Cormac McCarthy - All The Pretty Horses

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In All the Pretty Horses, Cormac McCarthy begins his Border Trilogy with a coming of age tale that is a departure from the bizarre richness and mysterious violence of his early novels, yet in many ways preserves the mystery and the richness in a more understated form. Like Blood Meridian, this novel follows a young man's journey to the regions of the unknown. John Grady Cole, more heroic than the protagonists of McCarthy's earlier novels, confronts the evil that is an inescapable part of the universe as well as the evil that grows out of his own ignorance and pride. His story is told in a style often restrained and simple, embedded with lyrical passages that echo his dreams and memory.
In the spring of 1948 on a small Texas ranch, sixteen year old John Grady Cole attends the funeral of his grandfather, with whom he has lived since his parents' separation. The grandfather's ranch has been left to John Grady's mother, a small-time actress who has no interest in it and will sell it. John Grady's father, psychologically damaged by World War II and now physically ill as well, tells his son goodbye. With no apparent future in Texas, and sensing the threat of the new era to the traditional life he values, John Grady urges his old friend Rawlins to accompany him to Mexico. There, John Grady will find that his innocence, or ignorance, will ultimately lead him close to destruction.
Before reaching the border they meet Jimmy Blevins, a dangerous young boy on a magnificent horse. Even though Cole and Rawlins do not trust Blevins and are sure his horse is stolen, they allow him to join them despite their doubts. As they ride into Mexico, they realize that they are no longer in a world that they can understand. When Blevins' clothes and horse disappear during a thunderstorm, they search a nearby Mexican town, where they find the clothes and finally the horse. In spite of Rawlins' voiced forebodings, Blevins steals the horse back, and as John Grady and Rawlins flee the town Blevins gallops past them, pursued by armed men.
John Grady and Rawlins ride south, coming at last to a ranch, the Hacienda de Nuestra Senora de la Purisima Conception. As they talk with the vaqueros about the possibility of employment, John Grady sees a beautiful girl on a black horse, Alejandra, the daughter of hacendado Don Hector Rocha y Villareal. The heir of an aristocratic family, Don Hector is avidly interested in breeding wild mountain horses with his own stock, so John Grady and Rawlins join the vaqueros; John Grady amazes everyone with his ability to break the wild horses quickly and gently.
When Don Hector questions Cole about his past, he omits the episode with Blevins and the fact that he and Rawlins may now be wanted as accomplices in Blevins's horse theft. Concerned about his blossoming relationship with Alejandra, Duena Alfonsa, Don Hector's aunt and Alejandra's godmother, warns John Grady away from the rebellious girl, and informs him that Don Hector will never allow her to marry an American, especially a poor one. But Alejandra comes to him one night and they become lovers.
A few days later John Grady and Rawlins are arrested and taken to a jail in Encantada, where Blevins is already imprisoned for the murder of three men. While the three Americans are transported to the state prison at Saltillo, Blevins is taken from the group and shot. At the prison, they are questioned and beaten, and Rawlins is injured seriously. John Grady, attacked by another prisoner, whom he must kill, learns that evil exists not only in the world but in himself. When he and Rawlins are suddenly released as mysteriously as they were arrested, Rawlins returns to Texas.
But John Grady goes back to La Purisima to search for Alejandra, who is not there. Once again Duena Alfonsa makes clear to him the impossibility of the match. She tells her own story of the power of ignorance and evil (her love for a man who was killed by a mob after helping depose the dictator Diaz) and of her determination to protect Alejandra. Although John Grady does meet Alejandra one last time at a hotel in Zacatecas, it is only as a farewell: she chooses her family's approval (and perhaps their money). In pain, Cole returns to Encantada where he finds Blevins's horse, innocent like all animals and yet the cause of much death and loss. John Grady captures both the horse and the brutal police captain who shot Blevins, and heads homeward. En route, the captain is seized by brigands with a score to settle with him, and John Grady finally returns to Texas.
He finds even less there than before: his father and his childhood nurse are both dead. He rides on with the stolen horse, seeking to restore it to its rightful owner. John Grady has learned, but not yet enough; he has left home and returned a changed man, but there is no home to receive him. All the Pretty Horses is a hero's quest without a neat resolution, a book in which the strange light of mythic struggles shines through the quick-paced adventure.
The Border Trilogy continues with Volume Two, The Crossing, and concludes with the third volume, Cities of the Plain.

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Rawlins when he saw him seemed too dismayed to speak.

He's lost his clothes, said John Grady.

Rawlins turned his horse and set off slowly down the road. They followed. No one spoke. After a while John Grady heard something drop into the road and he looked back and saw Blevins' boot lying there. He turned and looked at Blevins but Blevins was peering steadily ahead from under the brim of his hat and they rode on. The horses stepped archly among the shadows that fell over the road, the bracken steamed. Bye and bye they passed a stand of roadside cholla against which small birds had been driven by the storm and there impaled. Gray nameless birds espaliered in attitudes of stillborn flight or hanging loosely in their feathers. Some of them were still alive and they twisted on their spines as the horses passed and raised their heads and cried out but the horsemen rode on. The sun rose up in the sky and the country took on new color, green fire in the acacia and paloverde and green in the roadside run-off grass and fire in the ocotillo. As if the rain were electric, had grounded circuits that the electric might be.

