Cormac McCarthy - All The Pretty Horses

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In All the Pretty Horses, Cormac McCarthy begins his Border Trilogy with a coming of age tale that is a departure from the bizarre richness and mysterious violence of his early novels, yet in many ways preserves the mystery and the richness in a more understated form. Like Blood Meridian, this novel follows a young man's journey to the regions of the unknown. John Grady Cole, more heroic than the protagonists of McCarthy's earlier novels, confronts the evil that is an inescapable part of the universe as well as the evil that grows out of his own ignorance and pride. His story is told in a style often restrained and simple, embedded with lyrical passages that echo his dreams and memory.
In the spring of 1948 on a small Texas ranch, sixteen year old John Grady Cole attends the funeral of his grandfather, with whom he has lived since his parents' separation. The grandfather's ranch has been left to John Grady's mother, a small-time actress who has no interest in it and will sell it. John Grady's father, psychologically damaged by World War II and now physically ill as well, tells his son goodbye. With no apparent future in Texas, and sensing the threat of the new era to the traditional life he values, John Grady urges his old friend Rawlins to accompany him to Mexico. There, John Grady will find that his innocence, or ignorance, will ultimately lead him close to destruction.
Before reaching the border they meet Jimmy Blevins, a dangerous young boy on a magnificent horse. Even though Cole and Rawlins do not trust Blevins and are sure his horse is stolen, they allow him to join them despite their doubts. As they ride into Mexico, they realize that they are no longer in a world that they can understand. When Blevins' clothes and horse disappear during a thunderstorm, they search a nearby Mexican town, where they find the clothes and finally the horse. In spite of Rawlins' voiced forebodings, Blevins steals the horse back, and as John Grady and Rawlins flee the town Blevins gallops past them, pursued by armed men.
John Grady and Rawlins ride south, coming at last to a ranch, the Hacienda de Nuestra Senora de la Purisima Conception. As they talk with the vaqueros about the possibility of employment, John Grady sees a beautiful girl on a black horse, Alejandra, the daughter of hacendado Don Hector Rocha y Villareal. The heir of an aristocratic family, Don Hector is avidly interested in breeding wild mountain horses with his own stock, so John Grady and Rawlins join the vaqueros; John Grady amazes everyone with his ability to break the wild horses quickly and gently.
When Don Hector questions Cole about his past, he omits the episode with Blevins and the fact that he and Rawlins may now be wanted as accomplices in Blevins's horse theft. Concerned about his blossoming relationship with Alejandra, Duena Alfonsa, Don Hector's aunt and Alejandra's godmother, warns John Grady away from the rebellious girl, and informs him that Don Hector will never allow her to marry an American, especially a poor one. But Alejandra comes to him one night and they become lovers.
A few days later John Grady and Rawlins are arrested and taken to a jail in Encantada, where Blevins is already imprisoned for the murder of three men. While the three Americans are transported to the state prison at Saltillo, Blevins is taken from the group and shot. At the prison, they are questioned and beaten, and Rawlins is injured seriously. John Grady, attacked by another prisoner, whom he must kill, learns that evil exists not only in the world but in himself. When he and Rawlins are suddenly released as mysteriously as they were arrested, Rawlins returns to Texas.
But John Grady goes back to La Purisima to search for Alejandra, who is not there. Once again Duena Alfonsa makes clear to him the impossibility of the match. She tells her own story of the power of ignorance and evil (her love for a man who was killed by a mob after helping depose the dictator Diaz) and of her determination to protect Alejandra. Although John Grady does meet Alejandra one last time at a hotel in Zacatecas, it is only as a farewell: she chooses her family's approval (and perhaps their money). In pain, Cole returns to Encantada where he finds Blevins's horse, innocent like all animals and yet the cause of much death and loss. John Grady captures both the horse and the brutal police captain who shot Blevins, and heads homeward. En route, the captain is seized by brigands with a score to settle with him, and John Grady finally returns to Texas.
He finds even less there than before: his father and his childhood nurse are both dead. He rides on with the stolen horse, seeking to restore it to its rightful owner. John Grady has learned, but not yet enough; he has left home and returned a changed man, but there is no home to receive him. All the Pretty Horses is a hero's quest without a neat resolution, a book in which the strange light of mythic struggles shines through the quick-paced adventure.
The Border Trilogy continues with Volume Two, The Crossing, and concludes with the third volume, Cities of the Plain.

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John Grady nodded.

You dont think them sons of bitches might of caught him do you?

Blevins?

Yeah.

I dont know. I thought you was glad to get shut of him.

I dont want to see nothin bad happen to him.

I dont either.

You reckon his name is Jimmy Blevins sure enough?

Who knows.

In the night the coyotes woke them and they lay in the dark and listened to them where they convened over the carcass of the deer, fighting and squalling like cats.

I want you to listen to that damned racket, said Rawlins.

He got up and got a stick from the fire and shouted at them and threw the stick. They hushed. He mended the fire and turned the meat on the greenwood racks. By the time he was back in his blankets they were at it again.

