Arundhati Roy - The God of Small Things

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This highly stylized novel tells the story of one very fractured family from the southernmost tip of India. Here is an unhappy family unhappy in its own way, and through flashbacks and flashforwards The God of Small Things unfolds the secrets of these characters' unhappiness. First-time novelist Arundhati Roy twists and reshapes language to create an arresting, startling sort of precision. The average reader of mainstream fiction may have a tough time working through Roy's prose, but those with a more literary bent to their usual fiction inclinations should find the initial struggle through the dense prose a worthy price for this lushly tragic tale.
Rahel and Estha are fraternal twins whose emotional connection to one another is stronger than that of most siblings:
Esthappen and Rahel thought of themselves together as Me, and separately, individually as We or Us. As though they were a rare breed of Siamese twins, physically separate, but with joint identities.
Now, these years later, Rahel has a memory of waking up one night giggling at Estha's funny dream.
She has other memories too that she has no right to have.
Their childhood household hums with hidden antagonisms and pains that only family members can give one another.
Blind Mammachi, the twins' grandmother and founder of Paradise Pickles & Preserves, is a violin-playing widow who suffered years of abuse at the hands of her highly respected husband, and who has a fierce one-sided Oedipal connection with her son, Chacko. Baby Kochamma, Rahel and Estha's grandaunt, nurses deep-seated bitterness for a lifetime of unrequited love, a bitterness that plays out slyly against everyone in the family; in her youth she fell in love with an Irish Roman-Catholic priest and converted to his faith to win him, while he eventually converted to Hinduism. Chacko, divorced from his English wife and separated from his daughter since her infancy, runs the pickle factory with a capitalist's hand, self-deluding himself all the while that he is a Communist at heart even as he flirts with and beds his female employees. Ammu, the twins' mother, is a divorcee who fled her husband's alcoholism and impossible demands, a woman with a streak of wildness that the children sense and dread and that will be her and her family's undoing.
The family's tragedy revolves around the visit of Chacko's ex-wife, widowed by her second husband, and his daughter, Sophie Mol. It is within the context of their visit that Estha will experience the one horrible thing that should never happen to a child, during their visit that Ammu will come to love by night the man the children love by day, and during their visit that Sophie Mol will die. Her death, and the fate of the twins' beloved Untouchable Velutha, will forever alter the course of the lives of all the members of the family, sending them each off on spinning trajectories of regret and pain. The story reveals itself not in traditional narrative order, but in jumps through time, wending its way through Rahel's memories and attempts at understanding the hand fate dealt her family.
The God of Small Things has been favorable reviewed all over the place, generating a lot of excitement in the current literary establishment. What you think of it will depend heavily on your opinion of Roy's prose style – is it ostentatious, or is it brilliant? Whether or not you fall in love with her style, the truth of the heartbreaking story she tells and the lovable/hate-able characters who people it make this novel an experience not to be missed.

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Gradually, in a fractured, disjointed fashion, things began to fall into place. His men had briefed him about the pots and pans. The grass mat. The impossible-to-forget toys. They began to make sense now. Inspector Thomas Mathew was not amused. He sent a jeep for Baby Kochamma. He made sure that the children were not in the room when she arrived. He didn’t greet her

“Have a seat,” he said.

Baby Kochamma sensed that something was terribly wrong. “Have you found them? Is everything all right?” “Nothing is all right,” the Inspector assured her. From the look in his eyes and the tone of his voice, Baby Kochamma realized that she was dealing with a different person this time. Not the accommodating police officer of their previous meeting. She lowered herself into a chair. Inspector Thomas Mathew didn’t mince his words.

The Kottayam Police had acted on the basis of an F.I.R. filed by her. The Paravan had been caught. Unfortunately he had been badly injured in the encounter and in all likelihood would not live through the night. But now the children said that they had gone of their own volition. Their boat had capsized and the English child had drowned by accident. Which left the police saddled with the Death in Custody of a technically innocent man. True, he was a Paravan. True, he had misbehaved. But these were troubled times and technically, as per the law, he was an innocent man. There was no case.

“Attempted rape?” Baby Kochamma suggested weakly. “Where is the rape-victim’s complaint? Has it been filed? Has she made a statement? Have you brought it with you?” The Inspector’s tone was belligerent. Almost hostile.

Baby Kochamma looked as though she had shrunk. Pouches of flesh hung from her eyes and jowls. Fear fermented in her and the spit in her mouth turned sour. The Inspector pushed a glass of water towards her.

“The matter is very simple. Either the rape-victim must file a complaint. Or the children must identify the Paravan as their abductor in the presence of a police witness. Or,” He waited for Baby Kochamma to look at him. “Or I must charge you with lodging a false F.I.R. Criminal offense.”

