Peter Mayle - A Year In Provence

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Amazon.com Review
Who hasn't dreamed, on a mundane Monday or frowzy Friday, of chucking it all in and packing off to the south of France? Provençal cookbooks and guidebooks entice with provocatively fresh salads and azure skies, but is it really all Côtes-du-Rhône and fleur-de-lis? Author Peter Mayle answers that question with wit, warmth, and wicked candor in A Year in Provence, the chronicle of his own foray into Provençal domesticity.
Beginning, appropriately enough, on New Year's Day with a divine luncheon in a quaint restaurant, Mayle sets the scene and pits his British sensibilities against it. "We had talked about it during the long gray winters and the damp green summers," he writes, "looked with an addict's longing at photographs of village markets and vineyards, dreamed of being woken up by the sun slanting through the bedroom window." He describes in loving detail the charming, 200-year-old farmhouse at the base of the Lubéron Mountains, its thick stone walls and well-tended vines, its wine cave and wells, its shade trees and swimming pool-its lack of central heating. Indeed, not 10 pages into the book, reality comes crashing into conflict with the idyll when the Mistral, that frigid wind that ravages the Rhône valley in winter, cracks the pipes, rips tiles from the roof, and tears a window from its hinges. And that's just January.
In prose that skips along lightly, Mayle records the highlights of each month, from the aberration of snow in February and the algae-filled swimming pool of March through the tourist invasions and unpredictable renovations of the summer months to a quiet Christmas alone. Throughout the book, he paints colorful portraits of his neighbors, the Provençaux grocers and butchers and farmers who amuse, confuse, and befuddle him at every turn. A Year in Provence is part memoir, part homeowner's manual, part travelogue, and all charming fun. – L.A. Smith
From Publishers Weekly
An account of the author's first frustrating but enlightening year in Provence opens with a memorable New Year's lunch and closes with an impromptu Christmas dinner. "In nimble prose, Mayle… captures the humorous aspects of visits to markets, vineyards and goat races, and hunting for mushrooms," said PW.
***
One of my favorite books by one of my favorite authors, A Year in Provence is a light-hearted autobiography as well as a travel/restaurant guide and cultural study of the south of France. Peter Mayle, once a British businessman, has finally chucked it all and bought a house in Provence with his wife and two dogs. He recounts a year of their adventures living and working amid the French, including daily struggles with the strong Provençal accent, the nosiness of neighbors, and the self-proclaimed experts on everything from geophysics to truffle hunting. His humorous yet affectionate approach will make you long for France, particularly the south, whether or not you've ever been there.
You won't be able to stop laughing when you read about the author's discovery of French bureaucracy and the bone-chilling winter wind called the Mistral, his desperate tactical maneuvering to get his house remodeled, and the hordes of rude tourists. You'll be tickled by his observations of French greetings and body language. You'll love his French neighbors and hate his English friends. And you will be starving after reading his mouth-watering descriptions of dozens of restaurants and dinner parties.
Whether you are interested in learning more about French, "the Hexagon," or cuisine française, A Year in Provence is the book to get you started on your cultural discovery of the south of France. The best discovery of all is that Peter Mayle continues to write about Provence, both non-fiction and novels. You will definitely want to seek out all of his books and continue learning about the people, traditions, and food of southern France.
Laura K. Lawless

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"Well, at least you're seeing a bit of France."

" France?" said one of them. "All I've seen is the inside of a flaming cherry tree."

They were determined to go back to Australia with no good memories of their time in Provence. They didn't like the people. They were suspicious of the food. French beer gave them the runs. Even the scenery was small by Australian standards. They couldn't believe I had chosen to live here. I tried to explain, but we were talking about two different countries. I dropped them off at the café, where they would spend the evening being homesick. They were the only miserable Australians I had ever met, and it was depressing to hear a place that I loved being so thoroughly condemned.

Bernard cheered me up. I had come to his office in Bonnieux with the translation of a letter that he had received from an English client, and he was laughing as he opened the door.

His friend Christian, who was also our architect, had just been asked to redesign a brothel in Cavaillon. There were, naturellement, many unusual requirements to be met. The placing of mirrors, for instance, was of crucial importance. Certain fittings not normally found in polite bedrooms would have to be accommodated. The bidets would be working overtime, and they would have to function impeccably. I thought of Monsieur Menicucci and jeune trying to adjust their taps and washers while traveling salesmen from Lille chased scantily clad young ladies through the corridors. I thought of Ramon the plasterer, a man with a definite twinkle in his eye, let loose among the filles de joie. He'd stay there for the rest of his life. It was a wonderful prospect.

Unfortunately, said Bernard, although Christian regarded it as an interesting architectural challenge, he was going to turn it down. Madame who ran the enterprise wanted the work finished in an impossibly short time, and she wasn't prepared to close the premises while it was being done, which would place severe demands on the workmen's powers of concentration. Nor was she prepared to pay the TVA, arguing that she didn't charge her clients a sales tax, so why should she have to pay one? In the end, she would hire a couple of renegade masons who would do a fast and clumsy job, and the chance of getting Cavaillon's brothel photographed for the pages of the Architectural Digest would be lost. A sad day for posterity.

