J. Ballard - High Rise

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High Rise: краткое содержание, описание и аннотация

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J.G. Ballard's 1975 novel "High Rise" contains all of the qualities we have come to expect from this author: alarming psychological insights, a study of the profoundly disturbing connections between technology and the human condition, and an intriguing plot masterfully executed. Ballard, who wrote the tremendously troubling "Crash," really knows how to dig deep into our troubling times in order to expose our tentative grasp of modernity. Some compare this book to William Golding's "Lord of the Flies," and there are definite characteristics the two novels share. I would argue, however, that "High Rise" is more eloquent and more relevant than Golding's book. Unfortunately, this Ballard novel is out of print. Try and locate a copy at your local library because the payoff is well worth the effort.
"High Rise" centers around four major characters: Dr. Robert Laing, an instructor at a local medical school, Richard Wilder, a television documentary producer, Anthony Royal, an architect, and the high rise building all three live in with 2,000 other people. Throughout the story, Ballard switches back and forth between these three people, recording their thoughts and actions as they live their lives in the new high-rise apartment building. Ballard made sure to pick three separate people living on different floors of the forty floor building: Laing lives on the twenty fifth floor, Wilder lives on the second floor, and Royal lives in a penthouse on the fortieth floor (befitting his status as the designer of the building). Where you live in this structure will soon take on an importance beyond life itself.
At the beginning of the story, most of the people living in the building get along quite well. There are the usual nitpicky problems one would expect when 2,000 people are jammed together, but overall people move freely from the top to the bottom floors. A person living on the bottom floors can easily go to the observation deck on the top of the building to enjoy the view, or shop at the two banks of stores on the tenth and thirty-fifth floors. Children swim and play in the pools and playgrounds throughout the high rise without any interference. Despite the fact that well to do people live in the building, with celebrities and executives on the top floors, middle-class people on the middle floors, and airline pilots and the like on the bottom ten floors, everyone gets along reasonably well-at first.
Then things change. The gossip level increases among the residents, and parties held on different floors start to exclude people from other areas. In quick succession, objects start to land on balconies, dropped by residents on higher levels. Equipment failures, such as electrical outages, lead to mild assaults between residents. Cars parked close to the building are vandalized, and a jeweler living on the fortieth floor does a swan dive out of the window. Every incident leads to further acts of violence and increasing chaos in the lives of those in the building. People begin to take a greater interest in what's going on where they live than in outside activities and jobs. As the violence escalates, elevators and lobbies on each floor turn into armed camps as the residents attempt to block any encroachments on their territory. What starts out as a book about living in a technological marvel quickly morphs into a study of how technology can cause human beings to regress back into primitivism. Moreover, Ballard tries to draw a correlation between the technology of the building and this descent into a Stone Age mentality. He shows in detail how the residents of the apartments sink back into the morass, passing through a classical Marxist structure of bourgeoisie-proletariat, moving on to a clan/tribal system, to a system of stark individuality. In short, Ballard tries to equate our striving towards individuality through technology with how we started out in our evolution as hunter-gatherers, as individuals seeking individual gains. The promise that technology will liberate the individual is not the highest form of evolution, argues Ballard, but is actually a return to the lowest forms of human expression.
Within a few pages of the story, I thought this might turn out to be very similar to a Bentley Little book. Little, nominally a horror writer but often a social satirist, often takes a situation like this and shows how people collapse under the pressures of modern life. My belief was not born out, however, not because Ballard doesn't take certain situations over the top but because he imbues his work with a significant philosophical subtext that Little would never write about. Bentley Little is all about focusing on the over the top, outrageous incidents of humanity's decline, whereas Ballard is more interested in serving as a preacher on anti-humanistic technology, thundering out a jeremiad concerning where we might go if we do not take the time to think very carefully about the society we wish to create.
"High Rise" is a dark, forbidding tale of woe that is sure to get a reaction from anyone who reads it. There seem to be few out there who can deliver such devastating blows to our love of technology as Ballard does in his works. This author is often referred to as a science fiction writer, but "High Rise" works just as well on a horror level. So does "Crash," when I think about it, although the cold, detached prose of that book is not present in "High Rise." Whatever genre Ballard falls into, this book delivers on every level.

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Even a corpse would go unnoticed here, Royal reflected. As the alsatian snuffled its way along the vandalized changing cubicles, Royal waved his cane at the humid air, trying to stir it into life. He would soon suffocate here in the lower section of the apartment building. During even this brief visit he had felt crushed by the pressure of all the people above him, by the thousands of individual lives, each with its pent-up time and space.

From the elevator lobby on the far side of the swimming-pool came the sounds of shouting. Urging on the dog, Royal strode to the rear exit behind the diving-boards. Through the glass doors he watched a heated argument taking place outside the entrance to the junior school. Some twenty men and women were involved, one group from the lower floors carrying desks and chairs, a blackboard and artist's easel, the other trying to prevent them from re-occupying the classrooms.

Scuffles soon broke out. Egged on by a film-editor wielding a desk over his head, the parents pressed forward determinedly. Their opponents, residents from the nth and 12th floors, stood their ground, forming a heavy-breathing cordon. A bad-tempered brawl developed, men and women wrestling clumsily with each other.

