Arundhati Roy - The God of Small Things

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This highly stylized novel tells the story of one very fractured family from the southernmost tip of India. Here is an unhappy family unhappy in its own way, and through flashbacks and flashforwards The God of Small Things unfolds the secrets of these characters' unhappiness. First-time novelist Arundhati Roy twists and reshapes language to create an arresting, startling sort of precision. The average reader of mainstream fiction may have a tough time working through Roy's prose, but those with a more literary bent to their usual fiction inclinations should find the initial struggle through the dense prose a worthy price for this lushly tragic tale.
Rahel and Estha are fraternal twins whose emotional connection to one another is stronger than that of most siblings:
Esthappen and Rahel thought of themselves together as Me, and separately, individually as We or Us. As though they were a rare breed of Siamese twins, physically separate, but with joint identities.
Now, these years later, Rahel has a memory of waking up one night giggling at Estha's funny dream.
She has other memories too that she has no right to have.
Their childhood household hums with hidden antagonisms and pains that only family members can give one another.
Blind Mammachi, the twins' grandmother and founder of Paradise Pickles & Preserves, is a violin-playing widow who suffered years of abuse at the hands of her highly respected husband, and who has a fierce one-sided Oedipal connection with her son, Chacko. Baby Kochamma, Rahel and Estha's grandaunt, nurses deep-seated bitterness for a lifetime of unrequited love, a bitterness that plays out slyly against everyone in the family; in her youth she fell in love with an Irish Roman-Catholic priest and converted to his faith to win him, while he eventually converted to Hinduism. Chacko, divorced from his English wife and separated from his daughter since her infancy, runs the pickle factory with a capitalist's hand, self-deluding himself all the while that he is a Communist at heart even as he flirts with and beds his female employees. Ammu, the twins' mother, is a divorcee who fled her husband's alcoholism and impossible demands, a woman with a streak of wildness that the children sense and dread and that will be her and her family's undoing.
The family's tragedy revolves around the visit of Chacko's ex-wife, widowed by her second husband, and his daughter, Sophie Mol. It is within the context of their visit that Estha will experience the one horrible thing that should never happen to a child, during their visit that Ammu will come to love by night the man the children love by day, and during their visit that Sophie Mol will die. Her death, and the fate of the twins' beloved Untouchable Velutha, will forever alter the course of the lives of all the members of the family, sending them each off on spinning trajectories of regret and pain. The story reveals itself not in traditional narrative order, but in jumps through time, wending its way through Rahel's memories and attempts at understanding the hand fate dealt her family.
The God of Small Things has been favorable reviewed all over the place, generating a lot of excitement in the current literary establishment. What you think of it will depend heavily on your opinion of Roy's prose style – is it ostentatious, or is it brilliant? Whether or not you fall in love with her style, the truth of the heartbreaking story she tells and the lovable/hate-able characters who people it make this novel an experience not to be missed.

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Estha waited until Rahel got in, then took his place, sitting astride the little boat as though it were a seesaw. He used his legs to push the boat away from the shore. As they lurched into the deeper water they began to row diagonally upstream, against the current, the way Velutha had taught them to. (If you want to end up there, you must aim there .)

In the dark they couldn’t see that they were in the wrong lane on a silent highway full of muffled traffic. That branches, logs, parts of trees, were motoring towards them at some speed.

They were past the Really Deep, only yards from the Other Side, when they collided with a floating log and the little boat tipped over. It had happened to them often enough on previous expeditions across the river and they would swim after the boat and, using it as a float, dog-paddle to the shore. This time, they couldn’t see their boat in the dark. It was swept away in the current. They headed for the shore, surprised at how much effort it took them to cover that short distance.

Estha managed to grab a low branch that arched down into the water. He peered downriver through the darkness to see if he could see the boat at all.-

“I can’t see anything. It’s gone.”

Rahel, covered in slush, clambered ashore and held a hand out to help Estha pull himself out of the water. It took them a few minutes to catch their breath and register the loss of the boat. To mourn its passing.

“And all our food is spoiled,” Rahel said to Sophie Mol and was met with silence. A rushing, rolling, fishswimming silence.

“Sophie Mol?” she whispered to the rushing river. “We’re here! Here! Near the illimba tree!”

Nothing.

On Rahel’s heart Pappachi’s moth snapped open its somber wings.

Out.

In.

And lifted its legs.

Up.

Down.

They ran along the bank calling out to her. But she was gone. Carried away on the muffled highway. Graygreen. With fish in it. With the sky and trees in it. And at night the broken yellow moon in it,

There was no storm-music. No whirlpool spun up from the inky depths of the Meenachal. No shark supervised the tragedy.

Just a quiet handing-over ceremony. A boat spilling its cargo. A river accepting the offering. One small life. A brief sunbeam. With a silver thimble clenched for luck in its little fist

It was four in the morning, still dark, when the twins, exhausted, distraught and covered in mud, made their way through the swamp and approached the History House. Hansel and Gretel in a ghastly fairy tale in which their dreams would be captured and re-dreamed. They lay down in the back verandah on a grass mat with an inflatable goose and a Qantas koala bear. A pair of damp dwarfs, numb with fear, waiting for the world to end.

“D’you think she’s dead by now?”

Estha didn’t answer.

“What’s going to happen?”

