Cormac McCarthy - All The Pretty Horses

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In All the Pretty Horses, Cormac McCarthy begins his Border Trilogy with a coming of age tale that is a departure from the bizarre richness and mysterious violence of his early novels, yet in many ways preserves the mystery and the richness in a more understated form. Like Blood Meridian, this novel follows a young man's journey to the regions of the unknown. John Grady Cole, more heroic than the protagonists of McCarthy's earlier novels, confronts the evil that is an inescapable part of the universe as well as the evil that grows out of his own ignorance and pride. His story is told in a style often restrained and simple, embedded with lyrical passages that echo his dreams and memory.
In the spring of 1948 on a small Texas ranch, sixteen year old John Grady Cole attends the funeral of his grandfather, with whom he has lived since his parents' separation. The grandfather's ranch has been left to John Grady's mother, a small-time actress who has no interest in it and will sell it. John Grady's father, psychologically damaged by World War II and now physically ill as well, tells his son goodbye. With no apparent future in Texas, and sensing the threat of the new era to the traditional life he values, John Grady urges his old friend Rawlins to accompany him to Mexico. There, John Grady will find that his innocence, or ignorance, will ultimately lead him close to destruction.
Before reaching the border they meet Jimmy Blevins, a dangerous young boy on a magnificent horse. Even though Cole and Rawlins do not trust Blevins and are sure his horse is stolen, they allow him to join them despite their doubts. As they ride into Mexico, they realize that they are no longer in a world that they can understand. When Blevins' clothes and horse disappear during a thunderstorm, they search a nearby Mexican town, where they find the clothes and finally the horse. In spite of Rawlins' voiced forebodings, Blevins steals the horse back, and as John Grady and Rawlins flee the town Blevins gallops past them, pursued by armed men.
John Grady and Rawlins ride south, coming at last to a ranch, the Hacienda de Nuestra Senora de la Purisima Conception. As they talk with the vaqueros about the possibility of employment, John Grady sees a beautiful girl on a black horse, Alejandra, the daughter of hacendado Don Hector Rocha y Villareal. The heir of an aristocratic family, Don Hector is avidly interested in breeding wild mountain horses with his own stock, so John Grady and Rawlins join the vaqueros; John Grady amazes everyone with his ability to break the wild horses quickly and gently.
When Don Hector questions Cole about his past, he omits the episode with Blevins and the fact that he and Rawlins may now be wanted as accomplices in Blevins's horse theft. Concerned about his blossoming relationship with Alejandra, Duena Alfonsa, Don Hector's aunt and Alejandra's godmother, warns John Grady away from the rebellious girl, and informs him that Don Hector will never allow her to marry an American, especially a poor one. But Alejandra comes to him one night and they become lovers.
A few days later John Grady and Rawlins are arrested and taken to a jail in Encantada, where Blevins is already imprisoned for the murder of three men. While the three Americans are transported to the state prison at Saltillo, Blevins is taken from the group and shot. At the prison, they are questioned and beaten, and Rawlins is injured seriously. John Grady, attacked by another prisoner, whom he must kill, learns that evil exists not only in the world but in himself. When he and Rawlins are suddenly released as mysteriously as they were arrested, Rawlins returns to Texas.
But John Grady goes back to La Purisima to search for Alejandra, who is not there. Once again Duena Alfonsa makes clear to him the impossibility of the match. She tells her own story of the power of ignorance and evil (her love for a man who was killed by a mob after helping depose the dictator Diaz) and of her determination to protect Alejandra. Although John Grady does meet Alejandra one last time at a hotel in Zacatecas, it is only as a farewell: she chooses her family's approval (and perhaps their money). In pain, Cole returns to Encantada where he finds Blevins's horse, innocent like all animals and yet the cause of much death and loss. John Grady captures both the horse and the brutal police captain who shot Blevins, and heads homeward. En route, the captain is seized by brigands with a score to settle with him, and John Grady finally returns to Texas.
He finds even less there than before: his father and his childhood nurse are both dead. He rides on with the stolen horse, seeking to restore it to its rightful owner. John Grady has learned, but not yet enough; he has left home and returned a changed man, but there is no home to receive him. All the Pretty Horses is a hero's quest without a neat resolution, a book in which the strange light of mythic struggles shines through the quick-paced adventure.
The Border Trilogy continues with Volume Two, The Crossing, and concludes with the third volume, Cities of the Plain.

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He wanted to buy you, he said. That's what he wanted.

John Grady didnt look at Blevins.

They rode on in silence.

What did you go and tell him that for? said John Grady. There wasnt no call to do that.

They camped that night in the low range of hills under the Sierra de la Encantada and the three of them sat about the fire in silence. The boy's bony legs were pale in the firelight and coated with road dust and bits of chaff that had stuck to the lard. The drawers he wore were baggy and dirty and he did indeed look like some sad and ill used serf or worse. John Grady parceled out to him the bottom blanket from his bedroll and he wrapped himself in it and lay by the fire and was soon asleep. Rawlins shook his head and spat.

Goddamn pitiful, he said. You thought any more about what I said?

Yeah, said John Grady. I thought about it.

Rawlins stared long into the red heart of the fire. I'll tell you somethin, he said.

Tell me.

Somethin bad is goin to happen.

John Grady smoked slowly, his arms around his updrawn knees.

This is just a jackpot, said Rawlins. What this is.

At noon the next day they rode into the pueblo of Encantada at the foot of the low range of pollarded mountains they'd been skirting and the first thing they saw was Blevins' pistol sticking out of the back pocket of a man bent over into the engine compartment of a Dodge car. John Grady saw it first and he could have named things he'd rather have seen.

