Ken Kesey - Demon Box

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From Publishers Weekly
The central theme running through this collection of stories (many of which seem to be primarily nonfiction with elements of fiction thrown in) by the author of One Flew Over the Cuckoo's Nest is the struggle to come to terms with the legacy of the 1960s. Kesey draws largely on his own experiences after returning to his Oregon farm following a brief stint in prison on drug charges. A series of tales, apparently sections from a novel in progress, star an alter-ego named Devlin Deboree: his relatively tranquil post-jail farm existence is disturbed both by memories of now-dead companions and the seemingly extinct passions of the '60s, and by burned-out refugees from that era who intermittently arrive on his doorstep, hoping for some sort of help from the most famous survivor of the psychedelic wars. Pieces on visiting Egypt and covering a Chinese marathon examine the complex relationship between Americans and people from other cultures. Kesey's distinctive gift with language and tough sense of humor unify this somewhat disorganized collection, and his elegy for the passing of the mad energy of the '60s will strike a responsive chord with all those who lived through those dangerous, liberating years. 30,000 first printing; BOMC and QPBC alternates.
From Library Journal
Kesey fans have waited long for his latest offering, a collection of experiences, stories, and poetry. Most of the tales concern the life and times of "Devlin E. Deboree," a counterculture author who serves time in Mexico on a narcotics charge and later returns to his family farm in Oregon. Though he gives himself an alias, Kesey usually identifies his friends, including Jack Kerouac, Larry McMurtry, Hunter Thompson, and a Rolling Stone reporter who accompanies him to the great pyramids. The collection fluctuates in mood, ranging from warm "farm" pieces such as "Abdul Ebenezer" (concerning a bull and a cow) to pieces dealing with loss of friends and a common cause that reflect a nostalgia for the Sixties. These more personal pieces, especially the title essay, are particularly strong. Susan Avallone, "Library Journal"
***
"Here's good news for pundits and pranksters everywhere: Ken Kesey can still write… Those metaphoric tales illuminate our lives and make us laugh and cry." – San Francisco Chronicle
Ken Kesey: legendary writer, counterculture folk hero – chief trickster of the sixties' tuned-in, turned-on generation. Now, kesey comes to terms with his own legend, as he reveals his fascinating passage from the psychedelic sixties to the contradictory eighties.
Assuming the guise of Devlin Deboree (pronounced debris), Kesey begins with his release from prison and his return to an unusual domestic life; recounts various foreign excursions (to Egypt to visit the Sphinx, and to China to cover the Bejing Marathon); relates lively stories of farm and family and, in the voice of his grandmother, a tall tale and a narrative prayer. Most poignantly, Kesey looks at the hard lessons to be found in the deaths of Neal Cassady and John Lennon.
As always, Kesey challenges public and private demons with sure, subtle strokes – and with the brave and deceptive embrace of the wrestler.
"In these forceful, engaging, sometimes touching pieces, Kesey shows that he remains a concerned, sometimes vitrolic, but ultimately responsible observer of American society and and the human condition." – The Philidelphia Inquirer

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"Well, I get to apologize first," I told Mr. Keller-Brown. That that was why I'd come. I told him that he'd been completely correct, and that I had no right telling his child those kind of whoppers and deserved a scolding. The chant went something like Rah. Rah. Tut nee cum. Mr. Keller-Brown says okay, we've traded apologies. We chums again? I said I guess so. Rah. Rah. Tut nee eye sis rah cum RAH and that bead turning slow as syrup on its thread. He says he hopes I'll still consider riding down to LA with them; they'd be honored. I say it's too bad it ain't to Arkansas; I need to go to Arkansas – for legal business. He says they go to St. Louis after Oklahoma City and that's near Arkansas. I says we'll see how I feel tomorrow; it's been a big day. He says good night and helps me back down the steps. I thank him.

At the bus window waving, his face gives me no clue whether he believed it or not. Everything suddenly turned ten times brighter as I felt him withdraw that terrible pruning shadow and return it to its sheath. Now forget it, I told myself, all, and made a picture of the rain stopping and the duck flying off.

I walked through the bright moonlight at the edge of the ash grove. The look of things was headed back to normal. There were crickets in the trees, nothing else. The ground ran level and the night was calm. I had just about convinced myself that it was all over, that it was all just a widder woman's nightmare, nothing more, nothing worse, when I heard the mama Siamese meowing.

