parked close to the building are vandalized, and a jeweler living on the fortieth floor does a swan dive out of the window. Every incident leads to further acts of violence and increasing chaos in the lives of those in the building. People begin to take a greater interest in what's going on where they live than in outside activities and jobs. As the violence escalates, elevators and lobbies on each floor turn into armed camps as the residents attempt to block any encroachments on their territory. What starts out as a book about living in a technological marvel quickly morphs into a study of how technology can cause human beings to regress back into primitivism. Moreover, Ballard tries to draw a correlation between the technology of the building and this descent into a Stone Age mentality. He shows in detail how the residents of the apartments sink back into the morass, passing through a classical Marxist structure of bourgeoisie-proletariat, moving on to a clan/tribal system, to a system of stark individuality. In short, Ballard tries to equate our striving towards individuality through technology with how we started out in our evolution as hunter-gatherers, as individuals seeking individual gains. The promise that technology will liberate the individual is not the highest form of evolution, argues Ballard, but is actually a return to the lowest forms of human expression.
Within a few pages of the story, I thought this might turn out to be very similar to a Bentley Little book. Little, nominally a horror writer but often a social satirist, often takes a situation like this and shows how people collapse under the pressures of modern life. My belief was not born out, however, not because Ballard doesn't take certain situations over the top but because he imbues his work with a significant philosophical subtext that Little would never write about. Bentley Little is all about focusing on the over the top, outrageous incidents of humanity's decline, whereas Ballard is more interested in serving as a preacher on anti-humanistic technology, thundering out a jeremiad concerning where we might go if we do not take the time to think very carefully about the society we wish to create.
"High Rise" is a dark, forbidding tale of woe that is sure to get a reaction from anyone who reads it. There seem to be few out there who can deliver such devastating blows to our love of technology as Ballard does in his works. This author is often referred to as a science fiction writer, but "High Rise" works just as well on a horror level. So does "Crash," when I think about it, although the cold, detached prose of that book is not present in "High Rise." Whatever genre Ballard falls into, this book delivers on every level.

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Invigorated by this tonic atmosphere, Anne and Jane Sheridan had made a rapid recovery. Anne no longer referred to their leaving the high-rise, and seemed to have forgotten that she had ever made the decision to go. The rough and tumble in the junior school had given her that previously missing sense of solidarity with the other tenants of the high-rise. In the future, violence would clearly become a valuable form of social cement. As Royal escorted her to the first party of the evening, given by a newspaper columnist on the 37th floor, she and Jane strolled arm in arm, buoyed up by reports of further confrontations, and by the news that two more floors, the 6th and 14th, were now in darkness.

Pangbourne congratulated Royal on this, almost as if he believed that Royal was responsible. No one, even on the top floors, seemed aware of the contrast between the well-groomed revellers and the dilapidated state of the building. Along corridors strewn with uncollected garbage, past blocked disposal chutes and vandalized elevators, moved men in well-tailored dinner-jackets. Elegant women lifted long skirts to step over the debris of broken bottles. The scents of expensive after-shave lotions mingled with the aroma of kitchen wastes.

These bizarre contrasts pleased Royal, marking the extent to which these civilized and self-possessed professional men and women were moving away from any notion of rational behaviour. He thought of his own confrontation with Wilder, which summed up all the forces in collision within the high-rise. Wilder had obviously begun his ascent of the building again, and had climbed as far as the 15th floor. By rights the high-rise should be totally deserted except for Wilder and himself. The real duel would be resolved among the deserted corridors and abandoned apartments of the building inside their heads, watched only by the birds.

Now that she had accepted it, the threat of violence in the air had matured Anne. Standing by the fireplace in the columnist's drawing-room, Royal watched her with affection. She was no longer flirting with the elderly businessmen and young entrepreneurs, but listening intently to Dr Pangbourne, as if aware that the gynaecologist might be useful to her in more ways than the purely professional. Despite his pleasure in displaying her to the other residents, Royal felt far more protective of her. This sexual territoriality extended to Jane Sheridan.

"Have you thought about moving in with us?" he asked her. "Your own apartment is very much exposed."

"I'd like to-Anne did mention it. I've already brought some things over."

Royal danced with her in the garbage-stacked hallway, openly feeling her strong hips and thighs, as if this inventory established his claim to these portions of her body at a future date.

Hours later, at some period after midnight when it seemed to Royal that these parties had been going on for ever, he found himself drunk in an empty apartment on the 39th floor. He was lying back on a settee with Jane against his shoulder, surrounded by tables loaded with dirty glasses and ashtrays, all the debris of a party abandoned by its guests. The music from the balconies nearby was overlaid by the noise of sporadic acts of violence. Somewhere a group of residents was shouting in a desultory way, hammering on the doors of an elevator shaft.

