Ken Kesey - Demon Box

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From Publishers Weekly
The central theme running through this collection of stories (many of which seem to be primarily nonfiction with elements of fiction thrown in) by the author of One Flew Over the Cuckoo's Nest is the struggle to come to terms with the legacy of the 1960s. Kesey draws largely on his own experiences after returning to his Oregon farm following a brief stint in prison on drug charges. A series of tales, apparently sections from a novel in progress, star an alter-ego named Devlin Deboree: his relatively tranquil post-jail farm existence is disturbed both by memories of now-dead companions and the seemingly extinct passions of the '60s, and by burned-out refugees from that era who intermittently arrive on his doorstep, hoping for some sort of help from the most famous survivor of the psychedelic wars. Pieces on visiting Egypt and covering a Chinese marathon examine the complex relationship between Americans and people from other cultures. Kesey's distinctive gift with language and tough sense of humor unify this somewhat disorganized collection, and his elegy for the passing of the mad energy of the '60s will strike a responsive chord with all those who lived through those dangerous, liberating years. 30,000 first printing; BOMC and QPBC alternates.
From Library Journal
Kesey fans have waited long for his latest offering, a collection of experiences, stories, and poetry. Most of the tales concern the life and times of "Devlin E. Deboree," a counterculture author who serves time in Mexico on a narcotics charge and later returns to his family farm in Oregon. Though he gives himself an alias, Kesey usually identifies his friends, including Jack Kerouac, Larry McMurtry, Hunter Thompson, and a Rolling Stone reporter who accompanies him to the great pyramids. The collection fluctuates in mood, ranging from warm "farm" pieces such as "Abdul Ebenezer" (concerning a bull and a cow) to pieces dealing with loss of friends and a common cause that reflect a nostalgia for the Sixties. These more personal pieces, especially the title essay, are particularly strong. Susan Avallone, "Library Journal"
***
"Here's good news for pundits and pranksters everywhere: Ken Kesey can still write… Those metaphoric tales illuminate our lives and make us laugh and cry." – San Francisco Chronicle
Ken Kesey: legendary writer, counterculture folk hero – chief trickster of the sixties' tuned-in, turned-on generation. Now, kesey comes to terms with his own legend, as he reveals his fascinating passage from the psychedelic sixties to the contradictory eighties.
Assuming the guise of Devlin Deboree (pronounced debris), Kesey begins with his release from prison and his return to an unusual domestic life; recounts various foreign excursions (to Egypt to visit the Sphinx, and to China to cover the Bejing Marathon); relates lively stories of farm and family and, in the voice of his grandmother, a tall tale and a narrative prayer. Most poignantly, Kesey looks at the hard lessons to be found in the deaths of Neal Cassady and John Lennon.
As always, Kesey challenges public and private demons with sure, subtle strokes – and with the brave and deceptive embrace of the wrestler.
"In these forceful, engaging, sometimes touching pieces, Kesey shows that he remains a concerned, sometimes vitrolic, but ultimately responsible observer of American society and and the human condition." – The Philidelphia Inquirer

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We ordered another round and mulled awhile on such things, not talking, but I suspected we were all thinking – privately, as we sipped our drinks – that maybe it was time to talk a little of that old sky pie once more, for all the danger of dead ends or cross hairs.

Else how are we going to be able to look that little bespectacled Liverpudlian in the eye again, when the Revolutionary Roll is Up Yonder called?

THE DEMON BOX: AN ESSAY

"Your trouble is -" my tall daddy used to warn, whenever the current of my curiosity threatened to carry me too far out, over my head, into such mysterious seas as swirl around THE SECRETS OF SUNKEN MU or REAL SPELLS FROM VOODOO ISLES or similar shroudy realms that could be reached with maps ordered from the back of science fiction and fantasy pulps:

"- is you keep trying to unscrew the unscrutable."

Years later another warning beacon of similar stature expressed the opposite view. Here's Dr. Klaus Woofner:

"Your trouble, my dear Devlin, is you are loath to let go your Sunday school daydreams. Yah? This toy balloon, this bubble of spiritual gas where angels dance on a pin? Why will you not let it go? It's empty. Any angels to be found will not be found dancing on the head of the famous pin, no. It is only in the dreams of the pinhead that they dance, these angels."

The old doctor waited until his audience finished snickering.

"More and more slowly, too," he continued. "Even there. They become tired, these dancing fancies, and if not given nourishment they become famished. As must everything. For the famine must fall eventually on us all, yah? On the angel and the fool, the fantastic and the true. Do any of you understand what I'm talking about? Izzy Newton's Nameless Famine?"

Dr. Woofner was still asking this straight at me, black brows raised, giving me the full treatment (like a cop's flashlight, somebody once described the analyst's infamous gaze). I ventured that I thought I understood what he was talking about, although I didn't know what to call it. After a moment he nodded and proceeded to give it a name:

"It is called, this famine, entropy. Eh? No ringing bells? Ach, you Americans. Very well, some front-brain effort if you please. Entropy is a term from conceptual physics. It is the judgment passed on us by a cruel law, the Second Law of Thermodynamics. To put it technically, it is 'the nonavailability of energy in a closed thermodyamic system.' Eh? Can you encompass this, my little Yankee pinheads? The non availability of energy?"

