David Liss - A Spectacle Of Corruption

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Publisher's Weekly
This sequel to Liss's Edgar Award-winning A Conspiracy of Paper (2000) brings back ex-pugilist Benjamin Weaver and his 18th-century London environs in all their squalid glory. Benjamin has become a "thieftaker," a sort of bounty hunter/private eye, and is investigating the simple case of a threatening letter when he is caught up in a riot, accused of murder and sentenced to hang. After a gutsy escape, he sets about unraveling the mystery of who framed him and why. Donning the disguise of a wealthy coffee planter from Jamaica, Benjamin infiltrates the upper classes, where he encounters a plot centering on a hotly contested House of Commons election. There is much explanation (perhaps too much) of the history and philosophies of the Whig, Tory and Jacobite parties, but this is nicely balanced with Benjamin's forays into London's underbelly, where he has his way with the ladies and dodges dangerous louts looking to kill him. The real fun is the re-creation of the streets of London ("He fell into the alley's filth-the kennel of emptied chamber pots, bits of dead dogs gnawed on by hungry rats, apple cores and oyster shells") and the colorful denizens thereof. Many hours are spent in innumerable coffeehouses, with Benjamin and company imbibing coffee, chocolate, ale, wine and that great destroyer of the poor, rotgut gin, and employing such useful swear words as "shitten stick," "arse pot" and "bum firking." Mystery and mainstream readers with a taste for gritty historical fiction will relish Liss's glorious dialogue, lively rogues, fascinating setting and indomitable hero. (Mar.) Forecast: The many readers who loved Liss's first book have been eagerly awaiting a sequel. Booksellers can recommend both of the Benjamin Weaver books to those who enjoy Bruce Alexander's Sir John Fielding mystery series. Copyright 2003 Reed Business Information.
Library Journal
Having survived the dangerous intrigues and nefarious plots surrounding his father's death and the business of the South Sea Company (A Conspiracy of Paper), Benjamin Weaver, former pugilist and thief taker extraordinaire, is once again plunged into the world of electioneering and political corruption in Georgian London. This time, he seeks to clear his name and save his own life after being wrongly accused of killing a dock worker. Forced to assume the disguise of a Jamaican tobacco plantation owner, he moves from the drawing rooms of Westminster to the hovels of Wapping in search of the true murderer, uncovering corruption at all levels, from perjured witnesses to bribed judges to treasonous Jacobites. While it does not resonate as richly as A Conspiracy of Paper, this novel will still delight readers with its picture of a London familiar to fans of Boswell and Defoe. [Previewed in Prepub Alert, LJ 11/1/03.]-Cynthia Johnson, Cary Memorial Lib., Lexington, MA Copyright 2004 Reed Business Information.
Kirkus Reviews
With eloquent wit, Liss manipulates the concepts of misdirection and probability theory in his serpentine third novel (after The Coffee Trader, 2003). Once again, we meet the unconventional protagonist of the author's Edgar-winning debut A Conspiracy of Paper (2000). "Thief-taker," retired prizefighter, and Jew Benjamin Weaver, as resourceful a former rogue as ever, is in peril again-falsely convicted and sentenced to hang for the murder of a dockworker and labor leader whom he barely knew. The year is 1722, and London is abuzz over England's first General Election, vigorously contested by conservative Tories who support Hanoverian King George I and antiroyalist Whigs, who may or may not be in league with Jacobites plotting the restoration of deposed "Pretender" James II of Scotland. Weaver escapes from Newgate Prison (in a marvelously detailed sequence), and, while laboring to clear his name, assumes multiple disguises and forms affiliations with several members of London's political, ecclesiastical, and criminal elites. These include the woman he loves unrequitedly, his cousin's widow Miriam, and her husband, Whig Parliamentary candidate Griffin Melbury; duplicitous parish priest Christopher Ufford (in whose service suspicion for murder had fallen on Weaver); brutal tobacco merchant Dennis Dogsmill and his fetching sister Grace, and numerous other power brokers and ruffians whose allegiances and very identities are seldom what they seem. The dazzling plot, which grows steadily more intricate and circuitous, turns on the allegation that "there [is] a Tory spy among the Whigs," and the likelihood that Weaver's victimization is connected to the election that the charismatic Melburyblithely characterizes as "a spectacle of corruption." Liss's impressive research provides a wealth of information about 18th-century politics, emergent labor organizations, and gradations of etiquette and malfeasance among contrasting social levels. And Weaver's somber, wry, knowing narrator's voice is a deadpan delight. Furthermore, it all ends with yet another twist that seems to promise we'll hear more from-and of-the indefatigable Benjamin Weaver. Let's hope so.

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“I did not like it much. How can your brother allow you to expose yourself to such brutishness?”

“He is quite good at exposing the world to his own brutishness, though had he been there he should not have treated that butcher with the mercy you demonstrated. I attempt to keep from him some of the more unsavory elements of what a woman faces on the canvass, lest he forbid me participating. I have, in fact, used a wide variety of deceptions to keep him from learning the truth of how brutal the canvass can be for a woman. You see, it is the only involvement in politics I am permitted, and I should hate to surrender my role.”

“And what would happen if Dogmill should learn the truth?”

Miss Dogmill closed her eyes for a moment. “Two years ago a carpenter to whom my brother owed some money grew rather desperate. He was none the most engaging man in the world, but Denny owed him more than ten pounds, which the fellow needed to feed his family. There are times when Denny will not pay what he owes tradesmen simply for the pleasure of watching them suffer and worry, and here was such a time. This carpenter seemed to understand that my brother teased him the way a child will tease a captured frog. So he sent Denny a note telling him that if he did not pay his bill, he would get his money by hook or by crook and that he would pluck me off the street and hold me hostage until justice was served.”

