J. Ballard - High Rise

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High Rise: краткое содержание, описание и аннотация

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J.G. Ballard's 1975 novel "High Rise" contains all of the qualities we have come to expect from this author: alarming psychological insights, a study of the profoundly disturbing connections between technology and the human condition, and an intriguing plot masterfully executed. Ballard, who wrote the tremendously troubling "Crash," really knows how to dig deep into our troubling times in order to expose our tentative grasp of modernity. Some compare this book to William Golding's "Lord of the Flies," and there are definite characteristics the two novels share. I would argue, however, that "High Rise" is more eloquent and more relevant than Golding's book. Unfortunately, this Ballard novel is out of print. Try and locate a copy at your local library because the payoff is well worth the effort.
"High Rise" centers around four major characters: Dr. Robert Laing, an instructor at a local medical school, Richard Wilder, a television documentary producer, Anthony Royal, an architect, and the high rise building all three live in with 2,000 other people. Throughout the story, Ballard switches back and forth between these three people, recording their thoughts and actions as they live their lives in the new high-rise apartment building. Ballard made sure to pick three separate people living on different floors of the forty floor building: Laing lives on the twenty fifth floor, Wilder lives on the second floor, and Royal lives in a penthouse on the fortieth floor (befitting his status as the designer of the building). Where you live in this structure will soon take on an importance beyond life itself.
At the beginning of the story, most of the people living in the building get along quite well. There are the usual nitpicky problems one would expect when 2,000 people are jammed together, but overall people move freely from the top to the bottom floors. A person living on the bottom floors can easily go to the observation deck on the top of the building to enjoy the view, or shop at the two banks of stores on the tenth and thirty-fifth floors. Children swim and play in the pools and playgrounds throughout the high rise without any interference. Despite the fact that well to do people live in the building, with celebrities and executives on the top floors, middle-class people on the middle floors, and airline pilots and the like on the bottom ten floors, everyone gets along reasonably well-at first.
Then things change. The gossip level increases among the residents, and parties held on different floors start to exclude people from other areas. In quick succession, objects start to land on balconies, dropped by residents on higher levels. Equipment failures, such as electrical outages, lead to mild assaults between residents. Cars parked close to the building are vandalized, and a jeweler living on the fortieth floor does a swan dive out of the window. Every incident leads to further acts of violence and increasing chaos in the lives of those in the building. People begin to take a greater interest in what's going on where they live than in outside activities and jobs. As the violence escalates, elevators and lobbies on each floor turn into armed camps as the residents attempt to block any encroachments on their territory. What starts out as a book about living in a technological marvel quickly morphs into a study of how technology can cause human beings to regress back into primitivism. Moreover, Ballard tries to draw a correlation between the technology of the building and this descent into a Stone Age mentality. He shows in detail how the residents of the apartments sink back into the morass, passing through a classical Marxist structure of bourgeoisie-proletariat, moving on to a clan/tribal system, to a system of stark individuality. In short, Ballard tries to equate our striving towards individuality through technology with how we started out in our evolution as hunter-gatherers, as individuals seeking individual gains. The promise that technology will liberate the individual is not the highest form of evolution, argues Ballard, but is actually a return to the lowest forms of human expression.
Within a few pages of the story, I thought this might turn out to be very similar to a Bentley Little book. Little, nominally a horror writer but often a social satirist, often takes a situation like this and shows how people collapse under the pressures of modern life. My belief was not born out, however, not because Ballard doesn't take certain situations over the top but because he imbues his work with a significant philosophical subtext that Little would never write about. Bentley Little is all about focusing on the over the top, outrageous incidents of humanity's decline, whereas Ballard is more interested in serving as a preacher on anti-humanistic technology, thundering out a jeremiad concerning where we might go if we do not take the time to think very carefully about the society we wish to create.
"High Rise" is a dark, forbidding tale of woe that is sure to get a reaction from anyone who reads it. There seem to be few out there who can deliver such devastating blows to our love of technology as Ballard does in his works. This author is often referred to as a science fiction writer, but "High Rise" works just as well on a horror level. So does "Crash," when I think about it, although the cold, detached prose of that book is not present in "High Rise." Whatever genre Ballard falls into, this book delivers on every level.

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Leaning on his stick, Royal swung himself around the pools of water on the concrete floor. He had always wanted his own zoo, with half a dozen large cats and, more important, an immense aviary stocked with every species of bird. Over the years he had sketched many designs for the zoo, one of them-ironically-a high-rise structure, where the birds would be free to move about in those sections of the sky that were their true home. Zoos, and the architecture of large structures, had always been Royal's particular interest.

The drenched body of a Siamese cat lay in the gutter where the birds had cornered it-the small beast had climbed all the way up a ventilation shaft from the warm comfort of an apartment far below, embracing the daylight for a few last seconds before the birds destroyed it. Next to the cat was the carcass of a dead gull. Royal picked it up, surprised by its weight, stepped forward and with a powerful running throw hurled the bird far out into the air. It plummeted towards the ground, in an almost unending downward plunge, until it burst like a white bomb across the bonnet of a parked car.

No one had seen him, but Royal would not have cared anyway. For all his keen interest in his neighbours' behaviour, he found it difficult not to look down on them. The five years of his marriage to Anne had given him a new set of prejudices. Reluctantly, he knew that he despised his fellow residents for the way in which they fitted so willingly into their appointed slots in the apartment building, for their over-developed sense of responsibility and lack of flamboyance.

