Cormac McCarthy - All The Pretty Horses

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In All the Pretty Horses, Cormac McCarthy begins his Border Trilogy with a coming of age tale that is a departure from the bizarre richness and mysterious violence of his early novels, yet in many ways preserves the mystery and the richness in a more understated form. Like Blood Meridian, this novel follows a young man's journey to the regions of the unknown. John Grady Cole, more heroic than the protagonists of McCarthy's earlier novels, confronts the evil that is an inescapable part of the universe as well as the evil that grows out of his own ignorance and pride. His story is told in a style often restrained and simple, embedded with lyrical passages that echo his dreams and memory.
In the spring of 1948 on a small Texas ranch, sixteen year old John Grady Cole attends the funeral of his grandfather, with whom he has lived since his parents' separation. The grandfather's ranch has been left to John Grady's mother, a small-time actress who has no interest in it and will sell it. John Grady's father, psychologically damaged by World War II and now physically ill as well, tells his son goodbye. With no apparent future in Texas, and sensing the threat of the new era to the traditional life he values, John Grady urges his old friend Rawlins to accompany him to Mexico. There, John Grady will find that his innocence, or ignorance, will ultimately lead him close to destruction.
Before reaching the border they meet Jimmy Blevins, a dangerous young boy on a magnificent horse. Even though Cole and Rawlins do not trust Blevins and are sure his horse is stolen, they allow him to join them despite their doubts. As they ride into Mexico, they realize that they are no longer in a world that they can understand. When Blevins' clothes and horse disappear during a thunderstorm, they search a nearby Mexican town, where they find the clothes and finally the horse. In spite of Rawlins' voiced forebodings, Blevins steals the horse back, and as John Grady and Rawlins flee the town Blevins gallops past them, pursued by armed men.
John Grady and Rawlins ride south, coming at last to a ranch, the Hacienda de Nuestra Senora de la Purisima Conception. As they talk with the vaqueros about the possibility of employment, John Grady sees a beautiful girl on a black horse, Alejandra, the daughter of hacendado Don Hector Rocha y Villareal. The heir of an aristocratic family, Don Hector is avidly interested in breeding wild mountain horses with his own stock, so John Grady and Rawlins join the vaqueros; John Grady amazes everyone with his ability to break the wild horses quickly and gently.
When Don Hector questions Cole about his past, he omits the episode with Blevins and the fact that he and Rawlins may now be wanted as accomplices in Blevins's horse theft. Concerned about his blossoming relationship with Alejandra, Duena Alfonsa, Don Hector's aunt and Alejandra's godmother, warns John Grady away from the rebellious girl, and informs him that Don Hector will never allow her to marry an American, especially a poor one. But Alejandra comes to him one night and they become lovers.
A few days later John Grady and Rawlins are arrested and taken to a jail in Encantada, where Blevins is already imprisoned for the murder of three men. While the three Americans are transported to the state prison at Saltillo, Blevins is taken from the group and shot. At the prison, they are questioned and beaten, and Rawlins is injured seriously. John Grady, attacked by another prisoner, whom he must kill, learns that evil exists not only in the world but in himself. When he and Rawlins are suddenly released as mysteriously as they were arrested, Rawlins returns to Texas.
But John Grady goes back to La Purisima to search for Alejandra, who is not there. Once again Duena Alfonsa makes clear to him the impossibility of the match. She tells her own story of the power of ignorance and evil (her love for a man who was killed by a mob after helping depose the dictator Diaz) and of her determination to protect Alejandra. Although John Grady does meet Alejandra one last time at a hotel in Zacatecas, it is only as a farewell: she chooses her family's approval (and perhaps their money). In pain, Cole returns to Encantada where he finds Blevins's horse, innocent like all animals and yet the cause of much death and loss. John Grady captures both the horse and the brutal police captain who shot Blevins, and heads homeward. En route, the captain is seized by brigands with a score to settle with him, and John Grady finally returns to Texas.
He finds even less there than before: his father and his childhood nurse are both dead. He rides on with the stolen horse, seeking to restore it to its rightful owner. John Grady has learned, but not yet enough; he has left home and returned a changed man, but there is no home to receive him. All the Pretty Horses is a hero's quest without a neat resolution, a book in which the strange light of mythic struggles shines through the quick-paced adventure.
The Border Trilogy continues with Volume Two, The Crossing, and concludes with the third volume, Cities of the Plain.

