Cormac McCarthy - All The Pretty Horses

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In All the Pretty Horses, Cormac McCarthy begins his Border Trilogy with a coming of age tale that is a departure from the bizarre richness and mysterious violence of his early novels, yet in many ways preserves the mystery and the richness in a more understated form. Like Blood Meridian, this novel follows a young man's journey to the regions of the unknown. John Grady Cole, more heroic than the protagonists of McCarthy's earlier novels, confronts the evil that is an inescapable part of the universe as well as the evil that grows out of his own ignorance and pride. His story is told in a style often restrained and simple, embedded with lyrical passages that echo his dreams and memory.
In the spring of 1948 on a small Texas ranch, sixteen year old John Grady Cole attends the funeral of his grandfather, with whom he has lived since his parents' separation. The grandfather's ranch has been left to John Grady's mother, a small-time actress who has no interest in it and will sell it. John Grady's father, psychologically damaged by World War II and now physically ill as well, tells his son goodbye. With no apparent future in Texas, and sensing the threat of the new era to the traditional life he values, John Grady urges his old friend Rawlins to accompany him to Mexico. There, John Grady will find that his innocence, or ignorance, will ultimately lead him close to destruction.
Before reaching the border they meet Jimmy Blevins, a dangerous young boy on a magnificent horse. Even though Cole and Rawlins do not trust Blevins and are sure his horse is stolen, they allow him to join them despite their doubts. As they ride into Mexico, they realize that they are no longer in a world that they can understand. When Blevins' clothes and horse disappear during a thunderstorm, they search a nearby Mexican town, where they find the clothes and finally the horse. In spite of Rawlins' voiced forebodings, Blevins steals the horse back, and as John Grady and Rawlins flee the town Blevins gallops past them, pursued by armed men.
John Grady and Rawlins ride south, coming at last to a ranch, the Hacienda de Nuestra Senora de la Purisima Conception. As they talk with the vaqueros about the possibility of employment, John Grady sees a beautiful girl on a black horse, Alejandra, the daughter of hacendado Don Hector Rocha y Villareal. The heir of an aristocratic family, Don Hector is avidly interested in breeding wild mountain horses with his own stock, so John Grady and Rawlins join the vaqueros; John Grady amazes everyone with his ability to break the wild horses quickly and gently.
When Don Hector questions Cole about his past, he omits the episode with Blevins and the fact that he and Rawlins may now be wanted as accomplices in Blevins's horse theft. Concerned about his blossoming relationship with Alejandra, Duena Alfonsa, Don Hector's aunt and Alejandra's godmother, warns John Grady away from the rebellious girl, and informs him that Don Hector will never allow her to marry an American, especially a poor one. But Alejandra comes to him one night and they become lovers.
A few days later John Grady and Rawlins are arrested and taken to a jail in Encantada, where Blevins is already imprisoned for the murder of three men. While the three Americans are transported to the state prison at Saltillo, Blevins is taken from the group and shot. At the prison, they are questioned and beaten, and Rawlins is injured seriously. John Grady, attacked by another prisoner, whom he must kill, learns that evil exists not only in the world but in himself. When he and Rawlins are suddenly released as mysteriously as they were arrested, Rawlins returns to Texas.
But John Grady goes back to La Purisima to search for Alejandra, who is not there. Once again Duena Alfonsa makes clear to him the impossibility of the match. She tells her own story of the power of ignorance and evil (her love for a man who was killed by a mob after helping depose the dictator Diaz) and of her determination to protect Alejandra. Although John Grady does meet Alejandra one last time at a hotel in Zacatecas, it is only as a farewell: she chooses her family's approval (and perhaps their money). In pain, Cole returns to Encantada where he finds Blevins's horse, innocent like all animals and yet the cause of much death and loss. John Grady captures both the horse and the brutal police captain who shot Blevins, and heads homeward. En route, the captain is seized by brigands with a score to settle with him, and John Grady finally returns to Texas.
He finds even less there than before: his father and his childhood nurse are both dead. He rides on with the stolen horse, seeking to restore it to its rightful owner. John Grady has learned, but not yet enough; he has left home and returned a changed man, but there is no home to receive him. All the Pretty Horses is a hero's quest without a neat resolution, a book in which the strange light of mythic struggles shines through the quick-paced adventure.
The Border Trilogy continues with Volume Two, The Crossing, and concludes with the third volume, Cities of the Plain.

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I believe these are some pretty good old boys, whispered Rawlins.

Yeah, I believe they are too.

You see them old highback centerfire rigs? Yeah.

You reckon they think we're on the run down here? Aint we?

Rawlins didnt answer. After a while he said: I like hearin the cattle out there.

Yeah. I do too.

He didnt say much about Rocha, did he? Not a lot.

You reckon that was his daughter? I'd say it was.

This is some country, aint it? Yeah. It is. Go to sleep.

Bud? Yeah. This is how it was with the old waddies, aint it? Yeah.

How long do you think you'd like to stay here? About a hundred years. Go to sleep.

II

THE HACIENDA de Nuestra Señora de la Purísima Concepción was a ranch of eleven thousand hectares situated along the edge of the Bolsón de Cuatro Ciénagas in the state of Coahuila. The western sections ran into the Sierra de Anteojo to elevations of nine thousand feet but south and east the ranch occupied part of the broad barrial or basin floor of the bolsón and was well watered with natural springs and clear streams and dotted with marshes and shallow lakes or lagunas. In the lakes and in the streams were species of fish not known elsewhere on earth and birds and lizards and other forms of life as well all long relict here for the desert stretched away on every side.

