Joyce Oates - I’ll Take You There

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In her bewitching 30th novel, I'll Take You There, Joyce Carol Oates returns again to neurotic female post-adolescence. The unnamed narrator attends an upstate New York university in the early 1960s. In those times of tightly prescribed femininity, she joins a sorority in a bald attempt to become part of the sisterhood of normalcy. It doesn't work. She reads philosophy, she works for a living, she's asexual, she's an orphan, she's a Jew: "I was a freak in the midst of their stunning, stampeding, blazing female normality." Booted from the sorority, she falls hard for a thirtyish black philosophy student who seems to her to live on a higher plane than the rest of humanity. In the final section, she is called west to the deathbed of someone she thought was lost to her forever. Oates brings together some of her strongest trademark qualities: She writes her character's life as though it were a fairy tale. She sells her material, bringing dramatic tension to the very first page: "They would claim I destroyed Mrs. Thayer… Yet others would claim that Mrs. Thayer destroyed me." And she writes with tender care about the intellectual life of her young protagonist. Some find Oates's obsession with nascent womanhood claustrophobic, but in this heroine she finds a vein of integrity and intellectual probity peculiar to those who are not quite adult. Most writers treat college life as comedy or romance. Oates, on the other hand, seriously explores an age when we are most terribly ourselves. She seems to find something deeply human and pleasingly dramatic in this time wedged between childhood and adulthood.

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" 'Anellia.' Is that scavenged, too?"

I am not a man for any woman to count on, I am not a man who wants to be loved.

As it was not in Vernor Matheius's nature to be predicted, so it was not in Vernor Matheius's nature to be held to any promise. Even the vaguest promise. It was not in his nature to fall into any routine, however casual. Such as: meeting "Anellia" when the library closed and walking with me across the campus which was near-deserted at that hour; in the romance of spring, when even a fine feathery rain was fragrant with renewal. Though sometimes he'd grip my hand, my bare hand, squeezing the fingers so that I winced without his noticing, talking of his work, his ideas; always he was on the edge of a "breakthrough" regarding the ontological problem, Wittgenstein, and language. Yet he would not plan such meetings even a day beforehand. They must be accidental, or seeming so. He might telephone to invite me to meet him at the coffeehouse but if I wasn't in, he would not leave a message; he would not leave even his name. Once or twice a week he dropped in at the coffeehouse to play chess, but there could be no pattern here, either. His chess companions could not depend upon him. Sometimes, sighting me, they would ask, "Is Vernor coming?" and I would tell them with a smile I had no idea. "Only Vernor Matheius knows where Vernor Matheius is, and only Vernor Matheius knows where Vernor Matheius is going." Yet, by chance, if we met, Vernor would seem genuinely happy to see me; perhaps I'd become like the footbridge, not dangerous but a possibility of something undefined; he would ask if I "was "free" for a meal, as if, always, I was not "free" for Vernor Matheius; we would enter a darkened Italian restaurant near the hospital, Vernor's hand on my shoulder as if I might need guidance; we might enter Downy's, to sit in a rear, shadowy booth whispering together like any couple; I would reason If in others' eyes we are a couple, then that is what we are . Except in the coffeehouse, among Vernor's friends, there were invariably people observing us, curious and hostile eyes; these were the eyes of whites exclusively. Are they lovers? Those two? Not that there were no interracial couples in Syracuse at that time. Surely there were. (Though I rarely saw them.) But something in Vernor Matheius's manner was too visible, provoking. And maybe I looked too young.

Most days I did not see Vernor. These were days so defined: as an insomniac night is defined by the absence of sleep, so these days of nullity and edginess were defined by the absence of Vernor Matheius.

Didn't I warn you: don't love me. Don't even try to know we.

Because it can't be done. Knowing we.

Because identity is within. A man's self is within where the rest of you can't measure it.

18

Sensuality often grows too fast for love to keep up with. Then love's root remains weak and is easily torn up .

