Cormac McCarthy - All The Pretty Horses

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In All the Pretty Horses, Cormac McCarthy begins his Border Trilogy with a coming of age tale that is a departure from the bizarre richness and mysterious violence of his early novels, yet in many ways preserves the mystery and the richness in a more understated form. Like Blood Meridian, this novel follows a young man's journey to the regions of the unknown. John Grady Cole, more heroic than the protagonists of McCarthy's earlier novels, confronts the evil that is an inescapable part of the universe as well as the evil that grows out of his own ignorance and pride. His story is told in a style often restrained and simple, embedded with lyrical passages that echo his dreams and memory.
In the spring of 1948 on a small Texas ranch, sixteen year old John Grady Cole attends the funeral of his grandfather, with whom he has lived since his parents' separation. The grandfather's ranch has been left to John Grady's mother, a small-time actress who has no interest in it and will sell it. John Grady's father, psychologically damaged by World War II and now physically ill as well, tells his son goodbye. With no apparent future in Texas, and sensing the threat of the new era to the traditional life he values, John Grady urges his old friend Rawlins to accompany him to Mexico. There, John Grady will find that his innocence, or ignorance, will ultimately lead him close to destruction.
Before reaching the border they meet Jimmy Blevins, a dangerous young boy on a magnificent horse. Even though Cole and Rawlins do not trust Blevins and are sure his horse is stolen, they allow him to join them despite their doubts. As they ride into Mexico, they realize that they are no longer in a world that they can understand. When Blevins' clothes and horse disappear during a thunderstorm, they search a nearby Mexican town, where they find the clothes and finally the horse. In spite of Rawlins' voiced forebodings, Blevins steals the horse back, and as John Grady and Rawlins flee the town Blevins gallops past them, pursued by armed men.
John Grady and Rawlins ride south, coming at last to a ranch, the Hacienda de Nuestra Senora de la Purisima Conception. As they talk with the vaqueros about the possibility of employment, John Grady sees a beautiful girl on a black horse, Alejandra, the daughter of hacendado Don Hector Rocha y Villareal. The heir of an aristocratic family, Don Hector is avidly interested in breeding wild mountain horses with his own stock, so John Grady and Rawlins join the vaqueros; John Grady amazes everyone with his ability to break the wild horses quickly and gently.
When Don Hector questions Cole about his past, he omits the episode with Blevins and the fact that he and Rawlins may now be wanted as accomplices in Blevins's horse theft. Concerned about his blossoming relationship with Alejandra, Duena Alfonsa, Don Hector's aunt and Alejandra's godmother, warns John Grady away from the rebellious girl, and informs him that Don Hector will never allow her to marry an American, especially a poor one. But Alejandra comes to him one night and they become lovers.
A few days later John Grady and Rawlins are arrested and taken to a jail in Encantada, where Blevins is already imprisoned for the murder of three men. While the three Americans are transported to the state prison at Saltillo, Blevins is taken from the group and shot. At the prison, they are questioned and beaten, and Rawlins is injured seriously. John Grady, attacked by another prisoner, whom he must kill, learns that evil exists not only in the world but in himself. When he and Rawlins are suddenly released as mysteriously as they were arrested, Rawlins returns to Texas.
But John Grady goes back to La Purisima to search for Alejandra, who is not there. Once again Duena Alfonsa makes clear to him the impossibility of the match. She tells her own story of the power of ignorance and evil (her love for a man who was killed by a mob after helping depose the dictator Diaz) and of her determination to protect Alejandra. Although John Grady does meet Alejandra one last time at a hotel in Zacatecas, it is only as a farewell: she chooses her family's approval (and perhaps their money). In pain, Cole returns to Encantada where he finds Blevins's horse, innocent like all animals and yet the cause of much death and loss. John Grady captures both the horse and the brutal police captain who shot Blevins, and heads homeward. En route, the captain is seized by brigands with a score to settle with him, and John Grady finally returns to Texas.
He finds even less there than before: his father and his childhood nurse are both dead. He rides on with the stolen horse, seeking to restore it to its rightful owner. John Grady has learned, but not yet enough; he has left home and returned a changed man, but there is no home to receive him. All the Pretty Horses is a hero's quest without a neat resolution, a book in which the strange light of mythic struggles shines through the quick-paced adventure.
The Border Trilogy continues with Volume Two, The Crossing, and concludes with the third volume, Cities of the Plain.

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The room they slept in was at the back of the house and it smelled of hay or straw. It was small and there was no window to it and on the floor were two pallets of straw and sacking with serapes over them. They took the lamp the host handed them and thanked him and he bowed out the low doorway and bid them goodnight. He didnt ask about Blevins.

John Grady set the lamp on the floor and they sat in the straw ticks and took off their boots.

I'm give out, said Rawlins.

I hear you.

What all did the old man say about work in this part of the country?

He says there's some big ranches yon side of the Sierra del Carmen. About three hundred kilometers.

How far's that?

Hundred and sixty, hundred and seventy miles.

You reckon he thinks we're desperados?

I dont know. Pretty nice about it if he does.

I'd say so.

He made that country sound like the Big Rock Candy Mountains. Said there was lakes and runnin water and grass to the stirrups. I cant picture country like that down here from what I've seen so far, can you?

He's probably just tryin to get us to move on.

Could be, said John Grady. He took off his hat and lay back and pulled the serape over him.

What the hell's he goin to do, said Rawlins. Sleep out in the yard?

I reckon.

Maybe he'll be gone in the mornin.

Maybe.

He closed his eyes. Dont let that lamp burn out, he said. It'll black the whole house.

