Arundhati Roy - The God of Small Things

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This highly stylized novel tells the story of one very fractured family from the southernmost tip of India. Here is an unhappy family unhappy in its own way, and through flashbacks and flashforwards The God of Small Things unfolds the secrets of these characters' unhappiness. First-time novelist Arundhati Roy twists and reshapes language to create an arresting, startling sort of precision. The average reader of mainstream fiction may have a tough time working through Roy's prose, but those with a more literary bent to their usual fiction inclinations should find the initial struggle through the dense prose a worthy price for this lushly tragic tale.
Rahel and Estha are fraternal twins whose emotional connection to one another is stronger than that of most siblings:
Esthappen and Rahel thought of themselves together as Me, and separately, individually as We or Us. As though they were a rare breed of Siamese twins, physically separate, but with joint identities.
Now, these years later, Rahel has a memory of waking up one night giggling at Estha's funny dream.
She has other memories too that she has no right to have.
Their childhood household hums with hidden antagonisms and pains that only family members can give one another.
Blind Mammachi, the twins' grandmother and founder of Paradise Pickles & Preserves, is a violin-playing widow who suffered years of abuse at the hands of her highly respected husband, and who has a fierce one-sided Oedipal connection with her son, Chacko. Baby Kochamma, Rahel and Estha's grandaunt, nurses deep-seated bitterness for a lifetime of unrequited love, a bitterness that plays out slyly against everyone in the family; in her youth she fell in love with an Irish Roman-Catholic priest and converted to his faith to win him, while he eventually converted to Hinduism. Chacko, divorced from his English wife and separated from his daughter since her infancy, runs the pickle factory with a capitalist's hand, self-deluding himself all the while that he is a Communist at heart even as he flirts with and beds his female employees. Ammu, the twins' mother, is a divorcee who fled her husband's alcoholism and impossible demands, a woman with a streak of wildness that the children sense and dread and that will be her and her family's undoing.
The family's tragedy revolves around the visit of Chacko's ex-wife, widowed by her second husband, and his daughter, Sophie Mol. It is within the context of their visit that Estha will experience the one horrible thing that should never happen to a child, during their visit that Ammu will come to love by night the man the children love by day, and during their visit that Sophie Mol will die. Her death, and the fate of the twins' beloved Untouchable Velutha, will forever alter the course of the lives of all the members of the family, sending them each off on spinning trajectories of regret and pain. The story reveals itself not in traditional narrative order, but in jumps through time, wending its way through Rahel's memories and attempts at understanding the hand fate dealt her family.
The God of Small Things has been favorable reviewed all over the place, generating a lot of excitement in the current literary establishment. What you think of it will depend heavily on your opinion of Roy's prose style – is it ostentatious, or is it brilliant? Whether or not you fall in love with her style, the truth of the heartbreaking story she tells and the lovable/hate-able characters who people it make this novel an experience not to be missed.

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Maybe they’re right, Ammu’s whisper said as she packed his trunk and hold-all. Maybe a boy does need a Baba.

The thicklipped man was in the coup‚ next to Estha’s. He said he’d try and change seats with someone once the train started.

For now he left the little family alone.

He knew that a hellish angel hovered over them. Went where they went Stopped where they stopped. Dripping wax from a bent candle.

Everybody knew.

It had been in the papers. The news of Sophie Mol’s death, of the police “Encounter” with a Paravan charged with kidnapping and murder. Of the subsequent Communist Party siege of Paradise Pickles & Preserves, led by Ayemenem’s own Crusader for Justice and Spokesman of the Oppressed. Comrade K. N. M. Pillai claimed that the Management had implicated the Paravan in a false police case because he was an active member of the Communist Party.

That they wanted to eliminate him for indulging in “Lawful Union Activities.”

All that had been in the papers. The Official Version.

Of course the thicklipped man with rings had no idea about the other version.

The one in which a posse of Touchable Policemen crossed the Meenachal River, sluggish and swollen with recent rain, and picked their way through the wet undergrowth, clumping into the Heart of Darkness.

Chapter 18.

The History House

A posse of Touchable Policemen crossed the Meenachal River, sluggish and swollen with recent rain, and picked their way through the wet undergrowth, the clink of handcuff in someone’s heavy pocket.

Their wide khaki shorts were rigid with starch, and bobbed over the tall grass like a row of stiff skirts, quite independent of the limbs that moved inside them.

There were six of them. Servants of the State.

Politeness.

Obedience.

Loyalty.

Intelligence.

Courtesy.

Efficiency.

The Kottayam Police. A cartoonplatoon. New-Age princes in funny pointed helmets. Cardboard lined with cotton. Hairoil stained. Their shabby khaki crowns.

Dark of Heart.

Deadlypurposed.

They lifted their thin legs high, clumping through tall grass. Ground creepers snagged in their dewdamp leghair. Burrs and grass flowers enhanced their dull socks. Brown millipedes slept in the soles of their steel-tipped, Touchable boots. Rough grass left their legskin raw, crisscrossed with cuts. Wet mud fatted under their feet as they squelched through the swamp.

