Tatyana Tolstaya - The Slynx

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Tatyana Tolstaya's powerful voice is one of the best in contemporary Russian literature. She wrote many a commentary on modern-day Russia for the New York Review of Books before moving back to Moscow to complete her first novel, The Slynx. Tolstaya is a descendant of the great Leo Tolstoy but that might be beside the point.
The Slynx is a brilliantly imaginative satire set in a hypothetical Moscow two hundred years after an event termed "the Blast." The Blast has forever altered the landscape of Moscow. People now live with mutations, called Consequences. Some have cockscombs growing everywhere, some have three legs and then there are the Degenerators who are humans in doglike bodies. Some "Oldeners" still linger on. Their only Consequence is that they remain unchanged and seemingly live forever. They remember life before the Blast and moan the primitive cultural mores of the society they live in, where only the wheel has been invented thus far and the yoke is just catching on. This feudal landscape is ruled by Fyodor Kuzmich, Glorybe, a tyrant who rules with an iron hand. Kuzmich passes off all Russian literature as his own works and issues decrees at the drop of a hat to keep the public ignorant and docile.
The primary protagonist of The Slynx is a young scribe, Benedikt. His job is to copy all of Kuzmich's "works" on to bark, for use by the public. Benedikt marries a coworker, Olenka, and discovers the wonder of books through his father-in-law, Kudeyar Kudeyarich. His father-in-law, however, harbors nefarious plans to oust the current regime. Benedikt's love of books soon turns ugly and Kudeyarich channels this force to implement his own evil designs.
The Slynx is translated fluidly by Jamey Gambrell. One wonders how she worked in intelligent phrases such as: "You feel sorry for someone. Must be feelosophy." Tolstaya's descriptions of the futuristic backdrop where people eat and trade mice as currency are bizarre yet not hugely so. Sometimes she seems to be so in love with her own creation that the storyline tends to wander. But she does not stray too far and her prose dripping with rich imagery more than makes up for it.
Tolstaya's futuristic Russia might not be very different from the one she often complains about. "Why is it that everything keeps mutating, everything?" laments an Oldener, "People, well all right, but the language, concepts, meaning! Huh? Russia! Everything gets twisted up in knots." The perils of a society in which "Freethinking" is a crime and where an indifferent populace can be "evil" are ably brought out by the gifted Tolstaya. "There is no worse enemy than indifference," she warns, "all evil in fact comes from the silent acquiescence of the indifferent." The scary "Slynx," in the novel, is a metaphor for all the evil that is waiting to rear its ugly head on a sleeping people.
The Slynx's descriptions of a tyrannical society might be too simplistic to apply to Russia. Its reception in the country has been mixed. The newspaper Vechernaya Moskva commented: "After all that we have read and thought over about Russia during the last fifteen years, this repetition of old school lessons is really confusing. There is a surfeit of caricatures of the intellegentsia, of anti-utopias depicting the degradation and decay of the national consciousness, and postmodernistic variations on the theme of literary-centrism." That having been said, Tolstaya's haunting prose serves as a chilling reminder of the way things could be, especially when government censorship and other controls move silently back in. The "Slynx" is never too far away. History, as they say, does tend to repeat itself.

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Number eight wasn't there. Well, maybe he made a mistake and put it in the wrong place… that happens… Here's The Northern Herald, here's The Herald of Europe, Russian Wealth, The Urals, Lights of the Urals, Beekeeping… no, not here… Banner, Literary Bashkortostan, New World… he'd read them, Turgenev, he'd read it, Yakub Kolas, read it, Mikhalkov, A Partisan's Handbook, Petrarch, The Plague, The Plague of Domestic Animals: Fleas and Ticks, Popescu, Popka-the-Fool - Paint It Yourself, Popov, another Popov, Poptsov, The Iliad, Electric Current, he'd read it, Gone With the Wind, Russo-Japanese Poly-technical Dictionary, Sartakov, Sartre, Sholokhov: Humanistic Aspects, Sophocles, Sorting Consumer Refuse, Sovmorflot - 60 Years, Stockard, Manufacture of Stockings and Socks, he'd read that one, that one and that one…

Chalk Farm, Chandrabkhangneshapkhandra Lal, vol. 18, Chaucer, John Cheever; The Black Prince, aha, a mistake, that didn't go there, Chekhov, Chapchakhov, Chakhokhbili in Kar-sian, Chukh-Chukh: For Little People.