A power failure had switched out the lights. Royal lay back in the darkness, steadying his slowly rotating brain against the illumination of the nearby high-rise. Without thinking, he began to caress Jane, stroking her heavy breasts. She made no attempt to pull herself away from him. A few moments later, when the electric power returned, lighting up a single table-lamp lying on the floor of the balcony, she recognized Royal and settled herself across him.

Hearing a noise from the kitchen, Royal looked round to see his wife sitting at the table in her long gown, one hand on the electric coffee-percolator as it began to warm. Royal put his arms around Jane and embraced her with deliberate slowness, as if repeating for his wife's benefit a slow-motion playback. He knew that Anne could see them, but she sat quietly at the kitchen table, lighting a cigarette. During the sexual act that followed she watched them without speaking, as if she approved, not from any fashionable response to marital infidelity, but from what Royal realized was a sense of tribal solidarity, a complete deference to the clan leader.

10. The Drained Lake

Soon after dawn the next morning, Robert Laing sat on his balcony on the 25th floor, eating a frugal breakfast and listening to the first sounds of activity in the apartments around him. Already a few residents were leaving the building on their way to work, picking their way through the debris underfoot towards their garbage-speckled cars. Several hundred people still left each day for their offices and studios, airports and auction-rooms. Despite the scarcity of water and heating, the men and women were well dressed and groomed, their appearance giving no hint of the events of the previous weeks. However, without realizing it, many of them would spend much of their time at their offices asleep at their desks.

Laing ate his slice of bread with methodical slowness. Sitting there on the cracked balcony tiles, he felt like a poor pilgrim who had set out on a hazardous vertical journey and was performing a simple but meaningful ritual at a wayside shrine.

The previous night had brought total chaos-drunken parties, brawls, the looting of empty apartments and assaults on any isolated resident. Several more floors were now in darkness, including the 22nd, where his sister Alice lived. Hardly anyone had slept. Amazingly, few people showed any signs of fatigue, as if the economy of their lives was switching from day to night. Laing half-suspected that the insomnia so many of his neighbours had suffered had been some kind of unconscious preparation for the emergency ahead. He himself felt alert and confident-despite the bruises on his shoulders and arms, he was physically in fine trim. At eight o'clock he intended to clean himself up and leave for the medical school.

Laing had spent the early part of the night straightening Charlotte Melville's apartment, which had been ransacked by intruders while she and her small son were sheltering with friends. Later, he had helped to guard an elevator which his neighbours had seized for a few hours. Not that they had gone anywhere-having commandeered the elevator what mattered was to hold it for an effective psychological interval.

The evening had begun, as usual, with a party held by Paul Crosland, television newsreader and now clan chief. Crosland had been delayed at the studios, but his guests watched him deliver the nine-o'clock news, speaking in his familiar, well-modulated voice about a rush-hour pile-up in which six people had died. As his neighbours stood around the television set, Laing waited for Crosland to refer to the equally calamitous events taking place in the high-rise, the death of the jeweller (now totally forgotten), and the division of the tenants into rival camps. Perhaps, at the end of the newscast, he would add a special message for his clan members at that moment fixing their drinks among the plastic rubbish-sacks in his living-room.

By the time Crosland arrived, swerving into the apartment in his fleece-lined jacket and boots like a returning bomber pilot, everyone was drunk. Flushed and excited, Eleanor Powell swayed up to Laing, pointing hilariously at him and accusing him of trying to break into her apartment. Everyone cheered this news, as if rape was a valuable and well-tried means of bringing clan members together.

"A low crime-rate, doctor," she told him amiably, "is a sure sign of social deprivation."

Drinking steadily and without any self-control, Laing felt the alcohol bolt through his head. He knew that he was deliberately provoking himself, repressing any reservations about the good sense of people such as Crosland. On a practical level, being drunk was almost the only way of getting close to Eleanor Powell. Sober, she soon became tiresomely maudlin, wandering about the corridors in a vacant way as if she had lost the key to her own mind. After a few cocktails she was hyper-animated, and flicked on and off like a confused TV monitor revealing glimpses of extraordinary programmes which Laing could only understand when he was drunk himself. Although she kept overruling everything he said, tripping over the plastic garbage-sacks under the bar, he held her upright, excited by the play of her hands across his lapels. Not for the first time Laing reflected that he and his neighbours were eager for trouble as the most effective means of enlarging their sex lives.

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