Khaled Hosseini - The Kite Runner

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The unforgettable, heartbreaking story of the unlikely friendship between a wealthy boy and the son of his father’s servant, The Kite Runner is a beautifully crafted novel set in a country in the process of being destroyed. It is about the power of reading, the price of betrayal, and the possibility of redemption. And it is also about the power of fathers over sons – their love, their sacrifices, their lies.
The first Afghan novel to be written in English, The Kite Runner tells a sweeping story of family, love, and friendship against a backdrop of history that has not been told in fiction before, bringing to mind the large canvasses of the Russian writers of the nineteenth century. But just as it is old-fashioned in its narration, it is contemporary in its subject – the devastating history of Afghanistan over the past thirty years. As emotionally gripping as it is tender, The Kite Runner is an unusual and powerful debut.

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“All right. Here I go.” I took off running, my sneakers splashing rainwater from puddles, the hand clutching the kite end of the string held high above my head. It had been so long, so many years since I’d done this, and I wondered if I’d make a spectacle of myself. I let the spool roll in my left hand as I ran, felt the string cut my right hand again as it fed through. The kite was lifting behind my shoulder now, lifting, wheeling, and I ran harder. The spool spun faster and the glass string tore another gash in my right palm. I stopped and turned. Looked up. Smiled. High above, my kite was tilting side to side like a pendulum, making that old paper-bird-flapping-its-wings sound I always associated with winter mornings in Kabul. I hadn’t flown a kite in a quarter of a century, but suddenly I was twelve again and all the old instincts came rushing back.

I felt a presence next to me and looked down. It was Sohrab. Hands dug deep in the pockets of his raincoat. He had followed me.

“Do you want to try?” I asked. He said nothing. But when I held the string out for him, his hand lifted from his pocket. Hesitated. Took the string. My heart quickened as I spun the spool to gather the loose string. We stood quietly side by side. Necks bent up.

Around us, kids chased each other, slid on the grass. Someone was playing an old Hindi movie soundtrack now. A line of elderly men were praying afternoon namaz on a plastic sheet spread on the ground. The air smelled of wet grass, smoke, and grilled meat. I wished time would stand still.

Then I saw we had company. A green kite was closing in. I traced the string to a kid standing about thirty yards from us. He had a crew cut and a T-shirt that read THE ROCK RULES in bold block letters. He saw me looking at him and smiled. Waved. I waved back.

Sohrab was handing the string back to me.

“Are you sure?” I said, taking it.

He took the spool from me.

“Okay,” I said. “Let’s give him a sabagh , teach him a lesson, nay?” I glanced over at him. The glassy, vacant look in his eyes was gone. His gaze flitted between our kite and the green one. His face was a little flushed, his eyes suddenly alert. Awake. Alive. I wondered when I had forgotten that, despite everything, he was still just a child.

The green kite was making its move. “Let’s wait,” I said. “We’ll let him get a little closer.” It dipped twice and crept toward us. “Come on. Come to me,” I said.

The green kite drew closer yet, now rising a little above us, unaware of the trap I’d set for it. “Watch, Sohrab. I’m going to show you one of your father’s favorite tricks, the old lift-and-dive.”

Next to me, Sohrab was breathing rapidly through his nose. The spool rolled in his palms, the tendons in his scarred wrists like rubab strings. Then I blinked and, for just a moment, the hands holding the spool were the chipped-nailed, calloused hands of a harelipped boy. I heard a crow cawing somewhere and I looked up. The park shimmered with snow so fresh, so dazzling white, it burned my eyes. It sprinkled soundlessly from the branches of white-clad trees. I smelled turnip qurma now. Dried mulberries. Sour oranges. Sawdust and walnuts. The muffled quiet, snow-quiet, was deafening. Then far away, across the stillness, a voice calling us home, the voice of a man who dragged his right leg.

The green kite hovered directly above us now. “He’s going for it. Anytime now,” I said, my eyes flicking from Sohrab to our kite.

The green kite hesitated. Held position. Then shot down. “Here he comes!” I said.

I did it perfectly. After all these years. The old lift-and-dive trap. I loosened my grip and tugged on the string, dipping and dodging the green kite. A series of quick sidearm jerks and our kite shot up counterclockwise, in a half circle. Suddenly I was on top. The green kite was scrambling now, panic-stricken. But it was too late. I’d already slipped him Hassan’s trick. I pulled hard and our kite plummeted. I could almost feel our string sawing his. Almost heard the snap.

Then, just like that, the green kite was spinning and wheeling out of control.

Behind us, people cheered. Whistles and applause broke out. I was panting. The last time I had felt a rush like this was that day in the winter of 1975, just after I had cut the last kite, when I spotted Baba on our rooftop, clapping, beaming.

I looked down at Sohrab. One corner of his mouth had curled up just so.

A smile.

Lopsided.

Hardly there.

But there.

Behind us, kids were scampering, and a melee of screaming kite runners was chasing the loose kite drifting high above the trees. I blinked and the smile was gone. But it had been there. I had seen it.

“Do you want me to run that kite for you?”

His Adam’s apple rose and fell as he swallowed. The wind lifted his hair. I thought I saw him nod.

“For you, a thousand times over,” I heard myself say.

Then I turned and ran.

It was only a smile, nothing more. It didn’t make everything all right. It didn’t make anything all right. Only a smile. A tiny thing. A leaf in the woods, shaking in the wake of a startled bird’s flight.

But I’ll take it. With open arms. Because when spring comes, it melts the snow one flake at a time, and maybe I just witnessed the first flake melting.

I ran. A grown man running with a swarm of screaming children. But I didn’t care. I ran with the wind blowing in my face, and a smile as wide as the Valley of Panjsher on my lips.

I ran.

ACKNOWLEDGMENTS

I am indebted to the following colleagues for their advice, assistance, or support: Dr. Alfred Lerner, Dori Vakis, Robin Heck, Dr. Todd Dray, Dr. Robert Tull, and Dr. Sandy Chun. Thanks also to Lynette Parker of East San Jose Community Law Center for her advice about adoption procedures, and to Mr. Daoud Wahab for sharing his experiences in Afghanistan with me. I am grateful to my dear friend Tamim Ansary for his guidance and support and to the gang at the San Francisco Writers Workshop for their feedback and encouragement. I want to thank my father, my oldest friend and the inspiration for all that is noble in Baba; my mother who prayed for me and did nazr at every stage of this book’s writing; my aunt for buying me books when I was young. Thanks go out to Ali, Sandy, Daoud, Walid, Raya, Shalla, Zahra, Rob, and Kader for reading my stories. I want to thank Dr. and Mrs. Kayoumy – my other parents – for their warmth and unwavering support.

I must thank my agent and friend, Elaine Koster, for her wisdom, patience, and gracious ways, as well as Cindy Spiegel, my keen-eyed and judicious editor who helped me unlock so many doors in this tale. And I would like to thank Susan Petersen Kennedy for taking a chance on this book and the hardworking staff at Riverhead for laboring over it.

Last, I don’t know how to thank my lovely wife, Roya – to whose opinion I am addicted – for her kindness and grace, and for reading, re-reading, and helping me edit every single draft of this novel. For your patience and understanding, I will always love you, Roya jan.

About the Author

KHALED HOSSEINI was born in Kabul Afghanistan the son of a diplomat whose - фото 2

KHALED HOSSEINI was born in Kabul, Afghanistan, the son of a diplomat whose family received political asylum in the United States in 1980. He lives in northern California, where he is a physician. The Kite Runner is his first novel.

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The Kite Runner - фото 3
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