Sweat stained Baby Kochamma’s light-blue blouse dark blue. Inspector Thomas Mathew didn’t hustle her. He knew that given the political climate, he himself could be in very serious trouble. He was aware that Comrade K. N. M. Pillai would not pass up this opportunity. He kicked himself for acting so impulsively. He used his printed hand towel to reach inside his shirt and wipe his chest and armpits. It was quiet in his office. The sounds of police-station activity, the clumping of boots, the occasional howl of pain from somebody being interrogated, seemed distant, as though they were coming from somewhere else.

“The children will do as they’re told,” Baby Kochamma said. “If I could have a few moments alone with them.”

“As you wish.” The Inspector rose to leave the office.

“Please give me five minutes before you send them in.”

Inspector Thomas Mathew nodded his assent and left.

Baby Kochamma wiped her shining, sweaty face. She stretched her neck, looking up at the ceiling in order to wipe the sweat from crevices between her rolls of neckfat with the end of her pallu. She kissed her crucifix.

Hail Mary, full of grace…

The words of the prayer deserted her.

The door opened. Estha and Rahel were ushered in. Caked with mud. Drenched in Coca-Cola.

The sight of Baby Kochamma made them suddenly sober. The moth with unusually dense dorsal tufts spread its wings over both their hearts. Why had she come? Where was Ammu? Was she still locked up?

Baby Kochamma looked at them sternly. She said nothing for a long time. When she spoke her voice was hoarse and unfamiliar.

“Whose boat was it? Where did you get it from?”

“Ours. That we found. Velutha mended it for us,” Rahel whispered.

“How long have you had it?”

“We found it the day Sophie Mol came.”“And you stole things from the house and took them across the river in it?”

“We were only playing…”

Playing? Is that what you call it?

Baby Kochamma looked at them for a long time before she spoke again.

“Your lovely little cousin’s body is lying in the drawing room. The fish have eaten out her eyes. Her mother can’t stop crying. Is that what you call playing?”

A sudden breeze made the flowered window curtain billow. Outside Rahel could see jeeps parked. And walking people. A man was trying to start his motorcycle. Each time he jumped on the kickstarter lever, his helmet slipped to one side.

Inside the Inspector’s room, Pappachi’s Moth was on the move.

“It’s a terrible thing to take a person’s life,” Baby Kochamma said. “It’s the worst thing that anyone can ever do. Even God doesn’t forgive that. You know that, don’t you?”

Two heads nodded twice.

“And yet”-she looked sadly at them-”you did it.” She looked them in the eye. “You are murderers.” She waited for this to sink in.

“You know that I know that it wasn’t an accident. I know how jealous of her you were. And if the judge asks me in court I’ll have to tell him, won’t I? I can’t tell a lie, can I?” She patted the chair next to her “Here, come and sit down-”

Four cheeks of two obedient bottoms squeezed into it.

“I’ll have to tell them how it was strictly against the Rules for you to go alone to the river. How you forced her to go with you although you knew that she couldn’t swim. How you pushed her out of the boat in the middle of the river. It wasn’t an accident, was it?”

Four saucers stared back at her. Fascinated by the story she was telling them. Then what happened?

“So now you’ll have to go to jail,” Baby Kochamma said kindly. “And your mother will go to jail because of you. Would you like that?”

Frightened eyes and a fountain looked back at her

“Three of you in three different jails. Do you know what jails in India are like?”

Too heads shook twice.

Baby Kochamma built up her case. She drew (from her imagination) vivid pictures of prison life. The cockroach-crisp food. The chhi-chhi piled in the toilets like soft brown mountains. The bedbugs. The beatings. She dwelled on the long years Ammu would be put away because of them. How she would be an old, sick woman with lice in her hair when she came out-if she didn’t die in jail, that was. Systematically, in her kind, concerned voice she conjured up the macabre future in store for them. When she had stamped our every ray of hope, destroyed their lives completely, like a fairy godmother she presented them with a solution. God would never forgive them for what they had done, but here on Earth there was a way of undoing some of the damage. Of saving their mother from humiliation and suffering on their account. Provided they were prepared to be practical.

“Luckily,” Baby Kochamma said, “luckily for you, the police have made a mistake. A lucky mistake.” She paused. “You know what it is, don’t you?”

There were people trapped in the glass paperweight on the policeman’s desk. Estha could see them. A waltzing man and a waltzing woman. She wore a white dress with legs underneath.

“Don’t you?”

There was paperweight waltz music. Mammachi was playing it on her violin.

Ra-ra-ra-ro-rum

Parum-parum.

“The thing is,” Baby Kochamma’s voice was saying, “what’s done s done. The inspector says he’s going to die anyway. So it won’t really matter to him what the police think. What matters is whether you want to go to jail and make Ammu go to jail because of you. It’s up to you to decide that.”

There were bubbles inside the paperweight which made the man and woman look as though they were waltzing underwater. They looked happy. Maybe they were getting married. She in her white dress. He in his black suit and bow tie. They were looking deep into each other’s eyes.

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