Chen-Chen: Tales of the Congo, Cherokee Customs, Chewing Gum Stories, Chingachguk the Giant Serpent, Chipmunks and Other Friendly Rodents, Chkalov, Chrysanthemums of Armenia Part V, Chukotka: A Demographic Review, Chukovsky, Chum - Dwelling of the Peoples of the Far North, Churchill: The Early Years, read it. Kafka, Kama River Steamboats, Kashas Derived from Whole Grain. Dial M for Murder, Murder in Mesopotamia, Murder on the Orient Express, Kirov's Murder, Laudanum: The Poetic Experience, Lilliputians and Other Little People, Lim-onov, Lipchitz, Lipid-protein Tissue Metabolism… he'd read it all.

The Red and the Black, Baa Baa Black Sheep, The Blue and the Green, The Adventure of the Blue Carbuncle, The Blue Cup, Island of the Blue Dolphins, The Chocolate Prince, The Crimson Flower… that's a good one… The Crimson Letter, Crimson Sails, Little Red Riding Hood, The Yellow Arrow, The Five Or ange Pips, The White Steamboat, White Clothes, White Bim - Black Ear, T. H. White, The Woman in White, The Purple Island, The Black Tower, Black Sea Steamboats: Registry, this is where The Black Prince goes. Now…

Appleton, Bacon, Belcher, Blinman, Cooke, Culpepper, Honeyman, Hungerford, Liverich, Pearson, Saulter… Baldwin, Beardsley, Hatcliff, Morehead, Skinner, Topsfield, Whitehead, Whisker… Bairnsfather, Childe, Fairbrother, Motherwell, Littleboy… Ambler, Bulstrode, Chatterley, Doddleton, Dolittle, Fleetwood, Gabbler, Golightly, Hopkins, Sitwell, Skip-with, Standon, Swift, Talkien, Walker, Whistler… Hammer-stein, Hornebolt, Ironquill, Newbolt, Witherspoon… Canby, Mabie, Moody, Orwell, Whowood… Bathurst, Beerbohm, Beveridge, Brine, Dampier-Whetham, de La Fontaine, Dewey, Drinkwater, Dryden, Lapping, Shipwash, Washburn, Water-house… Addicock, Cockburn, Crapsey, Dickens, Dickinson, Fullalove, Gotobed, Hooker, Longfellow, Lovelace, Loveridge, Middlesex, Sexton, Simpkiss, Sinkin, Strangewayes, Sweetecok, Toplady… Fairweather, Flood, Fogg, Frost, Haleston, Rain-borough, Snowdon, Sun Yat-sen, Weatherby, Wyndham… Middleton, Overbury, Underhill… Coffin, Dyer, Feversham, Lockjaw, Paine, Rawbone…

The Vampire's Embrace, The Dragon's Embrace, The Foreigner's Embrace, The Fatal Embrace, Passion's Embrace, Fiery Embraces, The All-Consuming Flame of PassionThe Dagger's Blow, The Poisoned Dagger, The Poisoned Hat, Poisoned Clothes, With Dagger and Poison, Poisonous Mushrooms of Central Russia, Golden-haired Poisoners, Arsenic and Old Lace, Death of a Salesman, Death Comes for the Archbishop, Death Comes at Midnight, Death Comes at Dawn, The Bloody Dawn…

Children of the Arbat, Vanya's Children, Children of the Underground, Children of the Soviet Land, Kids in Cages, Children on Christ, The Boxcar Children, Nikita's Childhood.

