Cormac McCarthy - All The Pretty Horses

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In All the Pretty Horses, Cormac McCarthy begins his Border Trilogy with a coming of age tale that is a departure from the bizarre richness and mysterious violence of his early novels, yet in many ways preserves the mystery and the richness in a more understated form. Like Blood Meridian, this novel follows a young man's journey to the regions of the unknown. John Grady Cole, more heroic than the protagonists of McCarthy's earlier novels, confronts the evil that is an inescapable part of the universe as well as the evil that grows out of his own ignorance and pride. His story is told in a style often restrained and simple, embedded with lyrical passages that echo his dreams and memory.
In the spring of 1948 on a small Texas ranch, sixteen year old John Grady Cole attends the funeral of his grandfather, with whom he has lived since his parents' separation. The grandfather's ranch has been left to John Grady's mother, a small-time actress who has no interest in it and will sell it. John Grady's father, psychologically damaged by World War II and now physically ill as well, tells his son goodbye. With no apparent future in Texas, and sensing the threat of the new era to the traditional life he values, John Grady urges his old friend Rawlins to accompany him to Mexico. There, John Grady will find that his innocence, or ignorance, will ultimately lead him close to destruction.
Before reaching the border they meet Jimmy Blevins, a dangerous young boy on a magnificent horse. Even though Cole and Rawlins do not trust Blevins and are sure his horse is stolen, they allow him to join them despite their doubts. As they ride into Mexico, they realize that they are no longer in a world that they can understand. When Blevins' clothes and horse disappear during a thunderstorm, they search a nearby Mexican town, where they find the clothes and finally the horse. In spite of Rawlins' voiced forebodings, Blevins steals the horse back, and as John Grady and Rawlins flee the town Blevins gallops past them, pursued by armed men.
John Grady and Rawlins ride south, coming at last to a ranch, the Hacienda de Nuestra Senora de la Purisima Conception. As they talk with the vaqueros about the possibility of employment, John Grady sees a beautiful girl on a black horse, Alejandra, the daughter of hacendado Don Hector Rocha y Villareal. The heir of an aristocratic family, Don Hector is avidly interested in breeding wild mountain horses with his own stock, so John Grady and Rawlins join the vaqueros; John Grady amazes everyone with his ability to break the wild horses quickly and gently.
When Don Hector questions Cole about his past, he omits the episode with Blevins and the fact that he and Rawlins may now be wanted as accomplices in Blevins's horse theft. Concerned about his blossoming relationship with Alejandra, Duena Alfonsa, Don Hector's aunt and Alejandra's godmother, warns John Grady away from the rebellious girl, and informs him that Don Hector will never allow her to marry an American, especially a poor one. But Alejandra comes to him one night and they become lovers.
A few days later John Grady and Rawlins are arrested and taken to a jail in Encantada, where Blevins is already imprisoned for the murder of three men. While the three Americans are transported to the state prison at Saltillo, Blevins is taken from the group and shot. At the prison, they are questioned and beaten, and Rawlins is injured seriously. John Grady, attacked by another prisoner, whom he must kill, learns that evil exists not only in the world but in himself. When he and Rawlins are suddenly released as mysteriously as they were arrested, Rawlins returns to Texas.
But John Grady goes back to La Purisima to search for Alejandra, who is not there. Once again Duena Alfonsa makes clear to him the impossibility of the match. She tells her own story of the power of ignorance and evil (her love for a man who was killed by a mob after helping depose the dictator Diaz) and of her determination to protect Alejandra. Although John Grady does meet Alejandra one last time at a hotel in Zacatecas, it is only as a farewell: she chooses her family's approval (and perhaps their money). In pain, Cole returns to Encantada where he finds Blevins's horse, innocent like all animals and yet the cause of much death and loss. John Grady captures both the horse and the brutal police captain who shot Blevins, and heads homeward. En route, the captain is seized by brigands with a score to settle with him, and John Grady finally returns to Texas.
He finds even less there than before: his father and his childhood nurse are both dead. He rides on with the stolen horse, seeking to restore it to its rightful owner. John Grady has learned, but not yet enough; he has left home and returned a changed man, but there is no home to receive him. All the Pretty Horses is a hero's quest without a neat resolution, a book in which the strange light of mythic struggles shines through the quick-paced adventure.
The Border Trilogy continues with Volume Two, The Crossing, and concludes with the third volume, Cities of the Plain.

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What were you doin in Ardmore Oklahoma?

Settin pins in a bowlin alley.

How come you wound up there?

There was a show was supposed to come through Uvalde, town of Uvalde, and I'd saved up to go see it but they never showed up because the man that run the show got thowed in jail in Tyler Texas for havin a dirty show. Had this striptease that was part of the deal. I got down there and it said on the poster they was goin to be in Ardmore Oklahoma in two weeks and that's how come me to be in Ardmore Oklahoma.

You went all the way to Oklahoma to see a show?

That's what I'd saved up to do and I meant to do it.

Did you see the show in Ardmore?

N0. They never showed up there neither.

Blevins hauled up one leg of his overalls and turned his leg to the firelight.

Yonder's where that son of a bitch bit me, he said. I'd as soon been bit by a alligator.

What made you set out for Mexico? said Rawlins.

Same reason as you.

What reason is that?

Cause you knowed they'd play hell sowed in oats findin your ass down here.

There aint nobody huntin me.

Blevins rolled down the leg of his overalls and poked at the fire with a stick. I told that son of a bitch I wouldnt take a whippin off of him and I didnt.

Your daddy?

My daddy never come back from the war.

