David Liss - A Spectacle Of Corruption

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Publisher's Weekly
This sequel to Liss's Edgar Award-winning A Conspiracy of Paper (2000) brings back ex-pugilist Benjamin Weaver and his 18th-century London environs in all their squalid glory. Benjamin has become a "thieftaker," a sort of bounty hunter/private eye, and is investigating the simple case of a threatening letter when he is caught up in a riot, accused of murder and sentenced to hang. After a gutsy escape, he sets about unraveling the mystery of who framed him and why. Donning the disguise of a wealthy coffee planter from Jamaica, Benjamin infiltrates the upper classes, where he encounters a plot centering on a hotly contested House of Commons election. There is much explanation (perhaps too much) of the history and philosophies of the Whig, Tory and Jacobite parties, but this is nicely balanced with Benjamin's forays into London's underbelly, where he has his way with the ladies and dodges dangerous louts looking to kill him. The real fun is the re-creation of the streets of London ("He fell into the alley's filth-the kennel of emptied chamber pots, bits of dead dogs gnawed on by hungry rats, apple cores and oyster shells") and the colorful denizens thereof. Many hours are spent in innumerable coffeehouses, with Benjamin and company imbibing coffee, chocolate, ale, wine and that great destroyer of the poor, rotgut gin, and employing such useful swear words as "shitten stick," "arse pot" and "bum firking." Mystery and mainstream readers with a taste for gritty historical fiction will relish Liss's glorious dialogue, lively rogues, fascinating setting and indomitable hero. (Mar.) Forecast: The many readers who loved Liss's first book have been eagerly awaiting a sequel. Booksellers can recommend both of the Benjamin Weaver books to those who enjoy Bruce Alexander's Sir John Fielding mystery series. Copyright 2003 Reed Business Information.
Library Journal
Having survived the dangerous intrigues and nefarious plots surrounding his father's death and the business of the South Sea Company (A Conspiracy of Paper), Benjamin Weaver, former pugilist and thief taker extraordinaire, is once again plunged into the world of electioneering and political corruption in Georgian London. This time, he seeks to clear his name and save his own life after being wrongly accused of killing a dock worker. Forced to assume the disguise of a Jamaican tobacco plantation owner, he moves from the drawing rooms of Westminster to the hovels of Wapping in search of the true murderer, uncovering corruption at all levels, from perjured witnesses to bribed judges to treasonous Jacobites. While it does not resonate as richly as A Conspiracy of Paper, this novel will still delight readers with its picture of a London familiar to fans of Boswell and Defoe. [Previewed in Prepub Alert, LJ 11/1/03.]-Cynthia Johnson, Cary Memorial Lib., Lexington, MA Copyright 2004 Reed Business Information.
Kirkus Reviews
With eloquent wit, Liss manipulates the concepts of misdirection and probability theory in his serpentine third novel (after The Coffee Trader, 2003). Once again, we meet the unconventional protagonist of the author's Edgar-winning debut A Conspiracy of Paper (2000). "Thief-taker," retired prizefighter, and Jew Benjamin Weaver, as resourceful a former rogue as ever, is in peril again-falsely convicted and sentenced to hang for the murder of a dockworker and labor leader whom he barely knew. The year is 1722, and London is abuzz over England's first General Election, vigorously contested by conservative Tories who support Hanoverian King George I and antiroyalist Whigs, who may or may not be in league with Jacobites plotting the restoration of deposed "Pretender" James II of Scotland. Weaver escapes from Newgate Prison (in a marvelously detailed sequence), and, while laboring to clear his name, assumes multiple disguises and forms affiliations with several members of London's political, ecclesiastical, and criminal elites. These include the woman he loves unrequitedly, his cousin's widow Miriam, and her husband, Whig Parliamentary candidate Griffin Melbury; duplicitous parish priest Christopher Ufford (in whose service suspicion for murder had fallen on Weaver); brutal tobacco merchant Dennis Dogsmill and his fetching sister Grace, and numerous other power brokers and ruffians whose allegiances and very identities are seldom what they seem. The dazzling plot, which grows steadily more intricate and circuitous, turns on the allegation that "there [is] a Tory spy among the Whigs," and the likelihood that Weaver's victimization is connected to the election that the charismatic Melburyblithely characterizes as "a spectacle of corruption." Liss's impressive research provides a wealth of information about 18th-century politics, emergent labor organizations, and gradations of etiquette and malfeasance among contrasting social levels. And Weaver's somber, wry, knowing narrator's voice is a deadpan delight. Furthermore, it all ends with yet another twist that seems to promise we'll hear more from-and of-the indefatigable Benjamin Weaver. Let's hope so.

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“I find the whole thing utterly amazing,” said Mr. Peacock, Melbury’s effusive election agent. “That this rogue Jew- just the sort of person we might have all argued ought to be hanged, even prior to his being found guilty of murder- should emerge as so amiable a spokesman for our cause.”

“He is hardly a spokesman,” said Mr. Gray, a writer for the Tory papers. “He does not do much speaking. It is the rabble who speak for him, which is mightily good since these Jews are famous for being inarticulate, and their accents are most comical.”

“You may be confusing the true accent of the Jews with that portrayed on the stage by comedians,” said the bishop, who appeared to be in better spirits than when we had met earlier. “I have met with my share of Jews over the years, and many of them speak with the accents of Spaniards.”

“Am I to understand that a Spaniard’s accent is not comical?” asked Mr. Gray. “I must tell you this is news indeed.”