WE WERE LEARNING what it was like to live more or less permanently with guests. The advance guard had arrived at Easter, and others were booked in until the end of October. Half-forgotten invitations, made in the distant safety of winter, were coming home to roost and drink and sunbathe. The girl in the laundry assumed from our sheet count that we were in the hotel business, and we remembered the warnings of more experienced residents.

As it turned out, the early visitors must have taken a course in being ideal guests. They rented a car, so that they weren't dependent on us to ferry them around. They amused themselves during the day, and we had dinner together in the evening. They left when they had said they were going to. If they were all like that, we thought, the summer would pass very pleasantly.

The greatest problem, as we soon came to realize, was that our guests were on holiday. We weren't. We got up at seven. They were often in bed until ten or eleven, sometimes finishing breakfast just in time for a swim before lunch. We worked while they sunbathed. Refreshed by an afternoon nap, they came to life in the evening, getting into high social gear as we were falling asleep in the salad. My wife, who has a congenitally hospitable nature and a horror of seeing people underfed, spent hours in the kitchen, and we washed dishes far into the night.

Sundays were different. Everybody who came to stay with us wanted to go to one of the Sunday markets, and they start early. For once in the week, we and the guests kept the same hours. Bleary-eyed and unusually quiet, they would doze in the back of the car during the twenty-minute ride to breakfast in the café overlooking the river at Isle-sur-la-Sorgue.

We parked by the bridge and woke our friends. They had gone to bed, reluctant and still boisterous, at two in the morning, and the bright light was having savage effects on their hangovers. They hid behind sunglasses and nursed big cups of café crème. At the dark end of the bar, a gendarme swallowed a surreptitious pastis. The man selling lottery tickets promised instant wealth to anyone who hesitated by his table. Two overnight truck drivers with blue sandpaper chins attacked their breakfasts of steak and pommes frites and shouted for more wine. The fresh smell of the river came through the open door, and ducks trod water while they waited for crumbs to be swept off the terrace.

We set off for the main square, running the gauntlet between groups of sallow gypsy girls in tight, shiny black skirts selling lemons and long plaits of garlic, hissing at one another in competition. The stalls were crammed haphazardly along the street-silver jewelery next to flat wedges of salt cod, wooden barrels of gleaming olives, hand-woven baskets, cinnamon and saffron and vanilla, cloudy bunches of gypsophila, a cardboard box full of mongrel puppies, lurid Johnny Hallyday T-shirts, salmon-pink corsets and brassières of heroic proportions, rough country bread and dark terrines.

A lanky blue-black Senegalese loped through the turmoil of the square, festooned with his stock of authentic African tribal leatherware, made in Spain, and digital watches. There was a roll of drums. A man in a flat-topped peaked hat, accompanied by a dog dressed in a red jacket, cleared his throat and adjusted his portable loudspeaker system to an unbearable whine. Another drum roll. " Prix choc! Lamb from Sisteron! Charcuterie! Tripe! Go at once to Boucherie Crassard, Rue Carnot. Prix choc!" He fiddled again with his loudspeaker and consulted a clipboard. He was the town's mobile broadcasting service, announcing everything from birthday greetings to the local cinema programs, complete with musical effects. I wanted to introduce him to Tony from advertising; they could have had an interesting time comparing promotional techniques.

Three Algerians with deeply rutted brown faces stood gossiping in the sun, their lunches hanging upside down from their hands. The live chickens they were holding by the legs had a fatalistic air about them, as if they knew that their hours were numbered. Everywhere we looked, people were eating. Stall holders held out free samples-slivers of warm pizza, pink ringlets of ham, sausage dusted with herbs and spiced with green peppercorns, tiny, nutty cubes of nougat. It was a dieter's vision of hell. Our friends started asking about lunch.

We were hours away from lunch, and before that we had to see the nonedible side of the market, the brocanteurs with their magpie collections of bits and pieces of domestic history rescued from attics all over Provence. Isle-sur-la-Sorgue has been an antique dealers' town for years; there is a huge warehouse by the station where thirty or forty dealers have permanent pitches, and where you can find almost anything except a bargain. But it was too sunny a morning to spend in the gloom of a warehouse, and we stayed among the outside stalls under the plane trees where the purveyors of what they like to call haut bric-à-brac spread their offerings on tables and chairs or on the ground, or hung them from nails in the tree trunks.

Faded sepia postcards and old linen smocks were jumbled up with fistfuls of cutlery, chipped enamel signs advertising purgatives and pomade for unruly mustaches, fire irons and chamber pots, Art Deco brooches and café ashtrays, yellowing books of poetry and the inevitable Louis Quatorze chair, perfect except for a missing leg. As it got closer to noon the prices went down and haggling began in earnest. This was the moment for my wife, who is close to professional standard at haggling, to strike. She had been circling a small plaster bust of Delacroix. The dealer marked it down to seventy-five francs, and she moved in for the kill.

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