Cormac McCarthy - All The Pretty Horses

Здесь есть возможность читать онлайн «Cormac McCarthy - All The Pretty Horses» весь текст электронной книги совершенно бесплатно (целиком полную версию без сокращений). В некоторых случаях можно слушать аудио, скачать через торрент в формате fb2 и присутствует краткое содержание. Жанр: Современная проза, на английском языке. Описание произведения, (предисловие) а так же отзывы посетителей доступны на портале библиотеки ЛибКат.

All The Pretty Horses: краткое содержание, описание и аннотация

Предлагаем к чтению аннотацию, описание, краткое содержание или предисловие (зависит от того, что написал сам автор книги «All The Pretty Horses»). Если вы не нашли необходимую информацию о книге — напишите в комментариях, мы постараемся отыскать её.

In All the Pretty Horses, Cormac McCarthy begins his Border Trilogy with a coming of age tale that is a departure from the bizarre richness and mysterious violence of his early novels, yet in many ways preserves the mystery and the richness in a more understated form. Like Blood Meridian, this novel follows a young man's journey to the regions of the unknown. John Grady Cole, more heroic than the protagonists of McCarthy's earlier novels, confronts the evil that is an inescapable part of the universe as well as the evil that grows out of his own ignorance and pride. His story is told in a style often restrained and simple, embedded with lyrical passages that echo his dreams and memory.
In the spring of 1948 on a small Texas ranch, sixteen year old John Grady Cole attends the funeral of his grandfather, with whom he has lived since his parents' separation. The grandfather's ranch has been left to John Grady's mother, a small-time actress who has no interest in it and will sell it. John Grady's father, psychologically damaged by World War II and now physically ill as well, tells his son goodbye. With no apparent future in Texas, and sensing the threat of the new era to the traditional life he values, John Grady urges his old friend Rawlins to accompany him to Mexico. There, John Grady will find that his innocence, or ignorance, will ultimately lead him close to destruction.
Before reaching the border they meet Jimmy Blevins, a dangerous young boy on a magnificent horse. Even though Cole and Rawlins do not trust Blevins and are sure his horse is stolen, they allow him to join them despite their doubts. As they ride into Mexico, they realize that they are no longer in a world that they can understand. When Blevins' clothes and horse disappear during a thunderstorm, they search a nearby Mexican town, where they find the clothes and finally the horse. In spite of Rawlins' voiced forebodings, Blevins steals the horse back, and as John Grady and Rawlins flee the town Blevins gallops past them, pursued by armed men.
John Grady and Rawlins ride south, coming at last to a ranch, the Hacienda de Nuestra Senora de la Purisima Conception. As they talk with the vaqueros about the possibility of employment, John Grady sees a beautiful girl on a black horse, Alejandra, the daughter of hacendado Don Hector Rocha y Villareal. The heir of an aristocratic family, Don Hector is avidly interested in breeding wild mountain horses with his own stock, so John Grady and Rawlins join the vaqueros; John Grady amazes everyone with his ability to break the wild horses quickly and gently.
When Don Hector questions Cole about his past, he omits the episode with Blevins and the fact that he and Rawlins may now be wanted as accomplices in Blevins's horse theft. Concerned about his blossoming relationship with Alejandra, Duena Alfonsa, Don Hector's aunt and Alejandra's godmother, warns John Grady away from the rebellious girl, and informs him that Don Hector will never allow her to marry an American, especially a poor one. But Alejandra comes to him one night and they become lovers.
A few days later John Grady and Rawlins are arrested and taken to a jail in Encantada, where Blevins is already imprisoned for the murder of three men. While the three Americans are transported to the state prison at Saltillo, Blevins is taken from the group and shot. At the prison, they are questioned and beaten, and Rawlins is injured seriously. John Grady, attacked by another prisoner, whom he must kill, learns that evil exists not only in the world but in himself. When he and Rawlins are suddenly released as mysteriously as they were arrested, Rawlins returns to Texas.
But John Grady goes back to La Purisima to search for Alejandra, who is not there. Once again Duena Alfonsa makes clear to him the impossibility of the match. She tells her own story of the power of ignorance and evil (her love for a man who was killed by a mob after helping depose the dictator Diaz) and of her determination to protect Alejandra. Although John Grady does meet Alejandra one last time at a hotel in Zacatecas, it is only as a farewell: she chooses her family's approval (and perhaps their money). In pain, Cole returns to Encantada where he finds Blevins's horse, innocent like all animals and yet the cause of much death and loss. John Grady captures both the horse and the brutal police captain who shot Blevins, and heads homeward. En route, the captain is seized by brigands with a score to settle with him, and John Grady finally returns to Texas.
He finds even less there than before: his father and his childhood nurse are both dead. He rides on with the stolen horse, seeking to restore it to its rightful owner. John Grady has learned, but not yet enough; he has left home and returned a changed man, but there is no home to receive him. All the Pretty Horses is a hero's quest without a neat resolution, a book in which the strange light of mythic struggles shines through the quick-paced adventure.
The Border Trilogy continues with Volume Two, The Crossing, and concludes with the third volume, Cities of the Plain.