Above all, he looked down on them for their good taste. The building was a monument to good taste, to the well-designed kitchen, to sophisticated utensils and fabrics, to elegant and never ostentatious furnishings-in short, to that whole aesthetic sensibility which these well-educated professional people had inherited from all the schools of industrial design, all the award-winning schemes of interior decoration institutionalized by the last quarter of the twentieth Century. Royal detested this orthodoxy of the intelligent. Visiting his neighbours' apartments, he would find himself physically repelled by the contours of an award-winning coffee-pot, by the well-modulated colour schemes, by the good taste and intelligence that, Midas-like, had transformed everything in these apartments into an ideal marriage of function and design. In a sense, these people were the vanguard of a well-to-do and well-educated proletariat of the future, boxed up in these expensive apartments with their elegant furniture and intelligent sensibilities, and no possibility of escape. Royal would have given anything for one vulgar mantelpiece ornament, one less than snow-white lavatory bowl, one hint of hope. Thank God that they were at last breaking out of this fur-lined prison.

On either side of him, the rain-soaked concrete stretched away into the evening mist. There were no signs of the white alsatian. Royal had reached the centre of the roof. The gulls sat on the ventilation shafts and elevator heads, watching him with their unusually alert eyes. Thinking that they might already have dined off the dog, Royal kicked aside an overturned chair and set off towards the stairhead, calling out the alsatian's name.

Ten feet from the private terrace at the southern end of the roof, a middle-aged woman in a long fur coat stood by the balustrade. Shivering continuously, she stared out across the development project at the silver back of the river. A trio of lighters followed a tug upstream, and a police patrol boat cruised along the north bank.

As Royal approached he recognized the widow of the dead jeweller. Was she waiting for the police to arrive, in some perverse way too proud to call them herself? He was about to ask if she had seen the alsatian, but he knew already that she would not reply. Her face was immaculately made up, but an expression of extreme hostility came through the rouge and powder, a gaze as hard as pain. Royal held tight to his cane. The woman's hands were hidden from sight, and he almost believed that inside the coat her jewelled fingers held a pair of unsheathed knives. For some reason he was suddenly convinced that she had been responsible for her husband's death, and that at any moment she would seize him and wrestle him over the ledge. At the same time, to his surprise, he found himself wanting to touch her, to put his arm around her shoulders. Some kind of wayward sexuality was at work. For a grotesque moment he was tempted to expose himself to her.

"I'm looking for Anne's alsatian," he said lamely. When she made no reply he added, "We've decided to stay on."

Confused by his response to this grieving woman, Royal turned away and made his way down the staircase to the floor below. Despite the pain in his legs he walked swiftly along the corridor, striking at the walls with his cane.

When he reached the central lobby the sounds of the alsatian's frantic barking rose clearly up the nearest of the five high-speed elevator shafts. Royal pressed his head to the door panel. The elevator car, with the alsatian snarling and leaping inside it, was on the 15th floor, its doors jammed open. Royal could hear the heavy blows of a metal club striking at the floor and walls, and the shouts of three attackers-one of them a woman-as they beat the animal to the floor.

When the dog's yelping subsided, the elevator at last responded to the call button. The car climbed to the top floor, where the doors opened on the barely conscious dog dragging itself around the bloodied floor. The animal's head and shoulders were heavy with blood. Matted hair streaked the walls of the cabin.

Royal tried to reassure it, but the alsatian snapped at his hand, frightened of the stick. Several of his neighbours gathered around, carrying an assortment of weapons-tennis rackets, dumb-bells and walking sticks. They were beckoned aside by a friend of Royal's, a gynaecologist named Pangbourne who lived in the apartment next to the lobby. A swimming partner of Anne's, he often played with the dog on the roof.

"Let me have a look at him… Poor devil, those savages have abused you…" Deftly he insinuated himself into the elevator and began to soothe the dog. "We'll get him back to your apartment. Royal. Then I suggest we discuss the elevator position."

Pangbourne knelt down on the floor, whistling a strange series of sounds at the dog. For some weeks the gynaecologist had been urging Royal to interfere with the building's electrical switching systems, as a means of retaliating against the lower floors. This supposed power over the high-rise was the chief source of Royal's authority with his neighbours, though he suspected that Pangbourne for one was well aware that he would never make use of it. With his soft hands and consulting-room manner the gynaecologist unsettled Royal slightly, as if he were always just about to ease an unwary patient into a compromising obstetric position-in fact, though, Pangbourne belonged to the new generation of gynaecologists who never actually touched their patients, let alone delivered a child. His speciality was the computerized analysis of recorded birth-cries, from which he could diagnose an infinity of complaints to come. He played with these tapes like an earlier generation of sorcerer examining the patterns of entrails. Characteristically, Pangbourne's one affair in the high-rise had been with a laboratory researcher on the and floor, a slim, silent brunette who probably spent all her time tormenting small mammals. He had broken this off soon after the outbreak of hostilities.

Nonetheless, he had a way with the injured alsatian. Royal waited while he calmed the dog and examined its wounds. He held its muzzle in his white hands as if he had just freed the poor beast from its caul. Together, he and Royal half-carried and half-dragged the dog back to Royal's apartment.

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