Annie Wang - The People’s Republic of Desire

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Those who know little to nothing about Chinese culture will receive an eye-opening experience of how China was and how China is now through Annie Wang’s novel The People’s Republic of Desire.
Wang takes readers on a journey with four cosmopolitan women learning to live life in the new China. Niuniu, the book’s narrator, is a Chinese American woman, who spent seven years living in the States obtaining her degree in journalism. In the book, Niuniu is now considered a “returnee” when she goes back to China to get over a broken heart. What she meets upon return to her homeland is not the traditional Confucian values she left, but a new modern China where Western culture seems to have taken over – to an extreme.
Niuniu, the narrator of the book, is called a “Jia Yangguiz” which means a “fake foreign devil” because of her Westernized values. Her friend Beibei is the owner of her own entertainment company and is married to a man who cheats, so Beibei deals with his infidelity by finding her own young lovers. Lulu is a fashion magazine editor who has been having a long-term affair with a married man, and thinks nothing of having several abortions to show her devotion to him. CC, also a returnee, struggles with her identity between Chinese and English.
In The People’s Republic of Desire the days of the 1989 idealism and the Tiananamen Sqaure protests seem forgotten to this new world when making a fast yuan, looking younger, more beautiful, and acting important seems to be of the most concern to this generation.
Wang uses these four woman to make humorous and sometimes sarcastic observations of the new China and accurately describes how Western culture has not only infiltrated China, but is taken to the extreme by those who have experienced a world outside the Confucian values. What was once a China consumed with political passions, nepotism, unspoken occurrences, and taboos is now a world filled with all those things once discouraged – sex, divorce, pornography, and desire for material goods. It’s taken the phrase “keeping up with the Joneses” to an all-time high.
Wang offers a glimpse of modern day Beijing and what it would take for any woman – returnee or otherwise – to move forward and conquer dilemmas in the fast-moving Chinese culture. The characters joke that “nowadays, the world is for bad girls” and all the values of their youth have been lost to this new modern generation of faking their identity, origin, and accent. It seems that such a cultural shock would be displeasing to those who knew the old China, but instead these young women seem to be enjoying the newfound liberties.
If you’re looking for a quick read with a plot, you won’t find it in The People’s Republic of Desire. Each of the 101 chapters read like individual short stories, separate stories about friends, family, and other individuals who Niuniu is acquainted with or meets and through which Wang weaves a humorous and often sarcastic trip into Beijing, China.
The book is filled with topics of family, friends, Internet dating, infidelity, rich, poor, and many of the same ideals most cultures worry themselves about. Many of the chapters end with popular phrases that give the reader an insight into Chinese culture and language. Wang does seem to use Niuniu’s journalistic background to intertwine the other characters and come to a somewhat significant conclusion.
As the press release states, “Wang paints an arresting portrait of a generation suffocating in desire. For love. For success. For security. For self actualization. And for the most elusive aspiration of all: happiness.”
With The People’s Republic of Desire, Wang does just that. She speaks not only of the new culture but also of the old ways and how China used to be. She may have educated readers about the new China with her knowledge of the Western and Chinese culture, but also Wang hits the nail on the head when it comes to showing most people’s needs. After all, aren’t most human beings striving for many of these same elusive dreams?
Joanne D. Kiggins
***
From Publishers Weekly
As Wang reveals in intimate detail, today's affluent Beijing women – educated, ambitious, coddled only children enamored of all things Western – are a generation unto themselves. The hyperobservant narrator of this fascinating novel (after Lili: A Novel of Tiananmen) is 20-something Niuniu, a journalist who was born in the United States but grew up in China and returned to America for college and graduate school. Now she's back in Beijing nursing a broken heart and discovering "what it means to be Chinese" in a money- and status-obsessed city altered by economic and sexual liberalization. Supporting Niuniu – and downing a few drinks with her – are her best buddies: entrepreneurial entertainment agent Beibei, sexy fashion mag editor Lulu and Oxford-educated CC. Sounds like the cast of Sex in the Forbidden City, but the thick cultural descriptions distinguish the novel from commercial women's fiction. A nonnative English speaker, Wang observes gender politics among the nouveau riche in careful, reportorial prose. Though Niuniu's romantic backstory forms a tenuous thread between the chapters, and the novel – based on Wang's newspaper column of the same title – doesn't finally hold together, this is a trenchant, readable account of a society in flux.

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When Chinese people ask me which school I went to, I tell them it's Berkeley. Not many people have heard of it. Even Yale can't compete with Harvard when it comes to fame in China. Harvard is the only school that matters. Mother suggested I apply for Harvard graduate school after I received my degree in Missouri, but I didn't listen. The Mamas and the Papas' "California Dreamin" and the Eagles' "Hotel California" brought me to Berkeley.

"You think what you did is called romanticism? No, it's called stupidity," Mother said. "How can you make such a big decision of your lifetime based on some pop songs?" Like many Chinese parents, Mother is obsessed with her kids being number one, not number two. There is only one number one.

My friend Lily came back to China after getting her M.B.A. from HBS (Harvard Business School). In this era of Harvard worship, she expects to find herself a good job and a good husband in China. Apparently, a husband is more important to Lily than a job. Instead of posting job ads, she posts a personal ad on the Internet. At Matchmakers.com, she says: "Lily, female, in her late twenties, master's degree, five feet three, average body type, long black hair, and a thin waist, not model type but kind of cute, introverted but easygoing, kindhearted, enjoys hiking, walking in the moonlight, quiet dinners, and reading on the beach. My favorite book is Jane Eyre, my favorite food is fish, my favorite actor is Tom Cruise, my favorite color is lilac. I'm proud to say I can make a good wife, a good mother, and a good career woman.