“We’ll go to jail.”

He Jolly Well knew. Little Man. He lived in a Cara-van. Dum dum.

They didn’t see someone else lying asleep in the shadows. As lonely as a wolf. A brown leaf on his black back. That made the monsoons come on time.

Chapter 17.

Cochin Harbor Terminus

In his clean room in the dirty Ayemenem House, Estha (not old, not young) sat on his bed in the dark. He sat very straight. Shoulders squared. Hands in his lap. As though he was next in line for some sort of inspection. Or waiting to be arrested.

The ironing was done. It sat in a neat pile on the ironing board. He had done Rahel’s clothes as well.

It was raining steadily. Night rain. That lonely drummer practicing his roll long after the rest of the band has gone to bed.

In the side mittam, by the separate “Men’s Needs” entrance, the chrome tailfins of the old Plymouth gleamed momentarily in the lightning. For years after Chacko left for Canada, Baby Kochamma had had it washed regularly. Twice a week for a small fee, Kochu Maria’s brother-in-law who drove the yellow municipal garbage truck in Kottayam would drive into Ayemenem (heralded by the stench of Kottayam’s refuse, which lingered long after he had gone) to divest his sister-in-law of her salary and drive the Plymouth around to keep its battery charged. When she took up television, Baby Kochamma dropped the car and the garden simultaneously. Tutti-frutti.

With every monsoon, the old car settled more firmly into the ground. Like an angular, arthritic hen settling stiffly on her clutch of eggs. With no intention of ever getting up. Grass grew around its flat tires. The PARADISE PICKLES & PRESERVES signboard rotted and fell inward like a collapsed crown.

A creeper stole a look at itself in the remaining mottled half of the cracked driver’s mirror.

A sparrow lay dead on the backseat. She had found her way in through a hole in the windscreen, tempted by some seat-sponge for her nest. She never found her way out. No one noticed her panicked car-window appeals. She died on the backseat, with her legs in the air. Like a joke.

Kochu Maria was asleep on the drawing-room floor, curled into a comma in the flickering light of the television that was still on. American policemen were stuffing a handcuffed teenaged boy into a police car. There was blood spattered on the pavement. The police-car lights flashed and a siren wailed a warning. A wasted woman, the boy’s mother perhaps, watched fearfully from the shadows. The boy struggled. They had used a mosaic blur on the upper part of his face so that he couldn’t sue them. He had caked blood all over his mouth and down the front of his T-shirt like a red bib. His babypink lips were lifted off his teeth in a snarl. He looked like a werewolf. He screamed through the car window at the camera.

“I’m fifteen years old and I wish I were a better person than I am. But I’m not. Do you want to hear my pathetic story?”

He spat at the camera and a missile of spit splattered over the lens and dribbled down.

Baby Kochamma was in her room, sitting up in bed, filling in a Listerine discount coupon that offered a two-rupee rebate on their new 500m1 bottle and two-thousand-rupee gift vouchers to the Lucky Winners of their lottery.

Giant shadows of small insects swooped along the walls and ceiling. To get rid of them Baby Kochamma had put out the lights and lit a large candle in a tub of water. The water was already thick with singed carcasses. The candlelight accentuated her rouged cheeks and painted mouth. Her mascara was smudged. Her jewelry gleamed.

She tilted the coupon towards the candle.

Which brand of mouthwash do you usually use?

Listerine, Baby Kochamma wrote in a hand grown spidery with age.

State the reasons for your preference:

She didn’t hesitate. Tangy Taste. Fresh Breath. She had learned the smart, snappy language of television commercials.

She filled in her name and lied about her age.

Under Occupation: she wrote, Ornamental Gardening (Dip) Roch.

U.S.A.

She put the coupon into an envelope marked RELIABLE MEDICOS, KOTTAYAM. It would go with Kochu Maria in the morning, when she went into town on her Bestbakery cream-bun expedition.

Baby Kochamma picked up her maroon diary, which came with its own pen. She turned to 19 June and made a fresh entry. Her manner was routine. She wrote: I lovc you I love you.

Every page in the diary had an identical entry. She had a case full of diaries with identical entries. Some said more than just that. Some had the day’s accounts, To-do lists, snatches of favorite dialogue from favorite soaps. But even these entries all began with the same words: I love you I love you .

Father Mulligan had died four years ago of viral hepatitis, in an ashram north of Rishikesh. His years of contemplation of Hindu scriptures had led initially to theological curiosity, but eventually to a change of faith. Fifteen years ago, Father Mulligan became a Vaishnavite. A devotee of Lord Vishnu. He stayed in touch with Baby Kochamma even after he joined the ashram. He wrote to her every Diwali and sent her a greeting card every New Year. A few years ago he sent her a photograph of himself addressing a gathering of middle-class Punjabi widows at a spiritual camp. The women were all in white with their sari palloos drawn over their heads. Father Mulligan was in saffron. A yolk addressing a sea of boiled eggs. His white beard and hair were long, but combed and groomed. A saffron Santa with votive ash on his forehead. Baby Kochamma couldn’t believe it. It was the only thing he ever sent her that she hadn’t kept She was offended by the fact that he had actually, eventually, renounced his vows, but not for her. For other vows. It was like welcoming someone with open arms, only to have him walk straight past into someone else’s.

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