Ken Kesey - Demon Box

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From Publishers Weekly
The central theme running through this collection of stories (many of which seem to be primarily nonfiction with elements of fiction thrown in) by the author of One Flew Over the Cuckoo's Nest is the struggle to come to terms with the legacy of the 1960s. Kesey draws largely on his own experiences after returning to his Oregon farm following a brief stint in prison on drug charges. A series of tales, apparently sections from a novel in progress, star an alter-ego named Devlin Deboree: his relatively tranquil post-jail farm existence is disturbed both by memories of now-dead companions and the seemingly extinct passions of the '60s, and by burned-out refugees from that era who intermittently arrive on his doorstep, hoping for some sort of help from the most famous survivor of the psychedelic wars. Pieces on visiting Egypt and covering a Chinese marathon examine the complex relationship between Americans and people from other cultures. Kesey's distinctive gift with language and tough sense of humor unify this somewhat disorganized collection, and his elegy for the passing of the mad energy of the '60s will strike a responsive chord with all those who lived through those dangerous, liberating years. 30,000 first printing; BOMC and QPBC alternates.
From Library Journal
Kesey fans have waited long for his latest offering, a collection of experiences, stories, and poetry. Most of the tales concern the life and times of "Devlin E. Deboree," a counterculture author who serves time in Mexico on a narcotics charge and later returns to his family farm in Oregon. Though he gives himself an alias, Kesey usually identifies his friends, including Jack Kerouac, Larry McMurtry, Hunter Thompson, and a Rolling Stone reporter who accompanies him to the great pyramids. The collection fluctuates in mood, ranging from warm "farm" pieces such as "Abdul Ebenezer" (concerning a bull and a cow) to pieces dealing with loss of friends and a common cause that reflect a nostalgia for the Sixties. These more personal pieces, especially the title essay, are particularly strong. Susan Avallone, "Library Journal"
***
"Here's good news for pundits and pranksters everywhere: Ken Kesey can still write… Those metaphoric tales illuminate our lives and make us laugh and cry." – San Francisco Chronicle
Ken Kesey: legendary writer, counterculture folk hero – chief trickster of the sixties' tuned-in, turned-on generation. Now, kesey comes to terms with his own legend, as he reveals his fascinating passage from the psychedelic sixties to the contradictory eighties.
Assuming the guise of Devlin Deboree (pronounced debris), Kesey begins with his release from prison and his return to an unusual domestic life; recounts various foreign excursions (to Egypt to visit the Sphinx, and to China to cover the Bejing Marathon); relates lively stories of farm and family and, in the voice of his grandmother, a tall tale and a narrative prayer. Most poignantly, Kesey looks at the hard lessons to be found in the deaths of Neal Cassady and John Lennon.
As always, Kesey challenges public and private demons with sure, subtle strokes – and with the brave and deceptive embrace of the wrestler.
"In these forceful, engaging, sometimes touching pieces, Kesey shows that he remains a concerned, sometimes vitrolic, but ultimately responsible observer of American society and and the human condition." – The Philidelphia Inquirer

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He was something.

When he said "Peace," even the warring angels listened.

But this isn't a nickel valentine to a dead superstar. What this story is really about is not so much John Lennon as about all the stuff his passing stirred up around our farm, effluvia both bygone and yet to be, tangible and chimeral… mainly about these three visitations I had that week of his death, like the three ghosts from A Christmas Carol.

The first came the day before the killing, Sunday evening, while we were waiting for my mom and Grandma Whittier to come out for supper. This specter was the easiest to comprehend and deal with. In fact, he was almost classic in his immediate comprehensibility; versions of this spook have probably been around since the first campfire. He poked his bearded kisser in out of the night, all shaggily a-grin. He had a bottle of screw-top Tokay in his right hand, a battered black boot in his left, and a glint in his gummy eyes that could have been bottled and displayed in the Bureau of Standards: the Definitive Panhandler Come-on Glint.

"Greetings the house!" he called through a curtain of phlegm. "This is Bible Bill, ol' Bible Bill, come in the name of the Main Redeemer, praise Him. Anybody home?"

I didn't have to give it a second thought. "No," I said.

"Dev? Brother Deboree? Greetings, brother, greetings!" He held forth the Good Book and the bad wine. "Compliments of Bible Bill, these -"

"No," I repeated, pushing right on past the offerings. I put one hand on his chest and held the door open with the other, pushing. Behind him, I could make out an entourage of shivering teenagers, unhappy in the December wind. Bill wasn't pleased with the prospect of getting shoved back out in it, either.

"Dev, don't be like this, dammit all! I promised these kids -"

"No." I pushed.

"Give it up, dude," one of the teenagers said to him. "Can't you see you're bugging the man?"

"But kin folks -"

"But my butt," another kid joined in. "Let's go."

With me pushing and them pulling we moved him back to the Toyota they'd come in, him hollering, "But cousins! Brothers! Comrades!" and me hollering back, "But no! No! No!"

