Joyce Oates - I’ll Take You There

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In her bewitching 30th novel, I'll Take You There, Joyce Carol Oates returns again to neurotic female post-adolescence. The unnamed narrator attends an upstate New York university in the early 1960s. In those times of tightly prescribed femininity, she joins a sorority in a bald attempt to become part of the sisterhood of normalcy. It doesn't work. She reads philosophy, she works for a living, she's asexual, she's an orphan, she's a Jew: "I was a freak in the midst of their stunning, stampeding, blazing female normality." Booted from the sorority, she falls hard for a thirtyish black philosophy student who seems to her to live on a higher plane than the rest of humanity. In the final section, she is called west to the deathbed of someone she thought was lost to her forever. Oates brings together some of her strongest trademark qualities: She writes her character's life as though it were a fairy tale. She sells her material, bringing dramatic tension to the very first page: "They would claim I destroyed Mrs. Thayer… Yet others would claim that Mrs. Thayer destroyed me." And she writes with tender care about the intellectual life of her young protagonist. Some find Oates's obsession with nascent womanhood claustrophobic, but in this heroine she finds a vein of integrity and intellectual probity peculiar to those who are not quite adult. Most writers treat college life as comedy or romance. Oates, on the other hand, seriously explores an age when we are most terribly ourselves. She seems to find something deeply human and pleasingly dramatic in this time wedged between childhood and adulthood.

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Mrs. Farley was a fussy, watchful employer. She'd had problems with other cleaning girls and would have, she seemed to know, a problem with me. She was concerned that I might break one of her pieces of Wedgwood china, or a Dalton "figurine"; grimly she oversaw me as I sat, dirtied and bored, at the dining room table polishing silver: silverware, silver candlestick holders, absurd little cream and sugar bowls, heirlooms as Mrs. Farley called them; how she and Mrs. Thayer would have liked each other, in their common passion; still, I didn't hate Mrs. Farley until I heard from her thin-lipped mouth the expression, which was the first time I'd ever heard it- Negro-lover . She didn't say nigger-lover; this wasn't a term a woman of her pretensions would have said. Instead she said Negro-lover in reference to something that had been reported that morning on the radio; the acquittal of white murderers of a black man in Georgia, by an all-white jury; the protests by a scattering of church leaders and politicians in the wake of the acquittal.

Negro-lovers these individuals were, in Mrs. Farley's vocabulary. In Strykersville, there were few Negroes; in our county there was no "civil unrest"; in nearby Buffalo there'd been "race riots" some years ago, following the end of World War II; but there was no threat of racial strife in Strykersville, and so Mrs. Farley uttered Negro-lover in a bemused voice, as one might speak of garbage-lovers, mud-lovers . I said at once, in my bright girl-student manner, "Christians are supposed to love everybody, aren't they, Mrs. Farley?" The stab of emotion I felt was mixed in my memory with the stink of bright pink silver polish and the greasy, disgusting feel of rubber gloves; it was mixed with the startled expression on Mrs. Farley's face as she stared at me, half-smiling as if uncertain whether I was joking. Her cheeks mottled; her eyes filled with hurt; I was rubbing savagely at a badly tarnished little spoon; I was thinking how, as Mrs. Farley watched, I might push the handle into a crack in the table and bend it, at the same time splintering the beautifully polished rosewood table; yet I did nothing like this, nor did I say another word; perhaps my courage had run out abruptly. Mrs. Farley left the room, and when we next spoke she was curt and polite and cool; if she'd been trying to like me, thinking to befriend me as a poor farm girl lacking a mother, she would try no longer. I'd offended her, and just possibly I'd frightened her. For never again was I hired to clean the Farleys' six-bedroom Colonial on Myrtle Street for eighty-five cents an hour.

I was glad of this. I told my father's great-aunt so. She said, annoyed with me, that Mrs. Farley was spreading the word in Strykersville, I wouldn't be offered housework anywhere-"She says you're sloppy and careless and arrogant. She says you're too smart for your own good."

It was true: I was too smart for my own good, or for anyone else's.

Negro-lover, nigger-lover . That epithet of the times believed to be unspeakably obscene. Like cock-sucker which was an expression of abuse also used exclusively by men in speaking of, or to, other men; like-minded men; men who understood one another because they "were men; and not cock-suckers who might resemble men but who were not men. No woman would be called a cock-sucker though the practice (I had only the dimmest, repelled notion of what this practice might be) was not limited to men. Would a woman be called a nigger-lover ? When, in fact, many women loved Negroes ? It had not escaped my notice that in most interracial couples, the woman is white, the man black. Was I now a Negro-lover , was I a nigger-lover ? When the color of Vernor Matheius's skin was to me of no more significance than the color of a shirt he wore, or the color of his vivid red scarf.

