Joyce Oates - I’ll Take You There

My hair was whipping in the wind. I pulled a strand out of my mouth. Vernor Matheius's gaze dropped to my waist, to my hips, legs and ankles and lifted again with masculine ease, lingering on my breasts and face; as if I'd positioned myself on the footbridge, a few feet away, to be so contemplated. Around my waist was the belt of linked silver medallions; I wore a ribbed black cotton-wool top with long sleeves and tight wrists, and a black-and-lavender skirt in a crinkly Indian material that fitted me loosely, like a gown falling to mid-thigh. These were secondhand clothes, costume clothes. "I-I come here sometimes. It's so-" meaning to say beautiful but the obvious, over-used word stuck in my throat. Nor could I explain I wasn't following you, Vernor. Except in my thoughts. How can I be blamed ? He seemed bemused by me. Possibly he didn't hate me. Between us was the memory of the last time we'd spoken, on the sidewalk in front of Norwood Hall. Between us, the humiliating memory of when Vernor Matheius had first seen me.

Scavenging in a trash can!

Yet now Vernor was smiling, smiling at me, if still there was an air of reserve and even reproach in his face. We were talking about what?- ordinary things. My heart that had been pounding absurdly now began to ease. My thoughts of death of only a few minutes before had vanished as if blown by the wind. Between one and none there lies an infinity .

It may have occurred to me that in my charmingly funky gypsy-clothes I was pretty again. I would be desired .

It may have occurred to me that whatever the consequences of such costuming, I would accept them.

Thirty feet above the black-rushing artery deep in rock as if suspended in time.

There was a subtle but vital change in Vernor Matheius, in his manner which was animated, alert, even edgy; in the timbre of his voice, which was higher-pitched than usual; in the way his forehead creased almost too urgently as he spoke. That noon at the university there'd been a civil rights demonstration in front of the chapel that would be denounced in local newspapers as the work of "outside agitators" but given extensive, sympathetic coverage in the Daily Orange , the student paper; in the gusty spring day in which a phantom rainbow shimmered in a washed-blue sky there'd been the distraction of amplified voices on the green, disturbing voices where ordinarily there were no voices; these were voices that upset some students and professors; voices that thrilled others; some classes had been canceled so that students could attend but most classes continued; I saw more black faces than I would have believed there were at the university, and individuals who obviously weren't students but organizers. I'd been hurrying from one classroom to another when I heard the speakers, raised voices interrupted by applause, and by some jeers and boos. Of course, I knew of civil rights activism in the South; the arrests and martyrdom of Martin Luther King Jr. and his co-demonstrators during a peaceful march in Birmingham, Alabama; yet if pressed, I could not have said whether the United States government was protecting the rights of the protestors, or the rights of local authorities to arrest them. Two weeks before, there'd been an even more disruptive demonstration on campus, a rowdy gathering of about thirty SANE (STOP ALL NUCLEAR EXPERIMENTATION) pickets of whom all were white, defiantly ill-groomed older students; these pickets, undergraduates had loudly heckled; fraternity men wrested some of their handmade signs from them and broke them into pieces; the SANE demonstrators were denounced as "Communists" or "Communist dupes"; campus police finally routed them off with a threat of arrest. I'd arrived too late; I found a sign in the mud-BAN THE BOMB FOR MANKIND'S SAKE!-and would have carried it away except it was taken from me and torn. The civil rights demonstration had been organized by the Student Nonviolent Coordinating Committee and was better attended, and better respected; I looked for Vernor Matheius in the crowd gathered in front of the chapel steps though knowing I wouldn't see him, for such public displays were not compatible with the quieter, more circuitous strategies of philosophy to transform the world. And now on the footbridge above Oneida Creek I sensed how I must not bring up the subject. I must not allude to what had happened, or was happening, back on campus; I wasn't one who knew much about contemporary politics, for I rarely read a newspaper, never saw television; like Vernor Matheius, I was absorbed in the life of the mind; of this indifference, I may have been proud; though that day I'd have liked to carry a picket sign in support of civil rights, for the demonstrators seemed admirable to me, courageous and articulate, and their opponents were embittered and ugly. Vernor wanted to hear nothing about this, I sensed; he was leaning with his back against the railing now, arms outstretched; it was something of a shock to see the man in daylight, in the open air; his youthful-ness, his edginess; the faint yellow tinge of his eyeballs; the smudged lenses of his glasses. He was speaking of his work, a new problem in his research; he was hoping to explore the classic problem of "ontological proof" from a purely linguistic perspective. He'd come under the spell of the early Wittgenstein, the lacerating, revolutionary Tractatus -"It's almost too banal, to be enthralled by Wittgenstein. Yet, just possibly, there's no one quite like him." I shut my eyes and saw the flattened pillow on Vernor Matheius's bed, I could imagine its scent, the smell of his hair; I could not recall whether in fact I'd seen the pillow and the bed or whether Vernor had so quickly changed his mind about me, and herded me out of his apartment, I'd seen nothing; I'd had to imagine. How strong now the impulse to press myself into Vernor Matheius's arms; to press my face against his throat. No: you must not. You will disgust him .

