Cormac McCarthy - All The Pretty Horses

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In All the Pretty Horses, Cormac McCarthy begins his Border Trilogy with a coming of age tale that is a departure from the bizarre richness and mysterious violence of his early novels, yet in many ways preserves the mystery and the richness in a more understated form. Like Blood Meridian, this novel follows a young man's journey to the regions of the unknown. John Grady Cole, more heroic than the protagonists of McCarthy's earlier novels, confronts the evil that is an inescapable part of the universe as well as the evil that grows out of his own ignorance and pride. His story is told in a style often restrained and simple, embedded with lyrical passages that echo his dreams and memory.
In the spring of 1948 on a small Texas ranch, sixteen year old John Grady Cole attends the funeral of his grandfather, with whom he has lived since his parents' separation. The grandfather's ranch has been left to John Grady's mother, a small-time actress who has no interest in it and will sell it. John Grady's father, psychologically damaged by World War II and now physically ill as well, tells his son goodbye. With no apparent future in Texas, and sensing the threat of the new era to the traditional life he values, John Grady urges his old friend Rawlins to accompany him to Mexico. There, John Grady will find that his innocence, or ignorance, will ultimately lead him close to destruction.
Before reaching the border they meet Jimmy Blevins, a dangerous young boy on a magnificent horse. Even though Cole and Rawlins do not trust Blevins and are sure his horse is stolen, they allow him to join them despite their doubts. As they ride into Mexico, they realize that they are no longer in a world that they can understand. When Blevins' clothes and horse disappear during a thunderstorm, they search a nearby Mexican town, where they find the clothes and finally the horse. In spite of Rawlins' voiced forebodings, Blevins steals the horse back, and as John Grady and Rawlins flee the town Blevins gallops past them, pursued by armed men.
John Grady and Rawlins ride south, coming at last to a ranch, the Hacienda de Nuestra Senora de la Purisima Conception. As they talk with the vaqueros about the possibility of employment, John Grady sees a beautiful girl on a black horse, Alejandra, the daughter of hacendado Don Hector Rocha y Villareal. The heir of an aristocratic family, Don Hector is avidly interested in breeding wild mountain horses with his own stock, so John Grady and Rawlins join the vaqueros; John Grady amazes everyone with his ability to break the wild horses quickly and gently.
When Don Hector questions Cole about his past, he omits the episode with Blevins and the fact that he and Rawlins may now be wanted as accomplices in Blevins's horse theft. Concerned about his blossoming relationship with Alejandra, Duena Alfonsa, Don Hector's aunt and Alejandra's godmother, warns John Grady away from the rebellious girl, and informs him that Don Hector will never allow her to marry an American, especially a poor one. But Alejandra comes to him one night and they become lovers.
A few days later John Grady and Rawlins are arrested and taken to a jail in Encantada, where Blevins is already imprisoned for the murder of three men. While the three Americans are transported to the state prison at Saltillo, Blevins is taken from the group and shot. At the prison, they are questioned and beaten, and Rawlins is injured seriously. John Grady, attacked by another prisoner, whom he must kill, learns that evil exists not only in the world but in himself. When he and Rawlins are suddenly released as mysteriously as they were arrested, Rawlins returns to Texas.
But John Grady goes back to La Purisima to search for Alejandra, who is not there. Once again Duena Alfonsa makes clear to him the impossibility of the match. She tells her own story of the power of ignorance and evil (her love for a man who was killed by a mob after helping depose the dictator Diaz) and of her determination to protect Alejandra. Although John Grady does meet Alejandra one last time at a hotel in Zacatecas, it is only as a farewell: she chooses her family's approval (and perhaps their money). In pain, Cole returns to Encantada where he finds Blevins's horse, innocent like all animals and yet the cause of much death and loss. John Grady captures both the horse and the brutal police captain who shot Blevins, and heads homeward. En route, the captain is seized by brigands with a score to settle with him, and John Grady finally returns to Texas.
He finds even less there than before: his father and his childhood nurse are both dead. He rides on with the stolen horse, seeking to restore it to its rightful owner. John Grady has learned, but not yet enough; he has left home and returned a changed man, but there is no home to receive him. All the Pretty Horses is a hero's quest without a neat resolution, a book in which the strange light of mythic struggles shines through the quick-paced adventure.
The Border Trilogy continues with Volume Two, The Crossing, and concludes with the third volume, Cities of the Plain.

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Lastly he said that he had seen the souls of horses and that it was a terrible thing to see. He said that it could be seen under certain circumstances attending the death of a horse because the horse shares a common soul and its separate life only forms it out of all horses and makes it mortal. He said that if a person understood the soul of the horse then he would understand all horses that ever were.

They sat smoking, watching the deepest embers of the fire where the red coals cracked and broke.

Y de los hombres? said John Grady.

The old man shaped his mouth how to answer. Finally he said that among men there was no such communion as among horses and the notion that men can be understood at all was probably an illusion. Rawlins asked him in his bad Spanish if there was a heaven for horses but he shook his head and said that a horse had no need of heaven. Finally John Grady asked him if it were not true that should all horses vanish from the face of the earth the soul of the horse would not also perish for there would be nothing out of which to replenish it but the old man only said that it was pointless to speak of there being no horses in the world for God would not permit such a thing.