Nietzsche, Aphorisms

Yet: we were crossing a city street late one evening, gripping hands, in a playful mood, and a crazed car, a carload of drunken kids, not university students but local young-male whites, provoked by the sight of us and yelling "Nigger!"-"Nig-ger!"-"Nig-ger's bitch!"-swerved in our direction; a jeering horn, beer cans flung at us spraying beer like urine. I would remember with a thrill of emotion that Vernor didn't release my hand but gripped it tighter. "Don't look at them. Don't turn around. They don't exist." Vernor spoke coldly, furiously; we walked swiftly along the pavement, and turned a corner; the car was gone; the incident was over; even the flung beer hadn't touched us. I was too shocked to have been frightened, but now I began to tremble. Vernor was trembling, too. But he said nothing further until, shortly afterward, climbing the wooden steps outside his apartment building, his hand still gripping mine, he murmured, "Stay with me for a while." It was not a question nor even a commandment but rather a statement of fact. I said yes, I would. Inside his apartment a single lamp was burning. He said, quietly, "Anellia, take off your clothes."

With that air still of quiet, subdued fury he fumbled to remove his trousers, tugging and yanking impatiently at his white shirt, flinging his clothes toward a chair; I was slow to remove my clothing, my lingers numbed and without sensation, so he turned to me, wordless, thumbs digging into my shoulders; he seemed almost to be lifting me, breathing hotly and impatiently into my face, pushing me toward his bed in a darkened corner of the room; a narrow, hastily made-up bed with a flattened mattress sagging in the center, a flattened pillow of which how many times I'd dreamt swooning in absurd yearning, now inhaling the strong scent of Vernor Matheius's oily hair, the scent of his heated body, the dark crook of his neck, his underarms springy with hair, his flat belly, his crotch, and his feet; his mouth was pressed against mine for the first time, as if to silence me; his mouth larger, fuller, fleshier and more demanding than mine; and his tongue forcing itself into my mouth; quickly, before I could open to receive it; Vernor Matheius did not want me to take him, he wanted me to be taken by him; his tongue an agent of his cold, purposeful fury; for the jeering white boys in the careening car were vanished, and only I remained; I was seized with panic, unable to breathe; I couldn't kiss Vernor Matheius because his mouth mauled mine, and his fingers mauled, kneaded, squeezed, and stroked my body; I was limp and unresisting tasting his enormous tongue, the beery-acidic saliva of his mouth that was so hungry, moaning as if in pain, and I thought, dazed Now it will happen, at last: he will love me . I felt his penis swollen and blood-engorged pressed against my belly, it was like a living, groping, demanding thing; I tried to whisper, "Vernor, I I-love you-" as in such erotic fantasies I'd whispered these words, in my fantasies these were magical words, words with the power to transform an urgent, clumsy, graceless act into an act of profound meaning; a prayer with the power to make sacred an act of which crude, callous, and derisory things were said, my brothers saying such things, laughing, secret jokes and signals girls weren't supposed to understand; mustn't allow them to know she understands; but my words were choked, I couldn't draw breath to speak; Vernor didn't hear; Vernor didn't want to hear; this wasn't a time for words, from me. He wants to fuck you. Nothing more. Kneeling over me hunched and tremulous, his narrow rib cage heaving with the effort of breath; the bones defined against the tight, sweat-gleaming skin; skin scintillating with tiny beads of sweat like mica I wanted to lick with my tongue; but I could not, I was pinned to the bed by Vernor's weight, a hand pressing my shoulder to the bed so I was barely able to touch him, to reach for him, to slip an arm around his neck. As he'd removed his clothes hurriedly and tossed them aside, he'd removed his glasses, and his eyes were deep-socketed and glistening; without his glasses he was a man I didn't know; the flying skeins of beer like urine had defiled us both, though not touching us; jeering ugly white-man voices Nig-ger ! in this room with us struggling in the dark so Vernor Matheius grunted what sounded like " Nig-ger ! who's a nig-ger ?" He was touching me between the legs, where no man had ever touched me; my skin contracted at his touch, as if with sudden cold; in panic; his fingers were sharp, prodding, impatient where my body had shut up tight; in helpless physical dread I'd shut up tight; to my dismay I'd shut up tight though I wanted to love Vernor Matheius; though wanting to love him, to open myself to him, I could not; I heard him curse; I heard him laugh; his laughter had the sibilant sound of a curse. " You -!" As if there was no worse curse. "Jesus Christ, girl- you ." Vernor Matheius took pity on me, and abandoned me. Damned if he was going to force me. Kneeling above me he held his penis and with quick expedient strokes brought himself wincing to climax; his face contorted like a muscle in spasm, against his will; eyes glazing so he wasn't seeing me, wasn't seeing anything. He collapsed then beside me, nudging my head with his. And still I dared to say, biting my lower lip, "Vernor, I I-love you."

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