Peter Mayle - A Year In Provence

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Amazon.com Review
Who hasn't dreamed, on a mundane Monday or frowzy Friday, of chucking it all in and packing off to the south of France? Provençal cookbooks and guidebooks entice with provocatively fresh salads and azure skies, but is it really all Côtes-du-Rhône and fleur-de-lis? Author Peter Mayle answers that question with wit, warmth, and wicked candor in A Year in Provence, the chronicle of his own foray into Provençal domesticity.
Beginning, appropriately enough, on New Year's Day with a divine luncheon in a quaint restaurant, Mayle sets the scene and pits his British sensibilities against it. "We had talked about it during the long gray winters and the damp green summers," he writes, "looked with an addict's longing at photographs of village markets and vineyards, dreamed of being woken up by the sun slanting through the bedroom window." He describes in loving detail the charming, 200-year-old farmhouse at the base of the Lubéron Mountains, its thick stone walls and well-tended vines, its wine cave and wells, its shade trees and swimming pool-its lack of central heating. Indeed, not 10 pages into the book, reality comes crashing into conflict with the idyll when the Mistral, that frigid wind that ravages the Rhône valley in winter, cracks the pipes, rips tiles from the roof, and tears a window from its hinges. And that's just January.
In prose that skips along lightly, Mayle records the highlights of each month, from the aberration of snow in February and the algae-filled swimming pool of March through the tourist invasions and unpredictable renovations of the summer months to a quiet Christmas alone. Throughout the book, he paints colorful portraits of his neighbors, the Provençaux grocers and butchers and farmers who amuse, confuse, and befuddle him at every turn. A Year in Provence is part memoir, part homeowner's manual, part travelogue, and all charming fun. – L.A. Smith
From Publishers Weekly
An account of the author's first frustrating but enlightening year in Provence opens with a memorable New Year's lunch and closes with an impromptu Christmas dinner. "In nimble prose, Mayle… captures the humorous aspects of visits to markets, vineyards and goat races, and hunting for mushrooms," said PW.
***
One of my favorite books by one of my favorite authors, A Year in Provence is a light-hearted autobiography as well as a travel/restaurant guide and cultural study of the south of France. Peter Mayle, once a British businessman, has finally chucked it all and bought a house in Provence with his wife and two dogs. He recounts a year of their adventures living and working amid the French, including daily struggles with the strong Provençal accent, the nosiness of neighbors, and the self-proclaimed experts on everything from geophysics to truffle hunting. His humorous yet affectionate approach will make you long for France, particularly the south, whether or not you've ever been there.
You won't be able to stop laughing when you read about the author's discovery of French bureaucracy and the bone-chilling winter wind called the Mistral, his desperate tactical maneuvering to get his house remodeled, and the hordes of rude tourists. You'll be tickled by his observations of French greetings and body language. You'll love his French neighbors and hate his English friends. And you will be starving after reading his mouth-watering descriptions of dozens of restaurants and dinner parties.
Whether you are interested in learning more about French, "the Hexagon," or cuisine française, A Year in Provence is the book to get you started on your cultural discovery of the south of France. The best discovery of all is that Peter Mayle continues to write about Provence, both non-fiction and novels. You will definitely want to seek out all of his books and continue learning about the people, traditions, and food of southern France.
Laura K. Lawless

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Music was his first subject today. He and his wife had just attended an official artisans' and plumbers' lunch, followed by ballroom dancing, which was one of his many accomplishments. "Yes, Monsieur Peter," he said, "we danced until six. I had the feet of a young man of eighteen." I could picture him, nimble and exact, whirling Madame around the floor, and I wondered if he had a special ballroom bonnet for these occasions, because it was impossible to think of him bareheaded. I must have smiled at the thought. "I know," he said, "you're thinking that the waltz is not serious music. For that one must listen to the great composers."

He then expounded a remarkable theory, which had occurred to him while he was playing the clarinet during one of the power cuts that the French electricity board arranges at regular intervals. Electricity, he said, is a matter of science and logic. Classical music is a matter of art and logic. Vous voyez? Already one sees a common factor. And when you listen to the disciplined and logical progression of some of Mozart's work, the conclusion is inescapable: Mozart would have made a formidable electrician.

I was saved from replying by jeune, who had finished counting up the number of radiators we would need, and had arrived at a figure of twenty. Menicucci received the news with a wince, shaking his hand as if he'd burned his fingers. "Oh là là. This will cost more than centimes ." He mentioned several million francs, saw my shocked expression and then divided by a hundred; he had been quoting in old money. Even so, it was a considerable amount. There was the high cost of cast iron, plus the government sales tax, or TVA, of 18.6 percent. This led him to mention an outrageous fiscal irregularity which typified the villainy of politicians.