Royal pulled the alsatian away, deciding to leave this jostling group to settle their own dispute. As he turned to continue his search for Anne, the staircase doors leading into the lobby were flung back. A group of residents, all from the 14th and 15th floors, leapt out and hurled themselves into the melee. They were led by Richard Wilder, cine-camera gripped like a battle standard in one hand. Royal assumed that Wilder was filming an episode from the documentary he had been talking about for so long, and had set up the entire scene. But Wilder was in the thick of the fray, aggressively wielding the cine-camera as he urged on his new allies against his former neighbours. The raiding party was shouldered back towards the staircase in disarray, the parents dropping the desks and blackboard.

Wilder slammed the staircase doors behind them. Expelling his sometime neighbours and friends had clearly given him enormous satisfaction. Waving his camera, he pointed to the classroom of the junior school. Two young women, Royal's wife and Jane Sheridan, were crouching behind an overturned desk. Like children caught red-handed in some mischief, they watched Wilder as he beckoned theatrically towards them.

Holding the alsatian on a short leash, Royal pushed back the glass doors. He strode through the residents in the lobby, who were now happily breaking up the children's desks.

"It's all right, Wilder," he called out in a firm but casual voice. "I'll take over."

He stepped past Wilder and entered the classroom. He lifted Anne to her feet. "I'll get you out of here-don't worry about Wilder."

"I'm not…" For all her ordeal, Anne was remarkably unruffled. She gazed at Wilder with evident admiration. "My God, he's rather insane…"

Royal waited for Wilder to attack him. Despite the twenty years between them, he felt calm and self-controlled ready for the physical confrontation. But Wilder made no attempt to move. He watched Royal with interest, patting one armpit in an almost animal way, as if glad to see Royal here on the lower levels, directly involved at last in the struggle for territory and womenfolk. His shirt was open to the waist, exposing a barrel-like chest that he showed off with some pride. He held the cine-camera against his cheek as if he were visualizing the setting and choreography of a complex duel to be fought at some more convenient time on a stage higher in the building.

That night, when they had returned to their apartment on the 40th floor, Royal set about asserting his leadership of the topmost levels of the high-rise. First, while his wife and Jane Sheridan rested together in Anne's bed, Royal attended to the alsatian. He fed the dog in the kitchen with the last of its food. The wounds on its shoulders and head were as hard as coins. Royal was more aroused by the injuries to the dog than by any indignity suffered by his wife. He had almost made Anne's ordeal certain by deliberately postponing his search for her. As he expected, she and Jane had been unable to find an elevator when they had finished shopping at the supermarket. After being molested in the lobby by a drunken sound-man they had taken refuge in the deserted classroom.

"They're all making their own films down there," Anne told him, clearly fascinated by her heady experience of the lower orders at work and play. "Every time someone gets beaten up about ten cameras are shooting away."

"They're showing them in the projection theatre," Jane confirmed. "Crammed in there together seeing each other's rushes."

"Except for Wilder. He's waiting for something really gruesome."

Both women turned without thinking to look at Royal, but he took this in his stride. In an obscure way, it was his affection for Anne that had led him to display her to his neighbours below, his contribution to the new realm they would create together. By contrast, the alsatian belonged to a more practical world. Already he knew that the dog might well prove useful, be more easily bartered than any woman, in the future that lay ahead. He decided not to throw away the bloodstained jacket, glad to wear the dog's blood against his chest. He refused any offers to clean it from the wives of his fellow residents who came in to comfort the two young women.

The assaults on the alsatian, and on Royal's wife, made his apartment a natural focus of his neighbours' decision to regain the initiative before they were trapped on the roof of the high-rise. To Pangbourne he explained that it was vital for them to enlist the support of the tenants living on the floors immediately below the 35th.

"To survive, we need allies as a buffer against any attacks from the lower levels, and also to give us access to more of the elevators. We're in danger of being cut off from the central mass of the building."

"Right," the gynaecologist agreed, glad to see that Royal had at last woken up to the realities of then: position. "Once we've gained a foothold there we can play these people off against those lower down-in short balkanize the centre section and then begin the colonization of the entire building…"

In retrospect, it surprised Royal how easily they were able to implement these elementary schemes. At nine o'clock, before the evening's parties began, Royal began to enlist the support of the residents below the 35th-floor swimming-pool. Expertly, Pangbourne played on their grievances. These people shared many of the problems of the top-floor tenants-their cars had also been damaged, and they had the same struggles with the declining water-supply and air-conditioning. In a calculated gesture, Royal and Pangbourne offered them the use of the top-floor elevators. To reach their apartments they would no longer have to enter the main lobby and run the gauntlet of thirty intervening floors. They would now wait for a top-level tenant to appear, enter the private lobby with him and ride straight to the 35th floor without harassment, and then walk the few steps down to their apartments.

The offer was accepted, Royal and Pangbourne deliberately asking for no concessions in return. The deputation returned to the 4oth floor, the members dispersing to their apartments to prepare for the evening's festivities. During the previous hour a few trivial incidents had occurred-the middle-aged wife of a 28th-floor account-executive had been knocked unconscious into the half-empty swimming-pool, and a radiologist from the 7th floor had been beaten up among the driers in the hairdressing salon-but in general everything within the high-rise was normal. As the night progressed, the sounds of continuous revelry filled the building. Beginning with the lower floors, the parties spread upwards through the apartment block, investing it in an armour of light and festivity. Standing on his balcony, Royal listened to the ascending music and laughter as he waited for the two young women to dress. Far below him, a car drove along the access road to the nearby high-rise, its three occupants looking up at the hundreds of crowded balconies. Anyone seeing this ship of lights would take for granted that the two thousand people on board lived together in a state of corporate euphoria.

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