Marinina, Marinating and Pickling, Marine Artists, Marinetti - the Ideologist of Fascism, Mari-El Grammar: Uses of the Instrumental Case.

Klim Voroshilov, Klim Samgin, Ivan Klima, K. Li, Maximal

Load in Concrete Construction: Calculations and Tables (dissertation).

Anai's Nin, Nina Sadur, Nineveh: An Archeological Collection. Ninja in a Bloody Coat, Mutant Ninja Turtles Return, Pa-panin, Make Life from Whom?

Eugenia Grandet, Eugene Onegin, Eugene Primakov, Eugene Gutsalo, Eugenics: A Racist's Weapon, Eugene Sue.

Hamlet, Prince of Denmark, Tashkent - City of Bread, Bread - A Common Noun, Urengoi - The Land of Youth, Uruguay - An Ancient Land, Kustanai - The Steppe Country, Scabies - An Illness of Dirty Hands,.

Foot Hygiene on the Road, F. Leghold, Ardent Revolutionaries, The Barefoot Doctors, Flat Feet in Young Children, Claws: New Types, Shoe Polish Manufacture, Grow Up, Friend: What a Young Man Needs to Know about Wet Dreams, Hands Comrade!, Sewing Trousers, The Time of the Quadrupeds, Step Faster!, How the Millipede Made Porridge, Marinating Vegetables at Home, Faulkner, Fiji: Class Struggle, Fyodor's Woe, Shakh-Reza-Pahlevi, Shakespeare, Shukshin.

Mumu, Nana, Shu-shu: Tales of Lenin, Gagarin: We Remember Yura, Tartar Women's Costumes, Bubulina - A Popular Greek Heroine, Boborykin, Babaevsky, Chichibabin, Bibigon, Gogol, Dadaists Exhibition Catalogue, Kokoschka, Mimicry in Fish, Vivisection, Tiutiunnik, Chavchavadze, Lake Titicaca, Popocatepetl, Raising Chihuahuas, The Adventures of Tin Tin.

Afraid of guessing, Benedikt went through the treasures with shaking hands; he was no longer thinking about issue number eight. It's not here, I'll live. But book after book, journal after journal-he'd already seen this, read this, this, this, this, this… So what did this mean? Had he already read everything? Now what was he going to read? And tomorrow? A year from now?

His mouth went dry and his legs felt weak. He lifted the candle high; its bluish light parted the darkness and danced on the shelves along the books' covers… maybe, up on the top…

Plato, Plotinus, Platonov, Plaiting and Knitting Jackets, Herman Plisetsky, Maya Plisetskaya, Plevna: A Guide, Playing with Death, Plaints and Songs of the Southern Slavs, Playboy. Plinths:

A Guidebook, Planetary Thinking, Plan for Popular Development in the Fifth Five-year Plan. Plebeians of Ancient Rome. Plenary Sessions of the CPSU, The Horn of Plenty in Oil Painting, Pleurisy. Pliushka, Khriapa, and Their Merry Friends. Plying the Arctic Waters. The Pilgrims at Plymouth Rock. He'd read them all.

That was it. "It's all over," muttered Vladimir. Nothing foretold this. Benedikt stood there, dripping candle oil on the floor, trying to take in the full horror of what he'd just realized. A guy is feasting at a rich banquet, wearing a crown of roses, laughing, carefree, his whole life lies ahead: he doesn't have a worry in the world and everything's bright; he takes a bite of sweet roll in play, reaches out for another-and all of a sudden he sees that the table is empty, cleared, there are no leftovers and the room is dead: no friends, no beauties, no flowers, no candles, no cymbals, no dancers, no rusht, maybe even the table itself is gone, there's only dry straw… slowly drifting from the ceiling… rustling and drifting…

Slowly, slowly he returned to the dining room and sat down; they talked and grumbled, served him food… Patties… On his plate-a meat pattie. It lay there. A pattie… There's a meat pattie on Benedikt's plate. He looked and looked… the pattie lay there. He couldn't understand… what should he think… about the meat pattie?

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