“Many Jews have no accent at all,” said Melbury somewhat dourly, for he was in the awkward position of having to defend his wife while ardently hoping no one recollected her origins and became aware that he was now cast in the role of defender.

“It is hardly their accents that need concern us. But this Weaver fellow, Melbury. You cannot love having your name yoked to his.”

“I love that he gets me votes. In truth,” he said pointedly, “he gets me far more votes gratis than those men I pay to get them.”

Mr. Peacock blushed not a little. “It is a fine thing to get votes, but must we get them any way we can? Mr. Dogmill gets votes for his man by sending rioters to the polls.”

“Surely,” said the bishop, “you do not think it harmful that Mr. Melbury merely raises no objection when the rabble idolize him in the same breath with which they idolize Weaver? What would you have him say, Continue your praise of me, but no longer praise that other man you like ? We shall see how the mob likes their support being served with that sauce.”

“But if Mr. Melbury is asked to answer for his endorsement later,” Gray pressed on, “it could prove something of an embarrassment. I say, if in the final days of the election you have a clear and decisive victory, it will be time to disavow the Jew. You do not want your enemies in the House using it against you.”

“Mr. Gray may have a point,” the bishop conceded. “When you stand up to speak out against privileges being handed out to Jews and dissenters and atheists while the Church is starved, you do not want to give your enemies ammunition. You do not want to hear it said that you speak pretty words for a man voted in on the coattails of a murdering Jew.”

I cannot claim to have concealed my discomfort perfectly during this exchange, but uneasy though I was, I would not have traded my place for that of Melbury or Miriam. At least I was in disguise. The crowd at this table insulted their true lives freely and cruelly, and almost certainly ignorantly. I could see that his wife’s dubious past was a heavy burden for Mr. Melbury to bear. Each mention of Weaver and Jews made him wince and redden and drink from his glass to hide his discomfort. Miriam, for her part, turned paler with each comment, though I could not say if her ill ease was born of shame, her concern for me, or her observations of her husband’s displeasure.

Soon enough, a new topic of conversation was on the table. Miriam slumped in her chair with visible relief, but not her husband. He remained stiff, holding himself with unnatural erectness. He gripped his knife until his hand turned crimson. He bit his lip and gritted his teeth. I could not think he could stay in this state long, but he did for more than half an hour, until the other guests could not but discern that their host had become angry and sullen, and an uncomfortable silence crept across the table like a plague. We endured this awkward state for ten excruciating minutes, and our discomfort only broke when, during the somber dessert, a servant jostled a bowl full of pears, sending a half dozen or so onto the floor.

Melbury slammed his hand down at the table and turned to his wife. “What the devil is this, Mary?” he shouted. “Did I not order that fellow to be gone two weeks ago? Why is he now scattering pears on my floor? Why is he here? Why? Why?” And with each why? he would slap his palm down, sending our plates and goblets and silver rattling as though there were an earthquake.

Miriam stared at him. She flushed and reddened, but she did not look down or turn away. Her lips quivered, and I knew she longed to give him an answer, but perhaps she had nothing to say that he wanted to hear, and so she remained quiet. She said nothing while he slammed the tabled and shouted out his question. Glasses rattled and silver chinked, and far more than a few pears nearly bounced onto the floor. But still he slammed and shouted until I thought I would go mad with rage.

And then I heard a voice say, “Enough, Melbury.”

I could hardly have been more surprised to see that I was the one who had said the words. I was on my feet with my arms limp by my side. I had spoken clearly and loudly, but not forcefully. It had done its business, however, for Melbury stopped shouting and slamming and looked up at me.

“Enough,” I said again.

The frail bishop reached up with one hand and touched Melbury’s arm. “Sit down, Griffin,” he said gently.

Melbury ignored the bishop. He stared at me, shockingly without a hint of anger. “Yes. Yes, I’ll sit.”

And so we both returned to our seats.

He looked to his guests and made some quip about wives being too easy on servants, and all did their part to make the incident pass as easily as possible. By the time dinner had finished and the men and women had moved to their separate rooms, I would have sworn from my observations that the incident was utterly forgotten.

I, however, would not so easily forget.

The next morning, I could not have been more astonished to receive the following note:

Mr. Evans:

I cannot easily imagine the difficulties you face in your unique and perilous position, though I find it hard to believe that any dangers you face would have necessitated that you accept my husband’s unfortunate invitation. Nevertheless, you did so, and I fear you have seen him not at his best. I know you are a man compelled by a keen sense of justice, and I have been awake all night with anxiety over the possibility that you will choose some impetuous course as a result of Mr. Melbury’s conduct. In an effort to forestall any such actions, I believe it is necessary that I meet with you to discuss these events. I will be this afternoon at the Monument for the fire at four. If you wish to see me at peace, you will be there to meet with your friend, Miriam Melbury

At least, I thought, she did not sign her letter Mary. Of course I would be there. I could not but attend. I did not know what it was that she feared I would do: knock her husband down, challenge him to a duel? Or was there something else? Did she fear that in my anger I would learn something of him she did not wish me to know?

I had little to do with my time until the meeting, and I found myself to be in no mood for going out-of-doors, so I was in my rooms when my landlady knocked upon my door to say that there was a man below to see me.

“What sort of man?” I asked.

“Not the best sort,” she assured me. Her analysis proved to be correct, for she showed Mr. Titus Miller into my rooms.

He stepped in and looked around, as though he were inspecting the space for his own use. “You live comfortable,” he said to me, as soon as Mrs. Sears had closed the door. “You live mighty comfortable, I see.”

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