Jung Chang - Wild Swans - Three Daughters of China

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The forces of history and the exceptional talents of this young writer combine to produce a work of nonfiction with the breadth and drama of the richest, most memorable fiction classics. Wild Swans is a landmark book, with the intimacy of memoir and the panoramic vision of a monumental human saga, which tells of the lives of Jung Chang, her mother, her grandmother, and of 20th-century China. 16-page photo insert.
***
"Bursting with drama, heartbreak and horror, this extraordinary family portrait mirrors China 's century of turbulence…[Chang's] meticulous, transparent prose radiates an inner strength." Publisher's Weekly
"The story reads like the sweeping family sagas of genre fiction but rises far above the norm. The characters are well drawn, the events are riveting, and the story teaches lessons of history as well as lessons of the heart. It also allows listeners to visit a world unfamiliar to most Westerners. The author brings memories of a foreign life and illuminates them with graceful prose." Jacqueline Smith, Library Journal
"[This] is one of the most intimate studies of persecution, suffering, and fear in Mao's time, before and after his triumph in 1949, and one of the finest…It is the most harrowing and extended account I have read of the years between 1966 and 1976, and the most analytical." The New York Review of Books
"By keeping her focus on three generations of female kin and their practical adaptations to the shifting winds of political power, Ms. Chang gives us a rare opportunity to follow the evolution of some remarkable women who not only reflected their times, but who also acted upon them in order to change their individual destiny." Susan Brownmiller, The New York Times Book Review
"Despite its interesting details, Wild Swans does not tell us much that other memoirs, similarly written from a position of privilege, have not already revealed. One looks forward to an account of China 's recent past which will not merely focus on the experience of the privileged urban elite." The Times Literary Supplement
"[The author] tells stories and anecdotes, in straight chronological order, with little contrivance, providing real-life fables as open-ended answers to the puzzles of 20th-century China…Taken in pieces, Chang's narrative can be prosaic. But in its entirety, the author achieves a Dickensian tone with detailed portraits and intimate remembrances, with colorful minor characters and intricate yet fascinating side plots." Time
"An evocative, often astonishing view of life in a changing China." The New York Times
***
Amazon.com Review
In Wild Swans Jung Chang recounts the evocative, unsettling, and insistently gripping story of how three generations of women in her family fared in the political maelstrom of China during the 20th century. Chang's grandmother was a warlord's concubine. Her gently raised mother struggled with hardships in the early days of Mao's revolution and rose, like her husband, to a prominent position in the Communist Party before being denounced during the Cultural Revolution. Chang herself marched, worked, and breathed for Mao until doubt crept in over the excesses of his policies and purges. Born just a few decades apart, their lives overlap with the end of the warlords' regime and overthrow of the Japanese occupation, violent struggles between the Kuomintang and the Communists to carve up China, and, most poignant for the author, the vicious cycle of purges orchestrated by Chairman Mao that discredited and crushed millions of people, including her parents.
From Publishers Weekly
Bursting with drama, heartbreak and horror, this extraordinary family portrait mirrors China 's century of turbulence. Chang's grandmother, Yu-fang, had her feet bound at age two and in 1924 was sold as a concubine to Beijing 's police chief. Yu-fang escaped slavery in a brothel by fleeing her "husband" with her infant daughter, Bao Qin, Chang's mother-to-be. Growing up during Japan 's brutal occupation, free-spirited Bao Qin chose the man she would marry, a Communist Party official slavishly devoted to the revolution. In 1949, while he drove 1000 miles in a jeep to the southwestern province where they would do Mao's spadework, Bao Qin walked alongside the vehicle, sick and pregnant (she lost the child). Chang, born in 1952, saw her mother put into a detention camp in the Cultural Revolution and later "rehabilitated." Her father was denounced and publicly humiliated; his mind snapped, and he died a broken man in 1975. Working as a "barefoot doctor" with no training, Chang saw the oppressive, inhuman side of communism. She left China in 1978 and is now director of Chinese studies at London University. Her meticulous, transparent prose radiates an inner strength.

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He was born in 1921 in Yibin in the southwestern province of Sichuan, about 1,200 miles from Jinzhou. Yibin, which then had a population of about 30,000, lies at the spot where the Min River joins the Golden Sand River to form the Yangtze, the longest river in China. The area around Yibin is one of the very fertile parts of Sichuan, which is known as "Heaven's Granary," and the warm, misty climate in Yibin makes it an ideal place for growing tea. Much of the black tea consumed in Britain today comes from there.

My father was the seventh of nine children. His father had worked as an apprentice for a textile manufacturer since the age of twelve. When he became an adult he and his brother, who worked in the same factory, decided to start their own business. Within a few years they were prospering, and were able to buy a large house.

But their old boss was jealous of their success, and brought a lawsuit against them, accusing them of stealing money from him to start their business. The case lasted seven years, and the brothers were forced to spend all their assets trying to clear themselves. Everyone connected with the court extorted money from them, and the greed of the officials was insatiable. My grandfather was thrown into prison. The only way his brother could get him out was to get the ex-boss to drop the suit. To do this he had to raise 1,000 pieces of silver. This destroyed them, and my great-uncle died soon afterward at the age of thirty-four from worry and exhaustion.

