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Christopher Priest: The Inverted World

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Christopher Priest The Inverted World

The Inverted World: краткое содержание, описание и аннотация

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When Helward Mann leaves the city of Earth, he has no reason to believe that the world that lies beyond the walls could be anywhere but his home planet. Indeed, despite similarities, there is evidence which he cannot ignore — that slowly betrays all his preconceptions. Nominated for Hugo Award for Best Novel in 1975.

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The Inverted World

by Christopher Priest

To my mother and father

Wheresoe’er I turn my view,
All is strange, yet nothing new;
Endless labour all along,
Endless labour to be wrong.

—SAMUEL JOHNSON

AUTHOR’S NOTE

Some of the situations described in this novel were incorporated into a short story entitled “The Inverted World,” which was first published in England in New Writings in SF — 22 by Sidgwick Jackson Ltd.

Beyond a slight duplication of background and the inclusion of a few similarly named characters, there is not much between the two that is common.

Christopher Priest

PROLOGUE

Elizabeth Khan closed the door of the surgery, and locked it. She walked slowly up the village street to where the people were gathering in the square outside the church. There had been a mood of expectancy all day as the huge bonfire took shape, and now the village children ran excitedly in the street, waiting for the moment when the fire would be lit.

Elizabeth went first to the church, but there was no sign of Father dos Santos.

A few minutes after sunset one of the men put a light to the dry tinder at the base of the pile of wood, and bright flame crackled through and up. The children danced and jumped, crying to each other as the timber popped and spat sparks.

Men and women sat or lay on the ground near the fire, passing flagons of the dark, rich local wine. Two men sat apart from the others, each lightly fingering a guitar. The music was soft, played for its own sake, not for dancing.

Elizabeth sat near the musicians, drinking some of the wine whenever a flagon was passed to her.

Later, the music became louder and more rhythmic, and several of the women sang. It was an old song, and the words were in a dialect Elizabeth could not follow. A few of the men climbed to their feet and danced, shuffling with arms linked, very drunk.

Responding to the hands that reached out to pull her up, Elizabeth went forward and danced with some of the women. They were laughing, trying to show her the steps. Their feet threw up clouds of dust that drifted slowly through the air before being caught and swept up in the vortex of heat above the fire. Elizabeth drank more wine, danced with the others.

When she stopped for a rest she realized that dos Santos had appeared. He was standing some distance away, watching the festivities. She waved to him, but he made no response. She wondered if he disapproved, or whether he was simply too reserved to join in. He was a shy, gauche young man, ill at ease with the villagers and as yet unsure of how they regarded him. Like Elizabeth he was a newcomer and an outsider, although Elizabeth believed that she would overcome the villagers’ suspicions faster than he would. One of the village girls, seeing Elizabeth standing to one side, took her hand and dragged her back to the dance.

The fire burned down, the music slowed. The yellow glow thrown by the flames dwindled to a circle about the fire itself, and the people sat on the ground once more, happy and relaxed and tired.

Elizabeth refused the next flagon that was passed to her, and instead stood up. She was rather more drunk than she had realized, and she staggered a little. As some of the people called out to her she walked away, leaving the centre of the village, and went out into the dark countryside beyond. The night air was still.

She walked slowly and breathed deeply, trying to clear her head. There was a way she had walked in the past, across the low hills that surrounded the village, and she went that way now, lurching slightly on the irregularities of the ground. At one time this had probably been rough pastureland, but now there was no agriculture to speak of in the village. It was wild, beautiful country, yellow and white and brown in the sunlight; now black and cool, the stars brilliant overhead.

After half an hour she felt better, and headed back towards the village. Walking down through a grove of trees just behind the houses, she heard the sound of voices. She stood still, listening… but she heard only the tones, not the words.

Two men were conversing, but they were not alone. Sometimes she heard the voices of others, perhaps agreeing or commenting. None of it was her concern, but nevertheless her curiosity was piqued. The words sounded urgent, and there was a sense of argument to the conversation. She hesitated a few seconds more, then moved on.

The fire had burned itself out: now only embers glowed in the village square.

She walked on down to her surgery. As she opened the door she heard a movement, and saw a man near the house opposite.

“Luiz?” she said, recognizing him.

“Goodnight, Menina Khan.”

He raised his hand to her, and went inside the house. He was carrying what appeared to be a large bag or a satchel.

Elizabeth frowned. Luiz had not been at the festivities in the square; she was sure now that it had been him she had heard in the trees. She waited in the doorway of the surgery a moment longer, then went inside. As she closed the door she heard in the distance, clear in the still night, the sound of horses galloping away.

PART ONE

1

I had reached the age of six hundred and fifty miles. Beyond the door the guildsmen were assembling for the ceremony in which I would be admitted as a guild apprentice. It was a moment of excitement and apprehension, a concentration into a few minutes of all that my life had been until then.

My father was a guildsman, and I had always seen his life from a certain remove. I regarded it as an enthralling existence, charged with purpose, ceremony, and responsibility; he told me nothing of his life or work, but his uniform, his vague manner, and his frequent absences from the city hinted at a preoccupation with matters of utmost importance.

Within a few minutes the way would be open for me to join that life. It was an honour and a donning of responsibility, and no boy who had grown up inside the confining walls of the crèche could fail to respond to the thrill of this major step.

The crèche itself was a small building at the very south of the city. It was almost totally enclosed: a warren of corridors, rooms, and halls. There was no access to the rest of the city, except by way of a door which was normally locked, and the only opportunities for exercise existed in the small gymnasium and a tiny open space, bounded on all four sides by the high walls of the crèche buildings.

Like the other children I had been placed in the charge of the crèche administrators soon after my birth, and knew no other world. I had no memories of my mother: she had left the city soon after my birth.

It had been a dull but not unhappy experience. I had made some good friends, and one of them — a boy a few miles older than me called Gelman Jase — had become an apprentice guildsman a short time before me. I was looking forward to seeing Jase again. I had seen him once since his coming of age, when he returned briefly to the crèche, and already he had adopted the slightly preoccupied manner of the guildsmen, and I had learned nothing from him. Now that I too was about to become an apprentice I felt that he would have much to tell me.

The administrator returned to the ante-room in which I was standing.

“They’re ready,” he said. “Can you remember what you have to do?”

“Yes.”

“Good luck.”

I discovered that I was trembling, and the palms of my hands were moist. The administrator, who had brought me from the crèche that morning, grinned at me in sympathy. He thought he understood the ordeal I was suffering, but he knew, literally, only half of it.

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