David Liss - A Spectacle Of Corruption

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Publisher's Weekly
This sequel to Liss's Edgar Award-winning A Conspiracy of Paper (2000) brings back ex-pugilist Benjamin Weaver and his 18th-century London environs in all their squalid glory. Benjamin has become a "thieftaker," a sort of bounty hunter/private eye, and is investigating the simple case of a threatening letter when he is caught up in a riot, accused of murder and sentenced to hang. After a gutsy escape, he sets about unraveling the mystery of who framed him and why. Donning the disguise of a wealthy coffee planter from Jamaica, Benjamin infiltrates the upper classes, where he encounters a plot centering on a hotly contested House of Commons election. There is much explanation (perhaps too much) of the history and philosophies of the Whig, Tory and Jacobite parties, but this is nicely balanced with Benjamin's forays into London's underbelly, where he has his way with the ladies and dodges dangerous louts looking to kill him. The real fun is the re-creation of the streets of London ("He fell into the alley's filth-the kennel of emptied chamber pots, bits of dead dogs gnawed on by hungry rats, apple cores and oyster shells") and the colorful denizens thereof. Many hours are spent in innumerable coffeehouses, with Benjamin and company imbibing coffee, chocolate, ale, wine and that great destroyer of the poor, rotgut gin, and employing such useful swear words as "shitten stick," "arse pot" and "bum firking." Mystery and mainstream readers with a taste for gritty historical fiction will relish Liss's glorious dialogue, lively rogues, fascinating setting and indomitable hero. (Mar.) Forecast: The many readers who loved Liss's first book have been eagerly awaiting a sequel. Booksellers can recommend both of the Benjamin Weaver books to those who enjoy Bruce Alexander's Sir John Fielding mystery series. Copyright 2003 Reed Business Information.
Library Journal
Having survived the dangerous intrigues and nefarious plots surrounding his father's death and the business of the South Sea Company (A Conspiracy of Paper), Benjamin Weaver, former pugilist and thief taker extraordinaire, is once again plunged into the world of electioneering and political corruption in Georgian London. This time, he seeks to clear his name and save his own life after being wrongly accused of killing a dock worker. Forced to assume the disguise of a Jamaican tobacco plantation owner, he moves from the drawing rooms of Westminster to the hovels of Wapping in search of the true murderer, uncovering corruption at all levels, from perjured witnesses to bribed judges to treasonous Jacobites. While it does not resonate as richly as A Conspiracy of Paper, this novel will still delight readers with its picture of a London familiar to fans of Boswell and Defoe. [Previewed in Prepub Alert, LJ 11/1/03.]-Cynthia Johnson, Cary Memorial Lib., Lexington, MA Copyright 2004 Reed Business Information.
Kirkus Reviews
With eloquent wit, Liss manipulates the concepts of misdirection and probability theory in his serpentine third novel (after The Coffee Trader, 2003). Once again, we meet the unconventional protagonist of the author's Edgar-winning debut A Conspiracy of Paper (2000). "Thief-taker," retired prizefighter, and Jew Benjamin Weaver, as resourceful a former rogue as ever, is in peril again-falsely convicted and sentenced to hang for the murder of a dockworker and labor leader whom he barely knew. The year is 1722, and London is abuzz over England's first General Election, vigorously contested by conservative Tories who support Hanoverian King George I and antiroyalist Whigs, who may or may not be in league with Jacobites plotting the restoration of deposed "Pretender" James II of Scotland. Weaver escapes from Newgate Prison (in a marvelously detailed sequence), and, while laboring to clear his name, assumes multiple disguises and forms affiliations with several members of London's political, ecclesiastical, and criminal elites. These include the woman he loves unrequitedly, his cousin's widow Miriam, and her husband, Whig Parliamentary candidate Griffin Melbury; duplicitous parish priest Christopher Ufford (in whose service suspicion for murder had fallen on Weaver); brutal tobacco merchant Dennis Dogsmill and his fetching sister Grace, and numerous other power brokers and ruffians whose allegiances and very identities are seldom what they seem. The dazzling plot, which grows steadily more intricate and circuitous, turns on the allegation that "there [is] a Tory spy among the Whigs," and the likelihood that Weaver's victimization is connected to the election that the charismatic Melburyblithely characterizes as "a spectacle of corruption." Liss's impressive research provides a wealth of information about 18th-century politics, emergent labor organizations, and gradations of etiquette and malfeasance among contrasting social levels. And Weaver's somber, wry, knowing narrator's voice is a deadpan delight. Furthermore, it all ends with yet another twist that seems to promise we'll hear more from-and of-the indefatigable Benjamin Weaver. Let's hope so.

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I threw up my hands in mock exasperation. “Why,” I demanded, “if you have been paid to say you saw me kill Mr. Yate, do you now admit that you never saw it at all?”

Spicer took a moment to puzzle over this question. “Well,” he suggested, “I got paid to say I saw something, but I never got paid to say I didn’t see it. So long as I said I saw it, I done what I was meant to have done.”

Having spent some years performing for the public as a fighter, I knew a little about the rhythm of spectacle, so I let his words hang in the air for a moment before commencing once more. “Tell me, Mr. Spicer,” I said, after I sensed a sufficient pause, “have you never heard of perjury?”

“For certain,” he said brightly, pointing to the jury box. “That’s them right there.”

Per jury,” I explained, once the laughter diminished, “is a crime. It is the crime of swearing to speak the truth at a trial and then knowingly speaking false. Do you not think yourself guilty of this crime?”

“Oh, no.” He waved a hand dismissively. “Mr. Groston explained it to me. He said it ain’t no more a crime than it is blasphemy for an actor to speak out against God, if he do it while playing on the stage. That’s all it is.”