My grandfather found himself looking after two families, with fifteen dependents. He started up his business again, and by the late 1920s was beginning to do well. But it was a time of widespread fighfng among warlords, who all levied heavy taxes. This, combined with the effects of the Great Depression, made it an extremely difficult time to run a textile factory. In 1933 my grandfather died of overwork and strain, at age forty-five. The business was sold to pay off the debts, and the family was scattered. Some became soldiers, which was considered pretty much a last resort; with all the fighting going on, it was easy for a soldier to get killed. Other brothers and cousins found odd jobs and the gifts married as best they could. One of my father's cousins, who was fifteen years old and to whom he was very attached, had to marry an opium addict several decades her senior. When the sedan chair came to carry her away, my father ran after her, not knowing if he would ever see her again.

My father loved books, and began to learn to read classical prose at the age of three, which was quite exceptional.

The year after my grandfather died he had to abandon school. He was only thirteen and hated having to give up his studies. He had to find a job, so the following year, 1935, he left Yibin and went down the Yangtze to Chongqing, a much bigger city. He found a job as an apprentice in a grocery store working twelve hours a day. One of his jobs was to carry his boss's enormous water pipe as he moved around the city reclining on a bamboo chair carried on the shoulders of two men. The sole purpose of this was for his boss to flaunt the fact that he could afford a servant to carry his water pipe, which could easily have been put in the chair. My father received no pay, just a bed and two meager meals a day. He got no supper, and went to bed every night with cramps from an empty stomach; he was obsessed by hunger.

His eldest sister was also living in Chongking. She had married a schoolteacher, and their mother had come to live with them after her husband died. One day my father was so hungry he went into their kitchen and ate a cold sweet potato. When his sister found out she turned on him and yelled: "It's difficult enough for me to support our mother. I can't afford to feed a brother as well." My father was so hurt he ran out of the house and never returned.

He asked his boss to give him supper. His boss not only refused, but started to abuse him. In anger, my father left and went back to Yibin and lived doing odd jobs as an apprentice in one store after another. He encountered suffering not only in his own life, but all around him. Every day as he walked to work he passed an old man selling baked rolls. The old man, who shuffled along with great difficulty, bent double, was blind. To attract the attention of passersby, he sang a heart-rending tune. Every time my father heard the song he said to himself that the sociew must change.

He began to cast around for some way out. He had always remembered the first time he heard the word 'communism': it was when he was seven years old, in 1928. He was playing near his home when he saw that a big crowd had gathered at a crossroads nearby. He squeezed his way to the front: there he saw a young man sitting cross-legged on the ground. His hands were tied behind his back; standing over him was a stout man with an enormous broadsword. The young man, strangely, was allowed to talk for a time about his ideals and about something called communism. Then the executioner brought the sword down on the back of his neck. My father screamed and covered his eyes. He was shaken to the core, but he was also hugely impressed by the man's courage and calmness in the face of death.

By the second half of the 1930s, even in the remote backwater of Yibin, the Communists were beginning to organize a sizable underground. Their main plank was resisting the Japanese. Chiang Kai-shek had adopted a policy of nonresistance in the face of the Japanese seizure of Manchuria and increasing encroachments on China proper and had concentrated on trying to annihilate the Communists. The Communists launched a slogan, "Chinese must not fight Chinese," and put pressure on Chiang Kai-shek to focus on fighting the Japanese. In December 1936 Chiang was kidnapped by two of his own generals, one of them the Young Marshal, Chang Hsuehliang, from Manchuria. He was saved partly by the Communists, who helped get him released in return for his agreement to form a united front against Japan. Chiang Kai-shek had to consent, albeit half-heartedly, since he knew this would allow the Communists to survive and develop.

"The Japanese are a disease of the skin," he said, 'the Communists are a disease of the heart." Though the Communists and the Kuomintang were supposed to be allies, the Communists still had to work underground in most areas.

In July 1937 the Japanese began their all-out invasion of China proper. My father, like many others, felt appalled and desperate about what was happening to his country.

At about this time he started working in a bookshop which sold left-wing publications. He devoured book after book at night in the shop, where he functioned as a kind of night watchman.

He supplemented his earnings from the bookshop with an evening job as an 'explainer' in a cinema. Many of the films were American silents. His job was to stand beside the screen and explain what was going on, as the films were neither dubbed nor subtitled. He also joined an anti-Japanese theater group, and as he was a slender young man with delicate features, he acted women's roles.

My father loved the theater group. It was through the friends he made there that he first entered into contact with the Communist underground. The Communist stance about fighting the Japanese and about creating a just society fired his imagination and he joined the Party in 1938, when he was seventeen. It was a time when the Kuomintang was being extremely vigilant about Communist activities in Sichuan. Nanjing, the capital, had fallen to the Japanese in December 1937, and Chiang Kai-shek subsequently moved his government to Chongqing. The move precipitated a flurry of police activity in Sichuan, and my father's theater group was forcibly disbanded. Some of his friends were arrested. Others had to flee. My father felt frustrated that he could not do anything for his country.

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