They trudged past darter birds on the tops of trees, drying their sodden wings spread out like laundry against the sky. Past egrets. Cormorants. Adjutant storks. Sarus cranes looking for space to dance. Purple herons with pitiless eyes. Deafening, their wraark wraark wraark. Motherbirds and their eggs.

The early morning heat was full of the promise of worse to come. Beyond the swamp that smelled of still water, they walked past ancient trees cloaked in vines. Gigantic mani plants. Wild pepper. Cascading purple acuminus.

Past a deepblue beetle balanced on an unbending blade of grass. Past giant spider webs that had withstood the rain and spread like whispered gossip from tree to tree.

A banana flower sheathed in claret bracts hung from a scruffy, torn-leafed tree. A gem held out by a grubby schoolboy. A jewel in the velvet jungle.

Crimson dragonflies mated in the air. Doubledeckered. Deft. One admiring policeman watched and wondered briefly about the dynamics of dragonfly sex, and what went into what. Then his mind clicked to attention and Police Thoughts returned.

Onwards.

Past tall anthills congealed in the rain. Slumped like drugged sentries asleep at the gates of Paradise.

Past butterflies drifting through the air like happy messages.

Huge ferns.

A chameleon.

A startling shoeflower.

The scurry of gray jungle fowl running for cover.

The nutmeg tree that Vellya Paapen hadn’t found.

A forked canal. Still. Choked with duckweed. Like a dead green snake. A tree trunk fallen over it. The Touchable Policemen minced across. Twirling polished bamboo batons.

Hairy fairies with lethal wands.

Then the sunlight was fractured by thin trunks of tilting trees.

Dark of Heart neS~ &-tiptoed 4fl to the Heart of Darkness. The sound of stridulating crickets swelled.

Gray squirrels streaked down mottled trunks of rubber trees that slanted towards the sun. Old scars slashed across their bark. Sealed. Healed. Untapped.

Acres of this, and then, a grassy clearing. A house.

The History House.

Whose doors were locked and windows open.

With cold stone floors and billowing, ship-shaped shadows on the walls.

Where waxy ancestors with tough toe-nails and breath that smelled of yellow maps whispered papery whispers.

Where translucent lizards lived behind old paintings.

Where dreams were captured and re-dreamed.

Where an old Englishman ghost, sickled to a tree, was abrogated by a pair of two-egg twins-a Mobile Republic with a Puff who had planted a Marxist flag in the earth beside him. As the platoon of policemen minced past they didn’t hear him beg. In his kindmissionary voice. Excuse me, would you, umm… you wouldn’t happen to umm… I don’t suppose you’d have a cigar on you? No?… No, I didn’t think so.

The History House.

Where, in the years that followed, the Terror (still-to-come) would be buried in a shallow grave. Hidden under the happy humming of hotel cooks. The humbling of old Communists. The slow death of dancers. The toy histories that rich tourists came to play with.

It was a beautiful house.

White-walled once. Red-roofed. But painted in weather-colors now. With brushes dipped in nature’s palette. Mossgreen. Earthbrown. Crumbleblack. Making it look older than it really was. Like sunken treasure dredged up from the ocean bed. Whale-kissed and barnacled. Swaddled in silence. Breathing bubbles through its broken windows.

Deep verandah ran all around. The rooms themselves were recessed, buried in shadow. The tiled roof swept down like the sides of an immense, upside-down boat. Rotting beams supported on once-white pillars had buckled at the center, leaving a yawning, gaping hole. A History-hole. A History-shaped Hole in the Universe through which, at twilight, dense clouds of silent bats billowed like factory smoke and drifted into the night.

They returned at dawn with news of the world. A gray haze in the rosy distance that suddenly coalesced and blackened over the house before it plummeted through the History-hole like smoke in a film running backwards.

All day they slept, the bats. Lining the roof like fur. Spattering the floors with shit.

The policemen stopped and fanned out. They didn’t really need to, but they liked these Touchable games.

They positioned themselves strategically. Crouching by the broken, low stone boundary wall.

Quick piss.

Hot foam on warm stone. Police-piss.

Drowned ants in yellow bubbly.

Deep breaths.

Then together, on their knees and elbows, they crept towards the house. Like Film-policemen. Softly, softly through the grass. Batons in their hands. Machine guns in their minds. Responsibility for the Touchable Future on their thin but able shoulders.

They found their quarry in the back verandah. A Spoiled Puff. A Fountain in a Love-in-Tokyo. And in another corner (as lonely as a wolf)-a carpenter with blood-red nails.

Asleep. Making nonsense of all that Touchable cunning.

The Surprise Swoop.

The Headlines in their heads.

Desperado Caught in Police Dragnet

For this insolence, this spoiling-the-fun, their quarry paid. Oh yes.

They woke Velutha with their boots.

Esthappen and Rahel woke to the shout of sleep surprised by shattered kneecaps.

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