Arundhati Roy - The God of Small Things

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This highly stylized novel tells the story of one very fractured family from the southernmost tip of India. Here is an unhappy family unhappy in its own way, and through flashbacks and flashforwards The God of Small Things unfolds the secrets of these characters' unhappiness. First-time novelist Arundhati Roy twists and reshapes language to create an arresting, startling sort of precision. The average reader of mainstream fiction may have a tough time working through Roy's prose, but those with a more literary bent to their usual fiction inclinations should find the initial struggle through the dense prose a worthy price for this lushly tragic tale.
Rahel and Estha are fraternal twins whose emotional connection to one another is stronger than that of most siblings:
Esthappen and Rahel thought of themselves together as Me, and separately, individually as We or Us. As though they were a rare breed of Siamese twins, physically separate, but with joint identities.
Now, these years later, Rahel has a memory of waking up one night giggling at Estha's funny dream.
She has other memories too that she has no right to have.
Their childhood household hums with hidden antagonisms and pains that only family members can give one another.
Blind Mammachi, the twins' grandmother and founder of Paradise Pickles & Preserves, is a violin-playing widow who suffered years of abuse at the hands of her highly respected husband, and who has a fierce one-sided Oedipal connection with her son, Chacko. Baby Kochamma, Rahel and Estha's grandaunt, nurses deep-seated bitterness for a lifetime of unrequited love, a bitterness that plays out slyly against everyone in the family; in her youth she fell in love with an Irish Roman-Catholic priest and converted to his faith to win him, while he eventually converted to Hinduism. Chacko, divorced from his English wife and separated from his daughter since her infancy, runs the pickle factory with a capitalist's hand, self-deluding himself all the while that he is a Communist at heart even as he flirts with and beds his female employees. Ammu, the twins' mother, is a divorcee who fled her husband's alcoholism and impossible demands, a woman with a streak of wildness that the children sense and dread and that will be her and her family's undoing.
The family's tragedy revolves around the visit of Chacko's ex-wife, widowed by her second husband, and his daughter, Sophie Mol. It is within the context of their visit that Estha will experience the one horrible thing that should never happen to a child, during their visit that Ammu will come to love by night the man the children love by day, and during their visit that Sophie Mol will die. Her death, and the fate of the twins' beloved Untouchable Velutha, will forever alter the course of the lives of all the members of the family, sending them each off on spinning trajectories of regret and pain. The story reveals itself not in traditional narrative order, but in jumps through time, wending its way through Rahel's memories and attempts at understanding the hand fate dealt her family.
The God of Small Things has been favorable reviewed all over the place, generating a lot of excitement in the current literary establishment. What you think of it will depend heavily on your opinion of Roy's prose style – is it ostentatious, or is it brilliant? Whether or not you fall in love with her style, the truth of the heartbreaking story she tells and the lovable/hate-able characters who people it make this novel an experience not to be missed.

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Though the rain washed Mammachi’s spit off his face, it didn’t stop the feeling that somebody had lifted off his head and vomited into his body. Lumpy vomit dribbling down his insides. Over his heart. His lungs. The slow thick drip into the pit of his stomach. All his organs awash in vomit. There was nothing that rain could do about that.

He knew what he had to do. The instruction manual directed him. He had to get to Comrade Pillai. He no longer knew why. His feet took him to Lucky Press, which was locked, and then across the tiny yard to Comrade Pillai’s house.

Just the effort of lifting his arm to knock exhausted him.

Comrade Pillai had finished his avial and was squashing a ripe banana, extruding the sludge through his closed fist into his plate of curd, when Velutha knocked. He sent his wife to open the door. She returned looking sulky and, Comrade Pillai thought, suddenly sexy. He wanted to touch her breast immediately. But he had curd on his fingers and there was someone at the door. Kalyani sat on the bed and absentmindedly patted Lenin, who was asleep next to his tiny grandmother, sucking his thumb

“Who is it?”

“That Paapen Paravan’s son. He says it’s urgent.”

Comrade Pillai finished his curd unhurriedly. He waggled his fingers over his plate. Kalyani brought water in a little stainless-steel container and poured it out for him. The leftover morsels of food in his plate (a dry red chili, and stiff angular brushes of sucked and spat-out drumsticks) rose and floated. She brought him a hand towel. He wiped his hands, belched his appreciation, and went to the door.

Enda? At this time of the night?’

As he replied, Velutha heard his own voice beat back at him as though it had hit a wall. He tried to explain what had happened, but he could hear himself slipping into incoherence. The man he was talking to was small and far away, behind a wall of glass.

“This is a little village,” Comrade Pillai was saying. “People talk. I listen to what they say. It’s not as though I don’t know what’s been going on.”

Once again Velutha heard himself say something which made no difference to the man he spoke to. His own voice coiled around him like a snake.