The kitten was stuffed under some ash roots and covered with big rocks. I could barely move them. You were right, I told the mama; you should've kept him in the rhubarb. She followed crying as I carried it up to the cabin. I kept talking to her as I walked, and fingering the poor stiffening little kitty to see if it was cut or broke or what. And when I found it at the furry throat I was reminded of the time I was picking pears in the dusk as a kid of a girl in Penrose, Colorado, and reached up to get what I thought was sure a funny fuzzy-feeling pear, when it suddenly uncurled and squeaked and flew away and I fell off the ladder with bat bites all over my hand… was what I thought as my fingers recognized the cameo and chain knotted around its neck. O Lord, I cried, what have I got into now? And tossed it under the cabin porch without even trying to break that chain. Then I come inside and took another pill out of my bag and got right down on my knees for a sign. And a dumb old rooster just crowed. Okay. Okay then. If not a sign Lord Jesus to make me certain then how about the strength to act like i am for it looks to me like i am left with no choice but to go ahead along a fortress or harbor Amen Lord amen - -

(to be continued)

NOW WE KNOW HOW MANY HOLES IT TAKES TO FILL THE ALBERT HALL

In the waning days of 1968, for some reason never very specific and now nearly obscured by time, the prime movers from the Dead Center made arrangements with the Beatles at Apple to send over to London a sampling of psychedeloids.

A kind of cultural lend-lease, heads across the water and all that.

There were thirteen of us in all – hippies, hoopies, and harpies; Hell's Angels and their hogs; a few serious managers with lots of plots and proposals… one prankster without plan one.

I was happy to be getting out of the U.S. That book about me and my Kool Aid cronies had just come out and I felt the hot beam of the spotlight on me. It burned like a big ultraviolet eye. The voltage generated by all this attention scared me a little and titillated me a lot, and I needed a breather from it before I became an addict, or a casualty. Stand in this spotlight, feel this eye pass over you. You never forget it. You are suddenly changed, lifted, singled out, elevated and alone, above any of your old bush-league frets of stage fright, nagging scruples, etc. Self-consciousness and irresolution melt in this beam's blast. Grace and power surge in to take their place. Banging speed is the only thing even close. Drowsing protoplasm snaps instantly to Bruce Lee perfection - - enter the dragon. But there's the scaly rub, right? Because if you go around to the other end of that eye and look through at the star shining there so elevated, you see that this adoring telescope has a cross hair built in it, and notches in the barrel filed for luminaries: Kennedy… King… Joplin… Hemingway… Anyway, we headed to London, flying high (as Country Joe put it) all the way. As the DC-8 began to hum down through the thick English fog, everybody realized that after our transatlantic antics a customs check was almost certainly coming up, and what couldn't be flushed had better be swallowed.

Up to the bustling British customs table we floated, a big-eyed baker's dozen from America, in leather and furs and cowboy hats and similar fashionable finery. The weary officer sighed sorely at the sight, then politely searched us for three hours, even the cylinders of the two Harley-Davidsons. It was well into the afternoon by the time our fleet of taxis headed for London, escorted through the wrong-side-of-the-road traffic by Angels Old Bert and Smooth Sam Smathers on their two huge choppers. It was clammy gray twilight by the time we all arrived at Apple.

There was a small flock of the faithful at the door, waiting with that radiant patience of reverent pilgrims. Frisco Fran, a long blond mama of thirty-five, with a feeling for Old Bert and Old Bert's new Harley, and a $6,000 mink coat over her T-shirt and greasy jeans, looked at the little gaggle of fans on the Savile Row steps, then up at the crisp white office building, and observed, "I feel like I'm going to see the Pope, or something."

In the outer lobby a chubby receptionist welcomed us with a cheeky wink for the men and an embossed invitation for each of us. She looked like Lulu in To Sir, With Love. After a confirming call from higher up, she let us into lobby #2, where all the rock & roll managers greeted each other – Yanks, Limeys, even a visiting Frog – embracing and slapping five and jiving each other rock- &-roll-wise. This got us through lobby 2's door into the crimson-carpeted keep of lobby #3, where George Harrison finally came down to shake everybody's hand and escort us into the very core of the Apple organization – endless offices, wandering halls with gold records on all the walls, a huge recording studio in the basement that looked like Disney had designed it for Captain Nemo and hired Hugh Hefner to decorate it – finally to a doorless doorway upstairs opening on a large room that we could use as our digs, we were told, during our stay. All eyes popped at the accommodations. The room was full of food: roasted pigs suckling apples, smoked turkeys, cheeses, breads, cases of champagne and ale stacked to the ceiling… for the big Apple Christmas party coming up, we were told. Old Bert immediately dropped his ratty bedroll to the floor and booted it beneath a table full of glazed goose and stuffing.

"Looks like home to me," he proclaimed.

Ringo dropped in for 'arf a mo' to welcome us, and once we thought we caught a glimpse of Paul down the hall, though some said it wasn't Paul, that Paul was in New York getting engaged. But he was bright-eyed, lovable, and barefoot so it might have been Paul. Also, he was small.

"They're all so… so…" – Spider, a tall ex-UCLA-track star gone hip and hairy and thirty, searched for the precise word – "diminutive."

"They're all the size I thought Ringo was," Smooth Sam added.

"I know," said the mama in mink, eyes shining with tender solicitude. "It makes me want to hold an umbrella over them, or something."

We didn't see John until later, at the famous Apple Christmas Debacle. What happened that night has been run down in a bunch of books, both pro-Yank and anti, so no one else needs to go into that. I only want to give you the setting for Lennon's entrance, for drama's sake…

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