My having finished with the witness, Mr. Antsy moved to question Spicer once more. “Did you see Mr. Weaver kill Walter Yate?”

“Yes, I did!” he announced cheerfully. He then looked over to me, as though waiting for me to question him so he could tell me once more that he hadn’t.

Antsy next brought out another eyewitness, a man of middle years named Clark, who also said he had seen me commit this crime. When I had the chance to examine him, he resisted a bit more than young Mr. Spicer, but he at last admitted that he had been paid by the evidence broker, Arthur Groston, to say he had seen what he had not. I had every reason to regret that the law does not permit a defendant to call witnesses, for I would have liked very much to know who paid Mr. Groston to secure this evidence. But the information I had obtained, I believed, more than answered my purposes, and there would be time enough for Groston later. The Crown had no evidence against me but two eyewitnesses, men who had admitted that they had seen nothing at all but the coin in their hands.

And so, as I gazed at the yellow-haired woman, I thought myself safe. Mr. Antsy had done his job admirably, proving that age need be no impediment to any man who maintained a youthful ambition, but the evidence against me had been exploded. Nevertheless, when it came time for the judge to direct the jury, I realized I had been overly optimistic and had put perhaps too much confidence in that phantasm called truth.

“You have heard many things,” the honorable Piers Rowley told the jury, “and many things of a contradictory nature, too. You have heard witnesses say they have seen something and then, as though a trick done by Gypsy showman, you have heard them say they had not. You must decide how best to unravel this puzzle. As I cannot tell you which way to do so, I can only say that there is, perhaps, no more reason to believe a tale refuted than a tale spoken. You cannot know if these witnesses have been paid to say they saw something or paid to say they did not. I have no knowledge of evidence brokers, but I do know of villainous Jews and the tricks they will play to secure their freedom. I know that a race of liars might well pay honest coin to turn other men dishonest. I hope you will not be blinded by such petty cheats nor expose every Christian man, woman, and child in London to the ravages of a rapacious nation who might come to believe they can murder us with impunity.”

And so the jury went off to make its decision.

This august body returned not half an hour later.

“How do you find?” Judge Rowley asked.

The foreman arose slowly. He removed his hat and ran his fingers through damp and thinning hair. “We find Mr. Weaver guilty of murder, just like you said, Your Honor.” The man never once looked up.

The crowd let out a cry. I could not tell at first if it was of joy or outrage, but I soon saw to some small pleasure that the mob had taken my part. Rubbish once more took to the air. Men were on their feet in the back, shouting of injustice, popery, and absolutism.

“Have you anything to say before sentence is passed?” the judge asked me over the din. He appeared eager to press on with his business and depart as quickly as he could, without troubling himself to restore order. I must have thought on his question for an instant too long, for he banged his gavel and said, “Very well, then. Given the seriousness and cruelty of this crime, I can see no reason for leniency, not when there are so many Jews in this city. I cannot stand by and nod my approval, telling the members of your race that they may kill Christians as they see fit. I sentence you, Mr. Weaver, to be hanged for the most horrible crime of murder. This punishment shall be carried out at the next hanging day, six weeks hence.” He again banged the gavel, stood up, and exited the courtroom, flanked by a quartet of bailiffs.

In an instant a pair of these worthies were at my side to lead me back to Newgate prison. Though my death had just now been ordered, my first thoughts were not on the terrors of facing eternity but on the indignity of being carted off by these roughs.

And then, in a flash, the enormity of what had happened pressed itself on me. I had been convicted of murder and sentenced to die. I had committed crimes in my time- and hanging crimes too- but the unfairness of this conviction made me dizzy with rage. In the benches my friend Elias Gordon shouted that this injustice would not stand. My uncle called to me, telling me that he would use all the influence he could muster to intervene on my behalf. But their words buzzed distantly in my ears. I heard them but did not hear them.

I felt the bailiffs pull me away, a firm grip on either arm. My muscles began to tighten, and for a moment I thought of attempting to break free. Why should I not? I could overpower these men. What rule had the law over me, now that it had so abused me?

But then there she was, directly in front of us, the woman with the yellow hair. Her pretty face was now red and raw. Tears poured from her eyes. “Oh, Benjamin,” she screamed, “don’t leave me! I’ll die without you!”

This outcome seemed to me unlikely, since she had lived her entire life thus far without me, and that condition had done nothing but leave her hale and healthy. Nevertheless, there could be no easy refutation of the force of her emotion. She threw herself at me, wrapped her hands around my neck, and covered my face with kisses.

I should have been delighted to receive the attentions of so fine a woman under other circumstances- circumstances, let us say, that did not involve my death having just been mandated by law- but here I could only stare in confusion. The woman, now pushed back by the bailiffs, began to wail and cry of injustice. And then she turned just so, a masterfully natural turn that any tumbler or posturer at Bartholomew Fair might envy. Now the creaminess of her breasts, exposed to no small degree by the cheerful cut of her bodice, brushed against the hands of one of my keepers.

Distracted and delighted and perhaps discomfited too, the bailiff paused in mid motion, turning red in the face. The woman appeared to pause as well. She leaned forward just enough to press her skin against his hand. The bailiff stared at his hand and the flesh it touched. His companion bailiff stared as well, envious that fate had ordained this less deserving hand to find favor with the lady’s bosoms. In that moment of confusion, she, with the dexterity of a cutpurse, slipped something into my hand. Some things, I should say, for I could tell in an instant that there were two objects, and I heard the clean note of their music as they clanked together- cold hand hard and sharp.

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