La Purísima was one of very few ranches in that part of:Mexico retaining the full complement of six square leagues of land allotted by the colonizing legislation of eighteen twentyfour and the owner Don Héctor Rocha y Villareal was one of the few hacendados who actually lived on the land he claimed, land which had been in his family for one hundred and seventy years. He was forty-seven years old and he was the first male heir in all that new world lineage to attain such an age.

He ran upwards of a thousand head of cattle on this land. He kept a house in Mexico City where his wife lived. He flew his own airplane. He loved horses. When he rode up to the gerente's house that morning he was accompanied by four friends and by a retinue of mozos and two packanimals saddled with hardwood kiacks, one empty, the other carrying their noon provisions. They were attended by a pack of greyhound dogs and the dogs were lean and silver in color and they flowed among the legs of the horses silent and fluid as running mercury and the horses paid them no mind at all. The hacendado halloed the house and the gerente emerged in his shirtsleeves and they spoke briefly and the gerente nodded and the hacendado spoke to his friends and then all rode on. When they passed the bunkhouse and rode through the gate and turned into the road upcountry some of the vaqueros were catching their horses in the trap and leading them out to saddle them for the day's work. John Grady and Rawlins stood in the doorway drinking their coffee.

Yonder he is, said Rawlins.

John Grady nodded and slung the dregs of coffee out into the yard.

Where the hell do you reckon they're goin? said Rawlins.

I'd say they're goin to run coyotes.

They aint got no guns.

They got ropes.

Rawlins looked at him. Are you shittin me?

I dont think so.

Well I'd damn sure like to see it.

I would too. You ready?

They worked two days in the holdingpens branding and earmarking and castrating and dehorning and inoculating. On the third day the vaqueros brought a small herd of wild three year old colts down from the mesa and penned them and in the evening Rawlins and John Grady walked out to look them over. They were bunched against the fence at the far side of the enclosure and they were a mixed lot, roans and duns and bays and a few paints and they were of varied size and conformation. John Grady opened the gate and he and Rawlins walked in and he closed it behind them. The horrified animals began to climb over one another and to break up and move along the fence in both directions.

That's as spooky a bunch of horses as I ever saw, said Rawlins.

They dont know what we are.

Dont know what we are?

I dont think so. I dont think they've ever seen a man afoot. Rawlins leaned and spat.

You see anything there you'd have?

There's horses there.

Where at?

Look at that dark bay. Right yonder.

I'm lookin.

Look again.

That horse wont weigh eight hundred pounds.

Yeah he will. Look at the hindquarters on him. He'd make a cowhorse. Look at that roan yonder.

That coonfooted son of a bitch?

Well, yeah he is a little. All right. That other roan. That third one to the right.

The one with the white on him?

Yeah.

That's kindly a funny lookin horse to me.

No he aint. He's just colored peculiar.

You dont think that means nothin? He's got white feet.

That's a good horse. Look at his head. Look at the jaw on him. You got to remember their tails are all growed out.

Yeah. Maybe. Rawlins shook his head doubtfully. You used to be awful particular about horses. Maybe you just aint seen any in a long time.

John Grady nodded. Yeah, he said. Well. I aint forgot what they're supposed to look like.

The horses had grouped again at the far end of the pen and stood rolling their eyes and running their heads along each others' necks.

They got one thing goin for em, said Rawlins.

What's that.

They aint had no Mexican to try and break em.

John Grady nodded.

They studied the horses.

How many are there? said John Grady.

Rawlins looked them over. Fifteen. Sixteen.

I make it sixteen.

Sixteen then.

You think you and me could break all of em in four days? Depends on what you call broke.

Just halfway decent greenbroke horses. Say six saddles. Double and stop and stand still to be saddled.

Rawlins took his tobacco from his pocket and pushed back his hat.

What you got in mind? he said.

Breakin these horses.

Why four days?

You think we could do it?

They intend puttin em in the rough-string? My feelin is that any horse broke in four days is liable to come unbroke in four more.

They're out of horses is how come em to be down here in the first place.

Rawlins dabbed tobacco into the cupped paper. You're tellin me that what we're lookin at here is our own string?

That's my guess.

We're lookin at ridin some coldjawed son of a bitch broke with one of them damned mexican ringbits.

Yeah.

Rawlins nodded. What would you do, sideline em?

Yep.

You think there's that much rope on the place?

I dont know.

You'd be a woreout sumbuck. I'll tell you that.

Think how good you'd sleep.

Rawlins put the cigarette in his mouth and fished about for a match. What else do you know that you aint told me?

Armando says the old man's got horses all over that mountain.

How many horses.

Somethin like four hundred head.

Rawlins looked at him. He popped the match and lit the cigarette and flipped the match away. What in the hell for? He'd started a breeding program before the war.

What kind of horses?

Media sangres.

What the hell is that.

Quarterhorses, what we'd call em.

Yeah?

That roan yonder, said John Grady, is a flat-out Billy horse if he does have bad feet.

Where do you reckon he come from?

Where they all come from. Out of a horse called José Chiquito.

Little Joe?

Yeah.

The same horse?

The same horse.

Rawlins smoked thoughtfully.

Both of them horses were sold in Mexico, said John Grady. One and Two. What he's got up yonder is a big yeguada of mares out of the old Traveler-Ronda line of horses of Sheeran's.

What else? said Rawlins.

That's it. Let's go talk to the man.

THEY STOOD in the kitchen with their hats in their hands and the gerente sat at the table and studied them.

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