I'll blow it out here in a minute.

He lay listening. There was no sound anywhere. What are you doin? he said.

Nothin.

He opened his eyes. He looked over at Rawlins. Rawlins had his billfold spread out across the blanket.

What are you doin?

I want you to look at my goddamned drivers license.

You wont need em down here.

There's my poolhall card. Got it too.

Go to sleep.

Look at this shit. He shot Betty Ward right between the eyes.

What was she doin in there? I didnt know you liked her.

She give me that picture. That was her schooldays picture.

In the morning they ate a huge breakfast of eggs and beans and tortillas at the same table. No one went out to get Blevins and no one asked about him. The woman packed them a lunch in a cloth and they thanked her and shook hands with the man and walked out in the cool morning. Blevins' horse was not in the corral.

You think we're this lucky? said Rawlins.

John Grady shook his head doubtfully.

They saddled the horses and they offered to pay the man for their feed but he frowned and waved them away and they shook hands again and he wished them a good voyage and they mounted up and rode out down the rutted track south. A dog followed them out a ways and then stood watching after them.

The morning was fresh and cool and there was woodsmoke in the air. When they topped the first rise in the road Rawlins spat in disgust. Look yonder, he said.

Blevins was sitting the big bay horse sideways in the road.

They slowed the horses. What the hell do you reckon is wrong with him? said Rawlins.

He's just a kid.

Shit, said Rawlins.

When they rode up Blevins smiled at them. He was chewing tobacco and he leaned and spat and wiped his mouth with the underside of his wrist.

What are you grinnin at?

Mornin, said Blevins.

Where'd you get the tobacco at? said Rawlins.

Man give it to me.

Man give it to you?

Yeah. Where you all been?

They rode their horses past him either side and he fell in behind.

You all got anything to eat? he said.

Got some lunch she put up for us, said Rawlins.

What have you got?

Dont know. Aint looked.

Well why dont we take a look?

Does it look like lunchtime to you?

Joe, tell him to let me have somethin to eat.

His name aint Joe, said Rawlins. And even if it was Evelyn he aint goin to give you no lunch at no seven oclock in the mornin.

Shit, said Blevins.

They rode till noon and past noon. There was nothing along the road save the country it traversed and there was nothing in the country at all. The only sound was the steady clop of the horses along the road and the periodic spat of Blevins' tobacco juice behind them. Rawlins rode with one leg crossed in front of him, leaning on his knee and smoking pensively as he studied the country.

I believe I see cottonwoods yonder, he said.

I believe I do too, said John Grady.

They ate lunch under the trees at the edge of a small ciénaga. The horses stood in the marshy grass and sucked quietly at the water. She'd tied the food up in a square of muslin and they spread the cloth on the ground and selected from among the quesadillas and tacos and bizcochos like picnickers, leaning back on their elbows in the shade with their boots crossed before them, chewing idly and observing the horses.

Back in the old days, said Blevins, this'd be just the place where Comanches'd lay for you and bushwhack you.

I hope they had some cards or a checkerboard with em while they was waitin, said Rawlins. It dont look to me like there's been nobody down this road in a year.

Back in the old days you had a lot more travelers, said Blevins.

Rawlins eyed balefully that cauterized terrain. What in the putrefied dogshit would you know about the old days? he said.

You all want any more of this? said John Grady.

I'm full as a tick.

He tied up the cloth and stood and began to strip out of his clothes and he walked out naked through the grass past the horses and waded out into the water and sat in it to his waist. He spread his arms and lay backward into the water and disappeared. The horses watched him. He sat up out of the water and pushed his hair back and wiped his eyes. Then he just sat.

They camped that night in the floor of a wash just off the road and built a fire and sat in the sand and stared into the embers.

Blevins are you a cowboy? said Rawlins.

I like it.

Everbodv likes it.

I dont claim to be no top hand. I can ride.

Yeah? said Rawlins.

That man yonder can ride, said Blevins. He nodded across the fire toward John Grady.

What makes you say that?

He just can, that's all.

Suppose I was to tell you he just took it up. Suppose I was to tell you he's never been on a horse a girl couldnt ride.

I'd have to say you was pullin my leg.

Suppose I was to tell you he's the best I ever saw.

Blevins spat into the fire.

You doubt that?

No, I dont doubt it. Depends on who you seen ride.

I seen Booger Red ride, said Rawlins.

Yeah, said Blevins.

Yeah.

You think he can outride him?

I know for a fact he can.

Maybe he can and maybe he caint.

You dont know shit from applebutter, said Rawlins. Booger Red's been dead forever.

Dont pay no attention to him, said John Grady.

Rawlins recrossed his boots and nodded toward John Grady. He cant take my part of it without braggin on hisself, can he?

He's full of shit, said John Grady.

You hear that? said Rawlins.

Blevins leaned his chin toward the fire and spat. I dont see how you can say somebody is just flat out the best.

You cant, said John Grady. He's just ignorant, that's all.

There's a lot of good riders, said Blevins.

That's right, said Rawlins. There's a lot of good riders. But there's just one that's the best. And he happens to be settin right yonder.

Leave him alone, said John Grady.

I aint botherin him, said Rawlins. Am I botherin you?

No.

Tell Joe yonder I aint botherin you.

I said you wasnt.

Leave him alone, said John Grady.

DAYS TO COME they rode through the mountains and they crossed at a barren windgap and sat the horses among the rocks and looked out over the country to the south where the last shadows were running over the land before the wind and the sun to the west lay blood red among the shelving clouds and the distant cordilleras ranged down the terminals of the sky to fade from pale to pale of blue and then to nothing at all.

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