All The Pretty Horses — читать онлайн бесплатно полную книгу (весь текст) целиком

Ниже представлен текст книги, разбитый по страницам. Система сохранения места последней прочитанной страницы, позволяет с удобством читать онлайн бесплатно книгу «All The Pretty Horses», без необходимости каждый раз заново искать на чём Вы остановились. Поставьте закладку, и сможете в любой момент перейти на страницу, на которой закончили чтение.

Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

Amansadores, he said.

Sí.

Ambos, he said.

Sí. Ambos.

He leaned back. He drummed his fingers on the metal tabletop.

Hay dieciseis caballos en el potrero, said John Grady. Podemos amansarlos en cuatro días.

They walked back across the yard to the bunkhouse to wash up for supper.

What did he say? said Rawlins.

He said we were full of shit. But in a nice way.

Is that a flat-out no do you reckon?

I dont think so. I dont think he can leave it at that.

They went to work on the green colts daybreak Sunday morning, dressing in the half dark in clothes still wet from their washing them the night before and walking out to the potrero before the stars were down, eating a cold tortilla wrapped around a scoop of cold beans and no coffee and carrying their fortyfoot maguey catchropes coiled over their shoulders. They carried saddleblankets and a bosalea or riding hackamore with a metal noseband and John Grady carried a pair of clean gunnysacks he'd slept on and his Hamley saddle with the stirrups already shortened.

They stood looking at the horses. The horses shifted and stood, gray shapes in the gray morning. Stacked on the ground outside the gate were coils of every kind of rope, cotton and manilla and plaited rawhide and maguey and ixtle down to lengths of old woven hair mecates and handplaited piecings of bindertwine. Stacked against the fence were the sixteen rope hackamores they'd spent the evening tying in the bunkhouse.

This bunch has done been culled once up on the mesa, aint it?

I'd say so.

What do they want with the mares?

They ride em down here.

Well, said Rawlins. I can see why they're hard on a horse. Puttin up with them bitches.

He shook his head and stuffed the last of the tortilla in his jaw and wiped his hands on his trousers and undid the wire and opened the gate.

John Grady followed him in and stood the saddle on the ground and went back out and brought in a handful of ropes and hackamores and squatted to sort them. Rawlins stood building his loop.

I take it you dont give a particular damn what order they come in, he said.

You take it correctly, cousin.

You dead set on sackin these varmints out?

Yep.

My old daddy always said that the purpose of breakin a horse was to ride it and if you got one to break you just as well to saddle up and climb aboard and get on with it.

John Grady grinned. Was your old daddy a certified peeler?

I never heard him claim to be. But I damn sure seen him hang and rattle a time or two.

Well you're fixin to see some more of it.

We goin to bust em twice?

What for?

I never saw one that completely believed it the first time or ever doubted it the second.

John Grady smiled. I'll make em believe, he said. You'll see.

I'm goin to tell you right now, cousin. This is a heathenish bunch.

What is it Blair says? No such thing as a mean colt?

No such thing as a mean colt, said Rawlins.

The horses were already moving. He took the first one that broke and rolled his loop and forefooted the colt and it hit the ground with a tremendous thump. The other horses flared and bunched and looked back wildly. Before the colt could struggle up John Grady had squatted on its neck and pulled its head up and to one side and was holding the horse by the muzzle with the long bony head pressed against his chest and the hot sweet breath of it flooding up from the dark wells of its nostrils over his face and neck like news from another world. They did not smell like horses. They smelled like what they were, wild animals. He held the horse's face against his chest and he could feel along his inner thighs the blood pumping through the arteries and he could smell the fear and he cupped his hand over the horse's eyes and stroked them and he did not stop talking to the horse at all, speaking in a low steady voice and telling it all that he intended to do and cupping the animal's eyes and stroking the terror out.