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What good do you think it does to waller all over a horse thataway? said Rawlins.

I dont know, said John Grady. I aint a horse.

He lifted the blanket and placed it on the animal's back and smoothed it and stood stroking the animal and talking to it and then he bent and picked up the saddle and lifted it with the cinches strapped up and the off stirrup hung over the horn and sat it on the horse's back and rocked it into place. The horse never moved. He bent and reached under and pulled up the strap and cinched it. The horse's ears went back and he talked to it and then pulled up the cinch again and he leaned against the horse and talked to it just as if it were neither crazy nor lethal. Rawlins looked toward the corral gate. There were fifty or more people watching. Folk were picnicking on the ground. Fathers held up babies. John Grady lifted off the stirrup from the saddlehorn and let it drop. Then he hauled up the cinchstrap again and buckled it. All right, he said.

Hold him, said Rawlins.

He held the mecate while Rawlins undid the sideropes from the hackamore and knelt and tied them to the front hobbles. Then they slipped the hackamore off the horse's head and John Grady raised the bosalea and gently fitted it over the horse's nose and fitted the mouthrope and headstall. He gathered the reins and looped them over the horse's head and nodded and Rawlins knelt and undid the hobbles and pulled the slipnooses until the siderope loops fell to the ground at the horse's rear hooves. Then he stepped away.

John Grady put one foot in the stirrup and pressed himself flat against the horse's shoulder talking to it and then swung up into the saddle.

The horse stood stock still. It shot out one hindfoot to test the air and stood again and then it threw itself sideways and twisted and kicked and stood snorting. John Grady touched it up in the ribs with his bootheels and it stepped forward. He reined it and it turned. Rawlins spat in disgust. John Grady turned the horse again and came back by.

What the hell kind of a bronc is that? said Rawlins. You think that's what these people paid good money to see?

By dark he'd ridden eleven of the sixteen horses. Not all of them so tractable. Someone had built a fire on the ground outside the potrero and there were something like a hundred people gathered, some come from the pueblo of La Vega six miles to the south, some from farther. He rode the last five horses by the light of that fire, the horses dancing, turning in the light, their red eyes flashing. When they were done the horses stood in the potrero or stepped about trailing their hackamore ropes over the ground with such circumspection not to tread upon them and snatch down their sore noses that they moved with an air of great elegance and seemliness. The wild and frantic band of mustangs that had circled the potrero that morning like marbles swirled in a jar could hardly be said to exist and the animals whinnied to one another in the dark and answered back as if some one among their number were missing, or some thing.

When they walked down to the bunkhouse in the dark the bonfire was still burning and someone had brought a guitar and someone else a mouth-harp. Three separate strangers offered them a drink from bottles of mescal before they were clear of the crowd.

The kitchen was empty and they got their dinner from the stove and sat at the table. Rawlins watched John Grady. He was chewing woodenly and half tottering on the bench.

You aint tired are you, bud? he said.

No, said John Grady. I was tired five hours ago.

Rawlins grinned. Dont drink no more of that coffee. It'll keep you awake.

y When they walked out in the morning at daybreak the fire was still smoldering and there were four or five men lying asleep on the ground, some with blankets and some without. Every horse in the potrero watched them come through the gate.

You remember how they come? said Rawlins.

Yeah. I remember em. I know you remember your buddy yonder.

Yeah, I know the son of a bitch.

When he walked up to the horse with the sack it turned and went trotting. He walked it down against the fence and picked up the rope and pulled it around and it stood quivering and he walked up to it and began to talk to it and then to stroke it with the sack. Rawlins went to fetch the blankets and the saddle and the bosalea.

By ten that night he'd ridden the entire remuda of sixteen horses and Rawlins had ridden them a second time each. They rode them again Tuesday and on Wednesday morning at daybreak with the first horse saddled and the sun not up John Grady rode toward the gate.

Open her up, he said.

Let me saddle a catch-horse.

We aint got time.

If that son of a bitch sets your ass out in the stickers you'll have time.

