J. Ballard - High Rise

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High Rise: краткое содержание, описание и аннотация

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J.G. Ballard's 1975 novel "High Rise" contains all of the qualities we have come to expect from this author: alarming psychological insights, a study of the profoundly disturbing connections between technology and the human condition, and an intriguing plot masterfully executed. Ballard, who wrote the tremendously troubling "Crash," really knows how to dig deep into our troubling times in order to expose our tentative grasp of modernity. Some compare this book to William Golding's "Lord of the Flies," and there are definite characteristics the two novels share. I would argue, however, that "High Rise" is more eloquent and more relevant than Golding's book. Unfortunately, this Ballard novel is out of print. Try and locate a copy at your local library because the payoff is well worth the effort.
"High Rise" centers around four major characters: Dr. Robert Laing, an instructor at a local medical school, Richard Wilder, a television documentary producer, Anthony Royal, an architect, and the high rise building all three live in with 2,000 other people. Throughout the story, Ballard switches back and forth between these three people, recording their thoughts and actions as they live their lives in the new high-rise apartment building. Ballard made sure to pick three separate people living on different floors of the forty floor building: Laing lives on the twenty fifth floor, Wilder lives on the second floor, and Royal lives in a penthouse on the fortieth floor (befitting his status as the designer of the building). Where you live in this structure will soon take on an importance beyond life itself.
At the beginning of the story, most of the people living in the building get along quite well. There are the usual nitpicky problems one would expect when 2,000 people are jammed together, but overall people move freely from the top to the bottom floors. A person living on the bottom floors can easily go to the observation deck on the top of the building to enjoy the view, or shop at the two banks of stores on the tenth and thirty-fifth floors. Children swim and play in the pools and playgrounds throughout the high rise without any interference. Despite the fact that well to do people live in the building, with celebrities and executives on the top floors, middle-class people on the middle floors, and airline pilots and the like on the bottom ten floors, everyone gets along reasonably well-at first.
Then things change. The gossip level increases among the residents, and parties held on different floors start to exclude people from other areas. In quick succession, objects start to land on balconies, dropped by residents on higher levels. Equipment failures, such as electrical outages, lead to mild assaults between residents. Cars parked close to the building are vandalized, and a jeweler living on the fortieth floor does a swan dive out of the window. Every incident leads to further acts of violence and increasing chaos in the lives of those in the building. People begin to take a greater interest in what's going on where they live than in outside activities and jobs. As the violence escalates, elevators and lobbies on each floor turn into armed camps as the residents attempt to block any encroachments on their territory. What starts out as a book about living in a technological marvel quickly morphs into a study of how technology can cause human beings to regress back into primitivism. Moreover, Ballard tries to draw a correlation between the technology of the building and this descent into a Stone Age mentality. He shows in detail how the residents of the apartments sink back into the morass, passing through a classical Marxist structure of bourgeoisie-proletariat, moving on to a clan/tribal system, to a system of stark individuality. In short, Ballard tries to equate our striving towards individuality through technology with how we started out in our evolution as hunter-gatherers, as individuals seeking individual gains. The promise that technology will liberate the individual is not the highest form of evolution, argues Ballard, but is actually a return to the lowest forms of human expression.
Within a few pages of the story, I thought this might turn out to be very similar to a Bentley Little book. Little, nominally a horror writer but often a social satirist, often takes a situation like this and shows how people collapse under the pressures of modern life. My belief was not born out, however, not because Ballard doesn't take certain situations over the top but because he imbues his work with a significant philosophical subtext that Little would never write about. Bentley Little is all about focusing on the over the top, outrageous incidents of humanity's decline, whereas Ballard is more interested in serving as a preacher on anti-humanistic technology, thundering out a jeremiad concerning where we might go if we do not take the time to think very carefully about the society we wish to create.
"High Rise" is a dark, forbidding tale of woe that is sure to get a reaction from anyone who reads it. There seem to be few out there who can deliver such devastating blows to our love of technology as Ballard does in his works. This author is often referred to as a science fiction writer, but "High Rise" works just as well on a horror level. So does "Crash," when I think about it, although the cold, detached prose of that book is not present in "High Rise." Whatever genre Ballard falls into, this book delivers on every level.

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Fortunately, Anne and Jane Sheridan had left for the 10th-floor supermarket, picking up the one elevator released for general traffic.

Pangbourne settled the dog on the dust-sheet covering one of the sofas.

"I'm glad you were here," Royal told him. "You're not at your practice?"

Pangbourne stroked the alsatian's swollen head, his white hands delicate with blood. "I attend my consultancy two mornings a week, just enough time for me to listen to the latest recordings. Otherwise I'm on guard duty here." He peered pointedly at Royal. "If I were you, I'd keep a closer eye on Anne-unless you want her to be…"

"Sound advice. You've never thought of leaving? The conditions now…"

The gynaecologist frowned at Royal as if unsure whether he was serious. "I've only just moved here. Why should I concede anything to these people?" He pointed expressively at the floor with a bloodstained finger.

Impressed by the determination of this refined and punctilious man to defend his terrain, Royal followed him to the door, thanking him for his help and promising to discuss with him the sabotage of the elevators. For the next half an hour Royal cleaned the wounds of the alsa-tian. Although the dog began to sleep, the bloodstains on the white dust-sheet made Royal feel increasingly restless. The assault had released in him a more than half-conscious wish for conflict. To date he had been a moderating influence, restraining his neighbours from any unnecessary retaliatory action. Now he wanted trouble at any price.