"You: love children, family-oriented, well-mannered, speak fluent English, well-educated, kind, honest. You don't have to have a car or a house, but you should have a nice job. You don't have to be Tom Cruise, but you should look sexy. Ple ase no: party animals, playboys, one-night standers, male chauvinists, perverts, mama's boys, liars, or bald, overweight, divorces."

Lily purposely makes her ad a bit dull because she doesn't fully trust cyberdating, but she still gets sixty replies in one day. Despite all her stipulations, many replies are unexpected.

Four married men are seeking trysts and sexual adventures during the day, one respondent wants to exchange nude pictures, another guy offers to clean her house naked, two claim that they like to please women in bed in creative ways, three invite her to have threesomes with them and their wives. Lily is surprised at the level of sexual liberation in her own country thanks to development and modernization. She deletes all the unsavory ones, which leaves thirty-eight replies. Among those, she finds that each starts with a similar sentence: "I'm a graduate from Tsinghua." "I have a master's degree too, but not from China, from Australia."

Lily picks an IT guy named Jason who started his own online auction site in the high-tech zone in Zhongguan Cun. He doesn't mention his education in his reply. Instead, he talks about his hobbies and the books he loves. From the pictures he has sent Lily, he is also good-looking.

They meet in a bar called 1952. Lily carries a newspaper under her arm as a sign. Jason wears a baseball cap. He is not as handsome as his pictures, but he's still cute. They nod, sit down, and order gin and rum. Then, the famous drag show at 1952 begins. As they watch the transvestites in miniskirts miming to Teresa Teng's songs, Jason complains about how he was harassed in Thailand by a girl whom he later found out was a boy. "I wanted to throw up after finding out they were men. It's like the movie," Jason says, scratching his head, trying to think of its title.

"The Crying Game?" Lily suggests.

"Yes, exactly. That's the movie I am talking about."

Instead of asking personal questions, such as Where do you live? and What do you do? they start to talk about their trips around the world. Lily gathers that Jason is also a returnee who got a degree from overseas; local Chinese would not have the freedom or the financial ability to travel so often.

One hour passes.

"Where did you go to school?" Jason asks Lily. His first personal question.

"A school in Boston." She tries to avoid going into details.

Jason continues his travel talk, on the cuisine and customs of other cultures. Lily listens attentively and enjoys Jason's humor. She likes men who have a sense of humor.

Another hour passes.

"So what's the name of the school you went to?" Jason asks Lily again.

"Harvard," Lili finally says reluctantly.

Jason nods. Quickly, he pays the bill and says to Lily, "I have to run, but keep in touch. It was great to meet you."

Lily never hears from Jason again. She has the same experience with Frank, Brian, and Tony. Each time, men leave when they hear the name of her school.

Why? Lily asks me for help.

To solve Lily's puzzle, I invite my girlfriends to a teahouse named Purple Wind as her consultants and focus group. We ordered fifteen-year-old Puer tea and some sunflower seeds and dry prunes. One of the women, Dr. Bi, a psychology professor, says, "Chinese men like their women to admire them, not the other way around. They can't stand their women to be better than they are, especially in the education field. The more educated women are, the more difficult it is for us to find husbands nowadays." Lulu comments, "Harvard is almost divine in the minds of many Chinese. But who wants to marry someone who's divine?"

Harvard may make some people rich and famous in China, but it keeps Lily single. Maybe it wasn't so bad that I chose Berkeley instead of Harvard after all.

8 The Tragic Love of Jeremy Irons

Who is your favorite male actor?

This is the question my girlfriends love to ask one another.

Among our group, 30 percent are Ricky Martin fans, including me – by far the largest group. Richard Gere and the Irish-born Pierce Brosnan have the second and third biggest following. Tom Cruise and Leonardo Di Caprio arguably rank fourth and fifth. The fans often meet in online chat rooms, gossiping about their idols: whether Ricky Martin had seven children with different women, how Tom Cruise likes women that are taller than he, how the color of Pierce Brosnan's eyes changes in different James Bond movies.

Fans of different actors form their own factions to fight against other factions. Ricky Martin haters circulate e-mail rumors regarding Ricky's sexual orientation. Tom Cruise haters call him a big-butted dwarf. Richard Gere haters post his anti-China comments and mock his narrow eyes. It's ironic to imagine a group of Chinese sitting around mocking Richard Gere for having narrow eyes. They expect their idols to look European, not like them. It's part of the inferiority complex the Chinese nation suffers from.

However, one fan club does not bother to attack others. Instead, they totally indulge in themselves. It's the fan club of Jeremy Irons, the English actor with the fatal elegance of an aristocrat and a voice that comes from heaven and hell. The group, which was formed over the Internet by me, is small but exclusive. It does not take a detective to realize that the women in my club share many of the same characteristics: city girls (40 percent from Shanghai, 40 percent from Beijing, and 20 percent from Guangzhou); educated (all have B.A. or M.A. degrees); like to wear straight black long hair or short gelled hair; prefer to wear black or white outfits in cotton or linen fabric. They look mild, favor dark lipstick, but are sometimes neurotic, arrogant, and narcissistic. They are also romantic. They read Marguerite Duras, listen to Irish music, buy prints of Van Gogh's paintings, drink cappuccino, shave their legs (most Chinese girls don't), have several cyber names, own a bottle of imported perfume (the size of the bottle depends on how much money they make), and are open about sex, though they may fake orgasms during intercourse.

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