I guess I'd better stay in the saddle then.

Let me saddle up one of these good horses.

All right.

He rode out of the trap leading Rawlins' horse and waited while Rawlins shut the gate and mounted up beside him. The green horses stepped and sidled nervously.

This is kindly the blind leadin the blind, aint it?

Rawlins nodded. It's sort of like old T-Bone Watts when he worked for daddy they all fussed about him havin bad breath. He told em it was bettern no breath at all.

John Grady grinned and booted the horse forward into a trot and they set out up the road.

Midafternoon he'd ridden all the horses again and while Rawlins worked with them in the trap he rode the little grullo of Rawlins' choice up into the country. Two miles above the ranch where the road ran by sedge and willow and wild plum along the edge of the laguna she rode past him on the black horse.

He heard the horse behind him and would have turned to look but that he heard it change gaits. He didnt look at her until the Arabian was alongside his horse, stepping with its neck arched and one eve on the mesteño not with wariness but some faint equine disgust. She passed five feet away and turned her fineboned face and looked full at him. She had blue eyes and she nodded or perhaps she only lowered her head slightly to better see what sort of horse he rode, just the slightest tilt of the broad black hat set level on her head, the slightest lifting of the long black hair. She passed and the horse changed gaits again and she sat the horse more than well, riding erect with her broad shoulders and trotting the horse up the road. The mesteño had stopped and Bulled in the road with its forefeet spread and he sat looking after her. He'd half meant to speak but those eyes had altered the world forever in the space of a heartbeat. She disappeared beyond the lakeside willows. A flock of small birds rose up and passed back over him with thin calls.

That evening when Antonio and the gerente came up to the trap to inspect the horses he was teaching the grullo to back with Rawlins in the saddle. They watched, the gerente picking his teeth. Antonio rode the two horses that were standing saddled, sawing them back and forth in the corral and pulling them up short. He dismounted and nodded and he and the gerente looked over the horses in the other wing of the corral and then they left. Rawlins and John Grady looked at each other. They unsaddled the horses and turned them in with the remuda and walked back down to the house carrying their saddles and gear and washed up for supper. The vaqueros were at the table and they got their plates and helped themselves at the stove and got their coffee and came to the table and swung a leg over and sat down. There was a clay dish of tortillas in the center of the table with a towel over it and when John Grady pointed and asked that it be passed there came hands from both sides of the table to take up the dish and hand it down in this manner like a ceremonial bowl.

Three days later they were in the mountains. The caporal had sent a mozo with them to cook and see to the horses and he'd sent three young vaqueros not much older than they. The mozo was an old man with a bad leg named Luis who had fought at Torreón and San Pedro and later at Zacatecas and the boys were boys from the country, two of them born on the hacienda. Only one of the three had ever been as far as Monterrey. They rode up into the mountains trailing three horses apiece in their string with packhorses to haul the grub and cooktent and they hunted the wild horses in the upland forests in the pine and madroño and in the arroyos where they'd gone to hide and they drove them pounding over the high mesas and penned them in the stone ravine fitted ten years earlier with fence and gate and there the horses milled and squealed and clambered at the rock slopes and turned upon one another biting and kicking while John Grady walked among them in the sweat and dust and bedlam with his rope as if they were no more than some evil dream of horse. They camped at night on the high headlands where their windtattered fire sawed about in the darkness and Luis told them tales of the country and the people who lived in it and the people who died and how they died. He'd loved horses all his life and he and his father and two brothers had fought in the cavalry and his father and his brothers had died in the cavalry but they'd all despised Victoriano Huerta above all other men and the deeds of Huerta above all other visited evils. He said that compared to Huerta Judas was himself but another Christ and one of the young vaqueros looked away and another blessed himself. He said that war had destroyed the country and that men believe the cure for war is war as the curandero prescribes the serpent's flesh for its bite. He spoke of his campaigns in the deserts of Mexico and he told them of horses killed under him and he said that the souls of horses mirror the souls of men more closely than men suppose and that horses also love war. Men say they only learn this but he said that no creature can learn that which his heart has no shape to hold. His own father said that no man who has not gone to war horseback can ever truly understand the horse and he said that he supposed he wished that this were not so but that it was so.

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