Christopher Priest - The Prestige

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Flyleaf:
After ten years of quietude, author Christopher Priest (nominated one of the Best of Young British Novelists in 1983) returns with a triumphant tale of dueling prestidigitators and impossible acts.
In 1878, two young stage magicians clash in a darkened salon during the course of a fraudulent sйance. From this moment, their lives spin webs of deceit and exposure as they feud to outwit each other. Their rivalry takes them both to the peak of their careers, but with terrible consequences. It is not enough that blood will be spilt — their legacy is one that will pass on for generations.
The Prestige
The Prestige

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When I was eight I was sent away to a girls’ boarding school near Congleton, but while I was little I spent most of my life at home with my mother. When I was four she sent me to a nursery school in Caldlow village, and later to the primary school in Baldon, the next village along the road towards Chapel. I was taken to and from the school in my father's black Standard, driven carefully by Mr Stimpson, who with his wife represented our entire domestic staff. Before the Second World War there had been a full household of servants, but all that changed during the war. From 1939 to 1940 the house was used partly to accommodate evacuees from Manchester, Sheffield and Leeds, and partly as a school for the children. It was taken over by the RAF in 1941, and the family has not lived in the main part of the house since. The part of it in which I live is the wing where I grew up.

If there had been any preparations for the visit, Rosalie and I were not told what they were, and the first we knew about it was when a car arrived at the main gate and Stimpson went down to let it in. This was in the days when Derbyshire County Council was using the house, and they always wanted the gates locked at weekends.

The car that drove up to the house was a Mini. The paint had lost its shine, the front bumper was bent from a collision, and there was rust around the windows. It was not at all the sort of car that we were used to seeing call at the house. Most of my parents’ other friends were apparently well-off or important, even during this period when our family had fallen on relatively hard times.

The man who had been driving reached into the back seat of the Mini, and pulled out a little boy, just now waking up. He cradled the boy against his shoulder. Stimpson conducted them politely to the house. Rosalie and I watched as Stimpson returned to the Mini to unload the luggage they had brought with them, but we were told to come down from the nursery and meet the visitors. Everyone was in our main sitting room. Both my parents were dressed up as if it was an important occasion, but the visitors looked more casual.

We were introduced formally, as we were used to; my family took social manners seriously, and Rosalie and I were well versed in them. The man's name was Mr Clive Borden, and the boy, his son, was called Nicholas, or Nicky. Nicky was about two, which was three years younger than me and five years younger than my sister. There did not appear to be a Mrs Borden, but this was not explained to us.

From my own researches I have subsequently found out a little more about this family. I know for instance that Clive Borden's wife had died shortly after the birth of her baby. Her maiden name was Diana Ruth Ellington, and she came from Hatfield in Hertfordshire. Nicholas was her only son. Clive Borden himself was the son of Graham, the son of Alfred Borden, the magician. Clive Borden was therefore the grandson of Rupert Angier's greatest enemy, and Nicky was his great-grandson, my contemporary.

Obviously, Rosalie and I knew nothing of this at the time, and after a few minutes Mama suggested that we might like to take Nicky up to our nursery and show him some of our toys. We meekly obeyed, as we had been brought up to do, with the familiar figure of Mrs Stimpson on hand to look after us all.

What then passed between the three adults I can only guess at, but it lasted all the afternoon. Clive Borden and his boy had arrived soon after lunchtime, and we three children played together, uninterrupted, all afternoon until it was almost dark. Mrs Stimpson kept us occupied, leaving us to play together when we were happy to do so, but reading to us or encouraging us to try new games when we showed signs of flagging. She supervised toilet visits, and brought us snacks and drinks. Rosalie and I grew up surrounded by expensive toys, and to us, even as children, it was clear that Nicky was not used to such excess. With adult hindsight I imagine the toys of two girls were not all that interesting to a two-year-old boy. We got through the long afternoon, however, and I've no memory of squabbles.

What were they talking about downstairs?

I realize that this meeting must have started as one of the occasional attempts our two families have made to patch up the row between our ancestors. Why they, we, could not leave the past to fester and die I do not know, but it seems deep in the psychological make-up of both sides to need to keep fretting over the subject. What could it possibly matter now, or then, that two stage magicians were constantly at each other's throats? Whatever spite, hatred or envy that rankled between those two old men surely could not concern distant descendants who had their own lives and affairs? Well, so it might seem in all common sense, but passions of blood are irrational.

In the case of Clive Borden, irrationality seems part of him, no matter what might have happened to his ancestor. His life has been difficult to research, but I know he was born in west London. He led an average childhood and had a fair talent for sports. He went to Loughborough College after he left school but dropped out after the first year. In the decade afterwards he was frequently homeless, and seems to have stayed in the houses of a number of friends and relatives. He was arrested several times for drunk and disorderly behaviour, but somehow managed to avoid a criminal record. He described himself as an actor and made a precarious living in the film industry, doing extra and stand-in work whenever he could find it, with periods on the dole between. The one short period of emotional and physical stability in his life was when he met and married Diana Ellington. They set up home together in Twickenham, Middlesex, but the marriage turned out to be tragically short-lived. After Diana died Clive Borden stayed on in the flat they had been renting and managed to persuade a married sister, who lived in the same area, to help bring up the baby boy. He kept working in films, and although he was again drifting socially, he appears to have been able to provide for the child. This was his general situation at the time he came to visit my parents.

(After this visit he left the flat in Twickenham, apparently moved back to the centre of London, and in the winter of 1971 went abroad. He went first to the USA, but after that travelled on to either Canada or Australia. According to his sister he changed his name, and deliberately broke all contacts with his past. I have done what investigation I can, but I have been unable to establish even whether he is still alive or not.)

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But now I return to that afternoon and evening of Clive Borden's visit to Caldlow House, and try to reconstruct what had taken place while we children played upstairs.

My father would have been making a great show of hospitality, offering drinks and opening a rare wine to celebrate the occasion. The evening meal would be lavish. He would enquire genially about Mr Borden's car journey, or about his views on something that might be in the news, or even about his general wellbeing. This is the way my father invariably behaved when thrust into a social situation whose outcome he could not predict or control. It was the bluff, agreeable faзade put up by a decent English gentleman, lacking in sinister connotation but completely inappropriate for the occasion. I can imagine that it would have made more difficult any reconciliation that they were trying to achieve.

My mother, meanwhile, would be playing a more subtle part. She would be much better attuned to the tensions that existed between the two men, but would feel constrained by being, in this matter, a relative outsider. I believe she would not have said much, at least for the first hour or so, but would be conscious of the need to focus on the one subject that concerned them all. She would have kept trying, subtly and unobtrusively, to steer the conversation in that direction.

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