Ken Kesey - Demon Box

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From Publishers Weekly
The central theme running through this collection of stories (many of which seem to be primarily nonfiction with elements of fiction thrown in) by the author of One Flew Over the Cuckoo's Nest is the struggle to come to terms with the legacy of the 1960s. Kesey draws largely on his own experiences after returning to his Oregon farm following a brief stint in prison on drug charges. A series of tales, apparently sections from a novel in progress, star an alter-ego named Devlin Deboree: his relatively tranquil post-jail farm existence is disturbed both by memories of now-dead companions and the seemingly extinct passions of the '60s, and by burned-out refugees from that era who intermittently arrive on his doorstep, hoping for some sort of help from the most famous survivor of the psychedelic wars. Pieces on visiting Egypt and covering a Chinese marathon examine the complex relationship between Americans and people from other cultures. Kesey's distinctive gift with language and tough sense of humor unify this somewhat disorganized collection, and his elegy for the passing of the mad energy of the '60s will strike a responsive chord with all those who lived through those dangerous, liberating years. 30,000 first printing; BOMC and QPBC alternates.
From Library Journal
Kesey fans have waited long for his latest offering, a collection of experiences, stories, and poetry. Most of the tales concern the life and times of "Devlin E. Deboree," a counterculture author who serves time in Mexico on a narcotics charge and later returns to his family farm in Oregon. Though he gives himself an alias, Kesey usually identifies his friends, including Jack Kerouac, Larry McMurtry, Hunter Thompson, and a Rolling Stone reporter who accompanies him to the great pyramids. The collection fluctuates in mood, ranging from warm "farm" pieces such as "Abdul Ebenezer" (concerning a bull and a cow) to pieces dealing with loss of friends and a common cause that reflect a nostalgia for the Sixties. These more personal pieces, especially the title essay, are particularly strong. Susan Avallone, "Library Journal"
***
"Here's good news for pundits and pranksters everywhere: Ken Kesey can still write… Those metaphoric tales illuminate our lives and make us laugh and cry." – San Francisco Chronicle
Ken Kesey: legendary writer, counterculture folk hero – chief trickster of the sixties' tuned-in, turned-on generation. Now, kesey comes to terms with his own legend, as he reveals his fascinating passage from the psychedelic sixties to the contradictory eighties.
Assuming the guise of Devlin Deboree (pronounced debris), Kesey begins with his release from prison and his return to an unusual domestic life; recounts various foreign excursions (to Egypt to visit the Sphinx, and to China to cover the Bejing Marathon); relates lively stories of farm and family and, in the voice of his grandmother, a tall tale and a narrative prayer. Most poignantly, Kesey looks at the hard lessons to be found in the deaths of Neal Cassady and John Lennon.
As always, Kesey challenges public and private demons with sure, subtle strokes – and with the brave and deceptive embrace of the wrestler.
"In these forceful, engaging, sometimes touching pieces, Kesey shows that he remains a concerned, sometimes vitrolic, but ultimately responsible observer of American society and and the human condition." – The Philidelphia Inquirer

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Woofner was quartered in the dean's cabin, the best of the Institute's accommodations and highest up the hill. While the court recorder detoured to get her suitcase, the doctor and I continued on up, strolling and sipping in silence. The air was still and sweet. It had rained sometime since midnight, then cleared, and pale stars floated in puddles here and there. The dawn was just over the mountains to the east, like a golden bugle sounding a distant reveille. The color echoed off the bald head bobbing in front of me. I cleared my throat.

"You were right, Doctor," I began, "about me being fascinated."

"I can see that," he said without turning. "But why so much? Do you plan to use the old doctor's secrets to become a rival in the nut-curing business?"

"Not if I can help it." I laughed. "The little while I worked at the state hospital was plenty."

"You wrote your novel on the job, I heard?" The words puffing back over his shoulder smelled like stale ashtrays.

"That's where I got all those crazy characters. I was a night aide on a disturbed ward. I turned in all my white suits the moment I had a rough draft done, but I never lost the fascination."

"Your book must have reaped certain rewards," he said. "Perhaps you feel some sort of debt toward those crazy people and call it fascination?"

I allowed that it could be a possibility. "But I don't think it's the people I'm fascinated by so much as the puzzle. Like what is crazy? What's making all these people go there? I mean, what an interesting notion this metaphor of yours is, if I've got it right – that modern civilization's angst is mechanical first and mental second?"

"Not angst," he corrected. "Fear. Of emptiness. Since the Industrial Revolution, civilization is increasingly afraid of running empty."

He was breathing hard but I knew he wasn't going to stop for a rest; I only had another couple dozen yards left before we reached his cabin.

"And that this fear," I pressed on, "has driven us to dream up a kind of broker and install him in our brain so he can increase our accounts by -"

"Minds," he puffed. "Into the way we think."

