Jung Chang - Wild Swans - Three Daughters of China

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The forces of history and the exceptional talents of this young writer combine to produce a work of nonfiction with the breadth and drama of the richest, most memorable fiction classics. Wild Swans is a landmark book, with the intimacy of memoir and the panoramic vision of a monumental human saga, which tells of the lives of Jung Chang, her mother, her grandmother, and of 20th-century China. 16-page photo insert.
***
"Bursting with drama, heartbreak and horror, this extraordinary family portrait mirrors China 's century of turbulence…[Chang's] meticulous, transparent prose radiates an inner strength." Publisher's Weekly
"The story reads like the sweeping family sagas of genre fiction but rises far above the norm. The characters are well drawn, the events are riveting, and the story teaches lessons of history as well as lessons of the heart. It also allows listeners to visit a world unfamiliar to most Westerners. The author brings memories of a foreign life and illuminates them with graceful prose." Jacqueline Smith, Library Journal
"[This] is one of the most intimate studies of persecution, suffering, and fear in Mao's time, before and after his triumph in 1949, and one of the finest…It is the most harrowing and extended account I have read of the years between 1966 and 1976, and the most analytical." The New York Review of Books
"By keeping her focus on three generations of female kin and their practical adaptations to the shifting winds of political power, Ms. Chang gives us a rare opportunity to follow the evolution of some remarkable women who not only reflected their times, but who also acted upon them in order to change their individual destiny." Susan Brownmiller, The New York Times Book Review
"Despite its interesting details, Wild Swans does not tell us much that other memoirs, similarly written from a position of privilege, have not already revealed. One looks forward to an account of China 's recent past which will not merely focus on the experience of the privileged urban elite." The Times Literary Supplement
"[The author] tells stories and anecdotes, in straight chronological order, with little contrivance, providing real-life fables as open-ended answers to the puzzles of 20th-century China…Taken in pieces, Chang's narrative can be prosaic. But in its entirety, the author achieves a Dickensian tone with detailed portraits and intimate remembrances, with colorful minor characters and intricate yet fascinating side plots." Time
"An evocative, often astonishing view of life in a changing China." The New York Times
***
Amazon.com Review
In Wild Swans Jung Chang recounts the evocative, unsettling, and insistently gripping story of how three generations of women in her family fared in the political maelstrom of China during the 20th century. Chang's grandmother was a warlord's concubine. Her gently raised mother struggled with hardships in the early days of Mao's revolution and rose, like her husband, to a prominent position in the Communist Party before being denounced during the Cultural Revolution. Chang herself marched, worked, and breathed for Mao until doubt crept in over the excesses of his policies and purges. Born just a few decades apart, their lives overlap with the end of the warlords' regime and overthrow of the Japanese occupation, violent struggles between the Kuomintang and the Communists to carve up China, and, most poignant for the author, the vicious cycle of purges orchestrated by Chairman Mao that discredited and crushed millions of people, including her parents.
From Publishers Weekly
Bursting with drama, heartbreak and horror, this extraordinary family portrait mirrors China 's century of turbulence. Chang's grandmother, Yu-fang, had her feet bound at age two and in 1924 was sold as a concubine to Beijing 's police chief. Yu-fang escaped slavery in a brothel by fleeing her "husband" with her infant daughter, Bao Qin, Chang's mother-to-be. Growing up during Japan 's brutal occupation, free-spirited Bao Qin chose the man she would marry, a Communist Party official slavishly devoted to the revolution. In 1949, while he drove 1000 miles in a jeep to the southwestern province where they would do Mao's spadework, Bao Qin walked alongside the vehicle, sick and pregnant (she lost the child). Chang, born in 1952, saw her mother put into a detention camp in the Cultural Revolution and later "rehabilitated." Her father was denounced and publicly humiliated; his mind snapped, and he died a broken man in 1975. Working as a "barefoot doctor" with no training, Chang saw the oppressive, inhuman side of communism. She left China in 1978 and is now director of Chinese studies at London University. Her meticulous, transparent prose radiates an inner strength.

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The Japanese girls had easy jobs, like cleaning windows.

But the local girls had to operate complex spinning machines, which were highly demanding and dangerous even for adults. Their main job was to reconnect broken threads while the machines were running at speed. If they did not spot the broken thread, or reconnect it fast enough, they would be savagely beaten by the Japanese supervisor.

The girls were terrified. The combination of nervousness, cold, hunger, and fatigue led to many accidents. Over half of my mother's fellow pupils suffered injuries. One day my mother saw a shuttle spin out of a machine and knock out the eye of the girl next to her. All the way to the hospital the Japanese supervisor scolded the girl for not being careful enough.

After the stint in the factory, my mother moved up into junior high school. Times had changed since my grandmother's youth, and young women were no longer confined to the four walls of their home. It was socially acceptable for women to get a high school education. However, boys and girls received different educations. For girls the aim was to turn them into 'gracious wives and good mothers," as the school motto put it. They learned what the Japanese called 'the way of a woman' looking after a household, cooking and sewing, the tea ceremony, flower arrangement, embroidery, drawing, and the appreciation of art. The single most important thing imparted was how to please one's husband. This included how to dress, how to do one's hair, how to bow, and, above all, how to obey, without question. As my grandmother put it, my mother seemed to have 'rebellious bones," and learned almost none of these skills, even cooking.