Vernor saw me shivering, and said, "Are you cold, Anellia?" and I admitted, "Yes, I'm cold," for this was true; the sun was obscured by clouds, and about to set; it was spring by the calendar, but high above the gorge the air retained a wintry chill. Vernor Matheius shifted his arm as if to protect me; it was an invitation to move into the crook of his arm; yet I stood paralyzed, uncertain. Oddly he asked, "Is that why you're here?" and I heard myself say, "Yes, that's why." He said, "This seems to me a dangerous place. D' you know, Anellia, this is a dangerous place?" He peered into the gorge below, frowning, yet with satisfaction. I said, weakly, "Yes, it's dangerous. People have jumped." Vernor removed his coat to drape around my shoulders; it was the most intimate gesture that had ever passed between us, and I swallowed hard, I was stricken to the heart. Under the coat Vernor wore one of his white, long-sleeved shirts, rumpled as if he'd been wearing it for days. This is the Platonic idea of a white shirt. This is not an actual shirt . He had no woman to launder and iron and cook for him; he wanted no woman to launder and iron and cook for him; I understood this, for in his place I would not have wanted a woman either. Yet how grateful I was, that Vernor Matheius wasn't married: for at the onset, when I'd gazed at him longingly across rows of strangers, I had seemed to see, glinting on his hand, a wedding band; in fact, there was no wedding band; no rings on his fingers; Vernor Matheius didn't even wear a watch, boasting he was no slave to clock-time. He was saying, "I'm not a nature person. I think nature is overrated. Nature is what you turn to when your brain fails. But I like coming here, when I have time. Because it is a dangerous place. I like the footbridge, seeing through the slats. I like the wind making it sway. I've caught god-awful colds out here. I like being alone here knowing there's an instinct in us to push ourselves over a railing like this; an instinct to die to which I'm never going to succumb. I like the mastery of not succumbing and of knowing I won't succumb. I like knowing what I won't do, and what I will do. If I want to do it." I was gripping the lapels of the coat that was much too large for me; I felt overwhelmed by Vernor Matheius's closeness, and the confiding way in which he spoke. He said, "You're right, people have jumped from this bridge. And it's kept quiet. Because dying, especially to no purpose, is contagious. Every year a number of persons will 'commit suicide' as it's called, as if fulfilling a statistical prophecy, though they know nothing of one another or of the prophecy. I like knowing that I, Vernor Matheius, will never be one of these; I don't behave in any way that others can predict; that's not my nature." I could hardly bear loving him so much, it was all I could do to stammer, "No, V-Vernor, that's not in your nature." Had I ever dared call him "Vernor" before? He stared at me, he framed my face in his hands. I was a puzzle to him and he could not determine whether the puzzle was worth it, to solve. At this moment someone stepped onto the footbridge and began to cross; we could feel his footsteps, his weight; oddly, I understood that this intrusion would not evoke a response in Vernor Matheius, or rather it would not evoke a normal response; Vernor Matheius was not one to be affected by the accidental intrusion of a stranger into his privacy. The stranger approached us, and passed close to us; a man in a bulky sweater, who glanced at us only briefly; Vernor paid no heed to him as if he didn't exist; Vernor kissed me, not on the lips which would have been a warm, moist kiss, a kiss of yearning and of promise, but on the forehead, just below my wind-whipping hair where my skin and his lips were taut with cold.