They drove the mares down through the draws and arroyos out of the mountains and across the watered grasslands of the bolsón and penned them. They were at this work for three weeks until by the end of April they had over eighty mares in the trap, most of them halterbroke, some already sorted out for saddlehorses. By then the roundup was underway and droves of cattle were moving daily down out of the open country onto the ranch pastures and although some of the vaqueros had no more than two or three horses to their string the new horses staved in the trap. On the second morning of May the red Cessna r plane came in from the south and circled the ranch and banked and dropped and glided from sight beyond the trees.

An hour later John Grady was standing in the ranch house kitchen with his hat in his hands. A woman was washing dishes at the sink and a man was sitting at the table reading a newspaper. The woman wiped her hands on her apron and went off into another part of the house and in a few minutes she returned. Un ratito, she said.

John Grady nodded. Gracias, he said.

The man rose and folded the newspaper and crossed the kitchen and came back with a wooden rack of butcher and boning knives together with an oilstone and set them out on the paper. At the same moment Don Héctor appeared in the doorway and stood looking at John Grady.

He was a spare man with broad shoulders and graying hair and he was tall in the manner of norteños and light of skin. He entered the kitchen and introduced himself and John Grady shifted his hat to his left hand and they shook hands.

María, said the hacendado. Café por favor.

He held out his hand palm upward toward the doorway- and John Grady crossed the kitchen and entered the hall. The house was cool and quiet and smelled of wax and flowers. A tallcase clock stood in the hallway to the left. The brass weights stirred behind the casement doors, the pendulum slowly swept. He turned to look back and the hacendado smiled and extended his hand toward the diningroom doorway. Pásale, he said.

They sat at a long table of english walnut. The walls of the room were covered with blue damask and hung with portraits of men and horses. At the end of the room was a walnut sideboard with some chafingdishes and decanters set out upon it and along the windowsill outside taking the sun were four cats. Don Héctor reached behind him and took a china ashtray from the sideboard and placed it before them and took from his shirtpocket a small tin box of english cigarettes and opened them and offered them to John Grady and John Grady took one.

Gracias, he said.

The hacendado placed the tin on the table between them and took a silver lighter from his pocket and lit the boy's cigarette and then his own.

Gracias.

The man blew a thin stream of smoke slowly downtable and smiled.

Bueno, he said. We can speak english.

Como le convenga, said John Grady.

Armando tells me that you understand horses.

I've been around em some.

The hacendado smoked thoughtfully. He seemed to be waiting for more to be said. The man who'd been sitting in the kitchen reading the paper entered the room with a silver tray carrying a coffee service with cups and creampitcher and a sugarbowl together with a plate of bizcochos. He set the tray on the table and stood a moment and the hacendado thanked him and he went out again.

Don Héctor set out the cups himself and poured the coffee and nodded at the tray. Please help yourself, he said.

Thank you. I just take it black.

You are from Texas.

Yessir.

The hacendado nodded again. He sipped his coffee. He was seated sideways to the table with his legs crossed. He flexed his foot in the chocolatecolored veal boot and turned and looked at John Grady and smiled.

Why are you here? he said.

John Grady looked at him. He looked down the table where the shadows of the sunning cats sat in a row like cutout cats all leaning slightly aslant. He looked at the hacendado again.

I just wanted to see the country, I reckon. Or we did.

May I ask how old are you?

Sixteen.

The hacendado raised his eyebrows. Sixteen, he said.

Yessir.

The hacendado smiled again. When I was sixteen I told people I was eighteen.

John Grady sipped his coffee.

Your friend is sixteen also?

Seventeen.

But you are the leader.

We dont have no leaders. We're just buddies.

Of course. He nudged the plate forward. Please, he said. Help yourself.

Thank you. I just got up from the breakfast table.

The hacendado tipped the ash from his cigarette into the china ashtray and sat back again.

What is your opinion of the mares, he said.

There's some good mares in that bunch.

Yes. Do you know a horse called Three Bars?

That's a thoroughbred horse.

You know the horse?

I know he run in the Brazilian Grand Prix. I think he come out of Kentucky but he's owned by a man named Vail out of Douglas Arizona.

Yes. The horse was foaled at Monterey Farm in Paris Kentucky. The stallion I have bought is a half brother out of the same mare.

Yessir. Where's he at?

He is enroute.

He's where?

Enroute. From Mexico. The hacendado smiled. He has been standing at stud.

You intend to raise racehorses?

No. I intend to raise quarterhorses.

To use here on the ranch?

Yes.

You aim to breed this stallion to your mares.

Yes. What is your opinion?

I dont have a opinion. I've known a few breeders and some with a world of experience but I've noticed they were all pretty short on opinions. I do know there's been some good cowhorses sired out of thoroughbreds.

Yes. How much importance do you give to the mare?

Same as the sire. In my opinion.

Most breeders place more confidence in the horse.

Yessir. They do.

The hacendado smiled. I happen to agree with you.

John Grady leaned and tipped the ash from his cigarette. You dont have to agree with me.

No. Nor you with me.

Yessir.

Tell me about the horses up on the mesa.

There may be a few of them good mares still up there but not many. The rest I'd pretty much call scrubs. Even some of them might make a half decent cowhorse. Just all around using kind of a horse. Spanish ponies, what we used to call em. Chihuahua horses. Old Barb stock. They're small and they're a little on the light side and they dont have the hindquarters you'd want in a cuttinghorse but you can rope off of em…

He stopped. He looked at the hat in his lap and ran his fingers along the crease and looked up. I aint tellin you nothin you dont know.

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