"- minds… by monitoring our incomes and making smart investments? He can't be any smarter than we are, though; we created him – and that he is the main snake-in-the-grass making people crazy, not all that psychology stuff?"

"That psychology stuff is… like the stuff the Chronicle writes… mostly crap."

I followed in silence, waiting for him to continue. The wheezing breaths turned into a laugh.

"But, yah, that is my metaphor. You got it right. He is the snake in our grass."

"And no way to get him out?"

He shook his head.

"What about the way he got in? What would happen if you hypnotized somebody and told them that their dream broker was no more? That he got wind the bank auditors were coming and committed suicide?"

"Bank failure would happen." He chuckled. "Then panic, then collapse. Today's somebody has too much invested in that dream."

We were almost to his cabin. I didn't know what else to ask.

"We are experimenting," he went on, "with some hybrid techniques, using some of Hubbard's Scientology auditors – 'Clears,' these inquisitors call themselves – in tandem with John Lilly's Sensory Deprivation. The deprivation tank melts away the subject's sense of outline. His box. The auditor locates the demon and deprograms him – clears him out, is the theory."

"Are you clearing any out?"

He shrugged. "With these Scientology schwules who can tell? What about you? We have a tank open all next week. Just how fascinated are you?"

The invitation caught me completely by surprise. Scientologists and deprivation tanks? On the other hand, a respite from the bus hassles and the cop hassles both was appealing. But before I could respond the doctor suddenly held up a hand and stopped. He tilted his hairy ear to listen.

"Do you hear a gang of men? Having an argument?" I listened. When his breathing quieted I heard it. From somewhere beyond the hedge that bordered the cottages arose a garbled hubbub. It did sound like a gang of men arguing, a platoon of soldiers ribbing each other. Or a ball team. I knew what it was, of course, even before I followed the doctor to an opening in the hedge; it was Houlihan, and only one of him.

Against the quiet purple of the Big Sur dawn, the bus was so gaudy it appeared to be in motion. It seemed to be still lurching along even though its motor was off and Houlihan wasn't in his driver's seat. He was outside in the parking lot among the twinkling puddles. He had located some more speed, it looked like, and his six-pound single jack. Then he had picked out a nice flat space behind the bus where he could waltz around, toss some hammer, and, all for himself alone and the few fading stars, talk some high-octane shit.

"Unbelievable but you all witnessed the move – one thirtieth of a sec maybe faster! How's that you skeptical blinkies? for world champion sinews and synapsis. But what? Again? Is this champ never satisfied? It looks like he's going for the backward double-clutch up and over record! Three, four – count the revolutions – five, six… which end first? In which hand?… eight, nine – either hand, Houlihan, no deliberation – eleven twelve thir teen ka-fwamp yehh-h-h …"

Flipping the cumbersome tool over his shoulder, behind his back, between his legs – catching it deftly at the last instant by the tip of the dew-wet handle. Or not catching it, then dancing around it in mock frustration – cursing his ineptness, the slippery handle, the very stars for their distraction.

"A miss! What's amiss? Has the acclaim pried open our hero's as it were vanity? Elementals will invade through one's weakest point. Or has he gone all dropsy from a few celestial eyes staring?" – bending and scooping the hammer from its puddle to spin it high again and pluck it out of a pinwheeling spray. "Nay, not this lad, not world-famous Wet… Handle… Hooly! No pictures, please; it's an act of devotion…"

I'd seen the act plenty times before, so I watched the doctor. The old man was studying the phenomenon through the hedge with the detached expression of an intern observing aberrant behavior through a one-way mirror. As Houlihan went on, though, and on and on, the detachment changed to a look of grudging wonder.

"It's the demon himself," he whispered. "He's been stoned out of his box!"

He stood back from the hedge, lifting his brows at me.

"So it is not quite all Chronicle crap, eh, Dr. Deboree? Eviction by chemical command? Very impressive. But what about the risk of side effects?" He put his hand on my shoulder and looked earnestly into my eyes. "Mightn't such powerful doses turn one into the very tenant one is trying to turn out? But, ach, don't make such a face! I'm joking, my friend. Teasing. These experiments you and your bus family are conducting deserve attention, sincerely they do -"

It was over my shoulder that his attention was directed, though. The court recorder was coming, carrying a small green suitcase and a large pink pillow.

"- but at another time."

He gave me a final squeeze good night and promised that we would resume our consideration of this puzzle the very next opportunity. In the tubs again this evening? I nodded, flattered and excited by the prospect. He asked that I think about his invitation in the meantime – sleep a few quiet hours on it, yah? Then he hustled off to join the girl.

I pushed my way through the hedge and headed across the lot, hoping I could get Houlihan geared down enough to let me sleep a few quiet minutes. Fat chance. As soon as saw me coming he whinnied like an old firehorse.

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