So mounted they rode at noon into a waxcamp pitched in the broken footlands beneath the low stone mesa running east and west before them. There was a small clearwater branch here and the Mexicans had dug an open firebox and lined it with rock and scotched their boiler into the bank over it. The boiler was made from the lower half of a galvanized watertank and to bring it to this location they'd run a wooden axleshaft through the bottom and made a wooden spider whereby to bed the axle in the open end and with a team of horses rolled the tank across the desert from Zaragoza eighty miles to the east. The track of flattened chaparral was still visible bending away over the floor of the desert. When the Americans rode into their camp there were several burros standing there that had just been brought down from the mesa loaded with the candelilla plant they boiled for wax and the Mexicans had left the animals to stand while they ate their dinner. A dozen men dressed most of them in what looked to be pajamas and all of them in rags squatting under the shade of some willows and eating with tin spoons off of clay plates. They looked up but they did not stop eating.

Buenos días, said John Grady. They responded in a quick dull chorus. He dismounted and they looked at the spot where he stood and looked at each other and then went on eating.

Tienen algo que comer?

One or two of them gestured toward the fire with their spoons. When Blevins slid from the horse they looked at each other again.

The riders got their plates and utensils out of the saddlebags and John Grady got the little enameled pot out of the blackened cookbag and handed it to Blevins together with his old woodenhandled kitchen fork. They went to the fire and filled their plates with beans and Chile and took each a couple of blackened corn tortillas from a piece of sheetiron laid over the fire and walked over and sat under the willows a little apart from the workers. Blevins sat with his bare legs stretched out before him but they looked so white and exposed lying there on the ground that he seemed ashamed and he tried to tuck them up under him and to cover his knees with the tails of the borrowed shirt he wore. They ate. The workers had for the most part finished their meal and they were leaning back smoking cigarettes and belching quietly.

You goin to ask em about my horse? said Blevins.

John Grady chewed thoughtfully. Well, he said. If it's here they ought to be able to figure out it belongs to us.

You think they'd steal it?

You aint never goin to get that horse back, said Rawlins. We hit a town down here somewheres you better see if you can trade that pistol for some clothes and a bus ticket back to wherever it is you come from. If there are buses. Your buddy yonder might be willin to haul your ass all over Mexico but I damn sure aint.

I aint got the pistol, said Blevins. It's with the horse.

Shit, said Rawlins.

Blevins ate. After a while he looked up. What'd I ever do to you? he said.

You aint done nothin to me. And you aint goin to. That's the point.

Leave him be, Lacey. It aint goin to hurt us to try and help the boy get his horse back.

I'm just tellin him the facts, said Rawlins.

He knows the facts.

He dont act like it.

John Grady wiped his plate with the last of the tortilla and ate the tortilla and set the plate on the ground and commenced to roll a cigarette.

I'm goddamned starved, said Rawlins. You reckon they'd care if we went back for seconds?

They wont care, said Blevins. Go ahead.

Who asked you? said Rawlins.

John Grady started to reach in his pocket for a match and then he rose and walked over to the workers and squatted and asked for a light. Two of them produced esclarajos from their clothes and one struck him a light and he leaned and lit the cigarette and nodded. He asked about the boiler and the loads of candelilla still tied on the burros and the workers told them about the wax and one of them rose and walked off and came back with a small gray cake of it and handed it to him. It looked like a bar of laundrysoap. He scraped it with his fingernail and sniffed it. He held it up and looked at it.

Qué vale? he said.

They shrugged.

Es mucho trabajo, he said.

Bastante.

A thin man in a stained leather vest with embroidery on the front was watching John Grady with narrowed and speculative eyes. John Grady handed back the wax and this man hissed at him and jerked his head.

John Grady turned.

Es su hermano, el rubio?

He meant Blevins. John Grady shook his head. No, he said. Quíen es? said the man.

He looked across the clearing. The cook had given Blevins some lard and he sat rubbing it into his sunburned legs.

Up muchacho, no más, he said.

Algún parentesco?

No.

Un amigo.

John Grady drew on the cigarette and tapped the ash against the heel of his boot. Nada, he said.

No one spoke. The man in the vest studied John Grady and he looked across the clearing at Blevins. Then he asked John Grady if he wished to sell the boy.

He didnt answer for a moment. The man may have thought he was weighing the matter. They waited. He looked up. No, he said.

Qué vale? said the man.

John Grady stubbed out the cigarette against the sole of his boot and rose.

Gracias por su hospitalidad, he said.

The man offered that he would trade for him in wax. The others had turned to listen to him. Now they turned and looked at John Grady.

John Grady studied them. They did not look evil but it was no comfort to him. He turned and crossed the clearing toward the standing horses. Blevins and Rawlins rose.

What did they say? said Blevins.

Nothing.

Did you ask them about my horse?

No.

Why not?

They dont have your horse.

What was that guy talkin about?

Nothing. Get the plates. Let's go.

Rawlins looked across the clearing at the seated men. He took up the trailing reins and swung up into the saddle.

What's happened, bud? he said.

John Grady mounted and turned the horse. He looked back at the men and he looked at Blevins. Blevins stood with the plates.

What was he lookin at me for? he said.

Put them in the bag and get your ass up here.

They aint washed.

Do like I told you.

Some of the men had risen. Blevins stuffed the plates into the bag and John Grady reached down and swung him up onto the horse behind him.

He pulled the horse around and they rode out of the camp and into the road south. Rawlins looked back and put his horse into a trot and John Grady came up and they rode side by side down the narrow rutted track. No one spoke. When they were clear of the camp a mile or so Blevins asked what it was that the man in the vest had wanted but John Grady didnt answer. When Blevins asked again Rawlins looked back at him.

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