"You buy a bidet," he said, jabbing me with his finger, "and you pay full TVA. The same for a washer or a screw. But I will tell you something scandaleux and altogether wrong. You buy a pot of caviar, and you will pay only 6 percent TVA, because it is classified as nourriture. Now tell me this: Who eats caviar?" I pleaded not guilty. "I will tell you. It is the politicians, the millionaires, the grosses légumes in Paris -they are the ones who eat caviar. It's an outrage." He stumped off, fulminating about caviar orgies in the Elysée Palace, to check jeune 's radiator arithmetic.

The thought of Menicucci occupying the premises for five or six weeks, burrowing his way through the thick old walls with a drill that was almost as big as he was and filling the air with dust and running commentaries, was not a treat to look forward to. It would be a dirty and tedious process involving almost every room in the house. But one of the joys of Provence, we told ourselves, was that we could live outdoors while this was going on. Even this early in the year, the days were very nearly hot, and we decided to start the outdoor season in earnest one Sunday morning when the sun coming through the bedroom window woke us up at seven o'clock.

All good Sundays include a trip to the market, and we were in Coustellet by eight. The space behind the disused station was lined with elderly trucks and vans, each with a trestle table set up in front. A blackboard showed the day's prices for vegetables. The stall holders, already tanned from the fields, were eating croissants and brioches that were still warm from the bakery across the street. We watched as one old man sliced a baguette lengthways with a wooden-handled pocket knife and spread on fresh goat's cheese in a creamy layer before pouring himself a glass of red wine from the liter bottle that would keep him going until lunchtime.

The Coustellet market is small compared to the weekly markets in Cavaillon and Apt and Isle-sur-la-Sorgue, and not yet fashionable. Customers carry baskets instead of cameras, and only in July and August are you likely to see the occasional haughty woman down from Paris with her Dior track suit and small, nervous dog. For the rest of the season, from spring until autumn, it is just the local inhabitants, and the peasants who bring in what they have taken from the earth or the greenhouse a few hours earlier.

We walked slowly along the rows of trestle tables, admiring the merciless French housewife at work. Unlike us, she is not content merely to look at the produce before buying. She gets to grips with it-squeezing aubergines, sniffing tomatoes, snapping the matchstick-thin haricots verts between her fingers, poking suspiciously into the damp green hearts of lettuces, tasting cheeses and olives-and, if they don't come up to her private standards, she will glare at the stall holder as if she has been betrayed before taking her custom elsewhere.

At one end of the market, a van from the wine cooperative was surrounded by men rinsing their teeth thoughtfully in the new rosé. Next to them, a woman was selling free-range eggs and live rabbits, and beyond her the tables were piled high with vegetables, small and fragrant bushes of basil, tubs of lavender honey, great green bottles of first pressing olive oil, trays of hothouse peaches, pots of black tapenade, flowers and herbs, jams and cheeses-everything looked delicious in the early morning sun.

We bought red peppers to roast and big brown eggs and basil and peaches and goat's cheese and lettuce and pink-streaked onions. And, when the basket could hold no more, we went across the road to buy half a yard of bread-the gros pain that makes such a tasty mop for any olive oil or vinaigrette sauce that is left on the plate. The bakery was crowded and noisy, and smelled of warm dough and the almonds that had gone into the morning's cakes. While we waited, we remembered being told that the French spend as much of their income on their stomachs as the English do on their cars and stereo systems, and we could easily believe it.

Everyone seemed to be shopping for a regiment. One round, jolly woman bought six large loaves-three yards of bread-a chocolate brioche the size of a hat, and an entire wheel of apple tart, the thin slices of apple packed in concentric rings, shining under a glaze of apricot sauce. We were aware that we had missed breakfast.

Lunch made up for it: cold roasted peppers, slippery with olive oil and speckled with fresh basil, tiny mussels wrapped in bacon and barbecued on skewers, salad, and cheese. The sun was hot and the wine had made us sleepy. And then we heard the phone.

It is a rule of life that, when the phone rings between noon and three on a Sunday, the caller is English; a Frenchman wouldn't dream of interrupting the most relaxed meal of the week. I should have let it ring. Tony from advertising was back, and judging by the absence of static on the line he was hideously close.

"Just thought I'd touch base with you." I could hear him taking a drag on his cigarette, and I made a mental note to buy an answering machine to deal with anyone else who might want to touch base on a Sunday.

"I think I've found a place." He didn't pause to hear the effect of his announcement, and so missed the sound of my heart sinking. "Quite a way from you, actually, nearer the coast." I told him that I was delighted; the nearer the coast he was, the better. "Needs a lot doing to it, so I'm not going to pay what he's asking. Thought I'd bring my builders over to do the work. They did the office in six weeks, top to bottom. Irish, but bloody good. They could sort this place out in a month."

I was tempted to encourage him, because the idea of a gang of Irish workmen exposed to the pleasures of a building site in Provence-the sun, cheap wine, endless possibilities for delay, and a proprietor too far away to be a daily nuisance-had the makings of a fine comic interlude, and I could see Mr. Murphy and his team stretching the job out until October, maybe getting the family over from Donegal for a holiday during August and generally having a grand time. I told Tony he might be better advised to hire local labor, and to get an architect to hire it for him.

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