Rawlins took one of the lengths of siderope from around his neck where he'd hung them and made a slipnoose and hitched it around the pastern of the hind leg and drew the leg up and halfhitched it to the horse's forelegs. He freed the catchrope and pitched it away and took the hackamore and they fitted it over the horse's muzzle and ears and John Grady ran his thumb in the animal's mouth and Rawlins fitted the mouthrope and then slipnoosed a second siderope to the other rear leg. Then he tied both sideropes to the hackamore.

You all set? he said.

All set.

He let go the horse's head and rose and stepped away. The horse struggled up and turned and shot out one hind foot and snatched itself around in a half circle and fell over. It got up and kicked again and fell again. When it got up the third time it stood kicking and snatching its head about in a little dance. It stood. It walked away and stood again. Then it shot out a hindleg and fell again.

It lay there for a while thinking things over and when it got up it stood for a minute and then it hopped up and down three times and then it just stood glaring at them. Rawlins had got his catchrope and was building his loop again. The other horses watched with great interest from the far side of the potrero.

These sumbucks are as crazy as a shithouse rat, he said.

You pick out the one you think is craziest, said John Grady, and I'll give you a finished horse this time Sunday week.

Finished for who?

To your satisfaction.

Bullshit, said Rawlins.

By the time they had three of the horses sidelined in the trap blowing and glaring about there were several vaqueros at the gate drinking coffee in a leisurely fashion and watching the proceedings. By midmorning eight of the horses stood tied and the other eight were wilder than deer, scattering along the fence and bunching and running in a rising sea of dust as the day warmed, coming to reckon slowly with the remorselessness of this rendering of their fluid and collective selves into that condition of separate and helpless paralysis which seemed to be among them like a creeping plague. The entire complement of vaqueros had come from the bunkhouse to watch and by noon all sixteen of the mesteños were standing about in the potrero sidehobbled to their own hackamores and faced about in every direction and all communion among them broken. They looked like animals trussed up by children for fun and they stood waiting for they knew not what with the voice of the breaker still running in their brains like the voice of some god come to inhabit them.

When they went down to the bunkhouse for dinner the vaqueros seemed to treat them with a certain deference but whether it was the deference accorded the accomplished or that accorded to mental defectives they were unsure. No one asked them their opinion of the horses or queried them as to their method. When they went back up to the trap in the afternoon there were some twenty people standing about looking at the horses-women, children, young girls and men-and all waiting for them to return.

Where the hell did they come from? said Rawlins.

I dont know.

Word gets around when the circus comes to town, dont it?

They passed nodding through the crowd and entered the trap and fastened the gate.

You picked one out? said John Grady.

Yeah. For pure crazy I nominate that bucketheaded son of a bitch standin right yonder.

The grullo?

Grullo-lookin.

The man's a judge of horseflesh.

He's a judge of craziness.

He watched while John Grady walked up to the animal and tied a twelvefoot length of rope to the hackamore. Then he led it through the gate out of the potrero and into the corral where the horses would be ridden. Rawlins thought the horse would shy or try to rear but it didnt. He got the sack and hobbleropes and came up and while John Grady talked to the horse he hobbled the front legs together and then took the mecate rope and handed John Grady the sack and he held the horse while for the next quarter hour John Grady floated the sack over the animal and under it and rubbed its head with the sack and passed it across the horse's face and ran it up and down and between the animal's legs talking to the horse the while and rubbing against it and leaning against it. Then he got the saddle.

Читать дальше
Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

Похожие книги на «All The Pretty Horses»

Представляем Вашему вниманию похожие книги на «All The Pretty Horses» списком для выбора. Мы отобрали схожую по названию и смыслу литературу в надежде предоставить читателям больше вариантов отыскать новые, интересные, ещё непрочитанные произведения.


Cormac McCarthy - Child of God
Cormac McCarthy
Cormac McCarthy - The Orchard Keeper
Cormac McCarthy
Cormac McCarthy - Outer Dark
Cormac McCarthy
Cormac McCarthy - Cities of the Plain
Cormac McCarthy
Cormac McCarthy - The Crossing
Cormac McCarthy
Cormac McCarthy - The Sunset Limited
Cormac McCarthy
Cormac McCarthy - En la frontera
Cormac McCarthy
Cormac McCarthy - The Road
Cormac McCarthy
J.T. Ellison - All the Pretty Girls
J.T. Ellison
Отзывы о книге «All The Pretty Horses»

Обсуждение, отзывы о книге «All The Pretty Horses» и просто собственные мнения читателей. Оставьте ваши комментарии, напишите, что Вы думаете о произведении, его смысле или главных героях. Укажите что конкретно понравилось, а что нет, и почему Вы так считаете.

x