Your stepdaddy?

Yeah.

Rawlins leaned forward and spat into the fire. You didnt shoot him did you?

I would of. He knowed it too.

What was a bulldog doin in a bowlin alley?

I didnt get bit in the bowfin alley. I was workin in the bowfin alley, that's all.

What were you doin that you got dogbit?

Nothin. I wasnt doin nothin.

Rawlins leaned and spat into the fire. Where were you at at the time?

You got a awful lot of goddamned questions. And dont be spittin in the fire where I got supper cookin.

What? said Rawlins.

I said dont be spittin in the fire where I got supper cookin.

Rawlins looked at John Grady. John Grady had started to laugh. He looked at Blevins. Supper? he said. You'll think supper when you try and eat that stringy son of a bitch.

Blevins nodded. You let me know if you dont want your share, he said.

What they dredged smoking out of the ground looked like some desiccated effigy from a tomb. Blevins put it on a flat rock and peeled away the hide and scraped the meat off the bones into their plates and they soaked it down with hotsauce and rolled it in the last of the tortillas. They chewed and watched one another.

Well, said Rawlins. It aint all that bad.

No it aint, said Blevins. Truth is, I didnt know you could eat one at all.

John Grady stopped chewing and looked at them. Then he went on chewing again. You all been out here longer than me, he said. I thought we all started together.

The following day on the track south they began to encounter small ragged caravans of migrant traders headed toward the northern border. Brown and weathered men with burros three or four in tandem atotter with loads of candelilla or furs or goathides or coils of handmade rope fashioned out of lechugilla or the fermented drink called sotol decanted into drums and cans and strapped onto packframes made from treelimbs. They carried water in the skins of hogs or in canvas bags made waterproof with candelilla wax and fitted with cowhorn spigots and some had women and children with them and they would shoulder the packanimals off into the brush and relinquish the road to the caballeros and the riders would wish them a good day and they would smile and nod until they passed.

They tried to buy water from the caravans but they had no coin among them small enough with which to do so. When Rawlins offered a man fifty centavos for the half pennysworth of water it would take to fill their canteens the man would have no part of it. By evening they'd bought a canteenful of sotol and were passing it back and forth among themselves as they rode and soon they were quite drunk. Rawlins drank and swung up the cap by its thong and screwed it down and took the canteen by its strap and turned to swing it to Blevins. Then he caught it back. Blevins' horse was plodding along behind with an empty saddle. Rawlins eyed the animal stupidly and pulled his horse up and called to John Grady riding ahead.

John Grady turned and sat looking.

Where's he at?

Who knows? Layin back yonder somewheres I reckon.

They rode back, Rawlins leading the riderless horse by the bridlereins. Blevins was sitting in the middle of the road. He still had his hat on. Whoo, he said when he saw them. I'm drunkern shit.

They sat their horses and looked down at him.

Can you ride or not? said Rawlins.

Does a bear shit in the woods? Hell yes I can ride. I was ridin when I fell off.

He stood uncertainly and peered about. He reeled past them and felt his way among the horses. Flank and flew, Rawlins' knee. Thought you all had done rode off and left me, he said.

Next time we will leave your skinny ass.

John Grady reached and took the reins and held the horse while Blevins lurched aboard. Let me have them reins, said Blevins. I'm a goddamned buckaroo is what I am.

John Grady shook his head. Blevins dropped the reins and reached to get them and almost slid off down the horse's shoulder. He saved himself and sat up with the reins and pulled the horse around sharply. Certified goddamn broncpeeler, what I mean, he said.

He dug his heels in under the horse and it squatted and went forward and Blevins fell backwards into the road. Rawlins spat in disgust. Just leave the son of a bitch lay there, he said.

Get on the goddamned horse, said John Grady, and quit assin around.

By early evening all the sky to the north had darkened and the spare terrain they trod had turned a neuter gray as far as eye could see. They grouped in the road at the top of a rise and looked back. The storm front towered above them and the wind was cool on their sweating faces. They slumped bleary-eyed in their saddles and looked at one another. Shrouded in the black thunderheads the distant lightning glowed mutely like welding seen through foundry smoke. As if repairs were under way at some flawed place in the iron dark of the world.

It's fixin to come a goodn, said Rawlins.

I caint be out in this, said Blevins.

Rawlins laughed and shook his head. Listen at this, he said. Where do you think you're goin to go? said John Grady.

I dont know. But I got to get somewheres.

Why cant you be out in it?

On account of the lightnin.

Lightnin?

Yeah.

Damn if you dont look about halfway sober all of a sudden, said Rawlins.

You afraid of lightnin? said John Grady.

I'll be struck sure as the world.

Rawlins nodded at the canteen hung by its strap from the pommel of John Grady's saddle. Dont give him no more of that shit. He's comin down with the DT's.

It runs in the family, said Blevins. My grandaddy was killed in a minebucket in West Virginia it run down in the hole a hunnerd and eighty feet to get him it couldnt even wait for him to get to the top. They had to wet down the bucket to cool it fore they could get him out of it, him and two other men. It fried em like bacon. My daddy's older brother was blowed out of a derrick in the Batson Field in the year nineteen and four, cable rig with a wood derrick but the lightnin got him anyways and him not nineteen year old. Great uncle on my mother's side-mother's side, I said-got killed on a horse and it never singed a hair on that horse and it killed him graveyard dead they had to cut his belt off him where it welded the buckle shut and I got a cousin aint but four years oldern me was struck down in his own yard comin from the barn and it paralyzed him all down one side and melted the fillins in his teeth and soldered his jaw shut.

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