“I presume your brother did not take this kindly.”

“No. He went over to the carpenter’s house, beat his wife unconscious, and then beat the man unconscious. He then took a note for ten pounds, spat upon it, and stuffed it in the fellow’s mouth. He even tried to put it into his throat so he would choke on his money. I witnessed all this because the carpenter, in an effort to convince my brother I had been abducted, had invited me to his home, knowing I was sympathetic, pretending that he wished me to serve as an intermediary.” She took a deep breath. “I should very much have liked to have stopped his violence, but there is no stopping him once he begins. I should hate to see him let loose with his passions in the midst of Covent Garden while the electors stand by.”

“I can understand how you might feel thus.”

“You seem to have your passions much more at your disposal, and I thank you for your efforts today. I cannot say that this was the first time I have ever been threatened, and it is a much finer thing to have a capable man by your side.”

“It was my pleasure to serve you.”

She astonished me by reaching out and gently, just for an instant, laying her fingertips against my jaw where Dogmill had punched me. “He told me he struck you,” she said quietly. “It must have been very hard for you not to strike him back.”

I laughed softly. “I am not used to running from men like your brother.”

“You are not used to men like my brother at all. No one is. But I am sorry for what he did to you.”

“Don’t be sorry,” I said testily. “I chose to let him use me so.”

She smiled. “I have no doubt of your resolve, sir. No one who knows your name would make the mistake of doing so. I daresay my brother, if he knew who you were, would have hesitated himself.”

“As you have broached the topic, I would fain discuss it with you.”

She sipped from her dish of chocolate. “How did I know? I did the most extraordinary thing to make my discovery: I looked at your face. I have seen you before around town, sir, and I always remarked on your proceedings. Unlike some others, perhaps, I am not so easily fooled by the application of new clothing and a new name, though I think your disguise masterfully handled. The moment you came to see my brother, I thought I knew your face, and I could not rest until I hit upon it. At last it occurred to me that you looked uncommonly like Benjamin Weaver, but I was not certain until I danced with you. You move like a pugilist, sir, and the world knows of your leg injury, which I fear gave you away.”

I nodded. “But you have said nothing to your brother.”

“You have not been taken by the constables, so you may assume I have said nothing to my brother.”

“And you do not think he will guess?”

“How could he? I don’t know that he has ever laid eyes upon you- dressed as yourself, I mean- and there is no reason why he would suspect you come to him in disguise. He learned from Hertcomb about the chanting for Melbury and Weaver at the theater, and though he cursed at great length and with great vigor against Tories and Jacobites and Jews and the large franchise in general, he never once mentioned your name- Mr. Evans’s name, that is. And, allow me to assure you, he was in no frame of mind to censor himself.”

“Well, that is a relief, at least. But you know who I am. What do you plan to do?”

She shook her head. “I cannot yet say.” She reached out and placed one gloved hand on my arm just above my wrist. “Will you tell me why you sought to connect yourself to him in the first place?”

I let out a breath. “I don’t know if I should.”

“May I speculate?”

Something in her tone caught my attention. “Certainly.”

She looked away for a moment, and then turned to catch my gaze, her eyes as amber as her dress. I could tell that what she had to say could not be said with ease. “You think he had this man, Walter Yate, killed, and that he has put the blame on you.”

I stared I don’t know how long before I dared to speak. “Yes,” I said in a rasping voice, just above a whisper. “How could you know that?”

“I could not reach any other conclusion. You see, if you had truly killed that fellow, as you have been convicted of doing, you would have no business with my brother. You would have no need to play at masquerade. The only reason you might take such risks is to prove yourself guiltless, and I can only presume that you now search for the man who did murder Yate.”

“You are a very clever woman,” I said. “You would do well as a thieftaker.”

She laughed. “You are the first man to tell me so.”

“So now you know all my secrets.”

“Not all, surely.”

“No, not all.”

“But I know you think my brother is involved in Yate’s death.”

I nodded. “And does that place a wedge between us?”

“I cannot enjoy seeing my brother accused of so horrible a crime, but that does not mean I am blind to the possibility he may be guilty. He is, in his own way, very good to me, and I love him, but if he did this thing, he should be punished rather than let an innocent man hang in his stead. I could feel no resentment toward you for being the instrument of your own vindication. You could do no less. Indeed”- she lifted her dish and set it back down again-“Indeed,” she said once more, “indeed, I think he may be guilty as you suspect.”

I felt a tingle across my skin, the sensation one feels just before something of import happens in a stage play. I leaned toward Miss Dogmill. “Why do you say so?”

“Because,” she told me. She paused, looked away, and then looked toward me again. “Because Walter Yate came to visit my brother not a week before you were said to have killed him.”

Ihad been, for some time now, proceeding on the near certain assumption that Dogmill had orchestrated Yate’s death, so I cannot say why this revelation so surprised and delighted me. Perhaps it was because this was the closest I had yet come to being able to prove my assumption, and though it was true, as Elias had certainly pointed out, that proof alone would not save me, it was satisfying for all that.

“Tell me everything,” I said to Miss Dogmill.

And she did. She explained that, as I had already observed, she had a habit of peering in at who visited her brother, so she had been surprised to find a rugged, roughly dressed laborer in his parlor one day. He had refused to say much of himself, other than his name and that he had business with Mr. Dogmill. He had been polite but uncomfortable, clearly feeling out of place, which he well should have- seeing that he was but a dockworker sitting in the parlor of the wealthiest tobacco man in the kingdom.

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