Somewhere below a falling bottle burst on a balcony, a brief explosion against the rising background of over-noisy record-players, shouts and hammering. The light in the apartment had begun to fade, the shrouded furniture suspended around him like under-inflated clouds. The afternoon had passed, and soon the danger period would begin. Thinking of Anne trying to make her way back from the 10th floor, Royal turned to leave the apartment.

By the door he stopped, holding one hand over the dial of his wrist-watch. His concern for Anne was as strong as ever-if anything he felt more possessive towards her-but he decided to let another half-hour elapse before he went in search of her. Perversely, this would increase the element of danger, the chance of confrontation. He walked calmly around the apartment, noting the telephones on the floor and the neatly wrapped cables. Even if she were trapped somewhere, Anne would be unable to call him.

While he waited for the darkness, Royal went up to the penthouse and watched the gulls on the elevator heads. In the evening light their plumage was a vibrant white. Like birds at dusk waiting among the cornices of a mausoleum, they flicked their wings against the bone-like concrete. As if agitated by Royal's confused state, they rose excitedly into the air. Royal was thinking of his wife, of the possible assaults on her, an almost sexual fever of hazard and revenge tightening his nerves. In another twenty minutes he would leave the apartment and make his killing drop down the shafts of the high-rise, murder descending. He wished he could take the birds with him. He could see them diving down the elevator shafts, spiralling through the stairwells to swoop into the corridors. He watched them wheel through the air, listening to their cries as he thought of the violence to come.

9. lnto the Drop Zone

At seven o'clock Anthony Royal set out with the white alsatian to find his wife. The dog had recovered sufficiently from its beating to limp along in front of him. Its damp pelt was marked with a vivid crimson bloom. Like the bloodstains on his white jacket, Royal was proud of these signs of combat. As if mimicking the dog, he wore its blood on his chest and hips, the insignia of an executioner's apparel yet to be designed.

He began his descent into the lower depths of the building in the high-speed elevator lobby. A group of excited neighbours had just emerged from one of the cars. Four floors down, an apartment had been ransacked by a party of tenants from the 15th floor. These sporadic raids on apartments were taking place with increasing frequency. Empty apartments, even if left for no more than a single day, were especially vulnerable. Some unconscious system of communication alerted any would-be raiders that an apartment a dozen floors above or below was ripe for ransack.

With difficulty Royal found an elevator to take him down to the 35th floor. The restaurant had closed. After serving a last lunch to the Royals the chef and his wife had left for good. Chairs and tables had been stacked around the kitchen in a barricade, and the revolving door was padlocked. The long observation windows, with their magnificent view, were shuttered and chained, throwing the north end of the pool into darkness.

The last swimmer, a market analyst from the 38th floor, was leaving the swimming-pool. His wife waited protectively outside his cubicle as he changed. She watched the alsatian lapping at the water lying on the greasy tiles by the diving-board. When the dog relieved itself against the door of an empty cubicle her face was expressionless. Royal felt a modest pride in this act, which rekindled a primitive territorial reflex. The marking of this cubicle with the dog's over-bright urine defined the small terrain coming under his sway.

For the next hour Royal continued his search for his wife, descending deeper into the central mass of the high-rise. As he moved from one floor to the next, from one elevator to another, he realized the full extent of its deterioration. The residents' rebellion against the apartment building was now in full swing. Garbage lay heaped around the jammed disposal chutes. The stairways were littered with broken glass, splintered kitchen chairs and sections of handrail. Even more significant, the pay-phones in the elevator lobbies had been ripped out, as if the tenants, like Anne and himself, had agreed to shut off any contact with the world outside.

The further down Royal reached, the greater the damage. Fire safety doors leaned off their hinges, quartz inspection windows punched out. Few corridor and staircase lights still worked, and no effort had been made to replace the broken bulbs. By eight o'clock little light reached the corridors, which became dim tunnels strewn with garbage sacks. The lurid outlines of lettered slogans, aerosolled in luminous paint across the walls, unravelled around him like the decor of a nightmare.

Rival groups of residents stood around in the lobbies, guarding their elevators and watching each other along the corridors. Many of the women had portable radios slung from their shoulders, which they switched from station to station as if tuning up for an acoustic war. Others carried cameras and flash equipment, ready to record any acts of hostility, any incursions into their territory.

By changing elevators and making journeys of two floors at a time, Royal finally descended into the lower half of the apartment building. He was unmolested by the other residents, who watched him as he entered their lobbies, moving out of his way as he strolled past. The wounded alsatian and Royal's bloodstained jacket gave him free passage through these rival clans, as if he were a betrayed landowner descending from his keep to parade his wounds among his rebellious tenants.

By the time he reached the 10th floor the concourse was almost deserted. A few residents wandered around the shopping mall, staring at the empty chromium counters. The bank and liquor store were closed, their grilles chained. There was no sign of Anne. Royal led the alsatian through the swing doors into the swimming-pool, now barely half full. The yellow water was filled with debris, the floor at the shallow end emerging like a beach in a garbage lagoon. A mattress floated among the bottles, surrounded by a swill of cardboard cartons and newspapers.

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