They rode all day the day following through the hill country to the west. As they rode they cut strips of the smoked and half dried deermeat and chewed on it and their hands were black and greasy and they wiped them on the withers of the horses and passed the canteen of water back and forth between them and admired the country. There were storms to the south and masses of clouds that moved slowly along the horizon with their long dark tendrils trailing in the rain. That night they camped on a ledge of rock above the plains and watched the lightning all along the horizon provoke from the seamless dark the distant mountain ranges again and again. Crossing the plain the next morning they came upon standing water in the bajadas and they watered the horses and drank rainwater from the rocks and they climbed steadily into the deepening cool of the mountains until in the evening of that day from the crest of the cordilleras they saw below them the country of which they'd been told. The grasslands lay in a deep violet haze and to the west thin flights of waterfowl were moving north before the sunset in the deep red galleries under the cloudbanks like schoolfish in a burning sea and on the foreland plain they saw vaqueros driving cattle before them through a gauze of golden dust.

They made camp on the south slope of the mountain and spread their blankets in the dry dirt under an overhanging ledge of rock. Rawlins took horse and rope and dragged up before their camp an entire dead tree and they built a great bonfire against the cold. Out on the plain in the shoreless night they could see like a reflection of their own fire in a dark lake the fire of the vaqueros five miles away. It rained in the night and the rain hissed in the fire and the horses came in out of the darkness and stood with their red eyes shifting and blinking and in the morning it was cold and gray and the sun a long time coming.

By noon they were on the plain riding through grass of a kind they'd not seen before. The path of the driven cattle lay through the grass like a place where water had run and by midafternoon they could see the herd before them moving west and within an hour they'd caught them up.

The vaqueros knew them by the way they sat their horses and they called them caballero and exchanged smoking material with them and told them about the country. They drove the cattle on to the west fording creeks and a small river and driving pockets of antelope and whitetail deer before them out of the stands of enormous cottonwoods through which they passed and they moved on until late in the day when they came to a fence and began to drift the cattle south. There was a road on the other side of the fence and in the road were the tracks of tires and the tracks of horses from the recent rains and a young girl came riding down the road and passed them and they ceased talking. She wore english riding boots and jodhpurs and a blue twill hacking jacket and she carried a ridingcrop and the horse she rode was a black Arabian saddlehorse. She'd been riding the horse in the river or in the ciénagas because the horse was wet to its belly and the leather fenders of the saddle were dark at their lower edges and her boots as well. She wore a flatcrowned hat of black felt with a wide brim and her black hair was loose under it and fell halfway to her waist and as she rode past she turned and smiled and touched the brim of the hat with her crop and the vaqueros touched their hatbrims one by one down to the last of those who'd pretended not even to see her as she passed. Then she pushed the horse into a gaited rack and disappeared down the road.

Rawlins looked at the caporal of the vaqueros but the caporal put his horse forward and rode up the line. Rawlins fell back among the riders and alongside John Grady.

Did you see that little darlin? he said.

John Grady didnt answer. He was still looking down the road where she'd gone. There was nothing there to see but he was looking anyway.

An hour later in the failing light they were helping the vaqueros drive the cattle into a holdingpen. The gerente had ridden up from the house and he sat his horse and picked his teeth and watched the work without comment. When they were done the caporal and another vaquero took them over and introduced them namelessly and the five of them rode together back down to the gerente's house and there in the kitchen at a metal table under a bare lightbulb the gerente questioned them closely as to their understanding of ranch work while the caporal seconded their every claim and the vaquero nodded and said that it was so and the caporal volunteered testimony on his own concerning the qualifications of the güeros of which they themselves were not even aware, dismissing doubt with a sweep of his hand as if to say that these were things known to everyone. The gerente leaned back in his chair and studied them. In the end they gave their names and spelled them and the gerente put them in his book and then they rose and shook hands and walked out in the early darkness where the moon was rising and the cattle were calling and the yellow squares of windowlight gave warmth and shape to an alien world.

They unsaddled the horses and turned them into the trap and followed the caporal up to the bunkhouse. A long adobe building of two rooms with a tin roof and concrete floors. In one room a dozen bunks of wood or metal. A small sheetiron stove. In the other room a long table with benches for seats and a woodburning cookstove. An old wooden safe that held glasses and tinware. A soapstone sink with a zinc-covered sideboard. The men were already at the table eating when they entered and they went to the sideboard and got cups and plates and stood at the 'stove and helped themselves to beans and tortillas and a rich stew made from kid and then went to the table where the vaqueros nodded to them and made expansive gestures for them to be seated, eating the while with one hand.

After dinner they sat at the table and smoked and drank coffee and the vaqueros asked them many questions about America and all the questions were about horses and cattle and none about them. Some had friends or relatives who had been there but to most the country to the north was little more than a rumor. A thing for which there seemed no accounting. Someone brought a coal-oil lamp to the table and lit it and shortly thereafter the generator shut down and the lightbulbs hanging by their cords from the ceiling dimmed to a thin orange wire and winked out. They listened with great attention as John Grady answered their questions and they nodded solemnly and they were careful of their demeanor that they not be thought to have opinions on what they heard for like most men skilled at their work they were scornful of any least suggestion of knowing anything not learned at first hand.

They carried their dishes to a galvanized tub full of water and soapcurd and they carried the lamp to their bunks at the farther end of the bunkhouse and unrolled the ticks down over the rusty springs and spread their blankets and undressed and blew out the lamp. Tired as they were they lay a long time in the dark after the vaqueros were asleep. They could hear them breathing deeply in the room that smelled of horses and leather and men and they could hear in the distance the new cattle still not bedded down in the holdingpen.

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