Some exams took the form of practical assignments.

such as preparing a particular dish or arranging flowers.

The examination board was made up of local officials, both Japanese and Chinese, and as well as assessing the exams, they also sized up the girls. Photos of them wearing pretty aprons they had designed themselves were put up on the notice board with their assignments. Japanese officials often picked fiances from among the girls, as intermarriage between Japanese men and local women was encouraged. Some girls were also selected to go to Japan to be married to men they had not met. Quite often the girls or rather their families were willing. Toward the end of the occupation one of my mother's friends was chosen to go to Japan, but she missed the ship and was still in JMzhou when the Japanese surrendered. My mother looked askance at her.

In contrast with their Chinese Mandarin predecessors, who shunned physical activity, the Japanese were keen on sports, which my mother loved. She had recovered from her hip injury, and was a good runner. Once she was selected to run in an important race. She trained for weeks, and was all keyed up for the big day, but a few days before the race the coach, who was Chinese, took her aside and asked her not to try to win. He said he could not explain why. My mother understood. She knew the Japanese did not like to be beaten by the Chinese at anything. There was one other local girl in the race, and the coach asked my mother to pass on the same advice to her, but not to tell her that it came from him. On the day of the race my mother did not even finish in the first six. Her friends could tell she was not trying. But the other local girl could not bear to hold back, and came in first.

The Japanese soon took their revenge. Every morning there was an assembly, presided over by the headmaster, who was nicknamed "Donkey' because his name when read in the Chinese way (Mao-h) sounded like the word for donkey (mao-h). He would bark out orders in harsh, guttural tones for the four low bows toward the four designated points. First, "Distant worship of the imperial capital!" in the direction of Tokyo. Then, "Distant worship of the national capital!" toward Hsinking, the capital of Manchukuo. Next, "Devoted worship of the Celestial Emperor!" meaning the emperor of Japan. Finally, "Devoted worship of the imperial portrait!" this time to the portrait of Pu Yi. After this came a shallower bow to the teachers.

On this particular morning, after the bowing was completed, the girl who had won the race the day before was suddenly dragged out of her row by "Donkey," who claimed that her bow to Pu Yi had been less than ninety degrees. He slapped and kicked her and announced that she was being expelled. This was a catastrophe for her and her family.

Her parents hurriedly married her off to a petty government official. After Japan 's defeat her husband was branded as a collaborator, and as a result the only job his wife could get was in a chemical plant. There were no pollution controls, and when my mother went back to Jinzhou in 1984 and tracked her down she had gone almost blind from the chemicals. She was wry about the ironies of her life: having beaten the Japanese in a race, she had ended up being treated as a kind of collaborator. Even so, she said she had no regrets about winning the race.

It was difficult for people in Manchukuo to get much idea of what was happening in the rest of the world, or of how Japan was faring in the war. The fighting was a long way away, news was strictly censored, and the radio churned out nothing but propaganda. But they got a sense that Japan was in trouble from a number of signs, especially the worsening food situation.

The first real news came in summer 1943, when the newspapers reported that one of Japan 's allies, Italy, had surrendered. By the middle of 1944 some Japanese civilians staffing government offices in Manchukuo were being conscripted. Then, on 19 July 1944, American B-29s appeared in the sky over Jinzhou for the first time, though they did not bomb the city. The Japanese ordered even household to dig air-raid shelters, and there was a compulsory air-raid drill every day at school. One day a girl in my mother's class picked up a fire extinguisher and squirted it at a Japanese teacher whom she particularly loathed.

Previously, this would have brought dire retribution,-but now she was allowed to get away with it. The fide was turning.

There had been a long-standing campaign to catch flies and rats. The pupils had to chop off the rats' tails, put them in envelopes, and hand them in to the police. The flies had to be put in glass bottles. The police counted every rat tail and every dead fly. One day in 1944 when my mother handed in a glass bottle full to the brim with flies, the Manchukuo policeman said to her: "Not enough for a meal." When he saw the surprised look on her face, he said: "Don't you know? The Nips like dead flies. They fry them and eat them!" My mother could see from the cynical gleam in his eye that he no longer regarded the Japanese as awesome.

My mother was excited and full of anticipation, but during the autumn of 1944 a dark cloud had appeared: her home did not seem to be as happy as before. She sensed there was discord between her parents.

The fifteenth night of the eighth moon of the Chinese year was the Mid-Autumn Festival, the festival of family union. On that night my grandmother would place a table with melons, round cakes, and buns outside in the moonlight, in accordance with the custom. The reason this date was the festival of family union is that the Chinese word for 'union' (yuan) is the same as that for 'round' or 'unbroken'; the full autumn moon was supposed to look especially, splendidly, round at this time. All the items of food eaten on that day had to be round too.

In the silky moonlight, my grandmother would tell my mother stories about the moon: the largest shadow in it was a giant cassia tree which a certain lord, Wu Gang, was spending his entire life trying to cut down. But the tree was enchanted and he was doomed to repeated failu/e. My mother would stare up into the sky and listen, fascinated.

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