Yonder's my goddamn pistol, sang out Blevins.

John Grady reached behind and grabbed him by the shirt or he'd have slid down from the horse.

Hold on, idjit, he said.

Hold on hell, said Blevins.

What do you think you're goin to do?

Rawlins had put his horse alongside of them. Keep ridin, he hissed. Good God almighty.

Some children were watching from a doorway and Blevins was looking back over his shoulder.

If that horse is here, said Rawlins, they wont have to send for Dick Tracy to figure out who it belongs to.

What do you want to do?

I dont know. Get off the damn street. May be too late anyways. I say we stash him in a safe place somewheres till we can look around.

Does that suit you, Blevins?

It dont make a damn if it suits him or not, said Rawlins. He dont have a say in it. Not if he wants my help he dont.

He rode past them and they turned off down a clay gully that passed for a street. Quit lookin back, damn it, said John Grady.

They left him with a canteen of water in the shade of some cottonwoods and told him to stay out of sight and then they rode slowly back through the town. They were picking their way along one of those rutted gullies of which the town was composed when they saw the horse looking out of the sashless window of an abandoned mud house.

Keep ridin, said Rawlins.

John Grady nodded.

When they got back to the cottonwoods Blevins was gone. Rawlins sat looking over the barren dusty countryside. He reached in his pocket for his tobacco.

I'm goin to tell you somethin, cousin.

John Grady leaned and spat. All right.

Ever dumb thing I ever done in my life there was a decision I made before that got me into it. It was never the dumb thing. It was always some choice I'd made before it. You understand what I'm sayin?

Yeah. I think so. Meanin what?

Meanin this is it. This is our last chance. Right now. This is the time and there wont be another time and I guarantee it.

Meanin just leave him?

Yessir.

What if it was you?

It aint me.

What if it was?

Rawlins twisted the cigarette into the corner of his mouth and plucked a match from his pocket and popped it alight with his thumbnail. He looked at John Grady.

I wouldnt leave you and you wouldnt leave me. That aint no argument.

You realize the fix he's in?

Yeah. I realize it. It's the one he's put hisself in.

They sat. Rawlins smoked. John Grady crossed his hands on the pommel of his saddle and sat looking at them. After a while he raised his head.

I cant do it, he said.

Okay.

What does that mean?

It means okay. If you cant you cant. I think I knew what you'd say anyways.

Yeah, well. I didnt.

They unsaddled and staked out the horses and lay in the dry leaves under the cottonwoods and after a while they slept. When they woke it was almost dark. The boy was squatting there watching them.

It's a good thing I aint a rogue, he said. I could of slipped up on you all and carried off everthing you own.

Rawlins turned and looked at him from under his hat and turned back. John Grady sat up.

What did you all find out, said Blevins.

Your horse is here.

Did you see him?

Yeah.

What about the saddle?

We didnt see no saddle.

I aint leavin here till I get all my stuff.

There you go, said Rawlins. Listen at that.

What's he say? said Blevins.

Never mind, y said John Grady.

If it was his stuff it'd be different I bet. Then he'd be for gettin it back, wouldnt he?

Dont egg it on.

Listen, shit-for-brains, said Rawlins. If it wasnt for this man I wouldnt be here at all. I'd of left your ass back up in that arroyo. No, I take that back. I'd of left you up on the Pecos.

We'll try and get your horse back, said John Grady. If that wont satisfy you then you let me know right now.

Blevins stared at the ground.

He dont give a shit, said Rawlins. I could of wrote it down. Get shot dead for horsestealin it dont mean a damn thing to him. He expects it.

It aint stealin, said Blevins. It's my horse.

A lot of ice that'll cut. You tell this man what you intend to do cause I guarantee you I dont give a big rat's ass.

All right, said Blevins.

John Grady studied him. We get you your horse you'll be ready to ride.

Yeah.

We got your word on that?

Word's ass, said Rawlins.

Yeah, said Blevins.

John Grady looked at Rawlins. Rawlins lay under his hat. He turned back to Blevins. All right, he said.

He got up and got his bedroll and came back and handed Blevins a blanket.

We goin to sleep now? said Blevins.

I am.

Did you all eat?

Yeah, said Rawlins. Sure we ate. Wouldnt you of? We eat a big steak apiece and split a third one.

Damn, said Blevins.

They slept until the moon was down and they sat in the dark and smoked. John Grady watched the stars.

What time you make it to be, bud? said Rawlins.

First quarter moon sets at midnight where I come from.

Rawlins smoked. Hell. I believe I'll go back to bed.

Go ahead. I'll wake you.

All right.

Blevins went to sleep as well. He sat watching the firmament unscroll up from behind the blackened palisades of the mountains to the east. Toward the village all was darkness. Not even a dog barked. He looked at Rawlins rolled asleep in his soogan and he knew that he was right in all he'd said and there was no help for it and the dipper standing at the northern edge of the world turned and the night was a long time passing.

When he called them out it was not much more than an hour till daylight.

You ready? said Rawlins.

Ready as I'm liable to get.

They saddled the horses and John Grady handed his stakerope to Blevins. You can make a hackamore out of that, he said.

All right.

Keep it under your shirt, said Rawlins. Dont let nobody see it.

There aint nobody to see it, said Blevins.

Dont bet on it. I see a light up yonder already.

Let's go, said John Grady.

There were no houselamps lit in the street where they'd seen the horse. They rode along slowly. A dog that had been sleeping in the dirt rose up and commenced barking and Rawlins made a throwing motion at it and it slunk off. When they got to the house where the horse was stabled John Grady got down and walked over and looked in the window and came back.

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