Nobody ventured an answer this time. He smiled around the circle.

"To put it mechanically, it means that your automobile cannot produce its own petroleum. If not fueled from without it runs down and stops. Goes cold. Very like us, yah? Without an external energy supply our bodies, our brains, even our dreams… must eventually run down, stop, and go cold."

"Hard-nail stuff," big Behema observed. "Bleak."

The doctor squinted against the smoke of his habitual cigarette. A non-filter Camel hung from his shaggy Vandyke, always, even as he was on this night – up to his jowls in a tub of hot water with a nude court recorder on his lap. He lifted a puckered hand above the surface as though to wave the smoke away.

"Hard nails? Perhaps. But perhaps this is what is needed to prick the pinhead's dream, to awaken him, bring him to his senses – here!"

Instead of waving, the hand slapped the black water – crack. The circle of bobbing faces jumped like frogs.

"We are only here, in this moment, this leaky tub. The hot water stops coming in? Our tub cools down and drains to the bottom. Bleak stuff, yah… but is there any way to experience what is left in our barrel without we confront that impending bottom? I think not."

About a dozen of my friends and family were gathered in the barrel to receive this existential challenge. We'd been driving down the coast to take a break from the heat the San Mateo Sheriff's Department was putting on our La Honda commune, bound for Frank Dobbs's ex-father-in-law's avocado ranch in Santa Barbara. When we passed Monterey I had been reminded that coming up just down the road was the Big Sur Institute of Higher Light, and that Dr. Klaus Woofner was serving another hitch as resident guru. I was the only one on board who had attended one of his seminars, and as we drove I regaled my fellow travelers with recollections of the scene – especially of the mineral baths simmering with open minds and unclad flesh. By the time we reached the turnoff to the Institute, I had talked everybody into swinging in to test the waters.

Everybody except for the driver; somewhat sulky about the senseless stop anyway, Houlihan had elected to stay behind with the bus.

"Chief, I demur. I needs to rest my eyes more than cleanse my soul – the wicked curves ahead, y'unnerstand, not to mention the cliffs. You all go ahead: take some snapshots, make your, as it were, obeisance. I'll keep a watch on the valuables and in the event little Caleb wakes up. Whup? There he is now."

At the mention of his name the child's head had popped up to peer through his crib bars. Betsy started back.

"Nay, Lady Beth, you needn't miss this holy pilgrimage. Squire Houlihan'll keep the castle safe and serene. See? The young prince dozes back down already. Whatcha think, Chief? Thirty minutes for howdies and a quick dip, forty-five at the most? Then ride on through the fading fires of sunset."

He was wishful thinking on all counts. The little boy was not dozing down; he was standing straight up in his crib, big-eyed to see the crew trooping out the bus door to some mysterious Mecca, and it was fading sunset by the time we had finished our hellos at the lodge and headed for the tubs. It was long past midnight before we finally outlasted the regular bathers and could congregate in the main barrel where the king of modern psychiatry was holding court.

This was the way Woofner liked it best – everybody naked in his big bath. He was notorious for it. Students returned from his seminars as though from an old-fashioned lye-soap laundry, bleached clean inside and out. His method of group ablution came to be known as "Woofner's Brainwash." The doctor preferred to call it Gestalt Realization. By any name, it reigned as the hottest therapy in the Bay Area for more than ten years, provoking dissertations and articles and books by the score. There are no written records of those legendary late-night launderings, but a number of the daytime seminars were taped and transcribed. One of the most well known sessions was recorded during the weekend of my first visit. It's a good sample:

DR. WOOFNER: Good afternoon. Are you all comfortable? Very good. Enjoy this comfort for a while. It may not last.

(The group sprawls on the sun-dappled lawn. Above is the acetylene sky. Down the cliffs behind them is the foamy maw of the Pacific. In front, seated at a shaded table with an empty chair opposite him, is a man in his late sixties. He has a bald pate, peeling from sunburn, and an unkempt billygoat beard. A cigarette droops from his mouth and a pair of tinted glasses sits slantwise on his nose.

(He removes the glasses. His eyes move from face to face until the group starts to squirm: then he begins to speak. The voice is aristocratically accented, but an unmistakable edge of contempt rings under the words, like the clink of blades from beneath an elegant cloak.)

DR. W: So. Before I inquire if there is a volunteer who is willing to interface with me, I want to clarify my position. First, I want you to forget all you have heard about "Super Shrink" and "Charismatic Manipulator" and "Lovable Old Lecher," etc. I am a catalyst; that is all. I am not your doctor. I am not your savior. Or your judge or your rabbi or your probation officer. In short, I am not responsible for you. If I am responsible for anyone it is for myself – perhaps not even that. Since I was a child people told me, Klaus, you are a genius. It was only a few years ago that I could accept what they said. This lasted maybe a month. Then I realized that I did not much care for the responsibility required to be a genius. I would rather be the Lovable Old Lecher.

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