Joyce Oates - I’ll Take You There

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In her bewitching 30th novel, I'll Take You There, Joyce Carol Oates returns again to neurotic female post-adolescence. The unnamed narrator attends an upstate New York university in the early 1960s. In those times of tightly prescribed femininity, she joins a sorority in a bald attempt to become part of the sisterhood of normalcy. It doesn't work. She reads philosophy, she works for a living, she's asexual, she's an orphan, she's a Jew: "I was a freak in the midst of their stunning, stampeding, blazing female normality." Booted from the sorority, she falls hard for a thirtyish black philosophy student who seems to her to live on a higher plane than the rest of humanity. In the final section, she is called west to the deathbed of someone she thought was lost to her forever. Oates brings together some of her strongest trademark qualities: She writes her character's life as though it were a fairy tale. She sells her material, bringing dramatic tension to the very first page: "They would claim I destroyed Mrs. Thayer… Yet others would claim that Mrs. Thayer destroyed me." And she writes with tender care about the intellectual life of her young protagonist. Some find Oates's obsession with nascent womanhood claustrophobic, but in this heroine she finds a vein of integrity and intellectual probity peculiar to those who are not quite adult. Most writers treat college life as comedy or romance. Oates, on the other hand, seriously explores an age when we are most terribly ourselves. She seems to find something deeply human and pleasingly dramatic in this time wedged between childhood and adulthood.

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A terrible faintness rose in me. My eyes rolled in my head, the sliver of mirror fell from my fingers to the porch floor and shattered into pieces.

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He didn't see! Couldn't have seen me.
I am to blame. I am the cause of his dying.
No: he couldn't have seen. Not those eyes.
He saw, he'd never forgive.
He saw nothing and there is nothing to forgive.
He saw, and he'd forgive. A dying man forgives.

Even in the confusion of my father's dying, on my hands and knees struggling not to faint I had cunning enough to sweep the mirror-slivers into my hand, and hide them in my shirt pocket.

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After my father died I was sick for some time. But I recovered.

Though Hildie Pomeroy would become my enemy, yet I exercised the first fully adult act of my adult life: arranging to ship my father's body home to Strykersville, to be buried in the Lutheran cemetery beside my mother.

Poor Hildie: she'd planned for my father to be buried in Crescent; she was desperate for my father to be buried in Crescent; I understood her wish to bring flowers to his grave for the remainder of her life; I understood her wish to powder her face dead-white and paint her lips a brooding maroon and wear frilly black clothes of mourning; I understood her wish to pass through her life in Crescent like a ghost, arousing respect, awe, sympathy, and even envy. That's Hildie Pomeroy whose lover died. Not a day passes she doesn't weep for him . I understood, but I couldn't acquiesce for my father had had contrary wishes.

Hildie was livid with rage and cursed me for betraying her. She and my father had been planning to marry, before Erich got sick! Everybody in Crescent knew, and could testify! God damn, it was unfair.

Hildie said bitterly, "You! Why'd I let you in my house! I knew I shouldn't call any of you! Should've told him nobody answered! You got no right to come into my Erich's life so late in his life. Erich loved me ."

Yet there was my father's painstakingly hand-printed will, dated just a few days before his death. If there is insurance money to cover such expenses I wish to be buried in the cemetary of the Luthren church at Strykesville NY & I ask my daugther to fulfill this. Insurance $ is hers. I do not wish to be a burden to survivers. My earthly possessions possesions I wish to divide between my daugther & my friend Hildegard Pomeroy with grattitude . There would be money remaining after burial expenses: my father had a life insurance policy for $7,000; though the last several premiums hadn't been paid, the insurance company agreed to pay out $5,800, which was more than enough.

I was my father's beneficiary! The news was stunning to me.

Yes, it was unfair. Hildie was right. I told her I didn't want what I didn't deserve. I told her that after the burial expenses, I'd make sure that Hildie received the rest of the money. Hildie wept and cursed. She didn't want my goddamned charity, she said. I protested it wasn't charity-"You brought him into your house, you took care of him until the end, you loved him. And he loved you." Hildie stared at me with wild glistening eyes. Since the morning of my father's death, she no longer painted her face; no longer applied mascara to her eyelashes; she'd become a swallow-skinned middle-aged woman with girlish features and a stunted yet perversely shapely female body, and that exotic black hair. What she said now so shocked me, I felt as if I'd been slapped: " 'Loved me'! Know what?-you're shitting me. Think I'm stupid?" I shook my head no, no, I didn't think she was stupid; of course she wasn't stupid; she was a kind, generous, noble person; a courageous person; a good person; I told her that my father had loved her very much, hadn't he named her in his will? Hildie snorted in derision, "Oh, sure! That. 'Earthly possessions' when all he had was junk. The money he leaves to you. Bullshit."

Still, when I sent Hildie Pomeroy a check for $3,200 a few weeks later, Hildie cashed the check.

I sold the Volkswagen for $285. I flew back east to Buffalo. It was my first plane flight, a thrilling experience; in a delirium of exhaustion, sorrow, relief; but the relief was predominant. My father's body was shipped air freight on a separate flight. The funeral at the Lutheran church was small, attended by fewer than thirty people; most of these were relatives and neighbors whom I hadn't seen since leaving Strykersville, and who seemed scarcely to recognize me. Ida's girl? That's her ? Of my brothers, only Fritz took the time to come. For the joint grave I would replace my mother's marker with a small but, I thought, beautiful granite marker engraved with both my parents' names, birth-and death-dates. I would not be joining them in that rocky soil, but my family was now complete.

If things work out between us, someday I'll take you there.

Joyce Carol Oates

Joyce Carol Oateswas born in 1938 and grew up in upstate New York While a - фото 8

Joyce Carol Oateswas born in 1938 and grew up in upstate New York. While a scholarship student at Syracuse University, she won the coveted Mademoiselle fiction contest. She graduated as valedictorian, then earned an M.A. at the University of Wisconsin. In 1968, she began teaching at the University of Windsor. In 1974, her and husband founded Ontario Review . In 1978, she moved to New Jersey to teach creative writing at Princeton University, where she is now the Roger S. Berlind Distinguished Professor of the Humanities.

A prolific writer, having written some 70 books, Joyce Carol Oates has produced some of the most controversial, and lasting, fiction of our time. Her novel, them, set in racially volatile 1960s Detroit, won the 1970 National Book Award. Because It Is Bitter, and Because It Is My Heartfocused on an interracial teenage romance. Black Water, a narrative based on the Kennedy-Chappaquiddick scandal, garnered a Pulitzer Prize nomination, and her national bestseller Blonde, an epic work on American icon Marilyn Monroe, became a National Book Award Finalist. Although Joyce Carol Oates has called herself, "a serious writer, as distinct from entertainers or propagandists," her novels have enthralled a wide audience. After being picked for an Oprah Book at the start of 2001, We Were the Mulvaneysearned the #1 spot on the New York Times bestseller list, the first time any of her books reached the spot, though most have been critically acclaimed. Joyce Carol Oates has been twice-nominated for the Noble Prize in literature.

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Ill Take You There - фото 9
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