“Maybe,” Comrade Pillai said. “But comrade, you should know that Party was not constituted to support workers’ indiscipline in their private life.”

Velutha watched Comrade Pillai’s body fade from the door. His disembodied, piping voice stayed on and sent out slogans. Pennants fluttering in an empty doorway.

It is not in the Party’s interests to take up such matters.

Individual’s interest is subordinate to the organization’s interest.

Violating Party Discipline means violating Party Unity.

The voice went on. Sentences disaggregated into phrases. Words.

Progress of the Revolution.

Annihilation of the Class Enemy.

Comprador capitalist.

Spring-thunder.

And there it was again. Another religion turned against itself. Another edifice constructed by the human mind, decimated by human nature.

Comrade Pillai shut the door and returned to his wife and dinner. He decided to eat another banana.

“What did he want?” his wife asked, handing him one. “They’ve found out. Someone must have told them. They’ve sacked him.”

“Is that all? He’s lucky they haven’t had him strung up from the nearest tree.’

“I noticed something strange,” Comrade Pillai said as he peeled his banana. “The fellow had red varnish on his nails.”

Standing outside in the rain, in the cold, wet light from the single streetlight, Velutha was suddenly overcome by sleep. He had to force his eyelids to stay open.

Tomorrow , he told himself. Tomorrow when the rain stops. His feet walked him to the river. As though they were the leash and he was the dog.

History walking the dog.

Chapter 15.

The Crossing

It was past midnight. The river had risen, its water quick and black, snaking towards the sea, carrying with it cloudy night skies, a whole palm frond, part of a thatched fence, and other gifts the wind had given it.

In a while the rain slowed to a drizzle and then stopped. The breeze shook water from the trees and for a while it rained only under trees, where shelter had once been.

A weak, watery moon filtered through the clouds and revealed a young man sitting on the topmost of thirteen stone steps that led into the water. He was very still, very wet. Very young. In a while he stood up, took off the white mundu he was wearing, squeezed the water from it and twisted it around his head like a turban. Naked now, he walked down the thirteen stone steps into the water and further, until the river was chest high. Then he began to swim with easy, powerful strokes, striking out towards where the current was swift and certain, where the Really Deep began. The moonlit river fell from his swimming arms like sleeves of silver. It took him only a few minutes to make the crossing. When he reached the other side he emerged gleaming and pulled himself ashore, black as the night that surrounded him, black as the water he had crossed.

He stepped onto the path that led through the swamp to the History House.

He left no ripples in the water.

No footprints on the shore.

He held his mundu spread above his head to dry. The wind lifted it like a sail. He was suddenly happy. Things will get worse , he thought to himself. Then better. He was walking swiftly now towards the Heart of Darkness. As lonely as a wolf.

The God of Loss.

The God of Small Things.

Naked but for his nail varnish.

Chapter 16.

A Few Hours Later

Three children on the riverbank. A pair of twins and another, whose mauve corduroy pinafore said Holiday! in a tilting, happy font.

Wet leaves in the trees shimmered like beaten metal. Dense clumps of yellow bamboo drooped into the river as though grieving in advance for what they knew was going to happen. The river itself was dark and quiet. An absence rather than a presence, betraying no sign of how high and strong it really was.

Estha and Rahel dragged the boat out of the bushes where they usually hid it. The paddles that Velutha had made were hidden in a hollow tree. They set it down in the water and held it steady for Sophie Mol to climb in. They seemed to trust the darkness and moved up and down the glistening stone steps as surefooted as young goats.

Sophie Mol was more tentative. A little frightened of what lurked in the shadows around her. She had a cloth bag with food purloined from the fridge slung across her chest Bread, cake, biscuits. The twins, weighed down by their mother’s words- If it weren’t for you I would be free. I should have dumped you in an orphanage the day you were born. You’re the millstones round my neck! -carried nothing. Thanks to what the Orangedrink Lemondrink Man did to Estha, their Home away from Home was already equipped. In the two weeks since Estha rowed scarlet jam and Thought Two Thoughts, they had squirreled away Essential Provisions: matches, potatoes, a battered saucepan, an inflatable goose, socks with multicolored toes, ballpoint pens with London buses and the Qantas koala with loosened button eyes.

“What if Ammu finds us and begs us to come back?”

“Then we will. But only if she begs.”

Estha-the-Compassionate.

Sophie Mol had convinced the twins that it was essential that she go along too. That the absence of children, all children, would heighten the adults’ remorse. It would make them truly sorry; like the grown-ups in Hamelin after the Pied Piper took away all their children. They would search everywhere and just when they were sure that all three of them were dead, they would return home in triumph. Valued, loved, and needed more than ever. Her clinching argument was that if she were left behind she might be tortured and forced to reveal their hiding place.

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