The second visitation was a little more complex. For one thing, he was likable. He showed up the next morning while I was out in the field with Dobbs, fixing the fence where the cows had broken through during the night. Whenever it's real cold Ebenezer likes to lead her herd in an assault on the barnyard, hoping to break into the hay sheds (for cussedness and comfort more than food), and it was real cold. The ruts and tracks raised by their midnight raid were still hard as iron. Dobbs and I were long-johned and overalled and leather-gloved and still too cold to be able to effectively hammer in staples. After a half-hour's work we would have to head to the house for a gin and tonic to warm us up. After the third try, we haywired a hasty patch and came in for good.

I saw him standing by our stove, bent to the open door, moving his hooked hands in and out of the heat the way a man does when they're numbed so stone hard he's afraid to thaw them back to feeling. I left him alone. I peeled out of my overalls and boots and mixed Dobbs and me a drink. The guy never moved. When Betsy came downstairs she told me she had let him in because he was obviously about to freeze to death and didn't seem the slightest bit worried about the prospect.

"He says he's got something for you."

"I'll bet he does," I said and went over to talk to him. His hand was as hard as it looked, a calloused claw, beginning to turn red with the heat. In fact he was turning red all over, beginning to glow and grin.

He was about thirty-five or forty, like Bible Bill, with a lot of hard mileage in his eyes and scraggly hair on his face. But this hair was the color of berries on a holly bough, the eyes sharp and green as the leaves, merry. He said he was called – no lie! – John the Groupie, and that we had met once fifteen years ago at the Trips Festival, where I had given him something.

"I got good and turned on," he confided with a big limber-shouldered shrug, "and I guess I never been able to get turned off."

I asked him what in the dickens was he doing this far north at Christmastime with nothing on but ventilated sneaks and kneeless jeans and a Sunset Strip pink pearl-button shirt? He grinned and shrugged his carefree shrug again and told me he'd caught a ride with a hippie kid outta LA over the Grapevine, and the kid said he was headed all the way to Eugene, Oregon, so John the Groupie says, well, what the hell… never been to Oregon. Ain't that where Old Man Deboree hangs his hat? Maybe I'll go check him out. Met him once, you know, over a tab or two, ho ho.

"Besides," he added, trying to get that big red claw down a hip pocket, "I got something here I knew you'd want."

This made me back off two steps, I didn't care how carefree his shrug or merry his eye. If there was one thing I had learned in Egypt, it was Don't take nothing free, especially from ingratiating types who come on "My friend please be accept this wonderful geeft, my nation to yours, no charge" – pressing into your palm a ratty little scarab carved out of a goat pellet or something, a little hook by which the hustler can attach himself to you. And the less you want the goddamned thing he forces on you the more attached he becomes.

"I got right here," John the Groupie announced proudly, holding out a wad of white paper, "Chet Helms's phone number."

I told him I had no need for Chet Helms's phone number, that I had never needed Chet Helms's phone number, even during Chet Helms's San Fran Family Dog promoter days, hadn't even seen Chet Helms in ten years!

John stepped close, becoming intimate.

"But I mean this isn't Chet Helms's answering service, man," he made me to realize, delicately holding forth the little chit like it might have been a spindle of the purest Peruvian. "This is Chet Helms's home phone number."

"No," I said, holding both hands high and away from the offered morsel, which I wanted about as much as I wanted a goat turd or a hit off Bible Bill's bottle. "No."

John the Groupie shrugged and put it down on the coffee table.

"In case you get eyes for it later," he said.

"No." I picked it up and put it back in his hand and folded the freckled fingers over it. "No, no, no. And I'll tell you now what I have to offer: I'll give you something to eat and I'll let you sleep in my cabin, out of sight. Tomorrow I'll give you a coat and a hat and put you back on I-5, on the southbound side, with your thumb out." I fixed him with my sternest scowl. "My God, what a thing to do – just showing up at a man's place, no invitation, no sleeping bag, not even any damned socks. It's not courteous! I know it's inhospitable to turn a wayfarer out like this, but goddammit, it's discourteous to be tripping around unprepared this way."

He had to agree, smiling. "Like I said, I never been able to get turned off the trip. I guess I do get turned out a lot, though, ho ho hee."

"I don't want to hear about it," I kept on. "All I want you to know is I'm offering warmth and sustenance and a way back to Venice Beach if I don't have to listen to you run any numbers on me, savvy?"

He put the paper back in his pocket. "I savvy like a motherfucker, man. Just point me to this outasight abode."

Like I say – likable. Just your basic stringy, carrot-topped, still-down-and-it-still-looks-up-to-me acidhead flower child gone to seed. Probably no dope he hasn't tried and, what's more, none he wouldn't try again. Still grooving, still tripping, he didn't give a shit if he was barefoot in a blizzard. I left him rolled up in two cowhides, thumbing through the latest Wonder Warthog while the pine flame roared and rattled in the rusty little cabin woodstove like a caged Parsi firedemon.

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