15

Above the gorge of Oneida Creek a mile from the university campus, north and east of Auburn Heights, there was a footbridge made of raw wooden planks. The footbridge was approximately fifty feet across. The gorge was approximately thirty feet below. To look down into the gorge was to feel a wave of dizziness that seemed to rush up from the folds and creases of rock below. The footbridge was maintained by the city and led to a wilderness area at the crescent of which, approached from the other side of the hill by a lane, was a tall water tower. Often that winter, when I had time, I went for walks on that hill, to clear my head; to clear my head of Vernor Matheius; to lose myself in a dream of Vernor Matheius; to replay in compulsive detail each of our conversations and to see again, more vividly in memory than I'd seen in life, every nuance of expression on Vernor Matheius's face. I would wake from a trance and find myself on the bridge, gripping both railings; gazing down at the creek-bed below. Always on the footbridge I thought of Vernor Matheius, and always on the footbridge I thought of Ida. What linked them was a riddle. What linked them was the terrible loss to the world of their deaths: the one a possibility, the other a fact. On cold mornings thin columns of tendril-like mist rose from the creek like mysterious exhalations of breath. To stare at such vaporous columns was to stare into emptiness. Between one and none there lies an infinity . So Nietzsche had written tenderly of Schopenhauer. It was the most profound statement of love and of the possibility of loss I had ever encountered.

In April, the frozen creek began finally to unlock. Roiling black water rushed below like a furious artery. The artery was narrow but deep; above the creek, leaning on the railing, I couldn't determine in which direction it flowed. I thought I should be facing that direction. Facing the future. If I fell by accident, I should have liked to know in which direction my body would be carried.

16

In the very place of seductive death. A miracle.

One day nearing sunset, a bright balmy April afternoon erratically splotched with rain, I saw, or believed I saw, Vernor Matheius a short distance ahead of me on the dirt path descending to the Oneida Creek footbridge; I was suffused with excitement, and dread; for it was by chance that I was here yet if Vernor Matheius saw me surely he would think I'd been chasing after him-wouldn't he? And I was innocent (I believed I was innocent). It had been eight days since we'd been together in Downy's and I had promised myself that I would not pursue the man further; would not chase after him like an infatuated schoolgirl; though in fact I was an infatuated schoolgirl, and could not perceive a time when I would be anything other than an infatuated schoolgirl. As, in the throes of nausea or the delirious lassitude of fever we are unable to imagine other states of being. I had vowed never again to humiliate my-self and annoy and embarrass Vernor Matheius-telling myself I must wait for him to call me, or approach me; knowing as if it were a death sentence that he would neither call me nor approach me. It was true: I'd returned once or twice to the coffeehouse, relieved to see that Vernor Matheius was not among the chess players; nearly every day I worked in the library and often I found myself on the third floor; but like an early Christian ascetic renouncing all worldly life that gave pleasure I refrained from approaching the graduate students' carrels and did not know whether in fact Vernor Matheius was there in his carrel seventh from the aisle; I may have weakened and passed by the apartment building at 1183 Chambers Street once or twice, but only at such hours when Vernor Matheius couldn't have been there; and I didn't pause to stare openly at the building, still less did I prowl the alley behind it. So it was purely chance that Vernor Matheius and I had come to the gorge at the same time: never had I seen him in the vicinity before, and never had I mentioned to him that I came here. (If I had a life apart from my attentiveness to Vernor Matheius, neither he nor I would have thought it worth mentioning.) I saw him stroll out onto the footbridge; I saw his lips pursed, in a tuneless whistle; he was wearing a rumpled stone-gray sport coat that fitted his shoulders tightly, as if he'd outgrown it, and russet-brown trousers with a crease. He began to slow his pace, as if realizing where he was. High in the air on a wind-rocking footbridge. He shaded his eyes: this view captured his attention. To the north, a small mountain, outcroppings of granite dense and convoluted as if to some mysterious purpose, like folds in the human brain. I saw Vernor Matheius lean against the railing and stare down; lean over the railing and stare down; a thrill of horror touched me- What if he Jails ? I was frightened suddenly and stepped out onto the footbridge. I knew this might be a mistake, he'd think I had been following him, but I couldn't resist; I told myself I would pass behind him, as if unaware of him (for his back was to me, I might not have identified him in ordinary circumstances), and maybe he would notice me, and maybe he would not; in that way, our meeting was left to pure chance. But my heart was beating so hard, the very footbridge must have vibrated! I will not, I will not speak. Will not reveal myself. The wind buffeted us on the footbridge as if in mockery. Vernor Matheius, leaning far over the railing, holding his wire-rimmed glasses with both hands as if concerned they might fall off, wasn't going to notice me… except my shadow must have brushed against him; and with the instinctive reflex with which one would glance back at someone or something passing close behind him on a swaying footbridge thirty feet above a gorge, Vernor Matheius glanced back at me; I saw his worried face, his creased forehead; I thought naively He doesn't trust the world ! I lacked the insight to realize He doesn't trust the white world . But in the intoxication of the moment neither of us had time for such revelations: our eyes locked, recognition shone in his like a lit match. "Anellia. Again."

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